Posts tagged “Ukraine

Eurovision 2017 – Grand Final Live Notes!!

Hello Dear Readers and Welcome to the live notes for the Grand Final of Eurovision 2017!!! Kyiv hosts the 62nd edition after previously hosting the 50th back in 2005. Tonight, 26 songs battle it out to be crowned the victor – but who will win?

Bulgaria, at least, that is my pre-show prediction. I think the rest of the Top Ten will be comprised of: The Netherlands, Italy, Belgium, Denmark, United Kingdom, Armenia, Azerbaijan, Sweden, and Romania. That can (and probably will) change after we see the 26 performances tonight, but those are my thoughts heading into the show.

**Be sure to keep refreshing the page to see my notes as they appear.

Also, if you’re new or just want some info about this year’s Contest, you can find my ESC Notes and Country Profiles here!

On to the show!!!

Parade of Nations

I still think this is a pointless exercise. But the sparks and the effect of them appearing seemingly out of nowhere is pretty cool.

Opening Act

Boo!! No opening act. Another reason to get rid of the parade of nations.

On to the songs!

01 Israel I Feel Alive

IMRI sounds really off tonight. The dancing is on point, though. Oh, just when I thought he had righted the ship, he misses the big note.

02 Poland Flashlight

I’m guessing Poland didn’tfinish too high on Tuesday to be assigned the cursed #2 spot. This seems less emphatic and enthusiastic than on Tuesday. Still good, though. Especially that last note!

03 Belarus Historyja Majho Žyccia/Story of My Life

So much fun!! They are so into this — definitely taking hold of this moment. Ha – she almost fell! Very good performance; they definitely gave it their all.

04 Austria Running on Air

He sounds WAY better than Thursday night. Still not good enough to make a big impact, but he should definitely be proud with how he did tonight.

05 Armenia Fly with Me

Another fantastic performance from Artsvik – listen to the crowd reaction! Definitely going to the Top Ten.

06 The Netherlands Lights and Shadows

Uh oh, someone seems to be flat. It sounds, like, she is sick, maybe? But they still sound great — their harmonies are just a little less tight than usual.

07 Moldova Hey, Mamma!

Still fun, still exciting, still not going to get into the Top Ten. But I think they’ll finish better than they did in 2010 (22nd place).

08 Hungary Origo

He seems markedly less nervous and has better pacing than on Thursday. Wow! You can feel his passion burning in that rap verse. This could do better than I thought; I probably still not Top Ten, though.

09 Italy Occidentali’s Karma

Our first major contender of the night, let’s see how this goes. Still do not understand the hype. I just don’t. Maybe there’s something about seeing it in person? But my god, the crowd sounds like they’re about to go marching forth.

10 Denmark Where I Am

Stronger than Tuesday, for sure, but still not at the level of her DMGP performance. Definitely good enough for a Top Ten finish, I think, though.

11 Portugal Amar Pelos Dois

Amazing! I just got goosebumps! Even better with Tuesday. He even fixed the part where he backed too far away and wasn’t picked up by the mic. Loved it! Oh, it might actually win. It is number two in the betting odds.

Speaking of odds sitting at third is Bulgaria, which is second-last in the running order tonight.

That was an awesome joke “(from Twitter) ‘I can’t believe in a few hours it will all be over and we’ll be wondering what to do with the rest of our lives.’ (Host) ‘Us, too.'”

12 Azerbaijan Skeletons

Better than Tuesday, but still not good enough to seriously contend for victory. I think Azerbaijan will, however, easily be waltzing back into the Top Ten.

13 Croatia My Friend

I still think this staging comes off as silly. Well, less impressive with the stronger competition ahead of him. He sounded great – it’s just a terrible song.

14 Australia Don’t Come Easy

Definitely better than Tuesday — WAY better! But still a lot of missed notes. There are too many strong songs tonight for this to do well.

15 Greece This is Love

Yikes! That was a big note to miss. I didn’t notice that before, the dancer on the left is also a backing singer. Yikes – she missed another note at the end of a verse. Nope – not going to be Greece’s triumphant return to the Top Ten, but not last place either, so, good?

16 Spain Do It for Your Lover

And if you had any doubts about the vocals being live, that cracked note is your proof. I bet Germany is happy because now they may not get last.

17 Norway Grab the Moment

He sounds spot on tonight. Really good – only makes me like this song more. Perhaps it’ll finish in the 11-15 range. Good, but not great in a year of strong competitors.

Hahahaha! Måns! I love this host-training montage.

18 United Kingdom Never Give Up on You

A love ballad from the UK to Eurovision, haha. Very well done, I see why this song shot up the betting odds over the course of the week. Wow! The UK just might find itself back in the Top Ten.

19 Cyprus Gravity

Why is he so flat? I still think that this staging is oh so very weak compared to what it could be. Even just one silks dancer would have been amazing. At least his vocals seemed to have leveled out.

20 Romania Yodel It!

Ugh, this song is so bad. At least their performance is still good. I can’t believe that this song will probably do well tonight. Hopefully, it will be no where close to the top spot.

21 Germany Perfect Life

This is an average song that is staged quite poorly. Maybe she has done enough to beat out Spain and avoid being the third straight last place finish for Germany.

22 Ukraine Time

This gets two bumps 1) for being from the host country and 2) for being this year’s only rock song. It is alright. I think we’ve heard better ones through the years. But, despite the supercreepy head on stage with them, they did a good job and will probably finish in the 11-15 range.

23 Belgium City Lights

She still looks kind of scared – so, I guess that’s just how she looks. Despite the fear in her eyes, I think she still has a commanding presence on stage. She forces you to pay attention. Well done! Belgium back to the Top Ten!

24 Sweden Can’t Go On

I keep forgetting that he is purposefully singing gravely and low – I think it’s supposed to be sexy. This song is just obnoxious, though. I know Sweden is trying to protect its Top Ten streak (three in a row, including a winner), but this song does not deserve to be in the Top Ten. There are so many more that have greater artistic value (for example: Hungary, Belgium, Portugal) or more genuine performances (for example: Croatia, Romania, the Netherlands) that deserve that spot more.

25 Bulgaria Beautiful Mess

He’s behind Italy and Portugal in the betting odds, but not by much. He needs to bring his top performance if he hopes to win — performing so close to the end does not guarantee a strong placing (just ask the UK). Wow! Started a bit shaky, but he definitely finished strong! Is it enough to win? I’m not sure. Portugal, UK, and Belgium all gave pretty amazing performances as well of their strong songs. Not to mention that Italy sounds like he raised an army with his. We’ll see, it should be close!

26 France Requiem

I am so confused by France’s staging. Why is she alone and without dancers? Is everything spinning? She is stunningly beautiful, though. Hmmm, maybe not enough for the Top Ten, but should finish with a respectable position.

 

And there you have it! One of these 26 songs will be our new champion. But who will it be?!

Well, I think that it will come down to Bulgaria, Portugal, Italy, and the UK. Which, I guess, isn’t too surprising. I think these had the best performances tonight and captured audience interest while also garnering jury support. I think Italy will be super popular among the televoters while Portugal and the UK will be favorites among the jury. Ultimately, I think one song will garner enough support from both to claim victory: Bulgaria. I know, boring that my prediction has not changed, but I still think that this song has what it takes to win. And I think it will be quite close, with Portugal coming second within a reasonable margin.

So, who do I think will be in the Top Ten?

  1. Bulgaria

  2. Portugal

  3. Belgium

  4. Italy

  5. United Kingdom

  6. Belgium

  7. Romania

  8. Sweden

  9. Armenia

  10. Azerbaijan

And, who were my ten favorites from tonight?

  1. Hungary

  2. Armenia

  3. Belgium

  4. Portugal

  5. Bulgaria

  6. United Kingdom

  7. Denmark

  8. France

  9. Norway

  10. Poland

Voting Entertainment/ Interval, I guess

While I think Ruslana, contemporary-traditional Ukrainian fusion music, and Jamala were all super awesome — I don’t understand why this is happening during voting. This is why shows keep running over, because they try to do a thousand things. I bet Jamala is going to be the Interval Act – adding yet more time. This should be a tight, three-hour show. Let last year’s winning artist (in this case, Jamala) open the show with a reprise and whatever new single they are hoping to promote (and get rid of the parade of nations), keep the voting to a tight 15 minutes, and move the entertainment back to the interval act, which can be shorter thanks to the fact that fan votes can continue to be verified while the jury votes are provided. It just doesn’t make sense.

LET THE VOTING BEGIN!! Here are the jury votes!

Sweden – Whoa! Sweden gave its twelve to Portugal. That’s highly unexpected (and no points for Norway) Portugal will either run away with these points or fall flat

Azerbaijan – No Russia, now to its twelve goes to…Belarus.

San Marino – more points to Portugal

Latvia – and the points continue for Portugal

OMG IBA from Israel is shutting down! Bombshell announcement live on air! Maybe Morocco and Lebanon will finally return?

Israel – Another 12 to Portugal

Montenegro – 12 to Greece

Albania – 12 points to Italy

Malta – surprise, instead of the UK their 12 goes to Italy

Macedonia – first 12 for Bulgaria

It’s going to be interesting to see where points from the former USSR will go without Russia. And from the former Yugoslav with Croatia being the group’s only representative.

Denmark – 12 to Sweden. surprise, surprise

Austria – 12 points to the Netherlands. Interesting

Norway – 12 to Bulgaria (and not Denmark or Sweden, surprisingly)

Spain – 12 to…Portugal (no surprise)

Finland – 12 points to Sweden (no surprise)

France – 12 points to Portugal (much to Belgium’s chagrin – zero points from their French friends)

Greece – 12 points to Cyprus (no surprise)

Lithuania – 12 points to Portugal (yea, I’m sensing a runaway)

Estonia – 12 points to Bulgaria (keeping them in the realm of closeness)

Moldova – 12 points to (let me guess….) Romania — no surprise.

Armenia – 12 points to Portugal!

Time for a breather – wow so fast, these votes! I think Portugal will handily win the Jury. The question is, how will it do with the televote?

Bulgaria – 12 points to Austria? That was unexpected. Strategic?

Iceland – 12 points to Portugal. Oh yeah, two out of four Nordic countries, definitely going to win the jury vote.

Serbia – 12 points to Portugal

Australia – 12 points to (the UK?) Yep. First time they sent 12 points to the motherland, fyi

Italy – 12 points to Azerbaijan?! Huh. Strategic?

Germany – 12 points to Norway – interesting

Portugal – 12 points to Azerbaijan! Interesting…strategic?

Switzerland  – another 12 points to Portugal

The Netherlands – 12 points to (wait! only 2 points to Belgium?!) Portugal

Ireland – 12 points to Belgium! (can’t think of the last time Ireland gave 12 points to the UK)

Georgia – 12 points to Portugal!

Cyprus – 12 points to Greece (I love how the spokesperson even knew that everyone already knew that their points were going to Greece)

Belarus – 12 to Bulgaria (benefiting from the lack of Russia, I bet)

Romania – 12 points to (Italy?) the Dutch! wow wow!

Hungary – 12 points to Portugal! Maintain the lead, but its definitely not as thick as it was. But, win or not, Portugal will definitely get its best ever placing tonight.

Slovenia – 12 points to Portugal

Belgium – 12 points to Sweden – that was highly unexpected

Poland – 12 points to Portugal!

United Kingdom – (yes, Katrina, we all know who you are) 12 points to Portugal!

Croatia – 12 points to Hungary – well deserved, I’d say

Czechia – 12 points to Portugal, 94 points ahead of Bulgaria

Ukraine – final 12 points from the juries – 12 points to Belarus! Whoa!

Portugal has won the jury votes by 104 points, leading Bulgaria who is 60 points ahead of Sweden. Australia led Ukraine by 109 at this point last year.

Televote!

Spain is saved from null point land!

And there goes the UK’s shot at the Top Ten

A lot of interesting televote points…And a lot of low point values. All the ones outside the top ten of the televote have fewer than 90 points

France got 90 points

Croatia got 103 points

126 points to Sweden

152 to Hungary – and quite the jump!

Italy – 208 WOW!!! Way underperforming for the bookie and fan favorite going into the Contest

Romania – is next with a sizeable jump

Portugal, Bulgaria, Moldova, and Belgium left to receive points

255 points to Belgium (WOW – how many points did Moldova get?!)

264 points and third in the televote to Moldova

Bulgaria v. Portugal

337 points to Bulgaria

MEANING THAT PORTUGAL HAS WON (with an addition 376 points)

WOW Our first new winner since 2011 (Azerbaijan) and PORTUGAL’s first ever victory!!! It took 49 attempts and a lot of shame, but Portugal has finally won. It is no longer the country with the most participations without a victory (Cyprus now takes that helm with 30 participations without a win). Congratulations and next year in Lisbon! Also, great job Ukraine, after a lot of confusion and craziness, you put on a fantastic show!

Awww, he has his sister (who wrote and composed the song) up there with him to sing the winner’s reprise as a duet with him. A beautiful moment for a beautiful song. A well-deserved, well-earned victory for Portugal.

Check back tomorrow for our wrap-up podcast with DizzyDJC as well as my wrap-up article about the Grand Final.

 

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2017 Contender or Pretender!

Hello Dear Readers!

First, in the event that you missed last week’s post, here are my initial thoughts concerning the songs that I think have a legitimate shot at winning this year in Kyiv. This also included this year’s bracket for ESC Obsession’s Annual Eurovision Tournament.

ESC 2017 Tournament

And, if you are curious, here is my personal bracket based solely on my personal preferences.

Second, we come to our yearly Contender or Pretender series, where we look at the top ten countries in the betting odds and access whether they have a realistic chance of winning (contender) or if they are merely names without foundations (pretender). I took the top ten countries and randomly sorted them.

You’ll see them in this order:

Day One: Australia and Romania

Day Two: Bulgaria and Italy

Day Three: Portugal and Belgium

Day Four: Azerbaijan and Sweden

Day Five: Armenia and Ireland

Some notes: It has been interesting watching the movement in the betting odds. Per usual, Sweden and Italy are in the top ten. Azerbaijan seems to be back in the good graces of ESC while Armenia has made its typical late-season push towards the top of the odds. As shocking as it is to see countries like Belgium (perhaps, though, not so much after finishing in the top twelve in three out of the past four years), Portugal (when was the last time they were among the top in the betting odds?), and Bulgaria, I think the most shocking are Ireland and Australia. Both started in the low teens back in March (once all the songs were known). Both sneaked up the rankings while others slipped (France, Denmark, Greece, and Hungary are the next four, all of which were once in the top ten). Interestingly, Macedonia seems to have fallen the farthest; reaching about seventh in the betting odds before following to the low teens.

Stayed tuned! Each day this week, we’ll cover each of the ten entries at the top of the betting odds; analyzing their potential, identifying their shortcomings, and providing a verdict.

 

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Eurovision 2017 Song Reviews (Finally!) – Automatic Qualifiers

Hello Dear Readers!

Only six more reviews for this year! Among the Big Five, there seems to be a sharp divide between title contenders and bottom-dwellers.

Automatic Qualifiers

 

Country

Performing Artist

Song

Selection*

 

Ukraine

O.Torvald

Time

Televised

Thoughts:

This will benefit from being the only rock song this year and the hometown entry. I think the song is alright, but definitely distinctive. I don’t think it will get in the Top Ten, but will definitely outperform the 19th place Ukraine got back in 2005 (the last time we were in Kyiv).

 France

Alma

Requiem

Internal

Thoughts:

So whimsical! I rather enjoy this song and could definitely help France repeat in the Top Ten (and possibly, dare I say, contend for the crown!). The splash of English in the refrain is just the right amount, much like last year. Though, if France is serious about winning, than it needs to ensure to give Requiem the staging it deserves (as I’ve discussed previously).

 Germany

Levina

Perfect Life

Televised

Thoughts:

Germany followed my recommendation to return to the original Ünser Star format. Ultimately, after defeating other contenders, Levina competed against herself with two songs in the final show’s super-final. This one is cheerful, but not all that interesting. Won’t be last place, but definitely not going to win.

Italy

Francesco Gabbani

Occidentali’s Karma [Westerner’s Karma]

Televised

Thoughts:

A thoroughly intellectual song (give the lyrics a read) about the futility of Westerners trying to adapt Eastern customs that are at odds with Western values. I think the song is okay, but in just the brief glimpses of what I’ve seen online, this is a heavy favorite to win right now.

Spain

Manel Navarro

Do it for Your Lover

Televised

Thoughts:

Another controversy for a Spanish entry (this is the jury’s favorite and went against the fan’s favorite). This song is…very California…and lazy…and lame. It’s overly repetitive to the point of being boring.

United Kingdom

Lucie Jones

Never Give You Up on You

Televised

Thoughts:

Probably the most popular (among the British) entry in at least a decade. It’s a bit drab and uninspired to me, but at least it’s another contemporary song despite last year’s stumble. It sounds like it could be a radio hit.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

So, who do I think will finish in the Top Ten? How would I rank these songs?

Predicted Top Ten Finishers
(In alphabetical order)

My Top 6
(Starting with my most favorite)

France

France

Italy

Germany

Ukraine

Italy

United Kingdom

Spain

More importantly, who do I think will be competing for the crown?

France – Probably my favorite song this year, this song will most definitely build upon last year’s success – especially if it is given a proper staging. This song is distinctly French, yet still accessible. It is catchy and fun and whimsical without seeming childish or simple.

Italy – The other big fan favorite along with Belgium, thus far. Interesting staging, intelligent lyrics, and sung in the much-loved Italian language. And, unlike several other Italian performers, Gabbani actually seems like he wants to win and bring the Contest back to Italy (maybe they’ll host it in Milan or Palermo this time around).

Missed by previous review posts? Find them here:

First Semi-Final: First Half, Second Half

Second Semi-Final: First Half, Second Half

Don’t forget to come back tomorrow to see my summary post and get my first prediction for who will ultimately win in May.

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Eurovision: More Than Just…Politics

Hello Dear Readers!

As promised, the first of four posts in the series “Eurovision: More than just…”

The fallout from Ukraine’s victory last May is still resounding, particularly as the host broadcaster, The Public Broadcasting Company of Ukraine (UA:PBC) is struggling to complete preparations in a timely manner. The winning entry in Stockholm was 1944 performed by Jamala, who wrote the song based on the experiences of her great-grandmother who had to go through the forced migration of the Crimean Tatars by the USSR, even incorporating words from a Tatar folk song about the event as the chorus. Clearly, while this song is about a historical injustice, there are clear parallels to the 2014 invasion of Crimea by Russia. Despite Russia’s protest about the song being potentially political (which violates ESC rules), the argument made by NTU (UA:PBC’s former name) was that it was a song about history, not current politics. This was enough to allow the song to compete. There is also a history of other countries using Eurovision to send thinly veiled political messages, such as Armenia’s 2010 and 2015 entries that marked the 95th and 100th anniversaries of the Armenian genocide (and event that Turkey still denies). Many countries also send very blatant political songs about peace (Hungary 2015 is the first I think of) or saving the environment (Ukraine 2010 and Armenia 2013 both come to mind). And being political is not necessarily a bad thing. In fact, a role of music within our society is to express the narratives that we actually live with day to day. And for smaller countries in particular, Eurovision can be the rare opportunity to express themselves in a wide-scale venue (hence, why microstates like San Marino continue to compete). The guys at Overthinking It did a good job of discussing this.

But, we’re not here to discuss the merits of politics at Eurovision, but the ways in which the Contest transcends them. I am going to focus predominantly on the voting and coordination of the event as opposed to the music. Music is art and can take any direction it pleases. The more important aspect is how the EBU enforces its rules against politics and actions it supposedly takes to convey a political message.

Conspiracy Theories

So often, people dismiss the results as being orchestrated by the EBU to favor Western countries or “friendly” Eastern nations. This is despite the fact that less liberal nations, such as Serbia, Azerbaijan, and Russia have all won and hosted the Contest over the past ten years. In 2016, countless fans put forward conspiracy theories that Western nations’ juries purposefully stiffed Russia to avoid a return to the nation in 2017 as they knew that it would win the televote. This is despite the fact that Russia still finished in the top five among the jury scores. And despite the fact that Poland, which finished third in the televote, garnered a mere 7 points from the juries. Poland is a West-friendly Slavic nation, it’s even in the EU, why wouldn’t the juries swing their support behind it if they truly wanted to sink Russia? Or why not swing that support behind one of their own, such as Germany or Spain? The answer, of course, is that juries remain independent from the EBU’s direct influence. There is no statistical evidence to support any concerted effort between juries.

“Political” Voting

From the beginning of the Contest there has been disputes over the allegedly political nature of votes. I have said it before (and I’ll say it again), there’s a difference between political votes and diaspora votes. Political votes implies a televote is actively moving in a direction to promote (or stop) a country for political reasons. It requires a conscious, concerted effort to do so. This is the reason why we don’t see votes between Armenia and Azerbaijan (though, Armenia gave Azerbaijan one point back in 2009). We don’t see this complete refusal to exchange points between any other countries, including between Russia and either Ukraine or Georgia, both of whom gave televoting points to the nation with whom they are at war.

The splitting of Yugoslavia was particularly bitter and there are very deep divides between the various former Yugoslav nations, particularly between Bosnia & Herzegovina and Serbia as well as  between Slovenia and all of them. Yet, these countries routinely swap votes among themselves. Why? This is the effect of unconscious cultural bias — diaspora voting. Humans tend to like the familiar. While, politically, the countries that formerly comprised Yugoslavia may hate on another, they have strong cultural connections, they have overlapping music industries, and mostly mutually intelligible languages. It makes sense that they would naturally be attracted to the entries from the others. This is also why the Nordic nations tend to swap points, why Greece and Cyprus always swap points, and (to lesser extent) between the Netherlands-Belgium-France.

This may seem like a small difference but it’s important. There is a big difference between ascribing something to conscious effort and instinct/preference. Does this disadvantage smaller nations? Most definitely, and that’s why the EBU instituted things like the allocation pots and brought back the juries. The truth is, even if country names were removed from entries entirely, the diaspora effect would continue. It’s culture, it’s human nature, it’s comfortable — it’s not politics.

Russia 2017

I would be remiss if I did not address the controversy around Russia and 2017. For those who need the step-by-step layout of events:

  1. Russia internally selected Julia Sachenko to represent them with the song “Flame is Burning” mere days before the submission deadline.

  2. Ukraine announced that they were launching an investigation into Sachenko, as they had suspicion to believe that she illegally entered the country to perform in Crimea without passing through a Ukrainian checkpoint back in 2015.

  3. Sachenko confirms that she did, in fact, perform in Crimea in 2015.

  4. Ukraine officials announced in mid-March (with fewer than eight weeks to go before Eurovision) that Sachenko had indeed entered the country illegally and that she was prohibited from returning for five years – no exception.

  5. The EBU expresses dismay over this decision. Initially, they offer to find a way to allow Sachenko to perform in Moscow and have it telecasted in the arena. Both Russia and Ukraine scoff at this. Russia, because the rules state performances must be live in the arena AND that telecasting denies them full participation benefits. Ukraine, because showing Sachenko on Ukrainian television would violate the law and circumvent the punishment of banning her entry.

  6. The EBU reaffirms that Ukrainian law must be respected and that it will work with the host nation to find a solution.

  7. One of the highest ranking administrators at the EBU issued an ultimatum to Ukraine: provide an exception for Sachenko or risk being banned from Eurovision events (ESC, JESC, Eurovision Young Musicians, and all its entertainment content one imagines) for several years (a punishment that was doled out to Lebanon after it said that it would not broadcast the Israeli entry in 2005, forcing it to remove itself from the Contest – where it was set to debut – and drop any expectation of receiving a refund of its participation fee as well as received a five year ban from Eurovision competitions).

  8. Russia is offered the solution of replacing the artist of the song (which is the most sensible solution and consistent with past situations of similar natures, in my opinion).

  9. Again, Russia scoffs at this solution while Ukraine refuses to budge.

  10. Russia ultimately decides to withdraw and refuses to broadcast EC 2017.

This just goes to show you that, try as they might, the EBU cannot prevent politics from creeping into the Contest. Of course, this all could have been avoided if they had made Jamala change the lyrics of 1944 last year. Or if Russia decided to be the bigger man and choose an artist that did not break the law.

So, is this whole post moot? Doesn’t this just prove that my arguments against the political nature of Eurovision are wrong? No. One example, even one as big as this, does not unravel my argument. Nor does it prove the Contest as a whole is political. In fact, it can be said that the EBU was trying its best to mitigate a political event to avoid politics entering the Contest.

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