Posts tagged “Spain

Eurovision 2017 – Grand Final Live Notes!!

Hello Dear Readers and Welcome to the live notes for the Grand Final of Eurovision 2017!!! Kyiv hosts the 62nd edition after previously hosting the 50th back in 2005. Tonight, 26 songs battle it out to be crowned the victor – but who will win?

Bulgaria, at least, that is my pre-show prediction. I think the rest of the Top Ten will be comprised of: The Netherlands, Italy, Belgium, Denmark, United Kingdom, Armenia, Azerbaijan, Sweden, and Romania. That can (and probably will) change after we see the 26 performances tonight, but those are my thoughts heading into the show.

**Be sure to keep refreshing the page to see my notes as they appear.

Also, if you’re new or just want some info about this year’s Contest, you can find my ESC Notes and Country Profiles here!

On to the show!!!

Parade of Nations

I still think this is a pointless exercise. But the sparks and the effect of them appearing seemingly out of nowhere is pretty cool.

Opening Act

Boo!! No opening act. Another reason to get rid of the parade of nations.

On to the songs!

01 Israel I Feel Alive

IMRI sounds really off tonight. The dancing is on point, though. Oh, just when I thought he had righted the ship, he misses the big note.

02 Poland Flashlight

I’m guessing Poland didn’tfinish too high on Tuesday to be assigned the cursed #2 spot. This seems less emphatic and enthusiastic than on Tuesday. Still good, though. Especially that last note!

03 Belarus Historyja Majho Žyccia/Story of My Life

So much fun!! They are so into this — definitely taking hold of this moment. Ha – she almost fell! Very good performance; they definitely gave it their all.

04 Austria Running on Air

He sounds WAY better than Thursday night. Still not good enough to make a big impact, but he should definitely be proud with how he did tonight.

05 Armenia Fly with Me

Another fantastic performance from Artsvik – listen to the crowd reaction! Definitely going to the Top Ten.

06 The Netherlands Lights and Shadows

Uh oh, someone seems to be flat. It sounds, like, she is sick, maybe? But they still sound great — their harmonies are just a little less tight than usual.

07 Moldova Hey, Mamma!

Still fun, still exciting, still not going to get into the Top Ten. But I think they’ll finish better than they did in 2010 (22nd place).

08 Hungary Origo

He seems markedly less nervous and has better pacing than on Thursday. Wow! You can feel his passion burning in that rap verse. This could do better than I thought; I probably still not Top Ten, though.

09 Italy Occidentali’s Karma

Our first major contender of the night, let’s see how this goes. Still do not understand the hype. I just don’t. Maybe there’s something about seeing it in person? But my god, the crowd sounds like they’re about to go marching forth.

10 Denmark Where I Am

Stronger than Tuesday, for sure, but still not at the level of her DMGP performance. Definitely good enough for a Top Ten finish, I think, though.

11 Portugal Amar Pelos Dois

Amazing! I just got goosebumps! Even better with Tuesday. He even fixed the part where he backed too far away and wasn’t picked up by the mic. Loved it! Oh, it might actually win. It is number two in the betting odds.

Speaking of odds sitting at third is Bulgaria, which is second-last in the running order tonight.

That was an awesome joke “(from Twitter) ‘I can’t believe in a few hours it will all be over and we’ll be wondering what to do with the rest of our lives.’ (Host) ‘Us, too.'”

12 Azerbaijan Skeletons

Better than Tuesday, but still not good enough to seriously contend for victory. I think Azerbaijan will, however, easily be waltzing back into the Top Ten.

13 Croatia My Friend

I still think this staging comes off as silly. Well, less impressive with the stronger competition ahead of him. He sounded great – it’s just a terrible song.

14 Australia Don’t Come Easy

Definitely better than Tuesday — WAY better! But still a lot of missed notes. There are too many strong songs tonight for this to do well.

15 Greece This is Love

Yikes! That was a big note to miss. I didn’t notice that before, the dancer on the left is also a backing singer. Yikes – she missed another note at the end of a verse. Nope – not going to be Greece’s triumphant return to the Top Ten, but not last place either, so, good?

16 Spain Do It for Your Lover

And if you had any doubts about the vocals being live, that cracked note is your proof. I bet Germany is happy because now they may not get last.

17 Norway Grab the Moment

He sounds spot on tonight. Really good – only makes me like this song more. Perhaps it’ll finish in the 11-15 range. Good, but not great in a year of strong competitors.

Hahahaha! Måns! I love this host-training montage.

18 United Kingdom Never Give Up on You

A love ballad from the UK to Eurovision, haha. Very well done, I see why this song shot up the betting odds over the course of the week. Wow! The UK just might find itself back in the Top Ten.

19 Cyprus Gravity

Why is he so flat? I still think that this staging is oh so very weak compared to what it could be. Even just one silks dancer would have been amazing. At least his vocals seemed to have leveled out.

20 Romania Yodel It!

Ugh, this song is so bad. At least their performance is still good. I can’t believe that this song will probably do well tonight. Hopefully, it will be no where close to the top spot.

21 Germany Perfect Life

This is an average song that is staged quite poorly. Maybe she has done enough to beat out Spain and avoid being the third straight last place finish for Germany.

22 Ukraine Time

This gets two bumps 1) for being from the host country and 2) for being this year’s only rock song. It is alright. I think we’ve heard better ones through the years. But, despite the supercreepy head on stage with them, they did a good job and will probably finish in the 11-15 range.

23 Belgium City Lights

She still looks kind of scared – so, I guess that’s just how she looks. Despite the fear in her eyes, I think she still has a commanding presence on stage. She forces you to pay attention. Well done! Belgium back to the Top Ten!

24 Sweden Can’t Go On

I keep forgetting that he is purposefully singing gravely and low – I think it’s supposed to be sexy. This song is just obnoxious, though. I know Sweden is trying to protect its Top Ten streak (three in a row, including a winner), but this song does not deserve to be in the Top Ten. There are so many more that have greater artistic value (for example: Hungary, Belgium, Portugal) or more genuine performances (for example: Croatia, Romania, the Netherlands) that deserve that spot more.

25 Bulgaria Beautiful Mess

He’s behind Italy and Portugal in the betting odds, but not by much. He needs to bring his top performance if he hopes to win — performing so close to the end does not guarantee a strong placing (just ask the UK). Wow! Started a bit shaky, but he definitely finished strong! Is it enough to win? I’m not sure. Portugal, UK, and Belgium all gave pretty amazing performances as well of their strong songs. Not to mention that Italy sounds like he raised an army with his. We’ll see, it should be close!

26 France Requiem

I am so confused by France’s staging. Why is she alone and without dancers? Is everything spinning? She is stunningly beautiful, though. Hmmm, maybe not enough for the Top Ten, but should finish with a respectable position.

 

And there you have it! One of these 26 songs will be our new champion. But who will it be?!

Well, I think that it will come down to Bulgaria, Portugal, Italy, and the UK. Which, I guess, isn’t too surprising. I think these had the best performances tonight and captured audience interest while also garnering jury support. I think Italy will be super popular among the televoters while Portugal and the UK will be favorites among the jury. Ultimately, I think one song will garner enough support from both to claim victory: Bulgaria. I know, boring that my prediction has not changed, but I still think that this song has what it takes to win. And I think it will be quite close, with Portugal coming second within a reasonable margin.

So, who do I think will be in the Top Ten?

  1. Bulgaria

  2. Portugal

  3. Belgium

  4. Italy

  5. United Kingdom

  6. Belgium

  7. Romania

  8. Sweden

  9. Armenia

  10. Azerbaijan

And, who were my ten favorites from tonight?

  1. Hungary

  2. Armenia

  3. Belgium

  4. Portugal

  5. Bulgaria

  6. United Kingdom

  7. Denmark

  8. France

  9. Norway

  10. Poland

Voting Entertainment/ Interval, I guess

While I think Ruslana, contemporary-traditional Ukrainian fusion music, and Jamala were all super awesome — I don’t understand why this is happening during voting. This is why shows keep running over, because they try to do a thousand things. I bet Jamala is going to be the Interval Act – adding yet more time. This should be a tight, three-hour show. Let last year’s winning artist (in this case, Jamala) open the show with a reprise and whatever new single they are hoping to promote (and get rid of the parade of nations), keep the voting to a tight 15 minutes, and move the entertainment back to the interval act, which can be shorter thanks to the fact that fan votes can continue to be verified while the jury votes are provided. It just doesn’t make sense.

LET THE VOTING BEGIN!! Here are the jury votes!

Sweden – Whoa! Sweden gave its twelve to Portugal. That’s highly unexpected (and no points for Norway) Portugal will either run away with these points or fall flat

Azerbaijan – No Russia, now to its twelve goes to…Belarus.

San Marino – more points to Portugal

Latvia – and the points continue for Portugal

OMG IBA from Israel is shutting down! Bombshell announcement live on air! Maybe Morocco and Lebanon will finally return?

Israel – Another 12 to Portugal

Montenegro – 12 to Greece

Albania – 12 points to Italy

Malta – surprise, instead of the UK their 12 goes to Italy

Macedonia – first 12 for Bulgaria

It’s going to be interesting to see where points from the former USSR will go without Russia. And from the former Yugoslav with Croatia being the group’s only representative.

Denmark – 12 to Sweden. surprise, surprise

Austria – 12 points to the Netherlands. Interesting

Norway – 12 to Bulgaria (and not Denmark or Sweden, surprisingly)

Spain – 12 to…Portugal (no surprise)

Finland – 12 points to Sweden (no surprise)

France – 12 points to Portugal (much to Belgium’s chagrin – zero points from their French friends)

Greece – 12 points to Cyprus (no surprise)

Lithuania – 12 points to Portugal (yea, I’m sensing a runaway)

Estonia – 12 points to Bulgaria (keeping them in the realm of closeness)

Moldova – 12 points to (let me guess….) Romania — no surprise.

Armenia – 12 points to Portugal!

Time for a breather – wow so fast, these votes! I think Portugal will handily win the Jury. The question is, how will it do with the televote?

Bulgaria – 12 points to Austria? That was unexpected. Strategic?

Iceland – 12 points to Portugal. Oh yeah, two out of four Nordic countries, definitely going to win the jury vote.

Serbia – 12 points to Portugal

Australia – 12 points to (the UK?) Yep. First time they sent 12 points to the motherland, fyi

Italy – 12 points to Azerbaijan?! Huh. Strategic?

Germany – 12 points to Norway – interesting

Portugal – 12 points to Azerbaijan! Interesting…strategic?

Switzerland  – another 12 points to Portugal

The Netherlands – 12 points to (wait! only 2 points to Belgium?!) Portugal

Ireland – 12 points to Belgium! (can’t think of the last time Ireland gave 12 points to the UK)

Georgia – 12 points to Portugal!

Cyprus – 12 points to Greece (I love how the spokesperson even knew that everyone already knew that their points were going to Greece)

Belarus – 12 to Bulgaria (benefiting from the lack of Russia, I bet)

Romania – 12 points to (Italy?) the Dutch! wow wow!

Hungary – 12 points to Portugal! Maintain the lead, but its definitely not as thick as it was. But, win or not, Portugal will definitely get its best ever placing tonight.

Slovenia – 12 points to Portugal

Belgium – 12 points to Sweden – that was highly unexpected

Poland – 12 points to Portugal!

United Kingdom – (yes, Katrina, we all know who you are) 12 points to Portugal!

Croatia – 12 points to Hungary – well deserved, I’d say

Czechia – 12 points to Portugal, 94 points ahead of Bulgaria

Ukraine – final 12 points from the juries – 12 points to Belarus! Whoa!

Portugal has won the jury votes by 104 points, leading Bulgaria who is 60 points ahead of Sweden. Australia led Ukraine by 109 at this point last year.

Televote!

Spain is saved from null point land!

And there goes the UK’s shot at the Top Ten

A lot of interesting televote points…And a lot of low point values. All the ones outside the top ten of the televote have fewer than 90 points

France got 90 points

Croatia got 103 points

126 points to Sweden

152 to Hungary – and quite the jump!

Italy – 208 WOW!!! Way underperforming for the bookie and fan favorite going into the Contest

Romania – is next with a sizeable jump

Portugal, Bulgaria, Moldova, and Belgium left to receive points

255 points to Belgium (WOW – how many points did Moldova get?!)

264 points and third in the televote to Moldova

Bulgaria v. Portugal

337 points to Bulgaria

MEANING THAT PORTUGAL HAS WON (with an addition 376 points)

WOW Our first new winner since 2011 (Azerbaijan) and PORTUGAL’s first ever victory!!! It took 49 attempts and a lot of shame, but Portugal has finally won. It is no longer the country with the most participations without a victory (Cyprus now takes that helm with 30 participations without a win). Congratulations and next year in Lisbon! Also, great job Ukraine, after a lot of confusion and craziness, you put on a fantastic show!

Awww, he has his sister (who wrote and composed the song) up there with him to sing the winner’s reprise as a duet with him. A beautiful moment for a beautiful song. A well-deserved, well-earned victory for Portugal.

Check back tomorrow for our wrap-up podcast with DizzyDJC as well as my wrap-up article about the Grand Final.

 

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Eurovision 2017 Song Reviews (Finally!) – Automatic Qualifiers

Hello Dear Readers!

Only six more reviews for this year! Among the Big Five, there seems to be a sharp divide between title contenders and bottom-dwellers.

Automatic Qualifiers

 

Country

Performing Artist

Song

Selection*

 

Ukraine

O.Torvald

Time

Televised

Thoughts:

This will benefit from being the only rock song this year and the hometown entry. I think the song is alright, but definitely distinctive. I don’t think it will get in the Top Ten, but will definitely outperform the 19th place Ukraine got back in 2005 (the last time we were in Kyiv).

 France

Alma

Requiem

Internal

Thoughts:

So whimsical! I rather enjoy this song and could definitely help France repeat in the Top Ten (and possibly, dare I say, contend for the crown!). The splash of English in the refrain is just the right amount, much like last year. Though, if France is serious about winning, than it needs to ensure to give Requiem the staging it deserves (as I’ve discussed previously).

 Germany

Levina

Perfect Life

Televised

Thoughts:

Germany followed my recommendation to return to the original Ünser Star format. Ultimately, after defeating other contenders, Levina competed against herself with two songs in the final show’s super-final. This one is cheerful, but not all that interesting. Won’t be last place, but definitely not going to win.

Italy

Francesco Gabbani

Occidentali’s Karma [Westerner’s Karma]

Televised

Thoughts:

A thoroughly intellectual song (give the lyrics a read) about the futility of Westerners trying to adapt Eastern customs that are at odds with Western values. I think the song is okay, but in just the brief glimpses of what I’ve seen online, this is a heavy favorite to win right now.

Spain

Manel Navarro

Do it for Your Lover

Televised

Thoughts:

Another controversy for a Spanish entry (this is the jury’s favorite and went against the fan’s favorite). This song is…very California…and lazy…and lame. It’s overly repetitive to the point of being boring.

United Kingdom

Lucie Jones

Never Give You Up on You

Televised

Thoughts:

Probably the most popular (among the British) entry in at least a decade. It’s a bit drab and uninspired to me, but at least it’s another contemporary song despite last year’s stumble. It sounds like it could be a radio hit.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

So, who do I think will finish in the Top Ten? How would I rank these songs?

Predicted Top Ten Finishers
(In alphabetical order)

My Top 6
(Starting with my most favorite)

France

France

Italy

Germany

Ukraine

Italy

United Kingdom

Spain

More importantly, who do I think will be competing for the crown?

France – Probably my favorite song this year, this song will most definitely build upon last year’s success – especially if it is given a proper staging. This song is distinctly French, yet still accessible. It is catchy and fun and whimsical without seeming childish or simple.

Italy – The other big fan favorite along with Belgium, thus far. Interesting staging, intelligent lyrics, and sung in the much-loved Italian language. And, unlike several other Italian performers, Gabbani actually seems like he wants to win and bring the Contest back to Italy (maybe they’ll host it in Milan or Palermo this time around).

Missed by previous review posts? Find them here:

First Semi-Final: First Half, Second Half

Second Semi-Final: First Half, Second Half

Don’t forget to come back tomorrow to see my summary post and get my first prediction for who will ultimately win in May.

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Analyzing the Big Five: Spain

  1. Hello Dear Readers!

We turn our gazes today out west – to Spain! Debuting in 1961, España has had mixed success through the years, winning in 1968 and again on home turf in 1969, but rarely tasting much other success, having only two second places and six other top five finishes. This is well-reflected in Spain’s recent finishes, as the country has been up and down, but rarely achieved its full potential.

Recent History
2006 – 21st place with Un Blodymary by Las Ketchup
2007 – 20th place with I Love You Mi Vida performed by D’Nash
2008 – 16th place with Baila El ChikiChiki performed by Rodolfo Chikilicuatre
2009 – 24th place with La Noche es para Mi performed by Soraya
2010 – 15th place with Algo Pequiñito performed by Daniel Diges
2011 – 23rd place with Que Me Quiten Lo Bailao performed by Lucia Perez
2012 – 10th place with Quedate Conmigo performed by Pastora Soler
2013 – 25th place with Contigo Hasta el Final performed by El Sueño De Morfeo (ESDM)
2014 – 10th place with Dancing in the Rain performed by Ruth Lorenzo
2015 – 21st place with Amanecer performed by Edurne
2016 – 22nd place with Say Yay! performed by Barei

Spanish Flag MapSpain’s biggest strength is also its biggest weakness. There is an intense desire to use Eurovision to display Spanish culture, whether its showcasing the Celtic roots of Galicia (2013), bringing idioms to life (2010, 2011, 2016), or simply displaying contemporary Spanish pop music (2006, 2007, 2009, 2016). It is this emphasis on culture that leads to the inevitable, annual discussion of whether or not the entry should include English. Honestly, language isn’t the issue. The composition and staging display the culture just fine. Don’t get me wrong, I appreciate the incorporation of Spanish (or one of its dialects or a regional language) into the entry – but is it worth the fuss that we see ever year? In 2016, the Minister of Culture nearly disowned “Say Yay!” because it was entirely in English despite the composition and the presentation displaying Spanish culture. Likewise, the international fans are quick to blame the Spanish language for the nation’s lack of success, forgetting that two of Spain’s most successful entries in the past ten years were entirely in Spanish and the last was 50/50 with English. And this is why the emphasis on culture is a weakness for Spain – instead of unifying the country behind an entry that celebrates (at least a segment of) Spanish culture, each year there seems to be a firestorm – the public seems to whine about every entry, it’s either not “Spanish enough” or its the “wrong” kind of Spanish, etc. And, complaining from the public is typical, but it seems to be led by the government. It’s hard for RTVE to garner support when the government whines about the entry for not adequately representing “Spanish” culture. Spain is a diverse country, rich from the influence of many people groups (many Western European countries are diverse, but Spain is one of the least integrated countries, where the various groups tend to stay separated) – Catalonia, Galicia, Majorca, Canary Islands, Andalusia, etc. No one entry will be able to capture every aspect of every culture within Spain. The sooner that this fact is accepted, the easier it will be for RTVE to garner public support.

So, what has gone wrong?
The issue of culture surely puts RTVE on edge, as they have to try hard to win over the doubters within their own country in addition to trying to win the hearts of Europe. Add the fact that it was the last of the Big Five to join the Contest and the least successful, and you get a situation where entries come off as desperate. 2007 and 2015 are great examples of this. Both were songs that were meant to capture the essence of contemporary sound, both went into the Contest with decent betting odds and a lot of attention. However, both had stagings that were too elaborate, so much so that it took away from the song. These overly-elaborate stagings come off as desperate for votes and we all know that desperation is a turn-off. 2016 was in a similar situation, but had betting odds that were on a downhill trajectory throughout the month of May and had the unfortunate task of performing after Russia’s show-stopping presentation.

What can Spain do to Improve in 2017?
SpainIt’s tempting to say that Spain just needs to send another diva. Spain’s two Top Ten songs were both ballads. But, 2008, arguably the most memorable and popular song, was a pure gimmick act. All three songs had something in common that the other seven we’re examining do not: authenticity (you could argue that 2013 was authentic, but was not performed very well). No one expected Rodolfo Chikilicuatre to have a strong song, but he went out there and got people dancing and laughing and enjoying the song. Even though there were other entries that have done better than 2008, this is still one of the first (if not the first) Spanish songs most ESC fans will name. Why? Because Rodolfo was true to who he was and basked in his oddity and made us want to join him in it. 2012 and 2014 have similar stories. Both were very traditional ballads that should have been lost in Contests with more dynamic entries and news stories that dominated headlines (“Russian grannies!” “Azerbaijan’s spotty human rights record!” “Loreen is literally everywhere in Baku!” “Denmark has gone broke over this Contest!” “Conchita is queen/the devil!” “Russia vs. gays!”), both songs maintained relevance and had powerful, heartfelt emotions that few entries have matched – and none of the other Spanish ones have.

The focus for Spain, more than anything, this year must be on a singer who is truly authentic and can convey this through their singing. 2008 showed that this doesn’t have to be a ballad, even something uptempo can work. Furthermore, don’t overcrowd the staging. The singer should stand out. 2008 basically recreated the music video, Rodolfo singing with his crazy dancers. 2012 was Pastora standing still in a beautiful gown with minimal light work. 2014 was Ruth Lorenzo singing with wet hair and a rain backdrop. 2017 needs to be minimal – no crazy camera work, no magic tricks, no major choreography – just a strong song performed well by a singer who knows who knows themself. I don’t know why, but I have a feeling that 2017 will be won by a singer-songwriter type (think Germany and Belgium 2010, Germany 2012, or Netherlands 2016). Spain can bring this kind of authentic entry to the Contest. I’m not quite as up on Spanish music scene as I am on the British one, but I did find two artists that I think would do well for Spain.

Lantana is singer-songwriter and actress who predominantly makes piano-driven ballads. She has been critically acclaimed and has a strong following. Her biggest hits are La Noche de los Muertos Vivientes and Ex-Corazón. She is also known for being a bit of a performance artist (using the stage to create living art pieces of which she is a part). Which means she would create a staging that compliments the song. And for those wondering if this would be too crazy and distracting, here is a clip from a concert in Berlin (I chose a performance of my favorite song by her, Perdón).

Another artist that I think could do well for Spain is Luis Ramiro. Like Lantana, he tends to produce passionate ballads that are presented simply. He has also been critically acclaimed and has won several awards for his work. One his most acclaimed songs is Dos Coplas earned him a Young Creators Award. One of my favorites is Magia. The reason I think he can be successful thanks to the fact that every song he creates is stirring. One of his most recent singles is Contigo.

Both of these artists perform exclusively in Spanish (as far as I can tell). There’s one benefit to having an internal artist selection – it allows the broadcaster to take a hand-off approach. Think Netherlands 2013. TROS wanted Anouk to be their representative. She accepted on the condition that she gets full control. She chose a slow, haunting ballad and had one of the simplest presentations of the year. RTVE could offer the same deal to Lantana or Luis Ramiro (or a similar artist). Then, the entry is no longer representing ALL of Spanish culture, but is now just the vision of one Spaniard fighting for their people. It’s much easier to rally around one person who is fighting for you as opposed to trying to convince everyone that this three minute song is a representation of who you are.

What’s the worst thing Spain can do?
In reaction to the controversy over 2016’s full English-language entry, Spain decides to go full tilt in expressing Spanish culture. They have an artist and an entry more focused on culture than on success (i.e., Portugal just about every year). Think about if the RTVE sent a flamenco song, or a Sardana song (to make nice with Catalonia). It would add wonderful diversity to the Contest and I would love it but it would fail – hard. Just ask Finland how successful their Finnish tango entries are (not very). Again, this is not to say there’s something wrong with putting your folk cultures on display; Eurovision, to some degree, is meant for this. However, don’t put your folk cultures on display with the expectation that they will win. The last pure folk song to win the Contest was…arguably The Voice (Ireland 1996).

Essentially, Spain needs an artist that can take their experiences and life and authentically translate them to the Eurovision stage. This can even be done with a contemporary interpretation of a folk style; how many winners have won with this equation? 2016, 2009, 2006, 2005… Putting the entry in the hands of a singular artist who can set a vision for the presentation is the solution that Spain needs at this time.

Your thoughts? Is a singer-songwriter the right path for Spain? Is Spain right to focus so much on language? And, most importantly, under the new point system, can Spain still harness a big chunk of votes from Portugal (who returns next year)?

Be sure to check out my analyses on the other Big Five countries!

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Analyzing the Big Five: How can they get better?

Hello Dear Readers!

As decided by you on Twitter, the first series this summer will be on the Big Five – looking at their past ten entries (only six for Italy, as it rejoined in 2011) and determining their best path for success going into 2017. I’ll be examining them in reverse alphabetical order: United Kingdom, Spain, Italy, Germany, and France.

But first, who are the Big Five, how did they get their status, and how do they *keep* their status?

Who are the Big Five?
In short: France, Germany, Italy, Spain, and the United Kingdom.

Big Five

In more detail: the Big Five are the countries (and by countries, I mean participating broadcasters – remember, Eurovision is a competition between tv broadcasters) who (1) give the most money to the EBU – without their contributions, Eurovision would simply lack the funding to exist and (2) have (historically had) the largest television audiences in Europe. Simply put, France (France 2 + 3), Germany (NDR), Italy (RAI), Spain (RTVE), and the United Kingdom (BBC) have the greatest potential for the number of viewers of ESC. More viewers equals more money generated from advertisers. It also means more potential buyers of ESC merchandise.

How did they get their status?
Imagine it’s the nineties. Yugoslavia has split up and other Communist nations are slowly starting to look towards the West. In 1993, the EBU tried having a pre-selection show to handle all the new countries that sprung up in the East. It accomplished its goal, but this was not a permanent solution. As more countries wanted to participate, 1996 brought another pre-selection show. Juries would listen to songs from every country looking to participate (except the previous year’s winner, Norway) and select the songs joining the prequalified entries in Oslo. The German entry, Planet of Blue, did not qualify. 1996 was one of the lowest watched Contests, losing lots of money for the EBU. Why? Because Germany had unprecedentedly low viewership. After a few more years without a preselection, the EBU implemented a relegation system. Needless to say, the EBU did not want to risk another situation in which a major broadcaster had low viewership, especially since Italy had decided to stop participating altogether after 1997. When setting the rules for relegation, exempted would be the four countries with the largest tv audiences and financial contributions. Therefore, Germany, France, UK, and Spain would never be relegated – and thus, the Big Four rule was introduced. When the semi-final was introduced in 2004, the Big Four rule was maintained; these four countries and the top ten from the previous year would automatically qualify for the Final. When Italy rejoined the Contest in 2011, it was determined that it should join its peers and create the Big Five.

Why do they keep their status?
In case you doubt their contributions, keep in mind how many countries don’t know from year to year if they will be able to participate due to finances. When the EBU provides money for those broadcasters, it is typically from the dues of these five countries as well as from the revenue generated from their content. For example, San Marino was able to participate in 2008 because RAI, a major stockholder in SMRTV at the time, wanted to test the waters for an Italian return. They helped fund San Marino’s 2008 debut and helped them return in 2011. This happens beyond Eurovision; as broadcasters need funds (or the waiving of dues payments) to operate – the EBU is able to provide assistance because the Big Five broadcasters provide a substantial portion of funding. The debts that caused TVR (Romania) to withdraw in 2016 and could possibly dissolve BHRT (and its subsidiary RTRS) (Bosnia & Herzegovina) were built by loans that the EBU was able to provide thanks to the Big Five broadcasters.

From a competition standpoint, it may not seem fair that these five always qualify, especially since their entries as of late (~past sixteen years) have not done too well. The fact remains, there would be no Contest without these five countries – from their financial contributions that help other European broadcasters operate, to the advertising revenues they bring to the EBU, to the audiences they provide for Eurovision and year-round programming, the Big Five are as vital today as they have ever been to the Contest.

So, why haven’t they been doing too well these past ten years? Well…it depends on the country. We’ll spend the next two weeks examining each one’s recent history, identifying potential weak spots, and giving suggestions for 2017.

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