Posts tagged “united kingdom

Eurovision 2017 Grand Final Recap and Podcast

Hello Dear Viewers!

Well, there you have it – the 62nd edition of Europe’s Favorite TV Show is in history books. Wow, wow, wow – and quite a bit of history was made! First, a brief recap of our Top Ten:

  1. Portugal
  2. Bulgaria
  3. Moldova
  4. Belgium
  5. Sweden
  6. Italy
  7. Romania
  8. Hungary
  9. Australia
  10. Norway

In case you were wondering, I was 7 for 10 for predicting the Top Ten finishers. I predicted that the UK, Armenia, and Azerbaijan would all make the Top Ten, and they did not. Hungary, Norway, and Australia all got in there instead.

Some Historic Markers:

  • This is Portugal’s first ever victory. Until this year, Portugal had the record with most entries without a victory (this was their 49th attempt across 53 years); a mantle that now passes to Cyprus who has now competed 34 times without a win.
  • This is the first completely non-English song to win Eurovision since 2007 and only the third since the start of the televoting era (1998 – Israel, 2007 – Serbia).
  • This is also Bulgaria and Moldova’s highest ever placings. Previously, Bulgaria’s best finish was last year with 4th place with If Love Was a Crime performed by Poli Genova (her second time representing the country). Moldova’s best finish was back in 2005 when it debuted and finished 6th with Boonika Bate Doba performed by Zdub şi Zdub (their first time representing the country).
  • Speaking of Bulgaria, this is the third time Kristian Kostov has come runner-up in a major competition, having done so previously on The Voice: Kids in Russia and on X-Factor Bulgaria.
  • Sweden extends its Top Ten streak to four. Australia and Belgium extend theirs to three. Bulgaria starts a streak with its second consecutive Top Ten finish.
  • This is Spain’s fifth last place finish. It also stops Germany’s last place streak at two.

My Reactions:

  • Pleasant Surprises: I’m happy to see so many songs of high quality in the Top Ten, particularly Portugal, Bulgaria, Belgium, Italy, and Hungary. Even moreso, I’m so happy that three of the four non-English songs finished in the Top Ten and that France, which had a 50/50 song, finished in a respectable twelfth.
  • Disappointments: Moldova is a lot of fun, but I really did not want it to finish so high. It is also disappointing that the UK finished so low (though, its best in quite a few years); Denmark’s low placing is also quite disappointing given how strong its song was.
  • Biggest Shock: The huge discrepancy between jury and televote for Australia – 171 from the juries, but only 2 from the televote. Yet, it still finished in the Top Ten. Hmmm…this is a bit crazy, another argument to have the juries score the same performances as the televoters to avoid this kind of situation in the future.
  • Happiest Non-Surprises: Belgium’s success was brilliant! Fourth place, some argue is too low, but I think is a great finish for a fantastic song. Spain came last – the song was poor and poorly performed AND it helped Germany break its last place streak.

What a fantastic show! Below is my podcast with DizzyDJC. Check back this time next week for my final wrap-up post, including my Annual Awards! As well as some exciting news about the future of the site! See you all soon!

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Eurovision 2017 – Grand Final Live Notes!!

Hello Dear Readers and Welcome to the live notes for the Grand Final of Eurovision 2017!!! Kyiv hosts the 62nd edition after previously hosting the 50th back in 2005. Tonight, 26 songs battle it out to be crowned the victor – but who will win?

Bulgaria, at least, that is my pre-show prediction. I think the rest of the Top Ten will be comprised of: The Netherlands, Italy, Belgium, Denmark, United Kingdom, Armenia, Azerbaijan, Sweden, and Romania. That can (and probably will) change after we see the 26 performances tonight, but those are my thoughts heading into the show.

**Be sure to keep refreshing the page to see my notes as they appear.

Also, if you’re new or just want some info about this year’s Contest, you can find my ESC Notes and Country Profiles here!

On to the show!!!

Parade of Nations

I still think this is a pointless exercise. But the sparks and the effect of them appearing seemingly out of nowhere is pretty cool.

Opening Act

Boo!! No opening act. Another reason to get rid of the parade of nations.

On to the songs!

01 Israel I Feel Alive

IMRI sounds really off tonight. The dancing is on point, though. Oh, just when I thought he had righted the ship, he misses the big note.

02 Poland Flashlight

I’m guessing Poland didn’tfinish too high on Tuesday to be assigned the cursed #2 spot. This seems less emphatic and enthusiastic than on Tuesday. Still good, though. Especially that last note!

03 Belarus Historyja Majho Žyccia/Story of My Life

So much fun!! They are so into this — definitely taking hold of this moment. Ha – she almost fell! Very good performance; they definitely gave it their all.

04 Austria Running on Air

He sounds WAY better than Thursday night. Still not good enough to make a big impact, but he should definitely be proud with how he did tonight.

05 Armenia Fly with Me

Another fantastic performance from Artsvik – listen to the crowd reaction! Definitely going to the Top Ten.

06 The Netherlands Lights and Shadows

Uh oh, someone seems to be flat. It sounds, like, she is sick, maybe? But they still sound great — their harmonies are just a little less tight than usual.

07 Moldova Hey, Mamma!

Still fun, still exciting, still not going to get into the Top Ten. But I think they’ll finish better than they did in 2010 (22nd place).

08 Hungary Origo

He seems markedly less nervous and has better pacing than on Thursday. Wow! You can feel his passion burning in that rap verse. This could do better than I thought; I probably still not Top Ten, though.

09 Italy Occidentali’s Karma

Our first major contender of the night, let’s see how this goes. Still do not understand the hype. I just don’t. Maybe there’s something about seeing it in person? But my god, the crowd sounds like they’re about to go marching forth.

10 Denmark Where I Am

Stronger than Tuesday, for sure, but still not at the level of her DMGP performance. Definitely good enough for a Top Ten finish, I think, though.

11 Portugal Amar Pelos Dois

Amazing! I just got goosebumps! Even better with Tuesday. He even fixed the part where he backed too far away and wasn’t picked up by the mic. Loved it! Oh, it might actually win. It is number two in the betting odds.

Speaking of odds sitting at third is Bulgaria, which is second-last in the running order tonight.

That was an awesome joke “(from Twitter) ‘I can’t believe in a few hours it will all be over and we’ll be wondering what to do with the rest of our lives.’ (Host) ‘Us, too.'”

12 Azerbaijan Skeletons

Better than Tuesday, but still not good enough to seriously contend for victory. I think Azerbaijan will, however, easily be waltzing back into the Top Ten.

13 Croatia My Friend

I still think this staging comes off as silly. Well, less impressive with the stronger competition ahead of him. He sounded great – it’s just a terrible song.

14 Australia Don’t Come Easy

Definitely better than Tuesday — WAY better! But still a lot of missed notes. There are too many strong songs tonight for this to do well.

15 Greece This is Love

Yikes! That was a big note to miss. I didn’t notice that before, the dancer on the left is also a backing singer. Yikes – she missed another note at the end of a verse. Nope – not going to be Greece’s triumphant return to the Top Ten, but not last place either, so, good?

16 Spain Do It for Your Lover

And if you had any doubts about the vocals being live, that cracked note is your proof. I bet Germany is happy because now they may not get last.

17 Norway Grab the Moment

He sounds spot on tonight. Really good – only makes me like this song more. Perhaps it’ll finish in the 11-15 range. Good, but not great in a year of strong competitors.

Hahahaha! Måns! I love this host-training montage.

18 United Kingdom Never Give Up on You

A love ballad from the UK to Eurovision, haha. Very well done, I see why this song shot up the betting odds over the course of the week. Wow! The UK just might find itself back in the Top Ten.

19 Cyprus Gravity

Why is he so flat? I still think that this staging is oh so very weak compared to what it could be. Even just one silks dancer would have been amazing. At least his vocals seemed to have leveled out.

20 Romania Yodel It!

Ugh, this song is so bad. At least their performance is still good. I can’t believe that this song will probably do well tonight. Hopefully, it will be no where close to the top spot.

21 Germany Perfect Life

This is an average song that is staged quite poorly. Maybe she has done enough to beat out Spain and avoid being the third straight last place finish for Germany.

22 Ukraine Time

This gets two bumps 1) for being from the host country and 2) for being this year’s only rock song. It is alright. I think we’ve heard better ones through the years. But, despite the supercreepy head on stage with them, they did a good job and will probably finish in the 11-15 range.

23 Belgium City Lights

She still looks kind of scared – so, I guess that’s just how she looks. Despite the fear in her eyes, I think she still has a commanding presence on stage. She forces you to pay attention. Well done! Belgium back to the Top Ten!

24 Sweden Can’t Go On

I keep forgetting that he is purposefully singing gravely and low – I think it’s supposed to be sexy. This song is just obnoxious, though. I know Sweden is trying to protect its Top Ten streak (three in a row, including a winner), but this song does not deserve to be in the Top Ten. There are so many more that have greater artistic value (for example: Hungary, Belgium, Portugal) or more genuine performances (for example: Croatia, Romania, the Netherlands) that deserve that spot more.

25 Bulgaria Beautiful Mess

He’s behind Italy and Portugal in the betting odds, but not by much. He needs to bring his top performance if he hopes to win — performing so close to the end does not guarantee a strong placing (just ask the UK). Wow! Started a bit shaky, but he definitely finished strong! Is it enough to win? I’m not sure. Portugal, UK, and Belgium all gave pretty amazing performances as well of their strong songs. Not to mention that Italy sounds like he raised an army with his. We’ll see, it should be close!

26 France Requiem

I am so confused by France’s staging. Why is she alone and without dancers? Is everything spinning? She is stunningly beautiful, though. Hmmm, maybe not enough for the Top Ten, but should finish with a respectable position.

 

And there you have it! One of these 26 songs will be our new champion. But who will it be?!

Well, I think that it will come down to Bulgaria, Portugal, Italy, and the UK. Which, I guess, isn’t too surprising. I think these had the best performances tonight and captured audience interest while also garnering jury support. I think Italy will be super popular among the televoters while Portugal and the UK will be favorites among the jury. Ultimately, I think one song will garner enough support from both to claim victory: Bulgaria. I know, boring that my prediction has not changed, but I still think that this song has what it takes to win. And I think it will be quite close, with Portugal coming second within a reasonable margin.

So, who do I think will be in the Top Ten?

  1. Bulgaria

  2. Portugal

  3. Belgium

  4. Italy

  5. United Kingdom

  6. Belgium

  7. Romania

  8. Sweden

  9. Armenia

  10. Azerbaijan

And, who were my ten favorites from tonight?

  1. Hungary

  2. Armenia

  3. Belgium

  4. Portugal

  5. Bulgaria

  6. United Kingdom

  7. Denmark

  8. France

  9. Norway

  10. Poland

Voting Entertainment/ Interval, I guess

While I think Ruslana, contemporary-traditional Ukrainian fusion music, and Jamala were all super awesome — I don’t understand why this is happening during voting. This is why shows keep running over, because they try to do a thousand things. I bet Jamala is going to be the Interval Act – adding yet more time. This should be a tight, three-hour show. Let last year’s winning artist (in this case, Jamala) open the show with a reprise and whatever new single they are hoping to promote (and get rid of the parade of nations), keep the voting to a tight 15 minutes, and move the entertainment back to the interval act, which can be shorter thanks to the fact that fan votes can continue to be verified while the jury votes are provided. It just doesn’t make sense.

LET THE VOTING BEGIN!! Here are the jury votes!

Sweden – Whoa! Sweden gave its twelve to Portugal. That’s highly unexpected (and no points for Norway) Portugal will either run away with these points or fall flat

Azerbaijan – No Russia, now to its twelve goes to…Belarus.

San Marino – more points to Portugal

Latvia – and the points continue for Portugal

OMG IBA from Israel is shutting down! Bombshell announcement live on air! Maybe Morocco and Lebanon will finally return?

Israel – Another 12 to Portugal

Montenegro – 12 to Greece

Albania – 12 points to Italy

Malta – surprise, instead of the UK their 12 goes to Italy

Macedonia – first 12 for Bulgaria

It’s going to be interesting to see where points from the former USSR will go without Russia. And from the former Yugoslav with Croatia being the group’s only representative.

Denmark – 12 to Sweden. surprise, surprise

Austria – 12 points to the Netherlands. Interesting

Norway – 12 to Bulgaria (and not Denmark or Sweden, surprisingly)

Spain – 12 to…Portugal (no surprise)

Finland – 12 points to Sweden (no surprise)

France – 12 points to Portugal (much to Belgium’s chagrin – zero points from their French friends)

Greece – 12 points to Cyprus (no surprise)

Lithuania – 12 points to Portugal (yea, I’m sensing a runaway)

Estonia – 12 points to Bulgaria (keeping them in the realm of closeness)

Moldova – 12 points to (let me guess….) Romania — no surprise.

Armenia – 12 points to Portugal!

Time for a breather – wow so fast, these votes! I think Portugal will handily win the Jury. The question is, how will it do with the televote?

Bulgaria – 12 points to Austria? That was unexpected. Strategic?

Iceland – 12 points to Portugal. Oh yeah, two out of four Nordic countries, definitely going to win the jury vote.

Serbia – 12 points to Portugal

Australia – 12 points to (the UK?) Yep. First time they sent 12 points to the motherland, fyi

Italy – 12 points to Azerbaijan?! Huh. Strategic?

Germany – 12 points to Norway – interesting

Portugal – 12 points to Azerbaijan! Interesting…strategic?

Switzerland  – another 12 points to Portugal

The Netherlands – 12 points to (wait! only 2 points to Belgium?!) Portugal

Ireland – 12 points to Belgium! (can’t think of the last time Ireland gave 12 points to the UK)

Georgia – 12 points to Portugal!

Cyprus – 12 points to Greece (I love how the spokesperson even knew that everyone already knew that their points were going to Greece)

Belarus – 12 to Bulgaria (benefiting from the lack of Russia, I bet)

Romania – 12 points to (Italy?) the Dutch! wow wow!

Hungary – 12 points to Portugal! Maintain the lead, but its definitely not as thick as it was. But, win or not, Portugal will definitely get its best ever placing tonight.

Slovenia – 12 points to Portugal

Belgium – 12 points to Sweden – that was highly unexpected

Poland – 12 points to Portugal!

United Kingdom – (yes, Katrina, we all know who you are) 12 points to Portugal!

Croatia – 12 points to Hungary – well deserved, I’d say

Czechia – 12 points to Portugal, 94 points ahead of Bulgaria

Ukraine – final 12 points from the juries – 12 points to Belarus! Whoa!

Portugal has won the jury votes by 104 points, leading Bulgaria who is 60 points ahead of Sweden. Australia led Ukraine by 109 at this point last year.

Televote!

Spain is saved from null point land!

And there goes the UK’s shot at the Top Ten

A lot of interesting televote points…And a lot of low point values. All the ones outside the top ten of the televote have fewer than 90 points

France got 90 points

Croatia got 103 points

126 points to Sweden

152 to Hungary – and quite the jump!

Italy – 208 WOW!!! Way underperforming for the bookie and fan favorite going into the Contest

Romania – is next with a sizeable jump

Portugal, Bulgaria, Moldova, and Belgium left to receive points

255 points to Belgium (WOW – how many points did Moldova get?!)

264 points and third in the televote to Moldova

Bulgaria v. Portugal

337 points to Bulgaria

MEANING THAT PORTUGAL HAS WON (with an addition 376 points)

WOW Our first new winner since 2011 (Azerbaijan) and PORTUGAL’s first ever victory!!! It took 49 attempts and a lot of shame, but Portugal has finally won. It is no longer the country with the most participations without a victory (Cyprus now takes that helm with 30 participations without a win). Congratulations and next year in Lisbon! Also, great job Ukraine, after a lot of confusion and craziness, you put on a fantastic show!

Awww, he has his sister (who wrote and composed the song) up there with him to sing the winner’s reprise as a duet with him. A beautiful moment for a beautiful song. A well-deserved, well-earned victory for Portugal.

Check back tomorrow for our wrap-up podcast with DizzyDJC as well as my wrap-up article about the Grand Final.

 

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Eurovision 2017 Song Reviews (Finally!) – Automatic Qualifiers

Hello Dear Readers!

Only six more reviews for this year! Among the Big Five, there seems to be a sharp divide between title contenders and bottom-dwellers.

Automatic Qualifiers

 

Country

Performing Artist

Song

Selection*

 

Ukraine

O.Torvald

Time

Televised

Thoughts:

This will benefit from being the only rock song this year and the hometown entry. I think the song is alright, but definitely distinctive. I don’t think it will get in the Top Ten, but will definitely outperform the 19th place Ukraine got back in 2005 (the last time we were in Kyiv).

 France

Alma

Requiem

Internal

Thoughts:

So whimsical! I rather enjoy this song and could definitely help France repeat in the Top Ten (and possibly, dare I say, contend for the crown!). The splash of English in the refrain is just the right amount, much like last year. Though, if France is serious about winning, than it needs to ensure to give Requiem the staging it deserves (as I’ve discussed previously).

 Germany

Levina

Perfect Life

Televised

Thoughts:

Germany followed my recommendation to return to the original Ünser Star format. Ultimately, after defeating other contenders, Levina competed against herself with two songs in the final show’s super-final. This one is cheerful, but not all that interesting. Won’t be last place, but definitely not going to win.

Italy

Francesco Gabbani

Occidentali’s Karma [Westerner’s Karma]

Televised

Thoughts:

A thoroughly intellectual song (give the lyrics a read) about the futility of Westerners trying to adapt Eastern customs that are at odds with Western values. I think the song is okay, but in just the brief glimpses of what I’ve seen online, this is a heavy favorite to win right now.

Spain

Manel Navarro

Do it for Your Lover

Televised

Thoughts:

Another controversy for a Spanish entry (this is the jury’s favorite and went against the fan’s favorite). This song is…very California…and lazy…and lame. It’s overly repetitive to the point of being boring.

United Kingdom

Lucie Jones

Never Give You Up on You

Televised

Thoughts:

Probably the most popular (among the British) entry in at least a decade. It’s a bit drab and uninspired to me, but at least it’s another contemporary song despite last year’s stumble. It sounds like it could be a radio hit.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

So, who do I think will finish in the Top Ten? How would I rank these songs?

Predicted Top Ten Finishers
(In alphabetical order)

My Top 6
(Starting with my most favorite)

France

France

Italy

Germany

Ukraine

Italy

United Kingdom

Spain

More importantly, who do I think will be competing for the crown?

France – Probably my favorite song this year, this song will most definitely build upon last year’s success – especially if it is given a proper staging. This song is distinctly French, yet still accessible. It is catchy and fun and whimsical without seeming childish or simple.

Italy – The other big fan favorite along with Belgium, thus far. Interesting staging, intelligent lyrics, and sung in the much-loved Italian language. And, unlike several other Italian performers, Gabbani actually seems like he wants to win and bring the Contest back to Italy (maybe they’ll host it in Milan or Palermo this time around).

Missed by previous review posts? Find them here:

First Semi-Final: First Half, Second Half

Second Semi-Final: First Half, Second Half

Don’t forget to come back tomorrow to see my summary post and get my first prediction for who will ultimately win in May.

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Analyzing the Big Five: The United Kingdom

Hello Dear Readers!

The United Kingdom remains the most successful country in the ESC despite recent history. It is tied for third most wins at five (with France and Luxembourg), an astounding 15 second places, and a total of 10 other top five finishes. Since 2006, though…..not so much.

Recent History
2006 – 19th place with “Teenage Life” performed by Daz Sampson
2007 – 22nd place with “Flying the Flag (for You)” performed by Scooch
2008 – Last (25th) place with “Even If” performed by Andy Abraham
2009 – 5th place with “My Time” performed by Jade Ewan
2010 – Last (25th) place with “That Sounds Good to Me” performed by Josh Dubovie
2011 – 11th place with “I Can” performed by Blue
2012 – 25th place with “Love will Set You Free” performed by Englebert Humperdinck
2013 – 19th place with “Believe in Me” performed by Bonnie Tyler
2014 – 17th place with “Children of the Universe” performed by Molly Sterling-Downes
2015 – 24th place with “Still in Love with You” performed by Electro Velvet
2016 – 24th place with “You’re Not Alone” performed by Joe & Jake

British Flag MapFrom legendary singers that couldn’t stand out in the crowd, songs that stood too out too much for the wrong reasons, and pulling a proven hits-maker out of retirement to write a song, the best the BBC has done was on the back of Andrew Lloyd Weber, one of the most influential and important composer of the modern era thanks to his prolific career creating musicals, who decided that it was time for the UK to do well again back in 2009. Blue was supposed to do well, but utterly destroyed their chances during the jury final. In 2014, the UK was a legitimate contender to win, only to finish a distant 18th place.

So, what has gone wrong?
The UK suffers from two primary issues:
First, the BBC (and by extension, the populace) still view the Contest as being stuck in the 1980s/1990s. ESC coverage tends to pull footage from these years and many of the songs sent reflect this era in either the campiness (2006, 2007, 2015) or style (2008, 2010, 2012, 2013). Personally, I like these songs (particularly 2015 and 2012), but they’re entries that win the modern Contest. 2009, while old-fashioned, was powerfully sung (which makes a big difference) and had Andrew Lloyd Webber.

Second, when the UK does send a contemporary song, they hurt themselves through not taking it seriously (2011) or in having a rather odd staging (2013). 2016 was widely seen as the BBC’s best entry in years, but failed, in part, due to a staging that downplayed the playfullness of the song and didn’t do enough to connect the visuals with the message of the lyrics.

How can the UK improve in 2017?
United KingdomWell, the BBC has the power, influence, and money to land just about any artist who is not currently on the Top 100 chart. Additionally, with as much whining as the BBC does about the Contest being too “political,” the Beeb never makes a politically-driven choice for its representative. This needs to change; the BBC complains about the way the game has evolved without ever changing its tactics – that needs to end in Ukraine. This is particularly crucial as Europe will still be bitter about the Brexit, which should be in full swing by this May, as every EU country (except Luxembourg) competes in the ESC. Additionally, one of the biggest stories out of Britain as a result of the Brexit has been the severe increase in xenophobic (that’s anti-immigrant, anti-foreigner) and racist speech and actions across many areas of England (and, presumably, the rest of the UK). The BBC must select an entry that shows that it (1) still loves Europe, (2) affirms its positive relationship with the Continent, and (3) reinforces a commitment to diversity.

With that in mind, I think the BBC has two options.

First option: Show their love of Europe by choosing an artist that comes from the most European part of the British Realm: Gilbraltar. Not only that, but celebrate diversity by having the song performed, at least in part, in Llanito (an English-Spanish hybrid language native to the region). In terms of a specific artist, Surianne comes to mind. She is an established artist that, while having several hits in the past, might currently be looking for a new opportunity to share her music with Europe. Having her represent the UK can show the Continental side of the country and provide an opportunity for the first non-English entry in UK history. Check out her biggest hit, Stronger Than Before as well as her newest single, Hold On produced by Mikki Nielsen.

Second option: choose an artist, or collection of artists, that can bring a song too good to ignore. I would recommend Naughty Boy and Emeli Sandé. Not only would it bring a united England-Scotland partnership to the stage (which is important for both the UK and the world to see), but both artists are well-known without being so big (or busy) that they would turn down money from the BBC and the opportunity to be on stage. Both artists are also racial minorities; they’re the children of immigrants, but both are Britons; they would send an important message of diversity, not just to the UK but to Europe/the world as every country struggles with racism and xenophobia. Musically, we also know that Naughty Boy has produced, not just fun club stuff, but legitimate artistic pieces – just check out his single from 2015 Runnin’ (Lose it All) featuring Beyoncé and Arrow Benjamin – both the song and music video are powerful. Emeli Sandé is a powerful singer and big in her own right, just check out her biggest single Next to Me or her version of Crazy in Love from the Great Gatsby soundtrack. And, the two have done great work together; Naughty Boy produced a large portion of Sandé’s debut album and she was featured on several tracks of his.

What’s the worst thing the UK can do?

Essentially, the worst thing for the UK is to keep doing what they have been doing. While it can be good to have newly discovered, young talent, unless you have Simon Cowell (or an equally as prolific producer) molding them in his image, they will not develop into strong contenders. In 2009,  Jade Ewen was the winner of the national talent search to find a singer and had Andrew Lloyd Weber to mentor her – finishing in the Top Ten. The following year, the BBC tried to replicate the process with Josh Dubovie, who was mentored by 80s-pop producer team Stock & Waterman who lacked the same vigor as Lloyd Weber – the song came last. Unfortunately, 2014-2016 have followed the 2010 paradigm of choosing a new talent, giving them an uninspired pop song, and then blaming their lack of achievement on politics and bloc voting. Sticking to this pattern will result in the same, low place for the UK.

Additionally, I know that it is British culture to rail against everything, but it would behoove the BBC to do a big, positive publicity push, as well. It’s hard to do well when the dominant narrative from your own country about your entry is overwhelmingly negative. The BBC is a media outlet, surely they can do a better job at controlling the narrative than they have been. The last two years, the British media and public have been particularly harsh on the British entries, despite the fact that both were distinctive and showed that the BBC was finally ready to take risks. Eurovision success will only come with a shift in the cultural perspective towards Eurovision – which the BBC must lead.

 

What do you think? Will the BBC listen to my advice and send a strategic entry to Eurovision? Or will the UK continue to try the same things and expect different results? And, more importantly, how can it garner more points from Ireland and Australia?

Be sure to check out my analyses on the other Big Five countries!

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