Posts tagged “Spirit of ABBA

Eurovision 2013 – One Week Later

So, it’s been a week since Denmark’s third Eurovision victory – and what a week it has been!!  But more on the accusations, concerns, and speculations a little later – first, let’s wrap up Eurovision 2013…and we all know what that means – my annual awards!  I will give out awards for lyrics, outfits, American-ized sound, and general “ESC-ness.”  Additionally, I am adding awards for staging.  Please note, all photos are from the official ESC website: eurovision.tv.

Best Lyrics Award

Icelandic Flag MapWinner: Iceland

“Og ég trúi því, já ég trúi því
Kannski opnast fagrar gáttir himins
Yfir flæðir fegursta ástin hún umvefur mig alein”

Full disclosure here: my primary reason for liking these lyrics so much are their Christian undertones.  The whole song is sung vaguely to a “you” and how the love this person (or Deity) provides hope, light, and inspiration.

First Runner-Up: Croatia

“Zlata niman da te njime okitim
Samo ove ruke dvi da ti dušu zagrlim”

A simple love song – the singer has nothing more than love to offer his beloved.  The “misery” they keep singing is a reflection of this lack of material goods.

Second Runner-Up: Estonia

“Veel sulab jää ja õide puhkeb raagus puu
Iga lõpp ei ole muud kui algus uus
On vaja ööd, et päev tooks valguse”

Some might consider this song a bit trite, but I like it!  The hope it inspires, its optimistic attitude.  All of which are made more significant by the fact that Birgit is pregnant with her first child.

Honorable Mention: Greece, Cyprus, France, Israel

The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

Winner: BelarusBelorussian Flag Map

“Solayoh, Solayoh, where the sun is always shining on ya
We play-oh, we play-oh to the rhythm of a cha-cha”

Yeah…if you’re going to make up words, go the whole way and sing the whole song in an imaginary language – none of this mix-and-match stuff.

First Runner-Up: Hungary

“Farkasok neveltek és
Táncolt egy délibábbal
Majd elillant csendesen”

Throughout the song, we learn that his love was raised by wolves, she embraces the seven continents, and dances with mirages.  What?  Who is this girl? Is she some kind of wild child?  How does one dance with mirages?

Second Runner-Up: Montenegro

“Kik i bas zaraza razara, niko neće poć’ utvrđenog pazara
Opet sjutra utabanim stazama, s mojima visim ne mislim o parama”

A song about going to a never-ending party, with lots of ways to lose your money and with plenty of scantily clad women.  It’s like a flashback to the 90s! Really, just a rather vapid song, lyrically.

Honorable Mention: Lithuania, Serbia, Macedonia

Best Dressed Award

Winner: ItalyItaly

A big improvement from last year!  Marco Mengoni was impeccably dressed in a sharp green suit, good stuff!

Runner-Up: Norway    norwayoutfit2

Her dress, which was only slightly altered from the one she wore at Norsk Melodi Grand Prix, fit the attitude of the song perfectly.  Tight, alluring, but covers enough to leave a bit of mystery in the air.  Perfect.

Second Runner-Up: Malta
malta outfits

Their outfits perfectly fit the feeling of the song and the persona of the singers.

Honorable Mention: Moldova, Georgia, Ireland, The Netherlands

Most in Need of a Costume Change Award

Winner: Serbia
Serbia outfits

Moje 3 won the Barbara Dex Award this year.  Need I say more?

First Runner-Up: Romania
romania outfits

His outfit was not only awful, but he had the nerve to complain that people continually compared him to Dracula.  Let’s see, you’re from Romania, you have a black cloak that has a collar as high as your head, and you rise up throughout your song while surrounded by people who look as if they’re covered in blood (and nothing else!) – yeah, those comparisons are going to be made.

Second Runner-Up: Belarus
belarus outfits

Bright…shiny…death by sequins…

Honorable Mention: Israel, Bulgaria, Petra Mede (I know she wasn’t competing, but her dresses were awful)

Best Staging Award: a new award this year – I often talk about the performances and thought that I should formally recognize the best ones

Winner: Azerbaijanazerbaijan performance

The idea of using a dancer to shadow Fariid Mammadov was genius.  Its execution was even more brilliant.  They established the box man’s purpose, which allowed him to be a bit more freeform later in the performance. Smashing!

First Runner-Up: Denmark

Frankly. this staging was designed to make this entry look like a winner – and it worked.  Well done!

Second Runner-Up: France

It was very simple, but Amandine Bourgeois excelled on stage and brought the passion and the fire!

Honorable Mention: Italy, Moldova, San Marino

I don’t want to add another negative award for worse staging, so I won’t.  Though, I do want to say that Belarus was way over the top.

“This is DC Calling” Award: Given to the most American sounding entry

Winner: SloveniaSlovene Flag Map

Not just because Hannah Mancini is American, but in a year with a lot of ethnopop, this one brought the least “European” feel to the Contest this year.

First Runner-Up: Switzerland

They reminded me a lot of generic Christian rock – which I guess makes sense given Takasa’s background.

Second Runner-Up: Moldova

Very much a 1990’s R&B sound to this song.

Honorable Mention: Greece, Russia, Finland

“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular

Winner: GermanyGerman Flag Map

It’s Cascada.  I wouldn’t be surprised to hear this song on the radio in a month of so.

First Runner-Up: Sweden

One of the more modern entries this year, I think You would fit perfectly with the current Top 40 in the American charts.

Second Runner-Up: Greece

While the metaphors and intricacies of the lyrics would be lost on most in the US, it’s a great party song and the masses would jump behind the “Alcohol is free” lyrics and ska sound.

Honorable Mention: Moldova, Hungary, Finland, Norway, United Kingdom

The “Spirit of ABBA” Award: Give to the most stereotypical ESC entry – especially apropos due to this year’s location in Sweden!

Winner: BelarusBelorussian Flag Map

Campy – yes!  Dodgy lyrics – yes!  Over-the-top stage performance – yesyes!!

First Runner-Up: Georgia

I have said this and so have many commentators and commenters: “this song is Eurovision by numbers.” Just your standard, carbon cut ESC song.

Second Runner-Up: Denmark

Also considered tobe a bit generic, this year’s Danish entry was flashy and vaguely ethnic, two classic elements to many ESC entries.

Honorable Mention: Russia, Malta

The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Israeli Flag CountryWinner Moment: Israel failing to qualify

This year, Israel had a very strong composition, with well written lyrics, and an amazing singer.  Yes, her dress was ridiculous and distracting, but not so much so that it warranted Israel’s failing so greatly.

First Runner-Up: San Marino failing to qualify

This song was a huge fan favorite, and rightfully so.  Granted, Valentina Monetta’s vocals were not as strong as they could have been, it was still a huge shock and disappointment that Crislide (Vola) failed to make it to the Final.

Second Runner-Up: France scoring only 23rd place.

Amandine Bourgeois was flawless on the night and deserved a Top 15 spot, if not Top Ten.  She was sunk by her position in the running order.

Honorable Mention: Finland allowed to have its girl-girl kiss (Krista Siegfrids admitted that it was a political move, but was still allowed to do it anyway)

And finally, the biggest award of them all…My Top Ten!  While I like all of the songs, these are my ten favorites taking into consideration the lyrics, music, live performance, and studio performance.  Songs are ranked from 10 – 1, with one being my most favorite song.

10. Azerbaijan I was lukewarm on this song until I saw the performance – wow!
9. Israel A captivating song from the first note
8. Hungary Smooth, understated, quite nice
7. Denmark A lovely song that is catchy and uncomplicated
6. San Marino Unexpected and entertaining, well sung
5. Slovenia This song is pure energy (it’s a shame about the live performance, though)
4. The Netherlands Powerful, quiet, and contemplative that perfectly builds throughout
3. Switzerland Fun and catchy, a love song that dares to pop
2. France Dark, powerful, and devilishly addictive
1. Norway Mysterious, very modern, and utterly captivating – live or in studio

Honorable Mention: Moldova, United Kingdom, Macedonia, Greece

Final Thoughts

I don’t think I will comment on the voting controversies (essentially, various countries are concerned that several entries receiving a lot of support from the televote received little to no points in the final point awarding) other than to say that I agree with the general consensus of the ESC blog world: people were not prepared for just how much the new voting system was going to affect the final scores.  I agree, the EBU should repeat what they did in 2009 and reveal the full split vote, showing the jury vote and televote for each country for each of the three shows.  Their rationale of “protecting countries that did not reach the televoting threshold” is suspicious and disconcerting (especially since they have not released the guidelines for what this threshold would be for each country, either).  Anyway, for more detailed look, you can go to one of my favorite ESC blogs and read his article on the voting.

I will also talk briefly about the Marcel Bezaçon Awards, the annual awards given to the Press’ favorite act, the best performance (as deemed by the commentators), and the best composition (as voted by the composers of the 39 competing songs).  Georgia won the Press Award (probably because of how stereotypically ESC it sounded).  Many complaining that Italy or The Netherlands should have won, but given that both of the performing artists canceled some press interactions and generally had an air of nonchalance, there was no way the Press would vote for them.  Azerbaijan won the Commentator’s Artistry Award; while I do no think any one would objectively say that Farid Mammadov was the best performer this year, the entire staging of the Hold Me definitely warranted Azerbaijan winning this award.  Finally, Sweden won the composition award.  I’m not quite sure how or why, it’s not bad, but there were many more with better compositions (such as Norway, Germany, or Greece), but the composers thought it was best so it won.  I imagine because it was one of the least divisive entries (the three I listed tend to have people who love or hate them, few that just like them).

Overall, I am satisfied with the results.  I’m still shocked that Romania seems to have broken the curse of the counter-tenor and landed a 13th placing.  I’m also pretty shocked that Belgium did so well with Love Kills as well.  But, as I say every year, the final placings are the ones that were deserved based on the lyrics, music, and performances during the second dress rehearsals and live telecasts.  I can’t wait until for my dvd to come in the mail!

Looking Forward

I won’t put too much here, as I will save my hopes for next year for after we learn a bit more about ESC2014.  But, I hope the DR makes some changes from this year’s Contest.

-I hope that we go back to a random draw.  Honestly, I did not see a big difference in the mix of musical styles or overall flow of the night, but I know there are a lot of angry folks around the Continent and can put their blame towards the producer-derived running order.

-I hope that the Contest will be more accessible.  I said it before, the sheer intensity and frequency that SVT pandered to gay male fans was annoying and unnecessary (which I am saying as a gay guy) and, more importantly, made this year’s Contest less accessible.  Now, it requires a disclaimer before I show it to my friends who are not gay males (which is the grand majority of them).

-I hope that DR chooses to host the Contest in the soon to be built Hans Christian Anderson Arena in Copenhagen.  CPH is by far the easiest and least expensive city to get to in Denmark (not to mention that I’ve already reserved my hotel room).  Also, the planned arena would be smaller than Parken, which would give the arena a more cozy (or hygge) feel.  And, since the arena is not yet built, they can optimize it for the Contest.  If Azerbaijan can build an arena in one year, surely Denmark can.

Going forward, I plan on posting a last ESC2013 entry once the split votes are revealed.  Throughout the summer, I will be posting articles about each of country’s entries since 2007 (my first year watching the Contest) highlighting my ones, key strengths and challenges moving forward, and one thing they can do to achieve a better result next year.

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ESC 2011 – [Three] Weeks Later

Howdy everyone!  Sorry that this post is a little later than usual – this entry took much longer to write than it was supposed to.  Without further ado, here are my ESC Awards and Final Thoughts for this year’s Contest.

Best Dressed Award:

Winner: Iceland
The guys looked oh so classy in their vests and ties.

First Runner-Up: Slovakia
What the TWiiNS lacked in vocal power they more than made up for in style. I loved the gold and silver dresses that they had on.

Second Runner-Up: The Netherlands
More classy apparel – there’s something about suits that just make people look nice.

Honorable Mention: Norway, France, Italy, Azerbaijan

“Most in Need of a Costume Change” Award:

Winner: Ireland
If this was any act other than Jedward, those hideous red jackets would have derailed that song’s chances of even getting out of the semi-finals.

First Runner-Up: Croatia (Dress #1)
What a hideous garmet!  Her costume change didn’t come fast enough!  I liked the pink dress, though.

Second Runner-Up: Israel
Dana International made this list not just because she wore a very questionable dress, but because she’s known for being on the cutting edge of fashion and this thing that she wore was just…ish.

Honorable Mention: Slovenia, Albania, Romania

I’m scrapping the “Cutest Boy” and “Cutest Gal” categories because they’re somewhat pointless.  Instead, I will be replacing them with the “Best Lyrics” and “Huh?” Awards.

Best Lyrics:

Winner: Albania
“Let me share my song with you, just feel the passion/Love’s the message shining through, a chain reaction…Zot, qe këngën ma ke fal, më lerë të ndarë [God, you who has given me the song, let me share it]/Nuk ka ngjyrë e nuk ka fjalë, muret s’e mbajnë [It has no colour and no words, walls can’t hold it]”
Any song that sings about the glory of God and how much the singer wants to spread the message is a-okay in my book!

First Runner-Up: Bosnia & Herzegovina
“If you take this life from me today…You’ll just find two, three songs of mine/Hundred worries of mine/Your love, your love in rewind…”
Is he talking to a partner?  To the mirror?  To God?  All three?  Someone else?  Is this at the end of a relationship or on a deathbed?  We don’t know because they are endless possibilities – that’s what makes these lyrics so great.

Second Runner-Up: San Marino
“Oh, this life, something so beautiful but hard at the same time…Tonight, can we pretend there’s no more time?/Let’s lock our doors and leave this endless world outside”
While there aren’t groundbreaking lyrics, they are well-written and go far beyond the typical ESC lyrics.

Honorable Mention: Italy, France, The Netherlands, Serbia

“Huh?” Award: Given to the entry with the most questionable, lazy, or just plain nonsensical lyrics

Winner: Armenia
“Boom, boom! Chuka, chuka! Your kiss is like a-, like a-.”
Not only is this lazy writing, but it’s just silly.  “Chuka” is not a word.  “Your kiss is like a, like a,” “like a” what?  You can’t just end a sentence there without any hint to what you’re referring to.  Being a feel good pop song is no excuse for pitiful songwriting.  Somebody should be ashamed of him/herself.

First Runner-Up: Israel
“Ding dong, say no more./I hear silent prayers and they take me high…and fly/I know where to go and I’m coming now!”
Normally, I love Dana International’s songs, but Ding Dong is simply weak. From the verses I get an idea of what the song is about, but this refrain (lyrics above) makes absolutely no sense!

Second Runner-Up: Norway
There are only about eight unique lines of text in this song!
This song is quite lazy lyrically, but at least it’s fun to dance to.

Honorable Mention: Ukraine, Sweden

“Spirit of ABBA” Award: Given to the most stereotypical ESC entry

Winner: Spain
Feel good beats and a pleasant message; a surprisingly original song that continued the Spanish’s tradition of sending authentic entries to the Contest – Spain takes home the ever-so-prestigious Spirit of ABBA Award for 2011.

First Runner-Up: Estonia
Complete with pop-tastic beats, vapid lyrics with some questionable aspects (“One, Two, Seven, Three”), and a fun stage performance.

Second Runner-Up: Belarus
One reason I love the ESC is because of the intense nationalism; however, this song fails because it’s about loving Belarus but is completely in English.

Honorable Mention: Armenia, Norway

“This is D.C. Calling” Award: Given to the most American sounding entry

Winner: Azerbaijan
I think Azerbaijan has either won or placed for this award each of the last three years.  Yet again, the Azerbaijanis send a generic pop song to the Contest and it serves them well.  In fact, it makes me a little proud that it won, and then I remember that there were a slew of entries that were more deserving.

First Runner-Up: Sweden
Aside from the fact that Eric Saade is a pop star due to his looks (and most definitely not for his voice), this song’s questionable lyrics and egocentrism (how many love songs do you know that includes the word “I” more times than it does “you”) would make it feel right at home in the American pop scene.

Second Runner-Up: Switzerland
This pleasant song sounds like something that would grace the indie scene – possibly an indie artist’s one hit song.

Honorable Mention: Russia, Serbia

“Pond Leaper” Award: While I think every song would be able to find a niche here in the USA, these are the songs I think would be the most popular.

Winner: Hungary
Kati Wolf actually sounds like everyone’s favorite diva-to-hate: Celine Dion, except she’s singing a disco-esque song.  This would be eaten up over here!

First Runner-Up: Iceland
An incredibly sincere and heart-warming ballad with a sob story to go along with it that make the lyrics that much more poignant.

Second Runner-Up: Slovenia
A powerful R&B-pop song about a woman scorned that could just have easily been sung by Christina Aguilera, yeah, this song would do quite well on the Billboard charts.

Honorable Mention: Italy, Switzerland, Azerbaijan, Bosnia & Herzegovina

The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was being represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: The Netherlands getting last place
First off, this was a really hard award to hand out this year, as I am not gravely offended by any of the results this year (not even Sweden’s third place or Ireland’s eighth).  However, the Dutch presented a well-written song with a strong arrangement; I understand that no one in Europe likes the Dutch, but the juries could have at least given the 3JS more points.  This was an undeserved last place for the Netherlands (unlike some of their others).

First Runner-Up: San Marino failing to qualify
I know the Sammarinese have set the goal, at least for now, of using Eurovision as a way of proclaiming their existence, but they had a decent shot of progressing through to the Final this year (and would have if the jury votes had stood alone).  I hope the tiny country keeps trying to qualify.  How awesome would it be to have a Contest in San Marino!

Now, the big award…My Top Ten Award: Given to my ten favorite songs from the Contest.  Like last year, I liked every song enough to put it on my iPod, but only ten of them can make this list.  The winners are ranked from tenth to first (most favorite).  These songs were the ones good enough to grab my attention and affection from the first moment I heard it at the Contest and have gotten the most plays on my iPod.

10. Iceland – powerful lyrics, light melody, great performance

9. Serbia – the lyrics are well-written and authentic, the music is fun, and the performance was strong and energetic

8. Belgium – despite the cheesy lyrics, the arrangement of this song was phenomenal

7. Slovenia – the lyrics are original and tell a story, the music captures the mood as the song progresses, and the Kuec is a powerful singer.

6. Norway – it’s fun, it’s easy to sing along to, it brings a new language to the ESC stage.

5. Germany – Lena 2.0: sexier and more mature than the previous model, this eerie song is as unique as it is captivating

4. Switzerland – how can you not like this song? It sounds like something that a person might sing to their partner before proposing.

3. Albania – it’s a powerful song about the awesomeness of God.

2. Bosnia & Herzegovina – great lyrics, great music, great performance – even more so, it’ll help me introduce the Contest to more of my American friends.

1. Italy – this song is well written, well composed, awesomely performed; very few songs give chills when the first time I hear it performed, but this one did. Bravo Italy!

Final Thoughts:
The biggest story that seems to be coming out of this year’s Contest isn’t the fact that Azerbaijan won but this issue with the juries that seems to continually pop up – Italy won the jury voting, Russia was utterly destroyed by the juries, and the UK didn’t fare too much better.  Let’s not forget that the juries judge songs based upon their hit potential AND their artistic merit.  People complain that Italy’s song has no hit potential, well, they’re overlooking the fact that his album hit number one in Italy, France, and Germany – three of the largest music industries in Europe and the album charted elsewhere.  It really irritates me that people are still whining about them after all this time (case in point, an Oikotimes blog article: http://www.oikotimes.com/eurovision/2011/06/03/jury-system-must-be-abandonded/).  I am ignoring the article, as it’s misinformed and frustrates me (the juries were brought back for the 2008 Contest after complaints – dating back four years – that the semi-final system introduced in 2004 was effectively shutting out Western countries from the Final, Russia’s victory in 2008 merely prompted the EBU to move the juries into the Final.  Macedonia’s two consecutive shut outs at the hands of the jury prompted the body to move 50/50 system into the semi-finals in 2010).  Additionally, yes, the constant rehearsals and PR demands can wear out a performer, but that’s a part of the Contest.  There are four performances that matter for songs that qualify into the Final, if singers and dancers can’t perform four times at 100% then they really don’t deserve to win.  Eric Saade and co. of Sweden was able to give four strong performances and they probably had the most demanding performance of any of the forty-three entrants.  I agree with a few of those who left comments, the juries should have to vote on the night of the Final, simply so that they are judging the same thing as the viewing audience – though, I don’t mind the idea of making performers be consistent.  Additionally, someone complained about bloggers, journalists, lawyers, and producers being allowed to be on juries.  Let’s not forget, while the musicians are the ones who make the music, it’s the media and executives that determine what songs become hits and which ones do not.  Trust me, if the juries were purely artists and researchers, then there would be many more disagreements between the juries and televotes than Italy and Lithuania. I also want to remind one of the comment leavers that in 2008 they having the juries in the semi-finals only, and it resulted in even more anger and controversy when Russia won. If anything, the variance between the two groups that we saw this year only demonstrates how important it is that this 50/50 system stays in place; it seems to be doing its job.  How else would weak songs from popular countries such as Turkey, Armenia, and Norway be kept out so that higher quality entries could go through to the Final?

Speaking of which, one of the Eurovision Radio contributors raised an interesting point on the June 1st show – did Azerbaijan win because Turkey was not in the Final?  It makes sense that AZR was able to pick up votes that otherwise would have went to Turkey, particularly from the televoters.  Conversely, the two songs were so different, maybe it would not have made a difference if Turkey had qualified or not – at least not when it came to the jury side of things.  It will be very interesting to see the legacy that Running Scared leaves behind.  I think it definitely continues the trend of more serious entries winning over more frivolous ones.  However, it is the definition of generic pop song, hopefully, next year won’t be full of robotic acts that try to repeat AZR’s success.  I do hope that inspires more broadcasters to ship their acts around the continent to promote their entries, particularly for Eastern songs to go out West and vice versa.

I think this year a very distinct line was drawn in the sand between the performance entries (Ireland, Sweden, Russia, Estonia, etc) and the entries of artistic merit (Italy, France, Switzerland, Austria, etc), and I think this is why the jury issues seem to be louder than anything else, especially with this being the first time that the juries and televoters disagree.  It will be very interesting to see if this divide continues to grow next year, or will the entries start to converge back towards the middle; let’s hope for the latter!

I will leave you with a note about the entry I think that was the most overlooked and downright ignored.  Spain’s Que Me Quiten lo Bailao – They Can’t Take Away the Fun from Me performed by Lucía Pérez was a fun entry that was among the favorites of all in attendance at my Eurovision party.  Its lyrics offered a refreshingly different message than any other song for quite a few years, the music was bouncy and lighthearted, and the performance was just perfect for the song.  I hope the result doesn’t discourage Ms. Pérez; though, she’s a seasoned professional, so I doubt that it will.  Either way, Muy Bien España!

With that, I close out my blogs on the Eurovision Song Contest 2011 – Düsseldorf.  In the upcoming year, I will be posting entries about Svante Stockselius, his legacy and the challenges he left to be faced by Jon Ola Sand, news and thoughts about the upcoming Contest in Baku, the Junior Eurovision Song Contest (held in Yerevan, Armenia this year), and news and thoughts about entries as they become available.


Eurovision 2010 – Oslo: One Week Later

Howdy Folks,

It has been a week since Germany has won “Europe’s favorite tv show” and I thought it would be a good idea to post some of my final opinions about this year’s Contest.  The following are “awards” I give to the various acts as I see fit.  Feel free to agree, disagree, or post some of your own “awards.”

Awards for This Year:

Best Dressed:

Winner: Iceland (I loved the whirling effects her dress added to the performance)

First Runner-Up: Belarus (very classy; neat butterfly wings)

Honorable Mention: Malta, Poland, Israel, Macedonia, Georgia, Spain

Most in Need of a Costume Change (Worst Dressed)

“Winner”: Lithuania (I could have done without the sparkly shorts)

First Runner-Up: Armenia (really, it looks like it was pulled out of Eva Rivas’ closet at the last second)

Cutest Boy: The hardest category this year, as about a third of the countries entered one

Winner: Harel Skaat (Israel)

First Runner-Up: Marcin Mronzinski (Poland)

Second  Runner-Up: Josh Dubovie (UK)

Honorable Mention: Belgium, Belarus, Norway, Estonia, Russia, Turkey, Cyprus

Cutest Gal:

Winner: Eva Rivas (Armenia)

First Runner-Up: Sofia Nizharde (Georgia)

Second Runner-Up: Safura (Azerbaijan) (as you can see, there seems to be a Caucasus theme)

Honorable Mention: Belarus, Ukraine (though, she scares me a bit), Portugal

“Spirit of ABBA” Award:  Given to the most stereotypical ESC song

Winner: It’s for You (Ireland) – What’s more ESC than an Irish ballad?

First Runner-Up: That Sounds Good to Me (UK) – C’mon, is this a surprise?

Second Runner-Up: Ik ben Verferlied (Sha-la-lie) (NET) – See above

“This is D.C. Calling…” Award: Given to the most American sounding ESC song

Winner: Drip Drop (Azerbaijan) – it’s not hard to imagine Rihanna or Miley Cyrus singing this one

First Runner-Up: Sweet People (Ukraine) – edgy, modern style, implores environmental and social action, this entry has California written all over it

Second Runner-Up: We Could be the Same (Turkey) – If I didn’t know better, I would have thought it was Hoobastank representing the Turks

Honorable Mention: It’s All About You (Albania) – soulful number that actually has three American backing singers

“Pond Leaper” Award: While I think every song would be able to find a niche here in the USA, these are the songs I think would be the most popular.

Winner: Drip Drop (Azerbaijan) – powerful R&B~pop number

First Runner-Up: It’s for You (Ireland) – adult contemporary is one of the most popular genres for radio stations

Second Runner-Up (Tie): Me and My Guitar (Belgium)/Life Looks Better in Spring (Cyprus) – I can’t decide between these two, singer-songwriter types have always been big here

The Shiri Maimon Travesty of the Year Award: In 2005, a true work of art was entered into the ESC; Israel was being represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: Fourteenth Place for Israel — It’s one thing to argue whether or not this song should have won, there are valid arguments on both sides of that debate, but there is no reason this song should not have been in the Top Ten.  It is a downright shame and travesty that this song finished just outside the bottom ten.

First Runner-Up: Bosnia & Herzegovina making the Final — The first semi-final was weak!  But still, Finland, Poland, and Macedonia all had superior songs and performances than BiH, yet they failed to make it through.  BiH undeservedly slipped through to the Final this year.

Second Runner-Up: Croatia being left behind in the Semi-Finals — pegged to be a winner and one of the most moving ballads this year, Lako je Sve should have been a shoo-in for the Final.  Instead, come Saturday, Feminnem was watching the show from the sidelines instead of the Green Room.  Not to take anything away from any of the ten qualifying acts from the second semi-final, but there is no reason this song should not have made it through.

Honorable Mention: 23rd place for Ireland — not only is Niamh Kavanaugh a former winner, but It’s for You was the best ballad this year.  It’s an egregious affront that the Emerald Isle finished so low on the scoreboard.

Now, the big award…My Top Ten Award: Given to my ten favorite songs from the Contest.  Like last year, I liked every song enough to put it on my iPod, but only ten of them can make this list.  The winners are ranked from tenth to first (most favorite).  These songs were the ones good enough to grab my attention and affection from the first moment I heard it at the Contest and have gotten the most plays on my iPod.

10. Switzerland: Il Pleut de l’Or – Michael van der Heide – MvdH has won me over, what an enjoyable song!

10. Turkey: We Could be the Same – maNga – awesome pop-rock number, though, I don’t know if a second place finish was right

9. Estonia: Siren – Malcolm Lincoln and ManPower 4 – it’s so unique and captivating…and so much fun to sing along, too

8. Bulgaria: Angel Si Ti – Miro – one of the few dance songs I can listen to regardless of my mood

7. Norway: My Heart is Yours – Didrik Solli-Tangen – a passion filled song with a disappointing performance on the night, nonetheless, I love it anyway

6. The Netherlands: Ik ben Verliefd – Sienke – so it is a little old fashioned, so what?  It is fun and cute, and Sienke does a great job with it

5. Ireland: It’s for You – Niamh Kavanaugh – I loved Niamh Kavanaugh’s first song, and I love this one even more

4. Croatia: Lako je Sve – Feminnem – another passionate ballad this year, it’s a shame they didn’t move through

3. Lithuania: East European Funk – InCulto – it’s so much fun, and high energy, and catchy!

2. Israel: Milim – Harel Skaat – probably the best song and performance artistically speaking (and the fact that Israel became the first country to take all three Marcel Bezençal Awards speaks to that fact)

1. Russia: Lost and Forgotten – Peter Nalitch & Friends – can someone please explain to me why everyone hates this song.  Is it because they beat those six grandmothers?  The song is so moving and so passionate!