Posts tagged “uk

Eurovision 2016 – Wrap Up!

Hello Dear Readers!

It has been about a month and a half since the Grand Final in Stockholm, yet, I have still been Eurovisioning every day since as best I can – I’ve become quite active on Twitter and Instagram (both @escobsession). Typically, I like to watch the full Contest a time or two more before making this wrap up. I particularly like to rewatch the Final. Unfortunately, both the official Eurovision website and the official YouTube still have this year’s Contest blocked in the US (and, as I am told, Canada). Eventually, I was able to find a decent, fan uploaded version of the Contest on YouTube, but I shouldn’t have to go through these lengths. The beauty of the Contest in the modern era is that it stretches globally. Yes, the US had its first ever live broadcast of ESC this year (on the cable network Logo, which is dedicated to broadcasting LGBTQ+ themed content, my thoughts on this in a later post this summer), why would the EBU not want to build upon this by continuing to allow access to the Contest to fans in North America beyond May? Logo does not have the Contest streaming online. This needs to be rectified. With all the fuss being made over Russia losing, people have all but ignored this issue — and the EBU is shooting itself in the foot in the very markets that into which it is trying to expand.

Both the official website and YouTube block the Contest in the US and Canada

No ESC for those in the US or Canada 😦

With that said, let’s recap some of my thoughts from this year’s Contest!

General Reactions

I already hit the historical markers in my initial post after the Final. So these are just some of my thoughts and opinions.

  • I was incredibly skeptical about the new voting system. However, I actually really like it (for the most part)! Yes, Ukraine won neither the juries nor the televote, but it did come second with both a feat that neither Australia nor Russia matched (Australia was fourth in the televote, Russia was sixth with the juries). Furthermore, it made the voting sequence that much more exciting. It went from a clear Australian victory to a nailbiter of a finish! Particularly in the arena where we could barely see the screens and the scores. We had no idea who won until Ukraine was announced as the winner. And, the most exciting move of the night, Poland’s jump from last to eighth!

    We could barely see the screens inside Globen.

    We could barely see the screens inside Globen.

  • Truly, the best song won. Russia had an amazing stage show and Australia had a powerful performance, but neither You Are the Only One nor Sound of Silence matched 1944 in originality of composition nor in lyrical strength. As such, Ukraine emerged victorious.

  • Also, it’s nice that the winning song was not entirely in English. While it mostly was, it’s still nice to know that non-English can still do well. This was further reinforced by the success of France and Austria.

  • The show’s production was great, but, once again, the Swede’s gave us an overly crowded show. Love Love Peace Peace, the highlight of the infinite interval acts for many, would have been great as during the vote entertainment. The mockmentary Nerd Nation should have been a two-parter just for the semi-finals; if you didn’t watch the first two parts, you would have been lost for the conclusion. I also would have brought the Eurovision by Numbers to the Final, since so many people were watching the Contest for the first time across the world. Lastly, I would have moved Måns to the opening act (scrap the parade of nations, or, at least, the fashion show element that made it drag out forever) and let Justin Timberlake stand alone as the Interval Act as the votes were being verified.

  • Lastly, while I agree with the winner, I am overall surprised and disappointed in most of the results otherwise. The Czech Republic, the United Kingdom, Spain, and Germany all deserved much better placings than they got. Likewise, Lithuania, Sweden, and Malta all overperformed and finished higher than they should have.

So, now that you know my general reactions, let’s move on to the Annual Eurovision Obsession Awards!

For new readers, I hand out awards every year to noteworthy entries and their performers. A few things to keep in mind 1) this is my personal opinion, 2) I look at all the entries, not just the finalists, 3) this is all in good fun and sparks from my love of the Contest. One more note — all photos that appear are mine – I took those!

Best Lyrics Award

Serbia

Winner: Serbia

“I thought that it was supposed to hurt me
I thought that it was love,
I put my hands up but I won’t surrender
Don’t need what doesn’t serve me anymore

I lick my wounds
So that I can keep on fighting”

Throughout Goodbye (Shelter) we see a singer transform from abused partner to strong woman as she realizes that she deserves more than what she is getting from her relationship. This transition is beautifully mirrored in the composition as well as the performance.

UkraineRunner-Up: Ukraine

“When strangers are coming
They come to your house
They kill you all and say
We’re not guilty, not guilty

Where is your mind? Humanity cries
You think you are gods but everyone dies
Don’t swallow my soul
Our souls”

I have talked about this song many times on this blog, so I will keep it brief: powerful song with lyrics that highlight the parallels between the past and the present.

Honorable Mention: Croatia, Bosnia & Herzegovina, Germany

The “Huh?” Award

Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

IrelandWinner: Ireland

“Just touch who you wanna, kiss who you gotta
Fight like we’re winners, love like beginners
Dance like you mean it, sing like you feel it
Everything’s better standing out in the sun”

Aside from advocating sexual assault (you should NEVER touch or kiss whoever you want without consent), the lyrics are otherwise a trite mess of cliché optimism and hollow saying.

MoldovaRunner-Up: Moldova

“The sky is tumbling
It’s coming down, coming down
The wildest fire
Is burning out, out

And when our fall torn us to pieces
All of our love turned into dust
We’re the brightest falling stars”

Essentially, the main argument of the song is that the relationship is ending – so why not go out in a blaze of glory? This is not a healthy relationship goal. If things are over, just let them end. That is that.

Honorable Mention: Sweden, The Netherlands, Montenegro

Best Dressed Award

Albania

Winner: Albania

Albania dress

She almost looks like an award statue, doesn’t she? Just an utterly gorgeous dress that fits her well. Too bad the majority of the act was against a gold background so you barely saw it (I took this photo during some of the brief blue moments).

 

AustraliaRunner-Up: Australia

Australia outfit

At first, I wasn’t sure what to make of Dami Im’s dress. But it’s elegant and distinctive, much like Dami Im herself.

Honorable Mention: Estonia, The Netherlands, Slovenia, Israel

Most in Need of a Costume Change Award

So many awful outfits this year, sadly. This was probably the hardest category to choose a winner for.

Italy

Winner: Italy

Italy outfit

Sparkly, brown overalls. Need I say more? Italy got my vote for the Barbara Dex Award this year.

AzerbaijanRunner-Up: Azerbaijan

Azr outfits

So…much…gold… Honestly, what the heck are they wearing? In the music video, Samra has on this really nice black gown. This glittery, gold catsuit is just…awful. And, to make matters worse, it doesn’t even fit the tone or message of the song.

Honorable Mention: Croatia (Barbara Dex Award winner), Spain, Bosnia & Herzegovina, Hungary, Belarus, Lithuania

Best Staging Award

Russia

Winner: Russia

Russia performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Come on, was there ever any doubt? This staging was incredible! The first time we saw him walk on the screen during the First Semi-Final dress rehearsal, we all gasped. And each time, it was equally as amazing. The staging was just stunning; so much so, it inspired hoards of angry fans to complain when Russia lost.

ArmeniaRunner-Up: Armenia

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Talk about doing a lot with a little! Armenia had a solo performer by herself on stage and created a dazzling show that seamlessly incorporated pyrotechnics, slick camera angles, quick-cutting shots, and nifty image overlaying. Who needs an LED screen when you can work magic with cameras?

Honorable Mention: Belarus, Georgia, Belgium, Spain, The Netherlands, Iceland, Ukraine

Worst Staging Award

Estonia

Winner: Estonia

Estonian perfomance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Yeah, you have a sexy, Bond-esque song with a very attractive, young singer. This should have been a great stage show. Instead, we are left with this, seemingly casino-inspired act that makes Juri seem more creepy than alluring. Also, he was lost in the staging; he was this little man on this giant red stage.

MoldovaRunner-Up: Moldova

Moldova performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

I am starting to feel bad with just how critical I am being with Moldova’s entry this year. Unfortunately, they took a poor song with a poor message, gave it to a singer who was a poor fit for the composition, and staged it with few visuals and a random astronaut. This is a dance number – why were there no dancers? This is a song literally called “Falling Stars” why were there no spark curtains or other pyrotechnics? Just…so many things done wrong this year, Moldova.

Honorable Mention: Slovenia, San Marino, France, Croatia

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Sweden

Sweden was deemed "a contender" in last year's series.

It feels like a hipster anthem, doesn’t it? From Frans’ look to his sarcastic tone – the song is just one big “screw you” to whoever he’s singing to. This wins the DC Calling Award because so many young people today have this kind of attitude and I could totally imagine a random American high school student saying these words.

Runner-Up: Czech Republic

It is my understanding that, to most Europeans, Americans are a religious bunch who often work their faith into everything, including our pop music. I Stand is vague in who the target of the song is, but, at least to me, it is a song about the power of faith – ironic, since the Czech Republic has the highest percentage of atheists of any nation.

Honorable Mention: Azerbaijan, Denmark, Slovenia, Israel

Pond Leaper Award

While I think each song would find a niche here in the USA, I think this song would be the most popular

ItalyWinner: Italy

This is a passionate, yet innocent, love song that is just the perfect tempo for a first dance. If No Degree of Separation made its way across the Atlantic, it would quickly ascend the list of most popular wedding songs, without a doubt.

NetherlandsRunner-Up: The Netherlands

Douwe Bob has perfectly captured the contemporary, country sound that is ever-so-popular in the US. I think that Slow Down would be considered a welcome change to the “stadium country” that has swept the genre over the past decade. This would quickly climb the country, and pop, charts.

Honorable Mention: Australia, Finland, United Kingdom, Bulgaria

The “Spirit of ABBA” Award

Given to the most stereotypical and/or traditional ESC entry

BelgiumWinner: Belgium

A happy dance tune? Check! Lyrics that make you feel good about yourself and the world? Check! Some cool choreography that you can try to mimic in your living room? Check!  Belgium checked all the right boxes to carry the spirit of schlager that typifies the Eurovision genre.

United KingdomRunner-Up: United Kingdom

A fun song about the uplifting power of friendship performed by a duo that looks like they are genuinely friends off-stage. A fun song that got the audience, both at home and in the arena, involved. That’s definitely bringing the continent, and world, together!

Honorable Mention: Finland, Spain, Croatia

Israeli Flag CountryThe “Shiri Maimon Travesty of the Year” Award

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: United Kingdom getting 24th place

United KingdomAfter years of dubious entries, songs that I liked, but left most of Europe cold, the BBC finally put real effort in finding the British entry. They used a public vote, got artists and songwriters that captured modern British pop music, and selected a song that was catchy, fun, contemporary, and even had two attractive boys – just for good measure. Joe & Jake (and their backing singers) gave outstanding performances for both the juries (Grand Final dress rehearsal) and the televoting public, yet still somehow finished third last. I am still miffed as to how this happened. I know Electro Velvet was devastated by their finish last year, I can only hope that Joe & Jake continue to perform together and eventually return and finish higher up the scoreboard.

RomaniaRunner-Up: Romania’s Disqualification

This is less about Romania not being able to participate (TVR should have to pay their debts, they have owned up to this fact), but the fashion in which it was done. These debts are years old. The EBU could have penalized them in December (when they paid their entry fee and the list of participants was finalized), in March (when the heads of delegations met and entries had to be formally submitted), or in May (after the Contest). But no, the EBU instead opted to discipline Romania in the most humiliating way possible. Waiting for the deadzone that is April to ensure maximum exposure of the event so that it could publicly shame Romania and TVR.

Honorable Mention: Iceland failing to qualify, Czech Republic getting 25th, Lithuania getting 9th

Final Thoughts

Eurovision_2016_Official_LogoWell, another Contest is in the books. It was utterly amazing to be there in person, though, Standing Right sucked. And I am still bitter about how much I had to pay and how long I queued to have such a subpar – particularly since it was a great financial burden. Speaking of which, going to Eurovision this year contributed to what has been my worst time financially – though, it brought something to light for me.

By my age (28), my parents were married with two kids, my eldest sibling had been married for several years, my next oldest sibling had just gotten married, and my last sibling (also older) had just gotten engaged. And then there’s me. Single. No kids. Just my education and Eurovision. Being there in Sweden, seeing the “Eurovision by Numbers” video, the “What’s Eurovision?” opening act from the second semi-final, the “Peace Peace Love Love” interval act, and having Ukraine win – a song which I loved from the start and truly thought was the best entry – it all reminded me just how much I love Eurovision and the role it plays in uniting all kinds of people.

I always say that the combination pop music, geography, and competition is what drew me to Eurovision – and that’s true – but what keeps me there is the genuine community that the Contest breeds. When else can one be connected to over 200 million other people worldwide? When else can one lose themselves in music that transcends boundaries, that is as much visual as it is auditory, and allows you to participate in the realized dreams of 42+ performing artists?

Is Eurovision perfect? No! Of course not (and I’ll be going into its various shortcomings throughout the summer in a series of blog posts), but it is awesome. Eurovision is so much more than a song contest, it’s a community – it’s the people, the culture, the forums, the traditions, the opportunities, the dreams — the connections that it makes possible between all of these things and more. Eurovision connects countries, people groups, generations, allies & enemies, strangers & friends. Attending ESC, watching it, engaging with it – it allows me to be a part of that intricate web human connection.

I don’t currently have a family of my own, but I hope to some day. And when I do, I know that Eurovision will be there – allowing me to share an integral part of myself with those I love and for them to join in my passion. Indeed, it will help us all “come together.”

File Jul 03, 4 03 34 PM

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ESC 2016 Reviews: Automatic Qualifiers

Hello Dear Readers!

Only six more reviews for this year! Silly Italy has yet to premier the ESC-version of No Degree of Separation, so I was forced to review the original, full length, 100% Italian version from San Remo.

Automatic Qualifiers

 

Country

Performing Artist

Song

Selection*

Swedish Flag Map

 Sweden

Frans

If I Were Sorry

Televised

Thoughts:

Not a fan of this. Sweden really doesn’t want to win back-to-back, huh. The lyrics are essentially saying, “Hey! If I owed you an apology, then I wouldn’t be such a jerk to you, but, here we are.” Yeah, not all that good. The composition is reminiscent of Cheerleader and other poorly composed pop songs.
New French Flag Map

 France

Amir

J’ai cherché (I Searched)

Internal

Thoughts:

I think that France has finally got it! While I have been an ardent supporter of its entries, I think this one is their best chance since 2010 at success (I say that knowing that they were favorites to win in 2011, but I never thought Sognu stood a chance). There’s just enough English to help the song be catchy, but the bulk of the lyrics are in French. The song, though, sounds very much like folk-pop sound that’s ever-so-popular right now (Imagine Dragons, X Ambassadors, HAIM, etc.). I expect this to get France into a respectable position this year!
German Flag Map

 Germany

Jamie-Lee

Ghost

Televised

Thoughts:

Oh my goodness. I so hope that they change her outfit for the Final. Otherwise, this will be a DEDF (decent entry derailed by fashion) and a shoo-in for the Barbara Dex Award. I do quite like the song once I look past what she’s wearing. This will most definitely restore respect in Germany after last year’s nul points.
Italian Flag Map

 Italy

Francesca Michielin

No Degree of Separation

Televised

Thoughts:

So, for whatever reason, Italy has not released the ESC-version of the song. What’s the difference,” you may ask. Well, the San Remo version is too long, clocking in at a full 48 seconds over the three minute time limit begging the question, what are the composers going to trim? Additionally, she will sing the refrain in English fthe last time through, as she did in the acoustic version of the song available online. Personally, I find the song to be boring and lifeless. Given that it’s Italy, I imagine it will still do respectably, perhaps just outside the Top Ten.
 Spanish Flag Map

 Spain

Barei

Say Yay!

Televised

Thoughts:

Definitely a high energy, fun song. Quite uplifting! This strikes me as the more adult version of the Belgian entry. I think it will do quite well. Hmm, will this stand out amongst the other dance songs this year? With a good spot in the running order and a great staging, I think it can definitely be a Top Ten entry. Otherwise, it will be another midtable finish for Spain. I cannot stress this enough, a powerful, dance-driven staging is the key to this entry’s success.
Briton Flag Map

 United Kingdom

Joe & Jake

You’re Not Alone

Televised

Thoughts:

So, the UK has finally decided to send a song that could actually compete on the British charts. This sounds like every other generic, Brit pop song I hear on the radio. The key to that statement, on the radio – this sounds like a something that will get teen girls (and their parents) everywhere singing along. Will it win? Definitely not. But could it get the UK back into the Top Ten for the first time since 2009, most definitely!

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

So, who do I think will finish in the Top Ten? How would I rank these songs?

Predicted Top Ten Finishers
(In alphabetical order)

My Top 6
(Starting with my most favorite)

France
France
Spain
Germany
United Kingdom
Spain
United Kingdom
Italy
Sweden

More importantly, who do I think will be competing for the crown?

Spain – While I think each of the automatic qualifiers have a quality song,Spain I only think that Spain has a legitimate shot at the hoisting the trophy. This song is catchy, danceable, and makes you feel good. The best thing about it: from the very first listen you can sing along and jam along with it. This definitely will bring honor back to Spain and possibly the victory.

**Of course, these are my initial predictions without doing any research into fan sites, internet comments, or betting odds. Stay tuned for future posts (including Saturday’s) with more nuanced predictions and, of course, the 2016 edition of Contender or Pretender.

Missed by previous review posts? Find them here:

First Semi-Final First Half and Second Half.

Second Semi-Final First Half and Second Half.

Don’t forget to come back tomorrow to see my summary post and get my prediction for who will ultimately win in May.

Like Eurovision Obsession? Help me go to Eurovision 2016! https://www.gofundme.com/andretoeurovision


Playlist of the Week: Eurovision for Balladeers!

Happy New Year, Dear Readers!

May this year bring you much love to light your lives, much hope to embolden your spirits, and laughter to brighten your days (and nights)!

This week, we turn our gaze to the most notorious of ESC genres: ballads! Historically, “ballads” were stories that were sung. People who sung these stories were called “troubadours” (much like the title of Dutch winner from 1969). Over time, the term “ballad” became more associated with the musical style than the lyrical content, particularly since most were stories love.

The music style is typified, generally, by a slow pace, a lack of musical complexity, and usually only one (or two) primary vocalist. Since the beginning, this has been the dominant musical genre of ESC entries, to the chagrin of some (who prefer more uptempo songs), but to the joy of many! This week, for the final Playlist of the Week, the focus is on ballads.

Once again, twenty songs from the Televoting Era (post 1998) of the Eurovision Song Contest. I curated this list to provide an array of ballads, some are the traditional story style, most are slow, heartfelt love songs. All are ballads. Enjoy!

View the playlist here: Eurovision for Balladeers

  1. Poland 2008PolandFor Life performed by Isis Gee

  2. Greece 2003 – Never Let You Go performed by Mando

  3. Estonia 2012 – Kuula performed by Ott Lepland

  4. Monaco 2005 – Tout de Moi performed by Lise Darly

  5. Italy 2011 – Madness of Love performed by Raphael Gualazzi

  6. Cyprus 2004 – Stronger Every Minute performed by Lisa Angel

  7. Hungary 2007 – Unsubstantial Blues performed by Magdi Rúzsa

    Monaco

  8. France 2001 – Je N’Ail Que Mon Âme performed by Natasha St-Pier

  9. Romania 2009 – Pe-O Margien De Lume performed by Nico & Vlad

  10. Spain 2012 – Quédate Conmigo (Stay with Me) performed by Pastora Soler

  11. Malta 2005 – Angel performed by Chiara

  12. Portugal 2009 – Todas as Ruas do Amor performed by Flor-De-Lis

  13. Azerbaijan 2015 – Hour of the Wolf performed by Elnur Huseynov

  14. Ireland 2010 – It’s for You performed by Niamh Kavanagh

    Spain

  15. United Kingdom 2002 – Come Back performed by Jessica Garlic

  16. Israel 2005 – Hasheket Shinish’ar performed by Shiri Maimon

  17. Germany 2004 – Can’t Wait Until Tonight performed by Max

  18. Sweden 2014 – Undo performed by Sanna Nielsen

  19. Bosnia & Herzegovina 2006 – Lejla performed by Hari Mata Hari

  20. Sweden 2006 – Invincible performed by Carola

    United Kingdom

Honorable Mention: MANY MANY SONGS!

United Kingdom 1998, Slovenia 1999, Denmark 2002, Azerbaijan 2011, Finland 2012

What are some of your favorite ballads from the Contest’s recent history? What about from the early years, when almost every song every year was a ballad? Is there a decade of ballad style that particularly speaks to you?


Playlist of the Week: Eurovision for Christmas!

Merry Christmas Dear Readers — and Happy New Year!

This week’s playlist features Eurovision artists singing traditional and contemporary Christmas songs. Once again, twenty songs curated for your enjoyment, plus a bonus gift at the end! If y’all like this list, let me know, and I’ll be sure to make a new one each year!

Find the playlist on YouTube: Eurovision for Christmas

  1. Kuunkuiskaajat (Finland 2010) – Talven Ihmemaa (Winter Wonderland)

  2. Tina Karol (Ukraine 2006) – Тиха Ніч (Silent Night)

  3. Carola (Sweden 1983, 1991, 2006) – I Wander as I Wonder

  4. Alexander Rybak (Norway 2009) – Tell Me When (Christmas Song)

  5. Anna Vissi (Greece 1980, 2006; Cyprus 1982) – Min Xehnas

  6. Juliana Pasha (Albania 2010) – Krishtlindje te bardha

  7. Ruslana (Ukraine 2004) – Добрий вечір, тобі

  8. Patricia Kaas (France 2009) – Merry Christmas Baby

  9. Paula Selig (Romania 2010, 2014) – Sus, la Porta Raiului

  10. Nox (Hungary 2005) – Szent ünnep

  11. Il Volo (Italy 2015) – I’ll be Home for Christmas

  12. Guy Sebastian (Australia 2015) – Someday at Christmas

  13. Yohanna (Iceland 2009) – Don’t Save it All for Christmas Day

  14. Hera Björk (Iceland 2010) & Chiara (Malta 1998, 2005, 2009) – The Christmas Song

  15. Litesound (Belarus 2012) – Shooting Star

  16. Maria Haukaas Storeng (Norway 2008) – All I Want for Christmas is You

  17. Dino Merlin (Bosnia & Herzegovina 1999, 2011) – Božić Je

  18. Charlotte Perrelli (Sweden 1999, 2008) – Låt Julen Förkunna

  19. Olsen Brothers (Denmark 2000) – We Believe in Love/Så er det Endelig Jul/Feliz Navidad

  20. Celine Dion (Switzerland 1988) – O Holy Night

  21. Bzikebi (JESC Georgia 2008) – Ave Maria

Honorable Mention: Dana (Ireland 1970) – It’s Gonna be a Cold, Cold Christmas; Olivia Newton John (UK 1974) – Christmas Waltz; Bonnie Tyler (UK 2013) – Merry Christmas; Edsilia Rombley (Netherlands 1998, 2007) – This Christmas; Polina Gagarina (Russia 2015) – Опять Метель; and many, many more!

!חג מולד שמח! عيد ميلاد مجيد
Καλά Χριστούγεννα! Wesołych Świąt – Bożego Narodzenia! Веселого Різдва’ – Христос Рождається’! Khrystos Rozhdayetsia! Vesel Božić! Happy Christmas! Весела Коледа! Bon Natale! Rõõmsaid Jõulupühi! Sretan Božić! Mutlu Noeller! Joyeux Noël! გილოცავ შობაახალ წელს! Milad bayramınız mübarək! Glædelig Jul! Bellas Festas! Vrolijk Kerstfeest! Schöni Wiehnachte! Hyvää Joulua! Nadolig Llawen! Счастливого рождества! Il-Milied it-Tajjeb! Priecïgus Ziemassvºtkus! Frohe Weihnachten! ¡Feliz Navidad! God Jul! Христос се роди! Շնորհավոր Ամանոր և Սուրբ Ծնուն! Gëzuar Krishtlindjen! Bon Nadale! Kellemes karácsonyi ünnepeket! Gleðileg jól! Nollaig Shona Dhuit! Buon Natale! Linksmų Kalėdų! Среќен Божик! Feliz Natale! Blithe Yule!  Vesele Vianoce! Schéi Chrèschtdeeg!

Or as my Southern friends here in the US say: Merry Christmas, Y’all!! 🎅