Posts tagged “san marino

Eurovision 2017 – Second Semi-Final: Live Notes!

Hello Dear Readers!

It is Thursday of Eurovision Week and we all know what that means: time for the Second Semi-Final! Tonight we will get the last ten qualifiers for Saturday’s Grand Final. As a reminder, the qualifiers for tonight will join the Big Five (Spain, Germany, France, Italy, and the United Kingdom), our defending champs & host (Ukraine), and Tuesday’s ten qualifiers (Armenia, Australia, Azerbaijan, Belgium, Cyprus, Greece, Moldova, Poland, Portugal, and Sweden).

Make sure to keep refreshing the page throught the show!

It’s starting! I love starting with a recap of Tuesday.

…what are the hosts wearing?! No. Not good. I do love a good ESC medley! Euphoria! Fairytale! My Number One (which was the winner the last time we were in Ukraine). Rise like a Phoenix! Definitely not a bad openning act. I always enjoy a reinterpretation of songs into a new folk style.

 01 Serbia In Too Deep

They seemed to have scaled back the epicness of song; why? This is wholly underwhelming. This song is nice, but forgettable. The dancer didn’t add much other than some additional eye candy.

02 Austria Running on Air

Oh no, he sounds a bit underpitch and he’s singing with zero emotion. I also don’t understand this staging – why is there a moon? Oh no, he just botched the big note. I love this song but this is just a poor presentation of it.

03 Macedonia Dance Alone

Interesting to put the backing singers so dominatingly right at the beginning lime that. That was also a poor model walk she is doing. Her outfit is cute, though. I understand the use of the mic effect, but I can barely hear her. She is certainly selling this as hard as she can as a dance number. Ummm…..I’m just not sure how to react. Definitely a HUGE missed opportunity for Macedonia, but it might be enough to qualify.

 04 Malta Breathlessly

I don’t understand this backing scene choice. It should be black amd white images of her and her lover. Not random gifs of her singing. Really pretty dress! No one can say that her voice is not good, but this song is just so drab and boring.

05 Romania Yodel It!

I like the toy soldiers. The cannons look cool – but I don’t know why they’re there. Oh! That’s why — pretty cool. As much as I dislike this song, it is, so far, the strongest performance tonight — by a mile.

06 The Netherlands Lights and Shadows

Oh! Love those outfits! Oh my goodness, they sound amazing hitting those harmonies! Honestly, I was expecting their outfits to turn white during the climax towards the end. Very good – definite qualifier, I think.

 07 Hungary Origo

 He seems to be going a bit fast amd is a bit ahead of the beat. But things seemed to habe caught up with the violin. Cool! Was not expecting the flames. I don’t what it is, but the camerawork just seems — not good – they should have goven the producers better camera choreography to work with. It doesn’t help that he looks so uncomfortable on stage.

08 Denmark Where I Am

Why does her voice sound weird? Did they leave a mic effect on? She seems out of breath as well, like she can’t quite fully support her singing. She hit that big note, though! Too much backing singer on this performance; I hope they turn them down for Saturday.

09 Ireland Dying to Try

Why the hot air balloon? Oh, missed a note there. He’s so adorable, though. Uh oh. He missed that big note. And just barely made the biggest one. Disappointing. This is one of my favorite songs this year and this performance is just flat.

10 San Marino Spirit of the Night

What are they wearing?! Why are they so sparkly?! They have really good chemistry together. Despite the fact tat this is a fairly dated sounding disco-track, given the quality of performances tonight, it has a legit chance to qualify. I think my friend called this the “song of a thousand key changes” — most definitely. They at least nailed them all.

Man, San Marino had a black American guy and now Croatia has a big guy, it’s like Eurovision producers wanted me to feel particularly represented on stage.

11 Croatia My Friend

Oh my goodness, this turning back and forth is silly. As is that glove he is wearing. He sounds good, though. Bad song, but well performed.

–sorry for the interruption, my town is under tornado warning and I had to take shleter– 

**All clear! Picking up where we left off.

12 Norway Grab the Moment

I like the camera effects and how digitized he looks during the refrain and his face is featured on the screen. I know the desire to keep it simple is tempting, but I wish they had added a bit more dynamic elements to the staging, particularly to the climax at the end.

13 Switzerland Apollo

LOVE the dress, hate the hair. Her voice seems to be dancing in the edge of in tune and out of it. I feel the same as I did after Macedonia, just a huge missed opportunity. Maybe enough to qualify, maybe not.

14 Belarus Historyja Majho Žyccia

Love the wite and blue aesthetic! They started off a bit shaky, but their voices leveled out. Some much energy and fun – fireworks!! That screen is fun and that’s a huge crowd reaction!

Time for this year’s youngest competitor and my predicted winner:

14 Bulgaria Beautiful Mess

Love this overhead shot during the first verse! He gets a bit off pitch during the refrain. Love the interplay between the camera, the special effects, the background, and the lyrics – beautifully staged! As good as that was, not sure I’d rate that higher than Portugal’s performance Tuesday. I’ll be interested to see what happens Saturday night when thy can go head-to-head.

16 Lithuania Rain of Revolution

I see they are reproducing their national final performance… includingn that terrible hairstyle. They should have invested in actual spark showers. The animated ones just don’t have the same effect. And, honestly, coming after a song like Bulgaria only makes this, with its super-synthesized instrumentation, sound a bit fake and dated.

17 Estonia Verona

Mic issues! I wonder if they will deemed bad enough to call for a second performance. Vocal issues! I wonder if they will be bad enough to stop this from qualifying. I do love the camera effect making it look like they were on two completely different stages throughout the first verse and bridge. They don’t seem to have much chemistry; maybe that’s why they barely interact with each other throughout the performance. I know this is a big fan favorite, but I remain unimpressed.

18 Israel I Feel Alive

He knows how to work a camera! Which, I guess takes away from his weak vocals. The staging was a lot of fun — quite dazzling.

My Top Ten from tonight

  1. The Netherlands
  2. Bulgaria
  3. Croatia
  4. Norway
  5. Belarus
  6. Denmark
  7. Israel
  8. San Marino
  9. Switzerland
  10. Romania

Who I think will qualify (in no particular order)

  • Romania
  • Denmark
  • Bulgaria
  • Israel
  • The Netherlands
  • Belarus
  • Switzerland
  • Serbia
  • Estonia
  • Norway

Voting Sequence EntertainmentMore Verka (Ukraine 2007 and probably one of the modt popular entries to date)! And yay for talking to fans 🙂

Interval Act

The dancing is really cool. I never know quite what to make of it, but it’s certainly interesting and much appreciated.

A marriage proposal for Jana from Macedonia!!! Awwwww

Our Automatic Qualifiers

  • France – whoa! All the spinning is dizzying, which I guess is the point.
  • Germany – why is she in a dress that matches the background. She’s just going to get lost in the production. Maybe Germany is aimig to break Norway’s most last places record?
  • Ukraine – that head is CREEPY!!! It looks like a possessed baby doll. 

Now, on the results! Our ten qualifiers are:

  • Bulgaria! Woot, woot – we could legitimately be heading to Sofia next year (1 for 1 in my predictions)
  • Belarus – well deserved! (2 for 2)
  • Croatia – not surprised, just didn’t think this and Belarus would both make it (2 for 3)
  • Hungary – one of my favorites, but he’s going to need a much stronger performance Saturday (and Friday) night (2 for 4)
  • Denmark – Gå Danmark!! (3 for 5)
  • Israel – no surprise here (4 for 6)
  • Romania – ugh (5 for 7)
  • Norway – good stuff (6 for 8)
  • The Netherlands – well earned, best performance of the night (7 for 9)
  • Austria – complete shocker!! (7 for 10)

Well, there you have it. Ten qualifiers. Macedonia completes its fall from grace going from big favorite to non-qualifier in six short weeks. Come back tomorrow for my full thoughts and my next podcast ahead of Saturday’s Grand Final! 

 
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Eurovision 2017 Song Reviews (Finally!) – Second Semi-Final, Second Half

Hello Dear Readers!

It was incredibly difficult for me to narrow this down to just ten songs I think will progress to the Final. In this regard, Russia’s quitting made things a little easier for me.

Belarus

Naviband

Historya Majho Žyccia

[Story of My Life]

Televised

Thoughts:

A great folksy song and one of the few not in English. I’ve loved it from my first listen, I think that it’s such a fun song to sing along to. I think there’s enough non-lyrics that everyone can sing along without having to speak Belorussian.

Bulgaria

Kristian Kostov

Beautiful Mess

Internal

Thoughts:

Such a powerful voice from such a young guy! A great ballad that maintains its sensitivity without getting boring. I like it more and more each time I listen to it. I particularly enjoy the composition and how it continually pushes us through the song.

Croatia

Jacques Houdek

My Friend

Internal

Thoughts:

Definitely an original piece. I think that it’s…interesting. The composition is definitely stirring. The singing is well done. The lyrics are uplifting. The choice to mix English and Italian in this way…interesting.

Estonia

Koit Toome & Laura

Verona

Televised

Thoughts:

A well-done ballad that is well delivered by Koit Toome and Laura. A song about a love turning sour (but hopefully not tragic). It’s definitely a bit more unique, but I’m still on the fence about its chances. It has widespread appeal without sounding overly generic, so, I want to err on it doing better than one would expect.

Israel

Imri

I Feel Alive

Mixed

Thoughts:

A fun dance tune. It’s in danger of being loss in the mix of things because it’s not overly distinctive. However, Imri seems like a really fun performer and has had to battle for this opportunity longer than most thanks to Israel’s selection process this year. There’s definitely hope, yet!

Lithuania

Fusedmarc

Rain of Revolution

Televised

Thoughts:

I think this is a song about undergoing a personal revolution – changing for the better along life’s journey. It’s certainly interesting and unlike any other song this year. It’s a bit weird, but intriguing, but will not make the Final.

Norway

JOWST feat. Aleksander Walmann

Grab the Moment

Televised

Thoughts:

I really like this song, but maybe it’s a bit too contemporary to succeed. The composition is quite textured; the song is infinitely interesting musically. I also love the lyrics about transcending that internal negative voice that holds us back in life.

San Marino

Valentina Monetta & Jimmie Wilson

Spirit of the Night

Internal

Thoughts:

When the rest of the Contestants step forward into club, San Marino returns full-scale to the discotheque. Don’t get me wrong, I’m happy Monetta is back — and I am always happy when an American takes the stage. However, why give two jazz singers a disco song?

Switzerland

Timebelle

Apollo

Televised

Thoughts:

Switzerland has sent a compelling pop tune that sounds like it came off the radio and into the Eurovision Song Contest. It’s not my particular favorite, but it’s a good song. And, more importantly, it’s a strong, competitive song.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only examples of that this year are Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel had a televised show to select a singer and then internally selected the song.

So, who do I think will qualify from this semi-final? What are my favorite songs?

Predicted Qualifiers
(In alphabetical order)

My Top 10
(Starting with my most favorite)

Bulgaria

Hungary

Denmark

Ireland

Estonia

Denmark

Hungary

Bulgaria

Israel

Norway

Macedonia

Belarus

The Netherlands

Austria

Norway

The Netherlands

Serbia

Serbia

Switzerland

San Marino

More importantly, who do I think, from the Second Semi-Final, will be competing for the crown?

Well, overall, I think that this is the stronger of the two semi-finals. With that said, I think that three songs have the ability to seriously contend for the victors’ trophy.

Denmark – Powerful, R&B-esque ballad performed powefully by a popular, pretty singer. I think this song has all the components needed for victory – strong melody, interesting lyrics, well-designed staging, and flawless performance (if DMGP is anything to go by).

Bulgaria – The best ballad this year, by a long shot! With the release of the music video, my hopes for this song have gone down some; hopefully the staging does not mirror the music video. I think Kostov may actually have the stage presence to bring the Contest to Sofia.

In addition to these songs, I think that Macedonia will find itself in the Top Ten for the first time ever and Switzerland will return to the Top Ten for the first time since 2005 come Saturday night.

Find the other reviews from this year here!

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The #SanMarinoPlan: A Way Forward for Microstates

Hello Dear Readers!

The 2016 Contest brought with it a new points format. The jury and televotes would no longer be combined on the country-level, as they had been since 2009, but each would be totaled individually before being combined to achieve the final results. While this reduces the bolstering of the middle-placed songs we saw under the previous system, it puts small countries that lack the population to support a televote at a disadvantage. In 2016, Sammarinese Flag MapSan Marino, a country of just 32,500 (fewer than the nearly 38,000 that attended Eurovision in 2001), which has historically always used 100% jury votes due to its small size required a televote in order for the new system to work. The solution? Create a composite score using a selection of countries (a list which has not been revealed) that stands in as San Marino’s televote. The EBU told us that this was to be employed if any country lacked either a jury or televote. San Marino is the only one for which this procedure was used. Understandably, the Sammarinese broadcaster, SMRTV, is not satisfied with this arrangement and has supposedly created a proposal to resolve this situation. How the EBU proceeds could be an influencing factor for how other small countries to continue participation (such as Albania and Moldova, both often use 100% jury as well in the past) and for others to return (such as Luxembourg, who is starting to see renewed fan interest in returning).

While we don’t know SMRTV’s exact proposal, which I have dubbed the #SanMarinoPlan, there are three likely avenues which SMRTV will pursue.

  1. Have Digame, the televoting partner, craft a new algorithm for smaller countries.

Right now, televoting depends on a certain raw number of votes to be certified. San Marino, with its modest population, just can’t reach the necessary threshold. However, San Marino has its own area code that differentiates it from Italy (0549), so it would be very easy to determine who is calling SMRTV’s numbers from San Marino. Whatever the current algorithm is for determining a statistically strong televote could be readily modified to fit a smaller scale. What makes this proposal difficult is that, with a smaller televote threshold, San Marino opens itself up to vote manipulation – a group could sponsor a bunch of folks to cross the border and use Sammarinese cell phones to vote for a particular country.

  1. Allow San Marino to create a second jury of non-professionals to create a televote.

SMRTV could gather a selection of citizens or hold official watch parties in the City of San Marino, Dogana, Domagnano, and/or other major population centers where they can collect votes and use those for their televote. It is incredibly easy to have people attend an event and cast ballots, collect these votes, and report the final results to the EBU. The biggest challenge with this proposal would be the increased cost to SMRTV. Hosing these events would cost money and they would need to have two (one for the semi-final and one for the Grand Final) in each chosen city. SMRTV would have the added difficulty of gathering fans (the largest cities only have a few thousand residents) and volunteers, as San Marino lacks its own OGAE (though, I’d gladly attend and host an event as a member of OGAE Rest of the World – we support San Marino and all the countries without their own OGAE).

  1. Create a system in which viewers in non-participating countries can vote to create stand-in televoting scores

The easiest way to reach the threshold would be to expand those eligible to vote through creating a portal through which those with IP addresses in a nonparticipating country could vote online/through the app. This would allow the EBU to have interactivity opportunities with new markets (like the US or China) without letting them participate. Depending on the popularity of this, they can institute it as some kind of back up televoting for all the countries that may need it (by randomly dividing received votes across all the countries that need a televote stand-in). The biggest difficulty, of course, is the vulnerability to being tampered with. More than that, though, it hurts the EBU’s chances for getting Luxembourg, Turkey, and other former competitors to return, as there would now be a way for interested fans to stay engaged without those broadcasters having to participate.

San MarinoPersonally, I think option two (SMRTV hosting viewing parties across San Marino) is the best choice. It engages fans with the Contest and ensures that the televotes are coming from within the country, reflecting the will of the Sammarinese public. However, the most realistic option would be to open voting to non-participating countries. This would allow the EBU to replace any country’s televote as needed (through randomizing the received votes). Additionally, it has the added bonus of engaging fans in countries not participating in the Contest without expanding the boundaries of the ESC. Now viewers in the US, Canada, Mexico, China, South Africa, etc., would be able to engage in the Contest on the same level as Europeans (and Australians) and the ESC would not have to allow those countries to compete. Furthermore, this can be facilitated through the official ESC app and would not significantly increase the cost to the EBU or require an in-country telephone partner.

What about the reverse situation? What if a country loses its jury vote?

Currently, the only solution for the loss of a jury vote is the composite scoring process detailed above. However, this is a more acceptable solution for this situation. The reason for the jury vote is to provide the perspective of music professionals to counterbalance the televote. It would be much harder to have a reserve of jurors in the event that a jury vote is nullified. Additionally, just as the EBU cannot duplicate the jury votes to generate a televote, it cannot duplicate the televote to achieve a jury vote. Nor can the EBU just discount the 58 points, as the new system is dependent upon an equal number of points in the juries and televotes.

 

Thoughts? Comments? Do you think any of these three plans would work? Do you have a different idea for what the #SanMarinoPlan could be?

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ESC 2016 Reviews: First Semi-Final, Part One

Hello Dear Readers!

As promised, here is the first of our five sets of reviews this week. Here are the nine countries competing in the first half of the first semi-final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

Armenian Flag Map

Armenia

Iveta Mukuchyan

LoveWave

Internal

Thoughts:

Initially, I was off put by the spoken portion at the beginning, but I think that the song picks up and I love how unique it is. Great sound and a lot of potential. This will most definitely qualify for the Final.
Croatian Flag Map

Croatia

Nina Kraljić

Lighthouse

Internal

Thoughts:

A truly epic, modern sounding ballad. Definitely not what I was expecting from Croatia; it’s very contemporary and captivating. I’m not sure of it’s final placing as of yet.
Finnish Flag Map

Finland

Sandhja

Sing It Away

Televised

Thoughts:

What a fun song! It’s a simple dance tune encouraging you to let the music take your cares away. It will definitely get Europe moving, but in a year of uptempo songs, I’m not sure if it will get Europe voting.
Greek Flag Map

Greece

Argo

Utopian Land

Internal

Thoughts:

Rap…yeah, not my favorite genre. An interesting choice to come out of an internal selection. I wonder if part of the thinking was a return to a more traditional Greek sound that brought the nation so much success throughout the 2000s and the first half of the decade. I think this will suffer the same fate as Montenegro 2013 – interesting, popular among the voters, weighed down by the juries.
Hungarian Flag Map

Hungary

Freddie

Pioneer

Televised

Thoughts:

The good: I love the sound and look of Freddie. I also like the composition. The bad: This song, it’s lyrics and production especially, is terribly generic. If the influx of eccentric entries is the legacy of last year’s Belgian and Latvian entries, then this is the legacy of Russia’s Million Voices.
Moldovan Flag Map

Moldova

Lidia Isac Falling Stars Televised

Thoughts:

My understanding is that the studio version of this song is better than its live version. However, I have what’s in front of me and, sadly, I do not think Isac’s voice is strong enough to carry this song. It’s bigger than she is and it results in a boring entry that does not go anywhere. Luckily, she has time to work on that between now and May.
Dutch Flag Country

The Netherlands

Douwe Bob Slow Down Internal

Thoughts:

After finding success with the genre in 2014, the Netherlands seems to be returning to country with another song that sounds as if it is straight from Nashville. I think this will get the Dutch back to Saturday night, but I’m not sure what it will do after that, especially since Douwe Bob’s name does not carry much weight outside of his home country.
Russian Flag Map

Russia

Sergey Lazarev You Are the Only One Internal

Thoughts:

Five years after the last hot Russian guy with a dance song fell flat at ESC, Russia is finally trying the combination again. The music video is quite amazing; it makes one forget that the song is fairly average (though, I like the dark undertones in the composition). If they are able to bring this production to the ESC stage, Russia will maintain its Top Ten streak.
Sammarinese Flag Map

San Marino

Serhat I Didn’t Know Internal

Thoughts:

REISSUED! San Marino switched out the original, classy version of I Didn’t Know for an outdated, disco-style version that will surely be lost among the pool of stronger dance entries this year. Whereas before, Serhat’s smokey voice drove the performance and the composition set us up for a distinctive song, a true ballad in a sea of uptempo numbers, now, we have a forgettable arrangement of a song that gives the impression of a grandfather trying to prove how “hip” he is. I’m so, so sorry San Marino, but this was a change for the worse. Instead of competing for the tenth qualification spot, you will be lucky to avoid last place.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

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