Posts tagged “The Netherlands

ESC 2018: Song Reviews – Recap!

Hello Dear Readers!

Here we are, at the end of another initial reviews week. I’m sure many of you feel vindicated, many of you feel confused, and some of you may even be angry – no matter how you feel, thanks for reading 🙂

In case you missed it, here are my song reviews:
Semi-Final One
Semi-Final Two
Automatic Qualifiers

Preferences

First things first, which songs did I like the most? Check out this year’s ESC Obsession 2018 Preference Bracket to find out.

Looking for your own bracket? Here is this year’s blank bracket for you and your ESC friends to fill out! ESC Obsession 2018 Eurovision Tournament

But, which songs currently comprise my personal Top Ten heading into the Contest?

  • Armenia

  • Belarus

  • Belgium

  • Bulgaria

  • Czech Republic

  • Estonia

  • Israel

  • Greece

  • Latvia

  • Sweden

Predictions

As a quick refresher, I predicted that these songs would finish in the Top Ten: (in no particular order)

  • Israel

  • Estonia

  • Austria

  • Australia

  • Czech Republic

  • Italy

  • Germany

  • Montenegro

  • The Netherlands

  • Sweden

Of, these, I thought five had a legitimate chance at victory: (again, in no particular order)

  • Austria

  • The Netherlands

  • Czech Republic

  • Montenegro

  • Australia

Currently, Australia and Czech Republic are both in the top ten of the betting odds, meaning, that I will discuss them more in next week’s Contender or Pretender series. Let’s dive into the three other entries receiving little attention from the bookies.

Austria – From the very first time I heard this song, it sounded like a winner to me. From the composition and style to the lyrics to the how smooth César Sampson is. This song may not be on too many radars right now, but it will shoot towards the top of the scoreboard, I can feel it. Now, since I first heard this song in March, I have seen videos of him performing it live, and it does not quite translate, at least, not during the preview concerts. Ultimately, this impacts his betting odds, but it won’t affect his final position with the juries and televoters on the night. I’ve said it before and I’ll say it again, it’s truly difficult for a person of color, particularly a Black person, to be particularly successful at ESC. I honestly think this can be a counterexample to that opinion.

Montenegro – This song is on no one’s radar and actually falls towards the bottom of the betting odds currently. So, why on earth do I think it can win? Several reasons: 1) it’s one of only a few true and well ballads, 2) it’s a very classic Balkan sound, 3) the other four former Yugoslav nations will struggle to reach the Final, let alone seriously compete, leaving Montenegro there to soak up all their big points as well as from other Balkan allies not voting for Bulgaria, and 4) it’s a high quality song! The composition alone is worthy of victory. The singing is right on and the lyrics are captivating. This song should narrow those odds greatly once it qualifies and then we’ll see just how big it will go. Again, without any other former-Yugoslav country (and really, any Balkan country not named Greece or Bulgaria) having a legitimate shot at even qualifying, I think Montenegro will do quite well.

The Netherlands – A song that started on everyone’s radar as it is performed by a one-half of a runner-up duo, it’s country rock – a genre not often heard (if ever) on the ESC stage, and it was one the first to be selected. Don’t underestimate the power of a well done song that is unlike any other in the competition. The real question is whether enough country and rock fans will be voting to bring the Netherlands up the scoreboard, as I think it will only finish in the high single digits/low teens among the jury. It is most definitely not a traditional Eurovision entry like Austria and Montenegro, but that just may be its saving grace.

Who do I think will actually win? Well, you need to check out my prediction bracket! ESC Obsession 2018 Prediction Bracket

The bigger story here is that, for as long as I have been keeping this blog (December 2009), no victor has come from outside the top ten folks according to the betting odds. This is going to be an interesting year – a well-deserved anomaly for Portugal, hosting for the first time ever after so many failed attempts.

Come back next week for the annual Contender or Pretender series where I break down each of the top ten songs according to the betting odds and determine which ones have a legitimate shot at victory and which are merely distractions.

Until next time, find me on Twitter, Reddit, Pinterest, or YouTube, all @escobsession

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ESC 2018: Song Reviews – Semi-Final Two

Hello Dear Readers!

Thursday brings us a weak, but still competitive semi-final. Perennial qualifiers, like Romania, Russia, and Australia, should have no trouble moving through. Sweden and Norway will be there to support one another along with Denmark.

Country

Performing Artist

Song

Selection

Norway

Alexander Rybak

How You Write a Song

National Final

Thoughts:

So, breaking the promise he made with Marija Šerofović a few ago, Rybak is back with his attempt to pull a “Johnny Logan” (the only performing artist to win twice). Rybak knows how to write a catchy song. This will get stuck in your head, whether you want it to or not. Clearly, this song is much weaker than Fairytale, but it should do well with a “previous winner bump.” It will most likely finish Top Ten, but it won’t get anywhere close to winning.

Romania

The Humans

Goodbye

National Final

Thoughts:

A bland, forgettable song and potentially the first Romanian entry to fall short of qualifying. I strongly doubt it, but the important thing is that it could be. It’s not a bad song and the lyrics aren’t bad, it just melts into the background, particularly this year.

Serbia

Sanja Ilić & Balkanika

Nova Deca [New Children]

National Final

Thoughts:

This song is a hot mess. Oh golly! I do not understand it. The performance is weird and off-kilter. The composition makes little sense. The lyrics are simple and lack depth. I just don’t understand how this song was made.

San Marino

Jessika feat. Jenifer Brening

Who We Are

National Final

Thoughts:

This song has such great potential. For starters, rap does quite poorly at Eurovision; Brening adds nothing to the entry with her lame verse (conversely, the songs they had her compete with in the selection were great). The lyrics for the rest of the song are not as impactful as the songwriters probably think they are. The song is well performed by Jessika, but it’s severely average. SM is at a disadvantage and must try harder if it hopes to qualify again.

Denmark

Rasmussen

Higher Ground

National Final

Thoughts:

Sigh. This is an average song and I don’t have any strong feelings about it. It also will benefit from having both Norway and Sweden in this Semi-Final. However, Sweden is an unreliable alliance member and there is a lack of other friendly nations to buoy it above its averageness.

Russia

Julia Samoylova

I Won’t Break

Internal

Thoughts:

This is going to be an unpopular opinion, but I liked Flame is Burning way more than this trite inspirational piece. It will qualify, of course, but I doubt it will continue Russia’s Top Ten streak.

Moldova

DoReDos

My Lucky Day

National Final

Thoughts:

I like this song so much! It has big shoes to fill after Moldova achieved a new best placing last year. In my opinion, this song has a better composition and overall sound than Hey, Mamma! and is just more enjoyable, at least to me, and that hat from the music video better make an appearance in Lisbon!

The Netherlands

Waylon

Outlaw in ‘Em

Mixed

Thoughts:

This song will do well because Waylon was one half of the Common Linnets (the performers of the runner-up entry in 2014). This also has the distinction of being the only country song this year, which also helps it. Again, I have no strong feelings about this song either way.

Australia

Jessica Mauboy

We Got Love

Internal

Thoughts:

I think this has a chance of outperforming Australia’s second place from 2016. The song is truly inspirational, has an amazing singer who knows how to perform and is not a stranger to the Eurovision stage. Plus, it’s is quite catchy! It doesn’t hurt that Mauboy is stunning, as well. I think we may be packing our bags for Germany after an Aussie win.

Georgia

Ethno-Jazz Band Iriao

For You

Internal

Thoughts:

Georgia joins Armenia for its first ever entry in its national language. Unlike Armenia, this song lacks depth, interest, or anything that makes it stand out. I cannot imagine this song qualifying, even out this weaker semi-final.

Poland

Gromee feat. Lukas Meijer

Light Me Up

National Final

Thoughts:

I like this song and think it is quite contemporary. I think it will continue Poland’s qualification streak, but finish midtable in the Grand Final. This is a beneficiary of being in the weaker semi-final and following a weak entry.

Malta

Christabelle

Taboo

National Final

Thoughts:

While this song is uptempo and intriguing, it is forgettable. It’s one of those things that, I remember when I hear it, but otherwise, cannot really recall it. This will be right on the border of qualification and will benefit from a poor performance from another midlevel entry.

Hungary

AWS

Viszlát Nyár [Summer Gone]

National Final

Thoughts:

Our requisite hard rock entry. Not quite sure how this made it through the Hungarian selection, but here we are. Not my cup of tea, at all. From my understanding of rock music, this is not even that strong of a screamo song. It likely will not qualify for the Final.

Latvia

Laura Rizzotto

Funny Girl

National Final

Thoughts:

I really like this one. It is dark and draws you into it; the composition is particularly captivating. I don’t think it’s mainstream enough to qualify, but of course, I said something similar in 2015. I think following the screaming of Hungary and coming ahead of the slick Swedish song, it will be lost.

Sweden

Benjamin Ingrosso

Dance You Off

National Final

Thoughts:

The first Swedish entry I like since Heroes. This song is just so infectious, I can’t see it NOT finishing in the Top Ten on Saturday night. Of course, the last time Sweden failed to reach the Top Ten was 2013, and this song is miles ahead of You (though, I did like that song, too).

Montenegro

Vanja Radovanović

Inje [Frost]

National Final

Thoughts:

The only true Balkan ballad this year, this strikes me as Joksimovic-lite. I think this will easily qualify. Honestly, this is my dark horse candidate for this year; I think Montenegro is going to surprise a lot of folks.

Slovenia

Lea Sirk

Hvala Ne [No Thanks]

National Final

Thoughts:

Yet another mess of a song. I don’t know what it is about the former-Yugoslav countries this year, but they are submitting some poorly composed songs. This song is at least interesting…well…not really. It’s average and will once again leave Slovenia towards the bottom of the Semi-Final scoreboard.

Ukraine

MÉLOVIN

Under the Ladder

National Final

Thoughts:

So catchy! So modern! And MÉLOVIN is quite the performer. This seems like a song designed specifically to capture the ears and hearts of the massive teenage girl fan population. Ukraine will easily finish in the Top Ten, the first time with a male singer not in drag.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Russia

  • Sweden

  • Ukraine

  • Romania

  • Australia

  • Montenegro

  • Poland

  • The Netherlands

  • Moldova

  • Norway

And which songs are my favorite? (in order)

  1. Sweden

  2. Latvia

  3. Ukraine

  4. Montenegro

  5. Norway

  6. Australia

  7. Moldova

  8. Denmark

  9. Poland

  10. Malta

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Australia, Montenegro, and The Netherlands all have legitimate opportunities to win. I know that the Dutch entry is not towards the top of the betting odds and that Montenegro is in no one else’s conversation, but I think both are unique enough and of a high enough quality to pull off a surprise win. Fun note, if Montenegro does pull off the victory, it would be the lowest odds victor (a title currently held by Latvia 2002). I think Australia is an easy choice to pick as a winner for all the reasons I mentioned above.


Eurovision 2017 – Second Semi-Final Recap and Podcast

Hello Dear Readers!

As we anxiously await the forthcoming Grand Final, some thoughts on last night’s Second Semi-Final. I think this semi-final suffered from a lot of nervous performers with shaky performances. Additionally, there seemed to be a plague of poor stagings (more on that below). But first, here are our qualifiers (in alphabetical order with their semi-final half in parentheses):

Photo ©EBU Andreas Putting

  • Austria (first half)

  • Belarus (first half)

  • Bulgaria (second half)

  • Croatia (first half)

  • Denmark (first half)

  • Hungary (first half)

  • Israel (first half)

  • The Netherlands (first half)

  • Norway (second half)

  • Romania (second half)

Some Historical Markers from last night

  • Romania maintains its 100% qualification record. Hungary extends its streak to seven straight qualifications, reaching back to 2011. Austria extends its streak to four. Croatia, the Netherlands, and Israel have now all qualified twice in a row.

  • Bulgaria also has qualified twice in a row for the first time ever (and only third time overall). Denmark and Norway both return to Grand Final after missing it last year (for Norway) and each of the past two years (Denmark). Belarus qualifies for the first time since 2014.

  • Serbia and Lithuania’s streaks of qualifications end after two straight and Malta fails to make a second straight qualification. Macedonia has not qualified since 2012, Ireland since 2013, Switzerland and San Marino since 2014, and Estonia since 2015.

My Reactions

  • Biggest Disappointment: Austria and Ireland, two of my favorite songs, were both terribly performed last night. I could barely make it through Austria’s performance. I hope that Nathan Trent’s singing is better tomorrow night.

  • Biggest Shock: I am still shocked by how well I thought Romania and Croatia (two songs I do not like) did. They performed their hearts out and deserved their qualification.

  • Macedonia and Switzerland, while I think there might have been some nullification effect on one another, I think both were just missed opportunities. They both had strong, popular songs this year and A) staged them poorly and B) did not sing at their best abilities. Just, disappointing.

  • I think the Netherlands had the best performance on the night, followed closely by Bulgaria. They could possibly make a huge splash tomorrow, especially with the help of the juries.

  • France, Germany, and Ukraine had very questionable stagings. Read more about it in my live notes.

  • Just sad that San Marino failed to qualify. I think SMRTV may blame it on their small size, but, actually, it’s because it continually chooses dated songs with lame stagings. More on this in a forthcoming summer series.

So, there you have it my reactions to the Second Semi-Final. My excitement for the Grand Final is through the roof! Hear more about mine (and my friend DIZZYDJC) below in our podcast from today!

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Eurovision 2016 – Wrap Up!

Hello Dear Readers!

It has been about a month and a half since the Grand Final in Stockholm, yet, I have still been Eurovisioning every day since as best I can – I’ve become quite active on Twitter and Instagram (both @escobsession). Typically, I like to watch the full Contest a time or two more before making this wrap up. I particularly like to rewatch the Final. Unfortunately, both the official Eurovision website and the official YouTube still have this year’s Contest blocked in the US (and, as I am told, Canada). Eventually, I was able to find a decent, fan uploaded version of the Contest on YouTube, but I shouldn’t have to go through these lengths. The beauty of the Contest in the modern era is that it stretches globally. Yes, the US had its first ever live broadcast of ESC this year (on the cable network Logo, which is dedicated to broadcasting LGBTQ+ themed content, my thoughts on this in a later post this summer), why would the EBU not want to build upon this by continuing to allow access to the Contest to fans in North America beyond May? Logo does not have the Contest streaming online. This needs to be rectified. With all the fuss being made over Russia losing, people have all but ignored this issue — and the EBU is shooting itself in the foot in the very markets that into which it is trying to expand.

Both the official website and YouTube block the Contest in the US and Canada

No ESC for those in the US or Canada 😦

With that said, let’s recap some of my thoughts from this year’s Contest!

General Reactions

I already hit the historical markers in my initial post after the Final. So these are just some of my thoughts and opinions.

  • I was incredibly skeptical about the new voting system. However, I actually really like it (for the most part)! Yes, Ukraine won neither the juries nor the televote, but it did come second with both a feat that neither Australia nor Russia matched (Australia was fourth in the televote, Russia was sixth with the juries). Furthermore, it made the voting sequence that much more exciting. It went from a clear Australian victory to a nailbiter of a finish! Particularly in the arena where we could barely see the screens and the scores. We had no idea who won until Ukraine was announced as the winner. And, the most exciting move of the night, Poland’s jump from last to eighth!

    We could barely see the screens inside Globen.

    We could barely see the screens inside Globen.

  • Truly, the best song won. Russia had an amazing stage show and Australia had a powerful performance, but neither You Are the Only One nor Sound of Silence matched 1944 in originality of composition nor in lyrical strength. As such, Ukraine emerged victorious.

  • Also, it’s nice that the winning song was not entirely in English. While it mostly was, it’s still nice to know that non-English can still do well. This was further reinforced by the success of France and Austria.

  • The show’s production was great, but, once again, the Swede’s gave us an overly crowded show. Love Love Peace Peace, the highlight of the infinite interval acts for many, would have been great as during the vote entertainment. The mockmentary Nerd Nation should have been a two-parter just for the semi-finals; if you didn’t watch the first two parts, you would have been lost for the conclusion. I also would have brought the Eurovision by Numbers to the Final, since so many people were watching the Contest for the first time across the world. Lastly, I would have moved Måns to the opening act (scrap the parade of nations, or, at least, the fashion show element that made it drag out forever) and let Justin Timberlake stand alone as the Interval Act as the votes were being verified.

  • Lastly, while I agree with the winner, I am overall surprised and disappointed in most of the results otherwise. The Czech Republic, the United Kingdom, Spain, and Germany all deserved much better placings than they got. Likewise, Lithuania, Sweden, and Malta all overperformed and finished higher than they should have.

So, now that you know my general reactions, let’s move on to the Annual Eurovision Obsession Awards!

For new readers, I hand out awards every year to noteworthy entries and their performers. A few things to keep in mind 1) this is my personal opinion, 2) I look at all the entries, not just the finalists, 3) this is all in good fun and sparks from my love of the Contest. One more note — all photos that appear are mine – I took those!

Best Lyrics Award

Serbia

Winner: Serbia

“I thought that it was supposed to hurt me
I thought that it was love,
I put my hands up but I won’t surrender
Don’t need what doesn’t serve me anymore

I lick my wounds
So that I can keep on fighting”

Throughout Goodbye (Shelter) we see a singer transform from abused partner to strong woman as she realizes that she deserves more than what she is getting from her relationship. This transition is beautifully mirrored in the composition as well as the performance.

UkraineRunner-Up: Ukraine

“When strangers are coming
They come to your house
They kill you all and say
We’re not guilty, not guilty

Where is your mind? Humanity cries
You think you are gods but everyone dies
Don’t swallow my soul
Our souls”

I have talked about this song many times on this blog, so I will keep it brief: powerful song with lyrics that highlight the parallels between the past and the present.

Honorable Mention: Croatia, Bosnia & Herzegovina, Germany

The “Huh?” Award

Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

IrelandWinner: Ireland

“Just touch who you wanna, kiss who you gotta
Fight like we’re winners, love like beginners
Dance like you mean it, sing like you feel it
Everything’s better standing out in the sun”

Aside from advocating sexual assault (you should NEVER touch or kiss whoever you want without consent), the lyrics are otherwise a trite mess of cliché optimism and hollow saying.

MoldovaRunner-Up: Moldova

“The sky is tumbling
It’s coming down, coming down
The wildest fire
Is burning out, out

And when our fall torn us to pieces
All of our love turned into dust
We’re the brightest falling stars”

Essentially, the main argument of the song is that the relationship is ending – so why not go out in a blaze of glory? This is not a healthy relationship goal. If things are over, just let them end. That is that.

Honorable Mention: Sweden, The Netherlands, Montenegro

Best Dressed Award

Albania

Winner: Albania

Albania dress

She almost looks like an award statue, doesn’t she? Just an utterly gorgeous dress that fits her well. Too bad the majority of the act was against a gold background so you barely saw it (I took this photo during some of the brief blue moments).

 

AustraliaRunner-Up: Australia

Australia outfit

At first, I wasn’t sure what to make of Dami Im’s dress. But it’s elegant and distinctive, much like Dami Im herself.

Honorable Mention: Estonia, The Netherlands, Slovenia, Israel

Most in Need of a Costume Change Award

So many awful outfits this year, sadly. This was probably the hardest category to choose a winner for.

Italy

Winner: Italy

Italy outfit

Sparkly, brown overalls. Need I say more? Italy got my vote for the Barbara Dex Award this year.

AzerbaijanRunner-Up: Azerbaijan

Azr outfits

So…much…gold… Honestly, what the heck are they wearing? In the music video, Samra has on this really nice black gown. This glittery, gold catsuit is just…awful. And, to make matters worse, it doesn’t even fit the tone or message of the song.

Honorable Mention: Croatia (Barbara Dex Award winner), Spain, Bosnia & Herzegovina, Hungary, Belarus, Lithuania

Best Staging Award

Russia

Winner: Russia

Russia performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Come on, was there ever any doubt? This staging was incredible! The first time we saw him walk on the screen during the First Semi-Final dress rehearsal, we all gasped. And each time, it was equally as amazing. The staging was just stunning; so much so, it inspired hoards of angry fans to complain when Russia lost.

ArmeniaRunner-Up: Armenia

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Talk about doing a lot with a little! Armenia had a solo performer by herself on stage and created a dazzling show that seamlessly incorporated pyrotechnics, slick camera angles, quick-cutting shots, and nifty image overlaying. Who needs an LED screen when you can work magic with cameras?

Honorable Mention: Belarus, Georgia, Belgium, Spain, The Netherlands, Iceland, Ukraine

Worst Staging Award

Estonia

Winner: Estonia

Estonian perfomance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Yeah, you have a sexy, Bond-esque song with a very attractive, young singer. This should have been a great stage show. Instead, we are left with this, seemingly casino-inspired act that makes Juri seem more creepy than alluring. Also, he was lost in the staging; he was this little man on this giant red stage.

MoldovaRunner-Up: Moldova

Moldova performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

I am starting to feel bad with just how critical I am being with Moldova’s entry this year. Unfortunately, they took a poor song with a poor message, gave it to a singer who was a poor fit for the composition, and staged it with few visuals and a random astronaut. This is a dance number – why were there no dancers? This is a song literally called “Falling Stars” why were there no spark curtains or other pyrotechnics? Just…so many things done wrong this year, Moldova.

Honorable Mention: Slovenia, San Marino, France, Croatia

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Sweden

Sweden was deemed "a contender" in last year's series.

It feels like a hipster anthem, doesn’t it? From Frans’ look to his sarcastic tone – the song is just one big “screw you” to whoever he’s singing to. This wins the DC Calling Award because so many young people today have this kind of attitude and I could totally imagine a random American high school student saying these words.

Runner-Up: Czech Republic

It is my understanding that, to most Europeans, Americans are a religious bunch who often work their faith into everything, including our pop music. I Stand is vague in who the target of the song is, but, at least to me, it is a song about the power of faith – ironic, since the Czech Republic has the highest percentage of atheists of any nation.

Honorable Mention: Azerbaijan, Denmark, Slovenia, Israel

Pond Leaper Award

While I think each song would find a niche here in the USA, I think this song would be the most popular

ItalyWinner: Italy

This is a passionate, yet innocent, love song that is just the perfect tempo for a first dance. If No Degree of Separation made its way across the Atlantic, it would quickly ascend the list of most popular wedding songs, without a doubt.

NetherlandsRunner-Up: The Netherlands

Douwe Bob has perfectly captured the contemporary, country sound that is ever-so-popular in the US. I think that Slow Down would be considered a welcome change to the “stadium country” that has swept the genre over the past decade. This would quickly climb the country, and pop, charts.

Honorable Mention: Australia, Finland, United Kingdom, Bulgaria

The “Spirit of ABBA” Award

Given to the most stereotypical and/or traditional ESC entry

BelgiumWinner: Belgium

A happy dance tune? Check! Lyrics that make you feel good about yourself and the world? Check! Some cool choreography that you can try to mimic in your living room? Check!  Belgium checked all the right boxes to carry the spirit of schlager that typifies the Eurovision genre.

United KingdomRunner-Up: United Kingdom

A fun song about the uplifting power of friendship performed by a duo that looks like they are genuinely friends off-stage. A fun song that got the audience, both at home and in the arena, involved. That’s definitely bringing the continent, and world, together!

Honorable Mention: Finland, Spain, Croatia

Israeli Flag CountryThe “Shiri Maimon Travesty of the Year” Award

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: United Kingdom getting 24th place

United KingdomAfter years of dubious entries, songs that I liked, but left most of Europe cold, the BBC finally put real effort in finding the British entry. They used a public vote, got artists and songwriters that captured modern British pop music, and selected a song that was catchy, fun, contemporary, and even had two attractive boys – just for good measure. Joe & Jake (and their backing singers) gave outstanding performances for both the juries (Grand Final dress rehearsal) and the televoting public, yet still somehow finished third last. I am still miffed as to how this happened. I know Electro Velvet was devastated by their finish last year, I can only hope that Joe & Jake continue to perform together and eventually return and finish higher up the scoreboard.

RomaniaRunner-Up: Romania’s Disqualification

This is less about Romania not being able to participate (TVR should have to pay their debts, they have owned up to this fact), but the fashion in which it was done. These debts are years old. The EBU could have penalized them in December (when they paid their entry fee and the list of participants was finalized), in March (when the heads of delegations met and entries had to be formally submitted), or in May (after the Contest). But no, the EBU instead opted to discipline Romania in the most humiliating way possible. Waiting for the deadzone that is April to ensure maximum exposure of the event so that it could publicly shame Romania and TVR.

Honorable Mention: Iceland failing to qualify, Czech Republic getting 25th, Lithuania getting 9th

Final Thoughts

Eurovision_2016_Official_LogoWell, another Contest is in the books. It was utterly amazing to be there in person, though, Standing Right sucked. And I am still bitter about how much I had to pay and how long I queued to have such a subpar – particularly since it was a great financial burden. Speaking of which, going to Eurovision this year contributed to what has been my worst time financially – though, it brought something to light for me.

By my age (28), my parents were married with two kids, my eldest sibling had been married for several years, my next oldest sibling had just gotten married, and my last sibling (also older) had just gotten engaged. And then there’s me. Single. No kids. Just my education and Eurovision. Being there in Sweden, seeing the “Eurovision by Numbers” video, the “What’s Eurovision?” opening act from the second semi-final, the “Peace Peace Love Love” interval act, and having Ukraine win – a song which I loved from the start and truly thought was the best entry – it all reminded me just how much I love Eurovision and the role it plays in uniting all kinds of people.

I always say that the combination pop music, geography, and competition is what drew me to Eurovision – and that’s true – but what keeps me there is the genuine community that the Contest breeds. When else can one be connected to over 200 million other people worldwide? When else can one lose themselves in music that transcends boundaries, that is as much visual as it is auditory, and allows you to participate in the realized dreams of 42+ performing artists?

Is Eurovision perfect? No! Of course not (and I’ll be going into its various shortcomings throughout the summer in a series of blog posts), but it is awesome. Eurovision is so much more than a song contest, it’s a community – it’s the people, the culture, the forums, the traditions, the opportunities, the dreams — the connections that it makes possible between all of these things and more. Eurovision connects countries, people groups, generations, allies & enemies, strangers & friends. Attending ESC, watching it, engaging with it – it allows me to be a part of that intricate web human connection.

I don’t currently have a family of my own, but I hope to some day. And when I do, I know that Eurovision will be there – allowing me to share an integral part of myself with those I love and for them to join in my passion. Indeed, it will help us all “come together.”

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