Posts tagged “portugal

Eurovision Song… Celebration – Part Two

Hello Dear Readers!

Here we are! Eurovision Song Celebration Part Two! Celebrating the remaining the twenty-one songs of the 2020 Contest. Once again, I’ll be providing live commentary since I’ve not had occasion to release my thoughts on the songs previously. Like on Tuesday, my comments are below the video.

Greek flag mapGreece I think this is a serviceable pop song, definitely hearkens back Greece’s heyday in the 2000s. It definitely would have qualified but I’m not sure it would have been enough to restore Greece to the Top Ten.

Estonia I think this song is critically underrated. It is a powerful love song that I would happily have a first dance to. I am not quite sure why the fandom does not like this song, but I think it would definitely outperform expectations, though, likely would not have qualified.

Austria One of my favorites this year! I love the 90s R&B sound of this song and I think Vincent Bueno would have been a fantastic performer on the ESC stage. I look forward to seeing what he brings in 2021. I think this had a strong chance of qualifying, particularly with the large diasporas from Southeast Asian countries that would get behind him.

Moldova Another criminally underrated entry from this year. I think the overwhelming consensus is that this song is fine, but desperately average (think Cyprus from Tuesday night). I think this song is fantastic – engaging, interesting, and powerful. Unfortunately, I know I’m in the minority holding that opinion, so I do not think it would qualify.

Sammarinese flag mapSan Marino This is an interesting choice for the running order. But given how unique this song is (disco! likely a stage show with lots of glitter), it was probably difficult to find a place in the running order for it. For what it’s worth, this song really grew on me. Longtime readers will know that, in addition to Denmark, San Marino is my country of choice at Eurovision. Initially, I hated Freaky! but over the course of the past six weeks or so, I have just been utterly taken over by its infectious melody and refrain. Could have been a borderline qualifier for SM, which would be its first back-to-back qualification.

Interval — Ukraine was only 50% not English. Portugal 2017 was one of only three 100% non-English songs to win in the televoting era (Israel 1998 and Serbia 2007). With that said, generally speaking, the non-English to English ratio of songs in the Top Ten and qualifications tend to be representative. I really do love hearing these native language versions of songs and wish broadcasters made it a habit of recording and releasing the native language version when the song is in English/some other language.

Czech Republic I believe I am one of the three people in the fandom who think the song was improved by its “Africa” revamp that added more guitar and adjusted the instrumentation overall. I think it gives the song a bit more of an authentic feel and I hope he further embraces his Angolan roots in his song next year. The African diaspora is quite large. Not sure if this would qualify, especially coming after the glitter bomb that is San Marino and before the ball of female fury that is Serbia, but I think it would sneak through.

Serbia On the opposite side of the revamp spectrum, the revamp of Hasta la Vista is not as strong as the original. Not that it matters as I think would be a shoo-in qualifier. It’s memorable, it’s fierce, and all the girls (and gay bois) would send this through.

Poland One of my favorites this year. It is such a powerful song with a powerful message. It reminds me of the Shelley poem “Ozymandias” – basically, no matter how strong, how invincible, how beloved, we all fade away. This song goes the extra mile to highlight that we fall because of our hubris – we think we’re unstoppable, but we’re merely mortal. Do hate the revamped ending, it’s lame and takes away from the song, especially since she’s not the strongest live performer. I’m not sure what to make of Poland’s chances of qualification.

Iceland You don’t need me to tell you how popular Iceland is – y’all voted it the champion of EO’s inaugural Eurovision Tournament! I love this song, one of my absolute favorites this year and I think it had a very legitimate chance at victory. I wonder if RÚV is paying attention to all the love Think About Things is getting; the band has already said that they would take a direct ticket to Eurovision next year, but would not go through thr national selection process again, so, we’ll see.

Switzerland WHOA! This was one of the big favorites and it is the first song of the back half. Interesting choice, producers. This is my favorite song this year. By a lot. It’s so vulnerable, so honest, so different than anything else this year. With that said, I do not think it would win, but it would have secured Switzerland its first back-to-back Top Ten finishes since the early 1980s.

Interval If you haven’t watched the Eurovision Home Concerts, I would STRONGLY recommend it. They’re fantastic. Also, I love that they used Stand By, my favorite Sammarinese song, for Senhit’s background music.

Denmark The only folksy/country song this year. That automatically helps it stand out, even though it sounds like something from the early 2010s. I like this song quite a bit; it’s just so adorable and earnest. And Ben + Tan have great chemistry together. It breaks my heart that they won’t be able to return next year (DR very strictly uses Dansk Melodi Grand Prix to choose entries and winners of DMGP have to wait like three years or so before they’re allowed back in). I think this would have been another sure qualifier.

Albanian flag mapAlbania RTVSh – don’t think we didn’t notice that you released this music video, like, yesterday in order to have this out for the Celebration. I like this song for a lot of the same reasons I like Poland – it is a powerful song with a powerful message – this time about self-empowerment in the face of someone who is emotionally abusive. While I think this should be an easy qualifier, I’m not sure it would stand out without a stage show that matched its intensity.

Finland Another criminally underrated song. It’s the perfect anthem for the age of nostalgia that we find ourselves in – even more so as this pandemic has forced us to start thinking about our own mortality and futures. I cannot help but wonder how people would feel if he was a conventionally-attractive guy as opposed to bigger guy with a bad mustache. He sings with such power, emotion, and authenticity. I think it could have been a shock qualifier, but not sure it would have the juice to do so, particularly in this running order – with Albania hitting a lot of the same (figurative) notes and Armenia coming behind with what was sure to be a stunning stage show.

Armenia The more I hear this song, the more I think it would finish Top Ten. It is criminally infectious, they would surely have an insane dance routine that likely would have included Athena walking several boys on chains made from diamonds, and it’s one of the few true club tracks songs we have this year. And, again, who doesn’t like a song about a girl threatening a boy with marriage?

Portugal Oh, poor Portugal. This national final performance is both, flat in pitch and flat in emotionality. Which is a shame, I think the studio version of this entry is absolutely stunning. I just think Elisa has the stage presence to compete on the ESC stage, which makes it difficult to succeed – even more so when you have a ballad that requires a lot of power behind it.

Georgia I try my best to avoid speaking when I have nothing nice to say…but…I am not a fan of this song. I understand that it’s a big “F* YOU!” to Western Europe, which I understand and can see why that is message that needs sending. But I just don’t this song at all. The most positive thing I think to say is that the harmonies on the chorus are really stirring and powerful. When it appears on my playlist, I just skip to the last sixty seconds and enjoy it from there. This would likely qualify given that this is a sentiment felt across most of Eastern Europe and Georgia has Armenia, Bulgaria, Serbia, Poland, Albania, Latvia, Estonia, and the Czech Republic to support it in its message – not to mention the diasporas of those countries in the West.

Bulgaria The big favorite of the bookies. It was the selection of this song that knocked Iceland off the top of the betting odds. VICTORIA definitely captures that Billie Eilish bedroom-dream-pop sound that’s quite popular right now, but is somehow more genuine than her more famous counterpart. Now, do I like this as much as I do its nearest competitor (Romania)? No. But it’s a good song and I see why it was atop the betting odds. I think it’s an easy qualifier, not sure it could win.

Latvian flag mapLatvia Our final competitive song for Semi2, an anthem about throwing off the shackles of expectations of womanhood overtop a sick beat. Yeah, I cannot imagine a world where this does not qualify.

France Ugh. I want to like song but dear God does it drone on. I like it better in the original, where it’s a love song to France and not to a specific lady. While likely not a last place entry, France would have dropped to the bottom of the Big Five.

United Kingdom An average song. It’s in offensive and would likely secure a decent amount of 1-4 points splattered from across Europe (mostly from Ireland, Malta, Cyprus, and Australia – but, you know). Here’s the thing, James Newman has written several hits and has two Grammy nominations. That’s the kind of stuff he needs to bring, not this neutered stuff. In all likelihood, the BBC will bring him back next year. They need to set him loose to write a song that could actually do something.

Spain This is another wasted opportunity, I think. He’s one of Spain’s biggest stars and they send him with a (good but) dated tune. It’s okay to give him something dated, but you got to make sure it slaps, and this does not. I know this is already somewhat club-track-esque, next year send him something that we could hear playing in the clubs tonight! They can keep this style while still kicking the composition up a notch….or three.

Another great show! Again, LOVE the fan recap. Is there a way to find the full version of those three girls doing the Latvian song?

Looking back, if this were a competitive show, who do I think would qualify?

Easily:

  • Greece

  • Iceland

  • Switzerland

  • Denmark

  • Armenia

  • Latvia

  • Bulgaria

More difficult: I honestly think just about every remaining entry has a legitimate shot at qualifying, but, if push came to shove:

  • Serbia

  • Poland

  • Georgia

I would prefer to see some other songs in there instead, but I think this is the most likely set of qualifiers. But what are my top ten from tonight? I’m glad you asked.

  1. Switzerland

  2. Poland

  3. Latvia

  4. Austria

  5. Iceland

  6. Denmark

  7. Albania

  8. Moldova

  9. San Marino

  10. Armenia

Now that we have heard all 41 songs in context, what is my final Top Ten of the Eurovision 2020 Season. Good question! I’ll figure this out while I’m calculating a winner from among the some of the major fan media polls.

OH! I’m going to be compiling seven of the biggest fan media polls that offered alternatives to the ESC this year, including Eurostream, Eurovision Online, WiwiBloggs, and OGAE. Check back next week (assuming everyone gets their results in by Sunday) to find out who I would crown the unofficial ESC 2020 winner.

In the meantime, what are my predictions? I think the Top Ten, remembering that this is a compilation of fan polls not the actual Contest with full professional juries and casual folks, will be:

  • Armenia

  • Australia

  • Germany

  • Iceland

  • Italy

  • Lithuania

  • Malta

  • Russia

  • Sweden

  • Switzerland

Who do I think has an actual chance at victory? I do not think it will be any surprise: Iceland, Lithuania, and Bulgaria are the three songs I think have the best chance at victory. A real hot take, I know. So, I won’t waste your time going through each song’s merits at this point other than – these seem to be the three most beloved songs of 2020.

See you next week!

EO logo with the Bulgarian flag

EO logo with Icelandic flag

EO logo with Lithuanian flag


Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.


ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Automatic Qualifiers

Hello Dear Readers!

So, we already know for sure six qualifiers: the Big Five (France, Italy, Spain, United Kingdom, and Germany) and Portugal (our defending champion). But, even with a bye out of the first round, do any of these songs have a chance of winning?

Country

Performing Artist

Song

Selection

Portugal

Cláudia Pascoal feat. Isaura

O Jardim [Garden]

National Final

Thoughts:

A pretty song that is certainly stirring. It won a weak and dated national selection; which means that this is vulnerable to another home turf letdown. I don’t think we’ll have a disaster we saw in Austria or Norway these past ten Contests, but don’t expect it to do all that well.

 France

Madame Monsieur

Mercy

National Final

Thoughts:

I like this song, but I’m not sure how it will perform. On one hand, the French are on a role and this song is certainly contemporary. But on the otherhand, the lyrics are confusing and I think this is reflected in composition. I don’t know, I think it will depend on its final running order slot to see how it fares on the night.

 Germany

Michael Schulte

You Let Me Walk Alone

National Final

Thoughts:

Ehh, this is definitely enough to pull Germany out of its recent slump. But I, personally, do not really enjoy this song. I think it’s boring and listless. But I think a ballad devoted to a dead mother will do well.

 Italy

Ermal Meta & Fabrizio Moro

Non Mi Avete Fatto Niente [You’ve Done Nothing to Me]

Mixed

Thoughts:

I do not like this at all. I just don’t get it. Condescending lyrics, uninspired composition, and two singers without much chemistry. It will probably do well, because Italy generally does well, but Top Ten may be a stretch.

 Spain

Amaia & Alfred

Tu Canción [Your Song]

National Final

Thoughts:

It’s been a while since we’ve heard an old-fashioned, Eurovision ballad duet. It sounds like something from the past, but not in a bad way. It sounds like what one would compose when thinking of a “stereotypical Western ESC ballad.” Depending on its running order slot, it could do quite well for itself.

 United Kingdom

SurRie

Storm

National Final

Thoughts:

This song subtly grew on me over time. I like its message and think it goes at the standard inspiration delivery in a novel way. I worry about its immediate impact effect. It will most likely continue Britain’s current trend of not doing well, but not failing.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, which songs do I think have a legitimate shot at finishing in the top ten? (in no particular order)

  • Italy

  • Germany

How would I rank them for myself? (in order)

  1. Portugal

  2. United Kingdom

  3. France

  4. Spain

  5. Germany

  6. Italy

And, most importantly, do I think any of these six songs have what it takes to win?

NOPE. While Italy will most likely do well, it is not strong enough nor memorable enough to take the crown. Likewise, Germany is going to do well, but sad songs rarely have the steam needed for victory (just ask Serbia & Montenegro 2004).

Check back tomorrow for our recap, our first prediction for who will win, and the reveal of the ESC Obsession bracket!