And thus, it begins! In what is shaping up to be one of the more unique Contest years, let’s hope the the actual shows live up to all the craziness that is happening. But, before we dive into the news , my first post of the new season, as always, focuses on Dansk Melodi Grand Prix 2015!
Per usual, these are live notes. I am writing this as I am watching this for the first time. I do go back and edit for typos, but that is it. Given that my favorite song rarely wins DMGP, I am predicting that my predictions will be way off once again!
Hmm, just from the opening, the production value seems quite a bit lower than in the recent past. DR is probably still recovering from all the expenses of hosting the Contest last year.
Here we go!
Song One: Love Me, Love Me performed by Sara Sukurani
I’m not quite sure what she is wearing; it’s rather awful. I do love the Bollywood sound to this song. The dance portion is not all that interesting – if she were to win, it would need to be spruced up tremendously. Not a bad song, nor a bad way to start off the evening. I do not, however, think we will be hearing this song again tonight.
Ahhhh…is this social media pandering going to be happening all night? Oh look, a post about the hosts. Yay. (That’s sarcasm, by the way)
Funny video, but I would prefer for us to move through the songs as uninterrupted as possible. All the extra stuff can happen before and after.
Song Two: Mi Amore performed by Tina & René
Oh, our requisite Thomas G:son song for DMGP. A light year for the prolific Swedish composer, only five songs throughout Europe this year. For me, this song is the definition of generic. Not all that inspiring and rather repetitive. It will not stand up to the competition in Vienna. I hope, for Denmark’s sake, it does not win. I don’t dislike the song, in terms of its musical merit, I just think it’s a weak entry competitively.
So, now we begin introducing the regional juries. This year, DR is reverting to a selection process not unlike its pre-2010 days. DR has divided the country into regions and has given each a jury in the selection process.
The audience vote is a little different. There are 290 points available. The points are divided amongst the ten songs in accordance with the percentage of the popular vote that it yields.
DR decided to use regional juries and scrap their balance of ONE jury and several popular votes that has been in use since 2010. Interestingly enough, 2010 is when Denmark started its recent string of success. I wonder if this move is as much about avoiding winning, after bearing the expense of hosting last year, as it is about trying to increase nationwide buy-in for the winner. Perhaps DR is just trying to capitalize on the increased interest in the Contest while it can.
Song Three: Når Veje Krydses performed by Marcel & Soulman Group
I almost always like the Danish-language songs in DMGP – and this is no exception. It has a sweet melody, a catchy melody, and a strong performance. The soulful sound is also quite nice! It’s the well ahead of the previous two in my opinion.
Song Four: Hotel A performed by Cecilie Alexandra
Interesting sound…is she singing in English? Yes. All of a sudden, Love Me, Love Me is sounding a lot better. The refrain is well articulated and easy to sing along to. However, much like Song Two, this one is pleasant but weak. Ultimately, I cannot see it moving forward tonight. I can’t help but feel that this song was just short of being awesome; I’m not quite sure what is missing, but it just feels incomplete.
Song Five: Love is Love performed by Andy Roda
I don’t know if his voice is strong enough to pull this song off. I am thinking that he is just nervous. This is alright. Oh! Love the glitter! Hoping it has the same effect that Only Teardrops‘ confetti did? Hmmm…I would say that this is the second strongest song thus far.
Hmmm, halfway through and I am not overly confident that Denmark will return to the Top Ten in Vienna. Let’s hope the second half has some stronger entries!
Song Six: Tæt på Mine Drømme performed by Julie Bjerre
She looks like a child, but is dressed like a middle-aged woman – at least, they are not trying to make her look overly sexy. There is something very 80s about this entry. Personally, this is my third favorite thus far behind songs three and four, but I think, thus far, it is the strongest entry. It is catchy; the singer is cute; the song is pleasant yet memorable. The eighties-style staging captures the song’s sound well and Bjerre’s voice is right on.
Song Seven: The Way You Are performed by Anti Social Media
When one pictures male Danish teenagers, I am pretty sure they are precisely the image that comes to mind. THAT is not the sound I was expecting with a name like “Anti Social Media.” There are definitely some articulation and pronunciation issues, which harkens to the question, “What’s wrong with songs in one’s own language?” Right – if you have ever read my converage on DMGP, you know that I believe that the Danes generally believe that their language, though pretty, would inhibit a song’s success. Therefore, I think Danish language entries have a disadvantage at DMGP. Whereas the previous song had a distinct 1980s sound, this one had a distinct 1970s sounds to it. What’s next, disco? I think the song still needs some work, but I would put its chances second to song six (despite what I just said about Danish-language entries).
Song Eight: Suitcase performed by Anne Gadegaard
Despite the fact that the backing vocals are a bit too loud, I really like the staging and performance. The song is crazy catchy and tells a story. The camera work is also quite nice. By far, the strongest entry to be performed tonight. This sounds like it would fit right in on the Eurovision stage. More confetti! Though, they lose their effect if the camera is inside the confetti shower. I really like it, though! At this point, this is my choice to win.
Song Nine: Manjana performed by Babou
What language is he singing in? I can barely hear him over the music. Okay – he’s singing in Danish. It only took a verse and a half to figure that out. I do like the sound of the entry, though. It makes me want to get up and dance – which I believe is the point. This volume imbalance has been going on all night. Hmm…I think it is a strong entry. It’s making me think about how I am balancing all the entries against one another.
Song Ten: Summer Without You performed by World of Girls
They described the song as “girl power” and that is the sound – kinda of bubblegummy and very girly. It definitely harkens back to the nineties girl groups, in sound and look. The pause was interesting – as was the slow-motion at the end. Just a lot of interesting staging choices. Not my favorite, but I can understand its appeal.
Okay, so, all the songs have been performed. My predictions for the Top Three:
1. Song Eight – Suitcase
2. Song Nine – Manjana
3. Song Ten – Summer Without You
I think that Suitcase is the best song and the other two are the most infectious. Manjana is the token Danish-language song that will move through, as one (just one and never more) usually finishes in the top three.
Once again, DR seems to have saved the strongest songs for the second half of the show. Which is not fair, but whatever. I am tired of talking about my dislike for producer-decided running orders. ANYWAY, while songs 6-10 are all in the same realm of strength, I think that the three above have the best chances of success tonight and in Vienna.
In terms of my favorite three:
1. Song Three – Når Veje Krydses
2. Song Eight – Suitcase
3. Song Six – Tæt på Mine Drømme
And now, the results of the five juries:
First region (Zealand) in: Hotel A takes the initial lead
Second region (Middle Jutland) puts The Way You Are in a tie with Hotel A
Third region (Southern Jutland & Fyn) has technical difficulties!
Fourth region (Copenhagen) breaks the tie and puts The Way You Are in first.
Back Region Three (Southern Jutland & Fyn) – and more top points for boys with the 70s sound.
Fifth Region (Northern Jutland) extends the lead for The Way You Are.
It is strange to me that they would show the juries’ points BEFORE closing the voting lines. Wouldn’t that influence the audience’s votes?
Now, last year’s winner Basim sings an unexpectedly serious song (when compared to Cliché Love Song) that actually sounds pretty cool. Oh, I should have known that annoying song was going to be performed.
And now, our annual commercial for MGP (the junior song contest that inspired JESC). Every year, the entrants from MGP come and perform their group song to raise awareness and interest for their competition in just a few weeks time.
And now, the results of the audience’s vote read in the order of their eventual final placing
Song 1, only 13 points
Song 5, only 8 points
Song 9 – 35 points (guess I was way off in my prediction!)
Song 10 – 34 points (see above)
Song 2 – 20 points
Song 3 – 18 points
Song 4 is out of the running with only 18 points from the audience
Song 6 gets 38 big points, but it is not enough to stay alive
And now, the winner! I am either really right (for only the second time for DMGP – 2013 being the first) or really wrong
Song 7 gets a whopping 48 points. Not being quick with math, I am not sure if the remaining points are enough for my favorite, Song 8, to catch up. It needs 65 to win. Let’s see!
D’oh! it gets only 58 points, falling a mere seven points short of victory.
The quintessential Danes and their 70s song win Dansk Melodi Grand Prix 2015!
While I do not think that the boys are ready, the juries, and a good portion of the audience, think that they are.
Okay, so, as I listen to their Winner’s Reprise, I think the following things are necessary for them to be successful in Vienna (be mindful, I am much better at predicting ESC success than success at DMGP)
1. They need to work on their enunciation of English – this is a common ailment amongst non-native speakers, but winners of the modern era have had pretty good diction. There’s no advantage to singing in English if people cannot understand you.
2. There outfits need to coordinate. They need to dive into their seventies sound – where matching suits and put the backing vocalists in coordinated dresses. Think Armenia’s entry from the 2012. The boys of Compass Band were dressed for the era.
3. They need to play up to the fact that they are young, likeable guys. Everyone likes cute young people with catchy songs. They need to avoid negative press and just present themselves as ordinary, European guys.
With a little work, this song could reach the Top Ten. If you think that tween girls are one of the primary ESC demographics, Anti Social Media should have them on lock. I don’t mention gay men, as that demographic is more associated with dance tunes, divas, and hot men (as opposed to younger guys). Ultimately, I think this song is a shoo-in for the Grand Final but will find itself outside the Top Ten. While I think they will achieve a respectful finish, I just don’t see them improving their performance and staging enough to compete seriously on a pan-European level.
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