Posts tagged “netherlands

Eurovision Song… Celebration – Part One!

Hello Dear Readers!

In addition to Saturday’s Europe Shine a Light that will be celebrating the Contest, the EBU has put together Eurovision Song Celebration to specifically celebrate the 41 entries from this year. Tonight (Tuesday, 12 May – the date the first semi-final was supposed to happen) were the 17 songs of the first semi-final and the three automatic qualifiers who were going to vote (Germany, Italy, The Netherlands). The video is below. Beneath of that, I have crafted live notes for y’all! Enjoy and see you Thursday!

Eurovision Song Celebration 2020 – Part One (instead of Semi-Final One)

I guess I never did get the chance to review each song. So, I’ll do that here.

Swedish flag mapSweden This sounds like it was written by somebody who learned about American soul music and gospel through reading books. It hits all the right beats, and they’re voices and choreography are on point, but this song just feels kinda empty, yet still has that smugness we all associate with Swedish entries. Clearly, this would have qualified easily.

Belarus A deeply underrated song dragged down because the performers are clearly having a very good time but not in “a cool way” so folks overlook it. Personally, I think this could have shocked us all by qualifying (much like Belarus did last year).

Australia SBS is one of the two broadcasters (NDR – Germany – being the other) that promised to reveal what the ESC staging would have looked like. I look forward to that as the national final staging was good for Australia, but would need to be stronger and clown-free for the ESC stage. Love this song otherwise; I’m a big fan of indie music and this perfectly captures where that genre is in contemporary times. I think Oz would have continued its 100% qualification streak.

North Macedonia The fandom is comparing this song to Dance Alone (N Mak 2017), a song with a lot of love and hype but fell flat in Kyiv. Do I think North Macedonia learned its lesson that an average dance song requires a staging that matches its energy? Yes. Do I think it would be enough to qualify? Naw.

Slovenia While this song has grown on me over the course of the Eurovision season, it is still overwhelmingly dull. By far, the weakest entry this year. Which is a shame because her voice is stunning. Hopefully, things will be better next year.

LOVE genre changing. Is it me or are the Russian, Belarussian, and Croatian remixes bops? It’s probably just my Americanism showing, but bluegrass is nice.

lithuanian flag map

Lithuania Perhaps this year’s most overrated entry. Don’t get me wrong, I think it’s an inventive, intriguing song. And I like the message that being in one’s 30s doesn’t make one over the hill. I just do not quite understand the craze around this entry – is it just because of the dance?

Ireland Since this song was meant to be a Pride anthem, I’m going to use this opportunity to be catty. OMG a song about being *unique* and *individualized* done in the most cookie-cutter of approaches. Instead of singing about so-called authenticity, just be authentic! This would have finished 11th or 12th in the semi-final.

Russia The first time I saw this, I was already angry that it took so long for Channel One to release the song. And then I watched the music video. My jaw dropped – what is this madness?! Now, okay, I do love this song. So infectious; a gimmicky entry that doesn’t take itself seriously. Definitely would have qualified.

flag map of belgiumBelgium That gave me a bit of whiplash, are there two entries more different this year than Russia and Belgium? I also grew into loving this entry. It’s so mournful and passionate and slowly builds over time. It would have qualified on the backs of the juries.

Malta This gets right everything Sweden gets wrong. It’s contemporary soul-pop. Destiny has one of the most soulful voices I’ve ever heard this side of the Atlantic. Not to mention maintains the inspirational message that is generalizable for everyone, not just those in relationships. I think this song is clearly about finding one’s faith, but it is vague enough to get past the EBU censors. Can’t wait to see Destiny become the first JESC champion to win the adult version. It may not have been with this song, but she will be! All of My Love would also be a shoo-in for the Grand Final.

Croatia Hmm, this song is quite pleasant but not very remarkable. The club mix from earlier would have given this a much better chance at making an impact. Again, I don’t dislike the song, it’s just kinda – meh. Would not have qualified.

Azerbaijan For all the attention and love this song has been getting, I’m not sure it is as strong as it seems. It wouldn’t be the first Azerbaijani entry to have the love of the fandom and failed to qualify. Not saying it would, I think this would make the Final, but I don’t think it is as strong as people think it is. Still waiting for the Senhit demo to appear online.

Cyprus Our second American! With that said, this is a bit of a tedious track. I think it was aiming for that 90s trance-pop sound, but did not go far enough. So, it just has a dated sound that makes it melt into the background. Would have been left behind in the semis.

Norway A strong contender for the winner of the juries. It is a deeply impactful song that is well-sung with a memorable staging effect. I think it is a standard ballad, but is elevated by Ulrikke’s performance.

Israel Love that we get a new language added to the Eurovision family – Amharic. This song is so much fun and can put a smile on anyone’s face. Alene is also a captivating performer. I think it would have qualified.romanian flag map

Romania Not quite sure why Bulgaria is getting all the love while Romania is being mostly ignored. I like this because I like the contemporary sound and it is fun to sing along to. Though, I do hate the term “fake news” – that is likely due to my country’s current political situation. Likely would have qualified.

Ukraine Love folk infused contemporary entries. You can dance to this. You can sing along to it. You can just listen in awe. I wonder, though, if it has enough wide appeal to get it through. Poland tried an entry like this last year and landed just shy of qualifying, I feel like this could have done the same – breaking Ukraine’s 100% qualification streak.

Italy Another quintessentially Italian song from Italy. Is this song captivating? Yes. Are the lyrics describing the fact that one’s hometown will always be in your heart regardless of where you go relatable and painfully relevant? Yes. Is the composition radio-ready and stirring? Yes. Will this have been yet another Top Ten finish for Italy? Yes. Does this song excite or interest me? Not really.

Dutch Flag MapGermany Germany really swung for the fences with this c. 2010s club thumper. It is so much fun to sing and dance too, but a bit too dated to achieve the results that NDR was hoping for. I think it would have finished mid-table in the Grand Final.

The Netherlands Another strong ballad that would have challenged the likes of Italy and Norway for the top spot of the juries. I hate the way how this song abruptly ends. I do think, though, that the televote would have dragged it down to around 11~13th place.

 

I love the fan recap! Probably for the best that we don’t have to hear them sing, though that would be fun.

What a fun show!

 

Looking back, if this were a competitive event, I would predict the following qualifiers:

  • Sweden

  • Belarus

  • Australia

  • Lithuania

  • Russia

  • Belgium

  • Malta

  • Norway

  • Israel

  • Romania

My instincts are telling me that Azerbaijan and Ukraine would both progress at the expense of Belarus and Belgium. HOWEVER, every year there are always a few shock qualifiers for each semi-final, why would 2020 have been any different.

Of these 20 songs, what are my personal top ten?

  1. Malta

  2. Russia

  3. The Netherlands

  4. Australia

  5. Belgium

  6. Romania

  7. Germany

  8. Israel

  9. Norway

  10. Ukraine


2020 Country Profiles & ESC Notes

Eurovision Obsession logoHello Dear Readers!

Even though our beloved Eurovision has been cancelled for this year, that doesn’t mean that things have gone silent. In fact, quite the opposite has occurred as fan media outlets (including this one) have rushed to fill the void. And while next week I’ll have coverage of the major fan polls in an attempt to reach consensus on who would have won had ESC 2020 been held, that does not mean you should go into Eurovision Week 2020 unarmed! I am releasing my Notes (10 pages of covering ESC history, rules, recap of the 2020 entries, highlights of 2020, and general info) and Country Profiles for all the alternative ESC programming going on this week. The annual lyrics quiz will be coming in June. Per usual, feel free to distribute at your (virtual and/or socially-distanced) Eurovision 2020 gatherings, however those may look. See you next week as we try to make sense of this most unusual ESC season.

ESC 2020 – Write-ups

2020 Country Profiles


Eurovision 2019….Several Months Later…

Hello Dear Readers!

Welcome to my wrap-up post, so happy you could join me. Today, we’ll be giving out some awards as well as taking a step back to look at this year’s Contest as a whole. As I’ve noted before, this is one of my favorite winners and am happy with many of the results from this year. Come join me as we honor some of the best and worst from Tel Aviv! Please note, I do not own any photos/videos used here – all rights reserved to the EBU unless otherwise noted.

Annual Eurovision Obsession Awards

Best Lyrics

EO logo with Russian flagWinner: Russia

Tears won’t fall
While pride stands tall
Maybe they can’t be heard or seen
But tears aren’t quiet things –

They scream

A powerful ballad of heartbreak working against the machismo. Just because you are a man does not mean you shouldn’t show emotion. I love how, even though this is a song about a relationship ending, it is really a deeper look at the power of feeling one’s feelings.

Runner-Up: Austria

‘Cause the face in the mirror
Just couldn’t look clearer right back through me
And how I’d like to say
It will be better tomorrow or any day

Yeah I’m talking ’bout you, you, you…
And the luck you try to find

A song about deep introspection and realizing that pushing beyond your limits for the sake of others leaves one empty and hurting. So powerful.

Honorable Mentions: Albania, Azerbaijan, Germany, Italy, The Netherlands, Portugal, Serbia

The “Huh?” Award for Worst Lyrics: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

EO logo with Slovenian flagWinner: Slovenia

The stars are not always visible
Stay true to yourself
Don’t tell me to forgive you

I realize that this song is predominantly meant to capture the feeling of unconditional love between a young couple; but the lyrics make little sense. Perhaps these are common Slovenian phrases and ideas that just don’t translate well into English.

Runner-Up: Croatia

I dream of love
You dream of love
Angels of God
We all dream of love

So, one element of songs that do well in this award is lazy or unimaginative song writing. This one takes the cake in that regard. It is a standard, trite song hoping for a better tomorrow. Not saying that the message is bad, the lyrics are just poor.

Honorable Mentions: Estonia, Finland, Norway, San Marino

Best Dressed Award

Nevena Božović at rehearsal. Photo copyright EBU/Thomas Hanses

EO logo with Serbian flag

 

Winner: Serbia

A beautiful black dress, stunning silver accessories including a dynamic necklace, flowing blonde hair, and make-up that turns up the contrast. Everything about Nevena Božović’s outfit is amazing and worn with elegance.

Jonida Maliqi at the second dress rehearsal on Weds. Photo copyright EBU/Thomas Hanses

Runner-Up: Albania

Another black dress. Jonida Maliqi outfit perfectly blends traditional elements with contemporary design, just like the song Ktheju Tokës. It even had the added bonus of making the staging reminiscent of the Albanian flag when the stage was lit in red.

Honorable Mentions: Australia, Israel, Montenegro

Most in Need of a Costume Change Award

Eliot during a rehearsal. Copyright EBU/Andres Putting

EO logo with Belgian flagWinner: Belgium

The outfit, in addition to looking awful, poorly fit Eliot; so, he looked even more mousy and small than he is. It was just a very poor outfit situation all-around. I’m not quite sure what happened here, but I hope Belgium gets their act together moving forward.

Mahmood at the Grand Final. Copyright Australian Broadcasting Corp.

Runner-Up: Italy

Look at that shirt! It’s red and gold and it’s shiny. It does not seem to fit the song at all. I do not understand this outfit choice at all.

Honorable Mentions: Croatia, Cyprus, Portugal, Romania

Best Staging Award

EO logo with Swiss flag

Winner: Switzerland

Luca Hanni during rehearsals. Copyright EBU/Thomas Hanses

Made to look like a hot music video, She Got Me had a stunning, contemporary, hot staging. From the narrow perspective to open, to the constant use of red throughout, to the dance routine, to even having Luca Hanni wear a mesh shirt. Switzerland went all out and it paid off with the country’s first Top Ten placing since 2005.

Runner-Up: Australia

Kate Miller-Heidke during a rehearsal. Copyright EBU/Andres PuttingThe winner for the Marcel Bezençon Award for Artistry, Australia’s staging was magically, whimsical, and impressive. The interplay of the backing screen, her outfit, and their motions created this awesome floating effect. I didn’t have this one win because, unlike Switzerland, which got even sharper from the semi-final to the grand final, the Australian performance took a (small) step backwards.

Honorable Mentions: Azerbaijan, Belarus, Czech Republic, Israel, Moldova, North Macedonia, San Marino

Worst Staging Award

EO logo with Croatian flagWinner: Croatia

Roko during rehearsal. Copyright EBU/Thomas HansesAngel wings equals an automatic zero in the staging department from me. Yes, even though angels are explicitly mentioned in the song. Not to mention there was just so much going on during Croatia’s three minutes. It was all just too much.

 

Runner-Up: France

Bilal Hassani and his dancers during a rehearsal. Copyright EBU/Thomas HansesWhen you have a song with the potential to inspire confidence in men, of all sexualities, who do not live up to masculinity ideals – you should capitalize on that and have a broad array of men on stage with you. France did not take this perspective. Aside from my general unease with the laying claim to the experiences of women to serve gay men’s purpose, when the song is literally called “King” shouldn’t that be the emphasis? Otherwise they should have titled the song “Moi” – no other lyric would have to change and the staging would have made more sense and felt more genuine.

Honorable Mentions: Germany, Norway, Portugal, United Kingdom

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Estonia

The twang in Victor Crone’s voice, the vaguely inspirational message of the lyrics, the basic composition – this all screams contemporary Christian music (which I’ve said before). This would be right at home on any generic Christian station in the US.

Runner-Up: Sweden

Just like Storm is a generic contemporary Christian song, Too Late for Love is a generic R&B song – though, not quite as contemporary. John Lundvik actually hit the American sound twice, both with his own song and the one he co-wrote and co-composed for the United Kingdom.

Honorable Mentions: Austria, Belgium, Cyprus, Lithuania, The Netherlands, Slovenia, Switzerland, United Kingdom

Pond Leaper Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular

EO logo with Cypriot flagWinner: Cyprus

Runner-Up: United Kingdom

Honorable Mentions: Greece, The Netherlands, North Macedonia, Serbia, Switzerland

The “Spirit of ABBA” Award: Given to the most stereotypical and/or traditional ESC entry

EO logo with Danish flagWinner: Denmark

So, an under-appreciated, yet very common ESC genre, is the children’s song. And what lyric can be more childish than “love is forever” when sung with such a saccharine smile. A cute song with a bubbly message and catchy hook. Love is Forever is clearly the most ESC entry this year at ESC.

Runner-Up: San Marino

Additionally, few things represent ESC as nonsense lyrics. Say Na Na Na fits this to a T. It’s so simple and fun, a perfect example of schlager.

Honorable Mentions: Croatia, Czech Republic, Estonia, Norway, Poland, Spain

The “Shiri Maimon Travesty of the Year” Award

Israeli Flag Country

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

USA flag in EO logoWinner: Madonna’s performance

There were simply too many interval acts this year. This was, by far, the weakest of them all. Madonna is a legend who revolutionized culture and deeply impacted pop music. It may be time for her to ride off into that beautiful sunset. I know the retirement age in the US is 65, but I think she’s earned the ability to head home five years early.

Runner-Up: EBU bungling the Belorussian automated jury vote

Human error is to be expected from a human-run event. But still, for all of eternity, when watching this Contest back, this error will need to be pointed out and corrected for folks watching. It also shines a light on the still mysterious and needlessly clandestine algorithm used to calculate votes for missing juries and televotes. Show your work, EBU, we’re curious!

Honorable Mentions: Too many interval acts. UK coming last, Germany’s poor showing, Ireland’s poor performance

Closing Thoughts

Again, one of my favorite years and favorite winners ever. I am so happy to have been able to bring the Eurovision Obsession Awards back after missing last year. What are your favorites and least favorites from this year. Be sure to check-out my Final Thoughts if you have not already; they’ve been updated with the correct scoreboard and with links to the various media outlets I appeared on following ESC in May. Stay tuned for further posts as we celebrate Ten Years of Eurovision Obsession! As always, you can find @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle.


Eurovision 2019 – Final Thoughts!

Hello Dear Readers!

Well, there you have it; another Eurovision in the books. This one was, in my opinion, one of the most entertaining and diverse Contests we’ve had in a while, even if the songs were not as strong as in recent years. And, of course, I’m happy to have seen my favorite win. So, let’s take a breath, take a step back, and take a look at ESC 2019.

Which I will be doing on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Dutch Flag Map

Historical Markers

This is the fifth Dutch victory, after the Netherlands won in 1957, 1959, 1969, and 1975. They are now tied for third for all-time victories along with the United Kingdom, France, and Luxembourg (Ireland is first with seven wins, Sweden is second with six). Arcade is only the eleventh winner to be performed by a solo male (Rise Like a Phoenix is not counted, as its credited artist is the female character Conchita Wurst).

This is only the second time the final scoreboard had to be adjusted after the Contest. The first was in 1998 when Croatia was docked 1/3 of its points after the EBU ruled the synthesized male chorus on the backing track broke the “spirit of the rule” requiring all lyrics to be live (this is the reason all backing tracks must be turned in ahead of time in March). The EBU announced that, due to human error, the wrong jury votes were calculated on behalf of the disqualified Belorussian jury. The jury from Belarus was disqualified due to sharing video of the jury deliberation process from the First Semi-Final; this is against the rules and the EBU punished them accordingly. Using a secret algorithm, the EBU calculates automated scores for disqualified juries or televotes. This had been used quite a few times since the new voting system was introduced in 2016. The results read live on air during the Contest were reversed, resulting in the bottom ten of the automated ranking receiving points as opposed to the Top Ten. After several fans noted how weird the votes were given what one would predict for Belarus, the EBU eventually reissued the Belorussian jury points, resulting in several changes to the scoreboard, including North Macedonia now being the jury champion and Israel receiving null points from the juries.

Other historical notes:

**updated with the corrected scoreboard

North Macedonian flag mapThis is the best ever placing for North Macedonia (2nd 1st in the jury, 8th 7th place overall) and its first ever Top Ten finish.
This is the best ever placing for San Marino (10th in the televote, 20th 19th overall).
This is the second time that the victor was neither the top in televote nor among the juries (Ukraine 2016 was the first).

This is the third time that Italy has been a runner-up (1974 and 2011 are the others).
This is Switzerland’s best finish (third place) since coming in second back in 1993.
This is the Azerbaijan’s first Top Ten finish since 2013, when it was runner-up.
This is the first Top Ten finish for Iceland since 2009, when it was runner-up. This is also its first qualification since 2014.

British flag mapThis is only the fourth last place for the United Kingdom (2003, 2008, 2010).
This is the third year in a row, and fourth time in five years, that the host country came in the bottom ten.

Finally, Sweden retains the top spot for longest streak of Top Ten finishes, which now stands at 6.
Behind it is Italy, which now has three consecutive Top Ten finishes.
Australia maintains its 100% qualification record.
Montenegro now has the longest non-qualification streak, which now stands at 4.
Unsurprisingly, Sweden has the longest qualification streak at 9, having made the Final every year since 2011.

My Thoughts

EO logo with Albanian flag

I am ecstatic that some of my favorite songs did so well, particularly the Netherlands and North Macedonia. So, after all of the performances this week, what are my favorite ten songs from the Contest?

10. Albania
9. Russia
8. Moldova
7. Malta
EO logo with Czech flag6. Georgia
5. Australia
4. Czech Republic
3. North Macedonia
2. Latvia
1. The Netherlands

 

Israeli flag map

This was quite the year! I think this was perhaps one of the most entertaining and engaging Grand Finals in quite some time. It was also one of the longest. Come on EBU! Five interval acts is way too many. The section with the past winners and runner-ups performing each other’s songs was fantastic! The Ilan Raichel Project was lovely and I quite enjoyed them. The mentalist was superfluous. The Gal Godot video could have been at any other point in the night – perhaps the beginning. The opening act could have clipped down the video or simply replaced it with Gal Godot before the parade of nations. And the Madonna section was unnecessary and bad — we did neither needed it nor wanted it. We can cut the show back down to three hours – or at least down to three and a half. We can do this! It’s not that difficult. Otherwise, I think KAN did a fantastic job – the stage was beautiful. I look forward to what AVROTROS will do next year in the Netherlands — I already have a hotel in Rotterdam; crossing my fingers that it hosts, since it is the only major city not to host a Eurovision thus far.

EO logo witch Dutch flag

And, before I go, I want to congratulate AVROTROS on a job well done. This victory was eight years in the making. It started with the TROS (the broadcaster’s previous incarnation) deciding on a new approach: taking Eurovision seriously. They began by connecting with the Dutch music industry, calling upon Anouk, one of the country’s biggest stars, to restore the county to its former glory. Since Birds became the first Dutch entry in nine years to qualify for the Final and first in thirteen Contests to finish Top Ten, the Netherlands has consistently sent industry stars, resulting in five qualifications (out of six Contests), including a second place in 2014 and now this victory. AVROTROS is a perfect example of a country deciding to actively pursue winning, giving musicians the freedom to craft their own song and performance, and not being afraid to take the long game approach. Hmm, perhaps a few other countries can follow this model and give established artists free reign to create strong entries on their own, just saying. The Dutch music industry is not nearly the strongest one on the continent…

One more friendly reminder: I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Another fantastic Contest that I will be watching for years to come. Many strong entries, a great production, and a winner with whom I fully agree. I cannot wait to attend next year!

 


Eurovision 2019 – Grand Final Live Notes!

Hello Dear Readers!

The time is finally here – the Grand Final of the Eurovision Song Contest 2019!!! I cannot believe it and I am beyond excited – as I am sure all of you are. Thank you for joining me for these live notes, it is always nice knowing that there are others watching with me (or, at least, reading them afterwards).

As I mentioned earlier today, my prediction for tonight’s winner is The Netherlands. And my prediction for the full Top Ten is:

  1. The Netherlands

  2. Switzerland

  3. Australia

  4. Italy

  5. Sweden

  6. Iceland

  7. Malta

  8. Russia

  9. Norway

  10. Serbia

And my prediction for last place is: Germany. As with the semi-finals, this may change after seeing all twenty six songs tonight. And, before the show kicks off, I want to let everyone know that I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

And, with that, we now have the beginning of the Grand Final. Let’s watch, shall we – here we go!

Opening Act

Oh, wow, I enjoy this little opening video with Jon Ola Sand and Netta. The parade of nations is a lot of fun. Diva!!!! Woohoo! Winner twenty years ago and the first to win with the televote. For those who do not know, this is Ilanit singing Ey Sham – the first ever Eurovision entry from Israel back in 1973. And now Golden Boy from 2015. Anyone who remembers this song had to expect it to be here tonight. I do enjoy how KAN (the brand name of the host broadcast IPBC) is interweaving history and old clips throughout the shows.

HERE WE GO!

Malta: Not as strong vocally as Thursday, but much better energy. I think enough to land it in the Top Ten.

Albania: Again, I love her dress. And WOW – her vocals are so much stronger than on Monday. Not sure if this is enough to get Top Ten, but she will probably do better than expected.

Czech Republic: So much fun! You can tell they are having a great time up there. Still going to finish mid-table, I think, but they’re going to be remembered for a while as one of the most fun entries to the Contest.

Germany: I missed most of it due to technical difficulties. But what I heard was great! I still don’t know if this song is all that popular, but they should be proud of what they accomplished.

Russia: He sounds miles better than he did on Thursday…for the most part. But this is song and staging are both much weaker than his previous entry and this year presents many more challenges.

Denmark: So much fun. And we know children’s songs do well. And she sounds better than Thursday; less lost on the big stage. Is it enough to finish higher than 14th? Probably not.

San Marino: We know that I am a shill for all things San Marino. Serhat sounds miles better than on Tuesday. Several friends are pointing out to me that they may be going for the “so bad it’s good” vote. You cannot deny that this song is pure energy

North Macedonia: She’s going for tears, but it just makes her voice sound wonky. But, the power of her voice is still unquestioned. This song, it’s so deep and she is conveying the passion she’s feeling behind it so thoroughly. Oh my goodness, I don’t think this could be any better.

Sweden: Another performance, another easy Top Ten for the Swedes. I still do not think this will win, but it’s going to do very well.

Slovenia: Sounding a bit off tonight. I originally had this finishing around eleventh. But I’m thinking it’s going to be lower than that with this performance.

Cyprus: Unpopular opinion: This song will not finish on left-hand side of the scoreboard. It is and average song, but there are much stronger faster entries this year that will knock this down.

The Netherlands: My pick to win. And my favorite entry this year. His passion and performace are about 1000x better than Thursday. Is it enough, though? This early in the running order….not sure. But I hope so! We’ll see how some of the other favorites do later tonight.

Greece: Much better than on Tuesday, by miles. Greece might just go and fill the hole left by Slovenia. It can finish around 11th, I think.

Israel: Meh. He sings this song just fine, but that doesn’t change the fact that this is a smug, self-important song with a smug, self-important presentation. And we’re getting a better version of that later with France.

Norway: A fun song; though, I still do not quite understand this song’s popularity. I still think this a very underwhelming staging for such a dynamic song. Clearly the crowd is very much into this! Though, that is rarely an indicator of success.

United Kingdom: This song has one chance, Michael Rice gives a flawless, powerful vocal performance. …And we did not get that. Don’t get me wrong, it’s serviceable, but he’s performed better at the preview events. It had some bright moments, but overall, I do not think it will be enough. It benefits from being before a commercial break, but still.

Iceland: Well, they sound and look better than on Tuesday. Definitely going to do well with the televote but the juries will kill this.

Estonia: Well, he sounds a lot better than Tuesday, but still not very good. It does get better as it goes along. But this just is not good. And will be forgotten coming between Iceland and Belarus.

Belarus: That was good. Not great, but definitely not bad. On par with her performance on Tuesday. Maybe Belarus will finish mid-table, but I cannot see any higher than that.

Azerbaijan: I love that wail at the start. I think this will do so much better than I thought, perhaps even finish Top Ten. Chigiz’ vocal performance was beyond perfect.

France: See, Israel, this is how you do a smug and self-important song. It’s fun, powerful, and completely lacks self-awareness. France will not finish Top Ten, but it might get another 11th under its belt.

Italy: WHAT IS HE WEARING?! That shirt is awful. The song is a powerful one and his performance of it conveyed a lot of that energy. I’m just not sure if it has the mass appeal or connection required to succeed.

Serbia: Another powerful, passionate performance. I truly think she can reach the Top Ten. It’s going to be hard with the Swiss entry coming right behind, but still, this is a Balkan ballad at its best.

Switzerland: By far, the best staging at the Contest this year. We may have just witnessed a winning performance, everyone. That was fun, well-delivered, and very contemporary. I think it will easily take the televote; but not sure how the juries will rate it.

Australia: If Switzerland has the best staging, this is right behind it. But with a higher quality song and a stronger singer. This may have been a winning performance and may have knocked the Netherlands out of the top of the juries list; but not sure how the televote (which traditionally does not like Australia) will rate it.

Spain: He sounds a bit out of breath. But this song is still super fun. I don’t understand the use of the light up puppet man. Not sure if this is enough to get into the Top Ten, but should give Spain a more than respectable finish.

Phew! This may not be one of the top Contests ever, but it surely is one of the hardest to predict. After hearing all the songs and hearing the recap, how I would rate my personal top ten from tonight:

  1. Azerbaijan

  2. The Netherlands

  3. Serbia

  4. North Macedonia

  5. Australia

  6. Malta

  7. Czech Republic

  8. Russia

  9. Spain

  10. France

Now, who do I think will finish in the Top Ten? Not sure…

10. Serbia
9. Spain
8. Norway
7. Sweden
6. Russia
5. Italy
4. Iceland
3. Switzerland
2. Australia
1. The Netherlands

I’m sticking to my guns!! I think The Netherlands will win but, more like how Ukraine did in 2017, by placing second/third on both, the televote and the juries. I think Switzerland will win the televote and Australia will win the juries. Let’s see what happens.

Interval Act One (during the voting – past winners and runner-ups): I LOVE THIS INTERVAL ACT. I want the recordings of these folks doing these covers. EBU – I will give you money for this. Please make it available. One of the best interval acts to date.

Interval Act Two (also during the voting – The Idan Raichel Project): I really like this! Very traditional music and sound and look; also showing off the diversity of Israel. This should have opened the second semi-final so that we could speed things up tonight.

Interval Act Three (also during the voting – The Mentalist): Yeah, yeah, it’s entertaining. The fun part was seeing Tamta from Cyprus freak out. Hahaha

Interval Act Four (also during the voting – Netta): This is a silly song. It’s fine, but not necessary. It should have been a part of her performance on Tuesday (that’s why the winner reprise should be at the Final so the artist can premier another song).

Interval Act Five (also during the voting – Madonna): Madonna turns 61 this year. I think we are at about three too many interval acts at this point. And this is, by far, the weakest. And we just get to the voting sequences please!

In other news, a friendly reminder, I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Interval Act Six (post voting – Gal Godot): This was nice but could have been earlier, like, during an advert break or something.

FINALLY we get to the votes!

In case you’ve forgotten, because I nearly have, I predicted the Netherlands to win, but not come in first in either — Australia to win the juries and Switzerland to win the televote.

The Juries

  • Portugal: Whoa! no points for Spain? And YAY! points for the Netherlands

  • Azerbaijan: 12 to Russia, no shock there

  • Malta: 12 to Italy. Not too surprising

  • North Macedonia: 12 to Italy! Oh, that is unexpected

  • San Marino: 12 to Italy. NO surprise there

  • The Netherlands: love the shade thrown at Madonna. 12 for Sweden

  • Montenegro: 12 to (let me guess, Serbia?) yup

  • Estonia: 12 points to Sweden

    Don’t forget, the jury votes are ordered to be the most entertaining, so right now does not bare too much on the later votes.

  • Poland: 12 points to Australia – interesting

  • Norway: 12 to Czech Republic! Interesting.

  • Spain: 12 points to Sweden! Interesting.

  • Austria: 12 to North Macedonia! Well deserved, but unexpected

  • United Kingdom: 12 to North Macedonia! OH! Yay!

  • Italy: Some technical issues: 12 to Denmark. Man, the juries are all over the place tonight!

  • Albania: 12 points to North Macedonia. This is not surprising, the two countries swap lots of points

  • Hungary: 12 points to Czechia, to too surprising

  • Moldova: 12 points to North Macedonia! Fun

  • Belarus: 12 points to (N Mak?) Israel! and finally the last country with zero points gets some

  • Armenia: 12 points to Sweden. Interesting, only 5 points to Russia

  • Romania: 12 points to Australia

  • Cyprus: 12 points to Greece, of course

    Whoa!! Halfway, North Macedonia has a commanding lead. Let’s see if it can hold on to it.

  • Australia: 12 points to Sweden

  • Russia: 12 points to Azerbaijan! Not too surprising

  • Germany: 12 points to Italy! Fun

  • Belgium: 12 points to Italy – back up to third place

  • Sweden: It’s about time the Netherlands gets another 12.

  • Croatia: 12 to Italy — interesting point distribution for their points

  • Lithuania: 12 points to the Netherlands! And the charge begins in earnest

  • Serbia: 12 points to (N Mak, for sure) yes, of course

  • Iceland: 12 points going to (Sweden?) Yup. None to Denmark or Norway, though, haha

  • Georgia: 12 points to the Czechs. I am pleasantly surprised by how well they are doing.

  • Greece: 12 to Cyprus, of course

  • Latvia: 12 to (the Netherlands?) Yup!

  • Czech Republic: 12 points to (Sweden?) Yup

  • Denmark: 12 points to (Sweden, of course) – Yep

  • France: 12 points to (the Dutch, I hope!) – Woohoo

  • Finland: 12 points to big brother Sweden

  • Switzerland: 12 points to North Macedonia – quite unexpected

  • Slovenia: 12 points to Czech Republic! Fun times

  • Israel: 12 points to The Netherlands!

And Sweden wins the jury!

Now the Televote! Remember, this year, the points will be revealed in ascending order of the juries’ ranking

(50 points) Aww, poor Spain. They deserved so much more than what they got.

(30) That’s about as expected

(3) Awwww poor UK it deserved way more

(65) to San Marino – I think the most ever for SM

(13) to Belarus

(0) OH NO! That’s just uncalled for!

(48) for Estonia

(54) for Serbia

(??) for Albania enough to get to 90

(59) for Slovenia not as much as expected

(24) for Greece, not too surprising

(291) for very popular song from Norway

(186) for the punk rockers from Iceland – enough to finish in the Top Ten? maybe

(38) WHOA! Not too surprising

(32) Told you it would not perform as well as expected

(51) for Denmark, not too bad

(20) for Malta, awwwww it deserved more

(244) as expected, a big haul for Russia, but not going to be close to victory

(212) Wow, not as much as expected for Switzerland, but definitely going to be its best finish in quite some time

(7) Only seven for the Czech Republic! Wow.

(131) for Australia, not too shabby, definintely better than the Aussies have been getting lately

(100) for Azerbaijan – not bad, they’ll be happy to finish in the Top Ten for the first time in years (since 2013)

(253) for Italy, good to get it back to the lead!

So, winners usually get about 500, so between one of the final three, the winner is remaining still

(261) That is a hefty haul and enough for first place!

(58) Very little for N Mak but not too surprising – Its first ever Top Ten finish!

Sweden needs 253 televote points to win.

And the winner is: The Netherlands!!!!!!!!!!!!! (Sweden only got 93)

Dutch Flag Map

Wowza! First win for the Netherlands since 1975 (Ding Dang Dong performed by Teach In). And I predicted this since March. I truly think the best song won – despite not having a great staging. Other quick historic markers: Switzerland’s first Top Ten finish since 2005. The first ever Top Ten finish for North Macedonia! The Netherlands now moves into a tie with France, Luxembourg, and the UK for the third most wins (at 5) – having won in 1957, 1959, 1969, 1975 and now 2019. San Marino got its best ever placing (20th) and Azerbaijan is back in the Top Ten for the first time since 2013. Sweden now has six consecutive Top Ten placings. Italy is next with three. Sergey Lazarev, who represents Russia, finished third in 2016 with “You Are the Only One” has finished third again this year with “Scream.”

EO logo witch Dutch flagFor my personal statistics, I correctly predicted the winner – The Netherlands – and did so at every point. I was also 80% on my Top Ten estimate, I thought Spain and Serbia would make it, but instead, North Macedonia and Azerbaijan did, both of which I am happy about.

Wow! Just, wow. Expect a more comprehensive summary tomorrow as well as be sure to listen out for me next week. I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Thank you and goodnight!


Eurovision 2019 – Grand Final Predictions

Hello Dear Readers!

Finally, it is here: The Grand Final of the Eurovision Song Contest 2019 in Tel Aviv! One of the greatest days of the year. So, what are we looking at? Well, an array of uptempo crowd-stoppers, a once-in-an-era ballad that has been a runaway odds-favorite since it was selected, and a piece of crossover-operatic-musical-whimsy.

For your ESC Parties:

  • Help your uninitiated friends with my Eurovision for Beginners

  • Check-out my ESC 2019 – Write-ups that provide a brief history of ESC, explains the rules, and gives an explanation of the songs.

  • Also check-out my 2019 Country Profiles – Grand Final Only which covers the 26 entries of the Grand Final – giving a brief history of each country, details of each entry, and a brief bio for each performing artist.

 

After two semi-finals (live notes for the first and second semis) short on surprises (hmm, Portugal failing and Belarus qualifying might be the two biggest ones), We turn to a Grand Final with a running order that may turn things over completely. Let’s look at the top ten in the betting odds (post-jury final):

  1. The Netherlands (performing 12th)

  2. Australia (performing 25th)

  3. Switzerland (performing 24th)

  4. Sweden (performing 9th)

  5. Italy (performing 22nd)

  6. Iceland (performing 17th)

  7. Russia (performing 5th)

  8. Azerbaijan (performing 20th)

  9. France (performing 21st)

  10. Norway (performing 15th)

First reactions: Cyprus, Greece, and Malta are completely out of the top ten (guess they truly were pretenders). Australia and France have moved into the top ten, while France peaked around third place and started dropping again, Australia has firmly placed itself into the second position behind the Netherlands after qualifying on Tuesday night.

If the Netherlands was in the second half, I would say it was an easy win for the Dutch. While 12th is a good spot, it is surely not the sure thing that, say, 22nd is. So, now the door is open for the likes of Switzerland (which has the strongest staging and performance across the 41 entries), Italy (whose edge and novelty helps it standout), and Australia (a powerful and captivating song that has shot up the odds á la Cyprus 2018).

 

In my opinion, the winner will be one of these four

The Netherlands     Australia      Italy     Switzerland

Dutch Flag Map

 

 

The Netherlands, my personal favorite, is perhaps one of the highest quality entries to date. It is earnest, honest, and heart-breaking. It also suffers from a singer without much stage presence leading to a boring, trite staging.

 

 

Australian flag map

 

Australia is perhaps the most fun “believe in yourself” song we’ve seen since, perhaps, Austria 2014. It has the magic of a Disney song and a whimsical staging that is absolutely stunning. It also is a song from a country that historically fares quite terribly with the televoters surrounded by two equally as mesmerizing stagings and songs (Switzerland and Spain).

 

 

 

Italian flag map

Italy is a powerful, dark song that stirs deep emotions in the listener performed passionately from a country that is quite popular with juries and televoters. However, it is staged in such a way to diminish this impact – much brighter than it should be; not to mention, juxtaposed to France (which is preceding it), it may come off as over dark.

 

 

 

 

Swiss flag map

Switzerland, much forlorn and forgotten on the Eurovision stage, has come with the tightest, most interesting, most dynamic performance this year and beyond. Unfortunately, this is a rather generic song that is like so much else we hear on the radio; plus, the juries historically drag down the Swiss.

 

 

Taking all of this into consideration, right now, if I had to predict the winner (and I do, since I am a decade-long ESC blogger), I believe that The Netherlands will win!

EO logo witch Dutch flag

I have believed this from the first time I heard the song and am choosing to stick to my instincts on this. Its quality as a composition, as a lyrical work, and in Duncan Laurence’s sheer vocal talent will all shine through. I think the Netherlands will handedly win the jury vote and, furthermore, will finish top five among the televote, though, not number one, but still high enough to win the Contest.

I think the top ten will comprise of:

  1. The Netherlands

  2. Switzerland

  3. Australia

  4. Italy

    Icelandic flag map

  5. Sweden

  6. Iceland

    Maltese flag map

  7. Malta

  8. Russia

  9. Norway

  10. Serbia

And who will be in the Bottom Ten? I hate thinking of the negative, but again, I must make a prediction:

Cypriot flag map

  1. North Macedonia

  2. Cyprus

  3. Denmark

  4. Belarus

  5. Israel

  6. Albania

  7. Estonia

  8. San Marino

  9. United Kingdom

  10. Germany

As y’all know, I love North Macedonia, Albania, and Denmark – but I cannot see them succeeding (this is doubly so as Albania was put in the 2nd slot, which is generally reserved for the weakest ballad).

Quite frankly, while my prediction average needs to go back up (it’s back down below 80%, currently) as long as the Netherlands wins, I will be happy. I cannot wait to see how this turns out!

Happy Eurovision Everyone!
Be sure to come back tonight so you can follow my live notes as the Contest unfolds.


Eurovision 2019 – Live Notes: Second Semi-Final

Hello Dear Readers!

Times for the Second Semi-Final and to select the final ten qualifiers for the Grand Final! Eighteen countries compete, these plus Germany, Italy, and UK vote, and we get ten more songs for Saturday.

As a reminder, here is my pre-show prediction of qualifiers:

  • The Netherlands

  • North Macedonia

  • Azerbaijan

  • Russia

  • Sweden

  • Malta

  • Albania

  • Denmark

  • Armenia

  • Switzerland

These will likely change after hearing and seeing the songs live tonight. So, let’s go!

No interval tonight. Just too many hosts, none of whom are all that interesting unfortunately.

Armenia: I like her look and I think she sounds great! While the overall staging and camera work are good, I think she looks and sounds small, like the space is owning her and not the other way around. Nice pyro effect. OH! She botched that big note. Let’s hope it’s not in the recap. Though, I do not think it is enough to stop her from qualifying.

Ireland: I love her outfit! She sounds super mousy. Is that purposeful? Love the retro look and feel of this staging. She has zero energy, though. I think she’s perhaps too focused on hitting all of her cues and not just singing the song. Some nice shots of Irish fans going wild. Aside from her lack of energy, I think this is as good as it could have been.

Moldova: Oh!! Sand art, we haven’t seen that since Ukraine 2011. As much as I enjoy this song, I don’t know if that gimmick is enough to move this song through. I am LOVING this sand artist and her effects, especially those footsteps. And I love their outfits; they look beautiful. Is it enough? Not sure, we’ll see.

Switzerland: WHOA! Absolutely love this camera work. This staging is perfect. The singing is amazing – both Luca and his backing singer should be very proud of themselves. This is the first song thus far (including Tuesday) that I can feasibly see winning. Let’s just say, I am happy to already have my hotel in Zurich booked for next year (along with a few other places).

Latvia: One of my favorites this year. I love this faux black & white look of the staging. This is a perfect example of a ballad with a lot of energy in it. It’s slow, but she and her backers are still singing fully and you can feel their investment in this. I don’t think it would have taken anything away to have the extra two ladies on stage with her.

Romania: They’re going with the same horror movie aesthetic from the music video. I like that choice – bold but a calculated risk. Hate her outfit, though. She could stand to articulate more, but even without clear words, the madness she’s singing about comes through. Great voice!

Oh, golly, Conchita Wurst is back! And with a brand new look. Actually, my understanding is that Tom Neuwirth actually moved away from Conchita as his primary act and is trying to draw more attention to the more masculine persona “WURST.”

Denmark: I see they are duplicating the DMGP staging. Glad to see the hear the audience get so into it. Love how diverse her collection of performers are. That was nice and pleasant. Not sure if it is enough, though.

Sweden: I am not the biggest fan of this song, but even I can’t help but sing along and be caught up in it. What the heck are his backing singers wearing?! Well done, another easy qualifier.

Austria: I totally appreciate her vulnerability. She is conveying that brokenness of the lyrics very well. I still don’t think it is engaging enough to qualify, but I think this is the best possible performance that this song could have.

Croatia: So, why I like this song well enough, but don’t see a path forward for it. It is impressive that he can sounds so good laying on his back. So, I do not quite get the staging, did he die in the lava and is now among those “angels of God?” Also, I think having literal angel dancers is a bit much. It didn’t work for Bulgaria in 2010, cannot see it helping now. Oh no! He missed that big note towards the end – otherwise, a flawless vocal performance.

Malta: Definitely playing up to her youth, here. The staging is SO MUCH FUN! You can tell they’re having a good time up there. This is also the way how one effectively makes a huge stage small. Another Top Ten performance tonight.

Lithuania: He sounds good and his hair looks nice. This song is just mediocre and overall less impressive than Croatia, which is the other mediocre song tonight.

Russia: Let’s see if this lives up to 2016’s staging. I do think it may have been a mistake to try to rely on his voice so much. Oh! his reflections is sentient. He’s certainly a pop singer. Not gonna lie, I was hoping for a more dynamic staging.

Albania: One of my absolute favorites this year. Let’s see how it goes. I think the backing singers are a bit too loud. It creates this cacophony instead of textured harmonies. I do love her outfit, though, very tradition yet contemporary. Just as I was about to say how her vocals were great, she botched many of those final notes.

Norway: Schlager at its best, everyone. It’s a lot of fun. And I enjoy how the graphics capture the idea of calling out to Sami spirits (which is what the song is about). Just everything about this feels dated, though. The smart money would be on this qualifying, but I am not sure.

The Netherlands: The big favorite and my favorite. Let’s see. Oh! The use of the backing vocals for the refrain is perfect! I don’t quite understand the piano, especially one that is so small. But I think he doesn’t have much stage presence, so the piano is there to give him something to distract himself with so he doesn’t let his nerves take over. The use of lighting is on point!

North Macedonia: Oh, the fleet of reflections is cool. Don’t like her dress, but it’s not heinous. If you’re going to do such a basic, stripped down staging, your vocals must be dazzling. So far, so good. Oh! Love the images being projected on the back. They should have kept it going when she started singing again. Oh! Keeping the backing vocals quiet until the climax was a good decision. Again, a great vocal performance without much energy behind it.

Azerbaijan: Glad to see Azerbaijan back to its over-the-top stagings. The robotic arms are a perfect touch to emphasize the futuristic tone of the composition. Hmm, not sure those high notes are translating as well as they could. Fun.

And there we have it! The eighteen songs from tonight. Time for the recap.

My Top Ten from tonight:

  1. Switzerland

  2. Latvia

  3. Malta

  4. The Netherlands

  5. Romania

  6. Moldova

  7. Armenia

  8. Azerbaijan

  9. North Macedonia

  10. Sweden

Who I think will qualify (in no particular order):

  • The Netherlands

  • North Macedonia

  • Azerbaijan

  • Russia

  • Sweden

  • Malta

  • Austria

  • Lithuania

  • Armenia

  • Switzerland

I think Austria and Lithuania did enough tonight (and, more likely, last night) to push ahead of Albania and Denmark in my predictions. Again, I know the smart money is on Norway to qualify, but, I don’t know, I just don’t think it will.

Interval Act – Shalva Band: So, apparently, this group was supposed to represent Israel this year, but didn’t want to perform on Saturday (which is necessary for Grand Final competition) for religious reasons. So, they gave them this spot instead. Wow, these girls’ voices are amazing! Yeah, this song would do way better than Home in the Grand Final. Oh, well.

Let’s look at our auto-qualifiers!

Germany: My biggest guilty pleasure this year. Meh., they really should have kept the turning table. But they do sound great. Don’t like their outfits, though.

Italy: His outfit is awful. And I hope he has a bit more energy for the real thing. This was one of the big favorites until rehearsals began, I guess now I know why.

United Kingdom: The staging for this is confusing. The BBC has enough money to afford more than some generic space effects. The thing this song has going for it is Michael Rice’s voice, so he better step it up tomorrow night and Saturday.

FINALLY – Our Qualifiers

  • North Macedonia – Woohoo! Well deserved! (1 correct out of 1 countries)

  • The Netherlands – Yay! High quality song right here! (2 for 2)

  • Albania – pleasant surprise! Her jury performance must have been great (2 for 3)

  • Sweden – as expected (3 for 4)

  • Russia – no surprises here (4 for 5)

  • Azerbaijan – woohoo! shaking off last year’s fluke (5 for 6)

  • Denmark – whoa, guess I should have stuck with my gut on this one. Hopefully this means Lithuania won’t make it? (5 for 7)

  • Norway – No surprise, I guess, but I still didn’t anticipate it (5 for 8)

  • Switzerland – Probably the strongest performance tonight, so, makes sense (6 for 9)

  • Malta! No surprise, well deserved, as well! Happy for Malta to break its non-qualification streak (7 for 10)

Well, another semi-final in the books. Only Friday’s jury show and Saturday’s Final are left. We await the drawing of halves and the final running order. In the meantime, who do I think from among these ten has a legitimate shot at victory? Well, the Netherlands, still, and Switzerland. My goodness, Switzerland looked like a winner right away. The Dutch song is still the highest quality one this year, I think, and who I think should win. It may all come down to the running order.

Thanks for joining me on this ride. See y’all Saturday!


ESC 2019: Contender or Pretender!

Contender or Pretender logo

Hello Dear Readers!

It is time again for our annual Contender or Pretender series! And, for 2019, it’s all in one easy-to-read post. This series looks at the top ten of the betting odds prior to the start of rehearsals and attempts to figure which ones are truly challenging for victory (contenders) and which ones do not stand a realistic chance at winning (pretenders). Per usual, the ten entries will be examined in random order.

  1. Sweden

  2. Italy

  3. Switzerland

  4. Azerbaijan

  5. The Netherlands

  6. Russia

  7. Greece

  8. Cyprus

  9. Iceland

  10. Malta


Country: Sweden
Entry: Too Late for Love

Performed by: John Lundvik
Written by: John Lundvik, Anderz Wrethov, and Andreas “Stone” Johansson
Composed by: John Lundvik, Anderz Wrethov, and Andreas “Stone” Johansson

Why it is a contender: It is a strong (by European standards) R&B song that stands out from the crowd. It has a compelling collection of performers who know how to command the stage. The song is also quite catchy and warm.

EO logo with Swedish flag

Why it is a pretender: It’s schlager reminiscent of the 90s era of the Contest. There also is not a lot of strong precedent of people of color doing well at the Contest.

Final Verdict: Pretender! Aside from racism still being a very rampant part of Europe, this song is just too generic to actually win. I imagine that it will continue the trend we’ve seen with Sweden over the past few Contests, big jury score with a moderate to low televote.

 


Country: Italy
Entry: Soldi [Money]

Performed by: Mahmoud
Written by: Charlie Charles, Dario “Dardust” Faini, Alessandro Mahmoud
Composed by: Charlie Charles, Dario “Dardust” Faini, Alessandro Mahmoud

Why it is a contender: It’s super-contemporary, and quite biting. Plus, Italy always seems to have an automatic boost at ESC. The composition is also quite intriguing – immediately grabbing your attention and forcing you to listen.

Why it is a pretender: More diversity issues…Muslims are not exactly well-received throughout the continent. Furthermore, rap is not very successful at the Contest, with only two rap songs ever finishing in the Top Ten (Greece 2011 and Romania 2017).

Final Verdict: Contender! Aside from the facts that this song won the OGAE fan poll and has been jockeying at the top of the betting odds, this song is quintessential of today’s sound. Soldi has more sales, streams, and views than any other Eurovision song this year, by far.


Country: Switzerland
Entry: She Got Me

Performed by: Luca Hänni
Written by: Laurell Barker, Frazer Mac, Luca Hänni, Jon Hällgren, Lukas Hällgren
Composed by: Laurell Barker, Frazer Mac, Luca Hänni, Jon Hällgren, Lukas Hällgren

Why it is a contender: A contemporary song in the vein of Fuego performed by a hot guy who is an equally as good dancer. It sounds like something one hears in the clubs or at special events – i.e., it has mass appeal and gets folks moving!

Why it is a pretender: It is a bit of a generic song with two others, Malta and Cyprus, that have similar sounds that will siphon off points. Hänni has also shown himself to be not the strongest live performer.

Final Verdict: Contender! This song has been insanely popular since its release and has the added benefit of being a male-driven song when its nearest competitors are female. Expect Switzerland to not only reach the Top Ten for the first time in a long time, expect it to challenge for victory.


Country: Azerbaijan
Entry: Truth

Performed by: Chingiz
Written by: Borislav Milanov, Trey Campbell, Pablo Dinero, Hostess, Joacim Persson
Composed by: Borislav Milanov, Chingiz Mustafayev, Trey Campbell, Pablo Dinero, Hostess, Joacim Persson

Why it is a contender: Azerbaijan is back! This is the blend of ethnopop and ridiculousness that Azerbaijan has made itself known for in its earlier years. Chingiz is particularly hot and is a showman.

EO logo with Azerbaijani flag

Why it is a pretender: Even at its height, Azerbaijan never truly threatened for victory. And the one year it did win, was a matter of surviving when the televote and jury vote were deeply split. This song is also a bit dramatic and stands out in not necessarily a good way.

Final Verdict: Pretender! Aside from the fact that Azerbaijan does not have a great track record of success since Turkey resigned from the Contest, Truth does not really have enough quality to surpass the stronger entries and not enough flair to surpass the flashier entries.


Country: The Netherlands
Entry: Arcade

Performed by: Duncan Laurence
Written by: Duncan de Moor, Joel Sjöö, Wouter Hardy
Composed by: Duncan de Moor, Joel Sjöö, Wouter Hardy

Why it is a contender: A powerful song of heartbreak arising from naiveté, sung powerfully by a beautiful boy. Not only that, the song is simple and direct, which has been a successful combination as of late.

EO logo witch Dutch flag

Why it is a pretender: Laurence has not proven himself to have the strongest stage presence. Not only that, the song’s simplicity can cause it to get lost among the array of uptempo songs, particularly if the producers give it a poor spot in the running order.

Final Verdict: Contender! Just like Portugal in 2017 and Israel in 2018, Netherlands has been atop the betting odds since it was released by the Dutch broadcaster. This song also is consistently popular across the web.


Russian flag mapCountry: Russia
Entry: Scream

Performed by: Sergey Lazarev
Written by: Sharon Vaughn, Dimitris Kontopoulos
Composed by: Philip Kirkorov, Dimitris Kontopoulos

Why it is a contender: The song is dynamic, we know that Lazarev is good for performing a stunning stag show. He’s attractive and has a good voice. Not to mention, precedent currently shows that a Russian singer returning to the Contest after finishing in the Top Ten wins (Dima Bilan was runner-up in 2006 and then won in 2008).

EO logo with Russian flag

Why it is a pretender: This song, much like his previous one, is more style than substance. The juries have also repeatedly shown a distaste towards Russia, and it seems unlikely to change this year.

Final Verdict: Contender! Russia has been aiming towards victory since it last won. Expect this year to have an even more amazing stage show than we saw in 2016 and for Russia to soak up a higher percentage of jury votes as other songs, which are more similar, split points.


Country: Greece
Entry: Better Love

Performed by: Katerine Duska
Written by: Katerine Duska, David Sneddon
Composed by: Katerine Duska, Leon of Athens, David Sneddon

Why it is a contender: Better Love is an easy to sing along with anthem celebrating love. It’s catchy and Duska is a character. If the staging is in the same vein as the music video, this act will stand out quite a bit.

Why it is a pretender: Anthems, while catchy, rarely succeed outside of the arena and with those beyond the core demographics of the fan base. Furthermore, if the staging is in the same vein as the music video, this act will be seen as a more than a bit overtop and overwhelming.

Final Verdict: Pretender! As much as I would love to be able to pronounce that Greece has returned to its former glory, it’s just not the case. Duska will have to work hard to nail the vocals and carry the same attitude she has become known for. Expect this to be one of the bigger favorites that fall short of the Top Ten.


Country: Cyprus
Entry: Replay

Performed by: Tamta
Written by: Alex Papaconstantinou, Geraldo Sandell, Viktor Svensson, Albin Nedler, Kristoffer Fogelmark
Composed by: Alex Papaconstantinou, Geraldo Sandell, Viktor Svensson, Albin Nedler, Kristoffer Fogelmark

Why it is a contender: A sexy lady singing a catchy song that exudes a confidence that many aspire to have. And, if Fuego is any indication, the Cypriot broadcaster has top choreographers and directors on hand to plan a stunning performance.

Why it is a pretender: This song is pretty much a carbon copy of Fuego, as such, these kinds of duplicates rarely surpass the achievements of their predecessor.

Final Verdict: Pretender! Don’t get me wrong, I am quite confident that this will finish in the Top Ten. However, I do not think it will come close to winning. There are simply too many stronger entries in the field this year and too many direct comparisons for this to overcome.


Country: Iceland
Entry: Hatrið mun Sigra [Hatred with Prevail]

Performed by: Hatari
Written by: Einar Hrafn Stefánsson, Klemens Nikulásson Hannigan, Matthías Tryggvi Haraldsson
Composed by: Einar Hrafn Stefánsson, Klemens Nikulásson Hannigan, Matthías Tryggvi Haraldsson

Why it is a contender: As the strongest rock song this year, Iceland gets a boost to its interest. Not only that, but the overall outlandishness of Hatari’s persona is enough to draw an abundance of attention.

Why it is a pretender: The outlandish nature of Hatari is a double-edged sword and will likely turn off many viewers. Lordi in 2006 had the added benefit of a generally inoffensive song (though, it was not without controversy), with a title like “Hatred will Prevail,” this entry will surely turn off the millions of casual viewers who will be casting the bulk of votes on Saturday.

Final Verdict: Pretender! Hatari is no Lordi and I doubt that they can reproduce the Finnish band’s success. Not to mention, novelty acts have been losing popularity over the past decade and, regardless of Hatari’s level of sincerity, they will come off as a mere gimmick. I’m not sure if this even has enough to reach the Top Ten.


Country: Malta
Entry: Chameleon

Performed by: Michaela
Written by: Joacim Persson, Paula Winger, Borislav Milanov, Johan Alkenäs
Composed by: Joacim Persson, Paula Winger, Borislav Milanov, Johan Alkenäs

Why it is a contender: Like Cyprus and Switzerland, this song is in the same vein as Fuego and is more than capably performed by the young Michaela. It’s a catchy and assertive song that will get folks up and moving.

EO logo with Maltese flag

Why it is a pretender: Unlike most of the songs on this list, Malta has direct competition with Cyprus and Switzerland. As such, there will be direct comparisons that Chameleon will have to deal with that the Netherlands or Russia will not.

Final Verdict: Pretender! As much as I think this is the strongest entry between the three Fuego copies, it is consistently performing behind the other two among fan votes and throughout most of the betting odds. Furthermore, few teenagers have the stage presence enough to win the Contest. I do think it will finish in the Top Ten.


Contender or Pretender 2019: Recap!

So, there you have it, the top ten in the betting odds heading into the rehearsals divided into serious contenders and those pretending to challenge for the win. A quick recap of this year’s predictions:

Contenders:

Italy
Switzerland
The Netherlands
Russia

Pretenders:

Sweden
Azerbaijan
Greece
Cyprus
Iceland
Malta

A few other songs not currently in the top ten of the betting odds to put on your radar?

None this year, I truly think one of the four above contenders will win. I do think we’ll see some surprises (per usual) in the Top Ten come the Grand Final. I think Australia will return to it (since the crafting of this series, Australia has moved into the betting odds top ten). France has also moved into the Top Ten, but France has not had much luck when going in with betting favor (see: 2009, 2011, 2016, and 2017). Spain and North Macedonia will also be much higher than usual, likely in the Top Ten. I think both songs are strong and stand out among those around it in the crowd.


ESC 2019 – Song Reviews: Second Semi-Final

Hello Dear Readers!

While the First Semi-Final is packed full with average level songs, the second semi-final is a juggernaut, containing six of the top ten of the bookies’ favorites within it. Definitely one of the strongest semi-finals to date. So, who is going to survive?

 

 Running Order

Country

Performing Artist

Song

Selection

EO logo with Armenian flag

1

Armenia

Srbuk

Walking Out

Internal

This song represents an intriguing phenomenon. When you listen to it, you’re rocked by its banging composition and the powerful vocals. But as soon as it’s over…you forget it. Which puts its position in the running order – first – as a particularly bad omen. It needs to hope for a perfect 30 second clip for the recap to survive this gauntlet of a semi-final.

2

Ireland

Sarah McTernan

22

Internal

This is a cute song and an adorable singer. However, it is not very memorable and I am unsure of McTernan’s ability to perform live. I think this is a serviceable song and will likely give Ireland a respectable finish, but not a qualification.

3

Moldova

Anna Odobescu

Stay

National Selection

I love this song. It’s powerfully sung, has an interesting composition, and is not just a standard “please don’t leave me” song. However, it is a bit dated and has not exactly been tearing it up on the charts. Sadly, it is not going to qualify, but I do quite like it.

4

Switzerland

Luca Hänni

She Got Me

Mixed

WHOA! When was the last time that Switzerland had a contemporary song that was at the top of the betting odds? Now, personally, I think this song is a bit overrated, but I definitely get its appeal. The beat is fun, the lyrics are simple, and I imagine the dance routine will be outstanding. Expect the Swiss’ fourteen year dry spell to come to an end.

5

Latvia

Carousel

That Night

National Final

One of my favorites this year. Smooth, simple, and just plain groovy. Unfortunately, like Moldova, this is not a popular song. Unlike Moldova, I do not quite understand why. It is contemporary and stands out from the crowd. Expect this to fall flat in the arena and one television, unfortunately.

6

Romania

Ester Peony

On a Sunday

National Final

A fun and interesting song that helps you feel better about that break-up. If this was just about any other year, then it would be an easy qualifier. If this was on Tuesday, it would be an easy qualifier. In this semi-final, though, I’m not sure it can survive.

7

Denmark

Leonora

Love is Forever

National Final

This song is so adorable and Leonora is so sweet. It is exciting that, after 21 years, Denmark is finally sending a song that has a significant amount of non-English, but heartbreaking that DR is shying away from using the Danish language. This is likely to finish in the 8-12 range. It might sneak into the Final, but at the expense of songs with stronger betting odds.

8

Sweden

John Lundvik

Too Late for Love

National Final

In my opinion, the most overrated song in the Contest this year. It is a serviceable R&B song, but overall fairly generic. There are various, potentially problematic situations I am seeing around the ESC community around his backing singers (great articles here and here about the subject). I know this song is likely to finish in the Top Ten, but I think there are better entries that it will be blocking.

9

Austria

PAENDA

Limits

Internal

Like Denmark, this is a sweet song. Unlike Denmark, though, this song is not very interesting or captivating. While PAENDA is adorable and her voice is ethereal, this song is just…boring.

EO logo with Croatian flag

10

Croatia

Roko Blaževic

The Dream

National Final

This song is great for vocal warm-ups. One of the last things I do to make sure I’m ready to go. Otherwise, this song does not have too much merit. The lyrics are trite; the composition is basic – but his voice is amazing! I hope he comes back next year with a good song.

EO logo with Maltese flag

11

Malta

Michela Pace

Chameleon

Mixed

So, this song is often compared with Cyprus and Switzerland. While it is also quite popular, it is languishing behind the other two in the betting odds, despite being a stronger song in my opinion. A clear qualifier, for sure, and likely to finish in the Top Ten.

EO logo with Lithuanian flag

12

Lithuania

Jurijus Veklenko

Run with the Lions

National Final

My least favorite song, by far. The lyrics are poor, the composition is unappealing, and his voice is not a good fit for either. While this song may have had a chance in a weaker semi-final, there is no way it is qualifying.

EO logo with Russian flag

13

Russia

Sergey Lazarev

Scream

Internal

Sergey Lazarev is back! And hoping to reproduce the magic Dima Bilan was able to generate with his return trip in 2008 (Bilan achieved second place in 2006 before winning in Belgrade). Lazarev is back two Contests later after a Top Ten placing (remember, Russia skipped 2017) and, if his music video is any indication, he’s going to be bringing another astounding stage show. Expect this to qualify and threaten to win.

EO logo with Albanian flag

14

Albania

Jonida Maliqi

Ktheju Tokës

National Final

Another one of my favorites, a deeply powerful song. Like Georgia, this song has a distinct national flair to it. Unlike Georgia, this song is assertive instead of aggressive and captivating instead of frightening. Despite these advantages, I’m not sure it will qualify; I’m thinking 8-12th place for this.

EO logo with Norwegian flag

15

Norway

KEIINO

Spirit in the Sky

National Final

This is a fun song that attempts a genre that one only sees at Eurovision – the blending of traditional folk with schlager. This song does it quite well, too. The energy is amazing and the three of them work well together. However, there’s always a song each year that is high in the odds but fails to qualify; I think this might be it for 2019.

16

Netherlands

Duncan Laurence

Arcade

Internal

Another one of my favorites. Like Austria last year, from the first moment I heard this I thought it sounded like a winner. And, unlike Austria last year, this is leading the betting odds. It is contemporary, it is powerful, and Laurence is amazingly attractive. These come together to form a perfect storm for a potential winner.

EO logo with North Macedonian flag

17

North Macedonia

Tamara Todevska

Proud

Internal

A powerful song about female empowerment; like a mature version of Toy. This might be NMak’s best chance at qualifying in ages. Todevska has already proven that she can perform well on the ESC stage; this time, though, she has a song worth her amazing talent. I expect this to qualify but not quite reach the Top Ten.

EO logo with Azerbaijani flag

18

Azerbaijan

Chingiz

Truth

Internal

Finally, Azerbaijan is back with a song that is eccentric, unique, and will have an inherently interesting staging – just like in its golden years. A real banger of a song by a hot guy with a composition that is stunning. I cannot wait to see what it looks like on the stage in Tel Aviv.

My favorite ten

  1. The Netherlands

  2. Latvia

  3. North Macedonia

  4. Azerbaijan

  5. Albania

  6. Norway

  7. Moldova

  8. Denmark

  9. Russia

  10. Malta

Who I think will qualify (in no particular order)

  • The Netherlands

  • North Macedonia

  • Azerbaijan

  • Russia

  • Sweden

  • Malta

  • Albania

  • Denmark

  • Armenia

  • Switzerland

Russian flag mapBut, more importantly, do I think any of these songs have a legitimate shot at winning?

Oh my goodness, yes! The Netherlands, Switzerland, Russia, Malta, and Sweden all have legitimate chances at victory. All are in the top ten of the betting odds and will be memorable when standing against the other entries in the field. Realistically, I do not think Malta and Sweden are as serious contenders as the other three, but they should be taken seriously.


ESC 2018: Song Reviews – Recap!

Hello Dear Readers!

Here we are, at the end of another initial reviews week. I’m sure many of you feel vindicated, many of you feel confused, and some of you may even be angry – no matter how you feel, thanks for reading 🙂

In case you missed it, here are my song reviews:
Semi-Final One
Semi-Final Two
Automatic Qualifiers

Preferences

First things first, which songs did I like the most? Check out this year’s ESC Obsession 2018 Preference Bracket to find out.

Looking for your own bracket? Here is this year’s blank bracket for you and your ESC friends to fill out! ESC Obsession 2018 Eurovision Tournament

But, which songs currently comprise my personal Top Ten heading into the Contest?

  • Armenia

  • Belarus

  • Belgium

  • Bulgaria

  • Czech Republic

  • Estonia

  • Israel

  • Greece

  • Latvia

  • Sweden

Predictions

As a quick refresher, I predicted that these songs would finish in the Top Ten: (in no particular order)

  • Israel

  • Estonia

  • Austria

  • Australia

  • Czech Republic

  • Italy

  • Germany

  • Montenegro

  • The Netherlands

  • Sweden

Of, these, I thought five had a legitimate chance at victory: (again, in no particular order)

  • Austria

  • The Netherlands

  • Czech Republic

  • Montenegro

  • Australia

Currently, Australia and Czech Republic are both in the top ten of the betting odds, meaning, that I will discuss them more in next week’s Contender or Pretender series. Let’s dive into the three other entries receiving little attention from the bookies.

Austria – From the very first time I heard this song, it sounded like a winner to me. From the composition and style to the lyrics to the how smooth César Sampson is. This song may not be on too many radars right now, but it will shoot towards the top of the scoreboard, I can feel it. Now, since I first heard this song in March, I have seen videos of him performing it live, and it does not quite translate, at least, not during the preview concerts. Ultimately, this impacts his betting odds, but it won’t affect his final position with the juries and televoters on the night. I’ve said it before and I’ll say it again, it’s truly difficult for a person of color, particularly a Black person, to be particularly successful at ESC. I honestly think this can be a counterexample to that opinion.

Montenegro – This song is on no one’s radar and actually falls towards the bottom of the betting odds currently. So, why on earth do I think it can win? Several reasons: 1) it’s one of only a few true and well ballads, 2) it’s a very classic Balkan sound, 3) the other four former Yugoslav nations will struggle to reach the Final, let alone seriously compete, leaving Montenegro there to soak up all their big points as well as from other Balkan allies not voting for Bulgaria, and 4) it’s a high quality song! The composition alone is worthy of victory. The singing is right on and the lyrics are captivating. This song should narrow those odds greatly once it qualifies and then we’ll see just how big it will go. Again, without any other former-Yugoslav country (and really, any Balkan country not named Greece or Bulgaria) having a legitimate shot at even qualifying, I think Montenegro will do quite well.

The Netherlands – A song that started on everyone’s radar as it is performed by a one-half of a runner-up duo, it’s country rock – a genre not often heard (if ever) on the ESC stage, and it was one the first to be selected. Don’t underestimate the power of a well done song that is unlike any other in the competition. The real question is whether enough country and rock fans will be voting to bring the Netherlands up the scoreboard, as I think it will only finish in the high single digits/low teens among the jury. It is most definitely not a traditional Eurovision entry like Austria and Montenegro, but that just may be its saving grace.

Who do I think will actually win? Well, you need to check out my prediction bracket! ESC Obsession 2018 Prediction Bracket

The bigger story here is that, for as long as I have been keeping this blog (December 2009), no victor has come from outside the top ten folks according to the betting odds. This is going to be an interesting year – a well-deserved anomaly for Portugal, hosting for the first time ever after so many failed attempts.

Come back next week for the annual Contender or Pretender series where I break down each of the top ten songs according to the betting odds and determine which ones have a legitimate shot at victory and which are merely distractions.

Until next time, find me on Twitter, Reddit, Pinterest, or YouTube, all @escobsession


ESC 2018: Song Reviews – Semi-Final Two

Hello Dear Readers!

Thursday brings us a weak, but still competitive semi-final. Perennial qualifiers, like Romania, Russia, and Australia, should have no trouble moving through. Sweden and Norway will be there to support one another along with Denmark.

Country

Performing Artist

Song

Selection

Norway

Alexander Rybak

How You Write a Song

National Final

Thoughts:

So, breaking the promise he made with Marija Šerofović a few ago, Rybak is back with his attempt to pull a “Johnny Logan” (the only performing artist to win twice). Rybak knows how to write a catchy song. This will get stuck in your head, whether you want it to or not. Clearly, this song is much weaker than Fairytale, but it should do well with a “previous winner bump.” It will most likely finish Top Ten, but it won’t get anywhere close to winning.

Romania

The Humans

Goodbye

National Final

Thoughts:

A bland, forgettable song and potentially the first Romanian entry to fall short of qualifying. I strongly doubt it, but the important thing is that it could be. It’s not a bad song and the lyrics aren’t bad, it just melts into the background, particularly this year.

Serbia

Sanja Ilić & Balkanika

Nova Deca [New Children]

National Final

Thoughts:

This song is a hot mess. Oh golly! I do not understand it. The performance is weird and off-kilter. The composition makes little sense. The lyrics are simple and lack depth. I just don’t understand how this song was made.

San Marino

Jessika feat. Jenifer Brening

Who We Are

National Final

Thoughts:

This song has such great potential. For starters, rap does quite poorly at Eurovision; Brening adds nothing to the entry with her lame verse (conversely, the songs they had her compete with in the selection were great). The lyrics for the rest of the song are not as impactful as the songwriters probably think they are. The song is well performed by Jessika, but it’s severely average. SM is at a disadvantage and must try harder if it hopes to qualify again.

Denmark

Rasmussen

Higher Ground

National Final

Thoughts:

Sigh. This is an average song and I don’t have any strong feelings about it. It also will benefit from having both Norway and Sweden in this Semi-Final. However, Sweden is an unreliable alliance member and there is a lack of other friendly nations to buoy it above its averageness.

Russia

Julia Samoylova

I Won’t Break

Internal

Thoughts:

This is going to be an unpopular opinion, but I liked Flame is Burning way more than this trite inspirational piece. It will qualify, of course, but I doubt it will continue Russia’s Top Ten streak.

Moldova

DoReDos

My Lucky Day

National Final

Thoughts:

I like this song so much! It has big shoes to fill after Moldova achieved a new best placing last year. In my opinion, this song has a better composition and overall sound than Hey, Mamma! and is just more enjoyable, at least to me, and that hat from the music video better make an appearance in Lisbon!

The Netherlands

Waylon

Outlaw in ‘Em

Mixed

Thoughts:

This song will do well because Waylon was one half of the Common Linnets (the performers of the runner-up entry in 2014). This also has the distinction of being the only country song this year, which also helps it. Again, I have no strong feelings about this song either way.

Australia

Jessica Mauboy

We Got Love

Internal

Thoughts:

I think this has a chance of outperforming Australia’s second place from 2016. The song is truly inspirational, has an amazing singer who knows how to perform and is not a stranger to the Eurovision stage. Plus, it’s is quite catchy! It doesn’t hurt that Mauboy is stunning, as well. I think we may be packing our bags for Germany after an Aussie win.

Georgia

Ethno-Jazz Band Iriao

For You

Internal

Thoughts:

Georgia joins Armenia for its first ever entry in its national language. Unlike Armenia, this song lacks depth, interest, or anything that makes it stand out. I cannot imagine this song qualifying, even out this weaker semi-final.

Poland

Gromee feat. Lukas Meijer

Light Me Up

National Final

Thoughts:

I like this song and think it is quite contemporary. I think it will continue Poland’s qualification streak, but finish midtable in the Grand Final. This is a beneficiary of being in the weaker semi-final and following a weak entry.

Malta

Christabelle

Taboo

National Final

Thoughts:

While this song is uptempo and intriguing, it is forgettable. It’s one of those things that, I remember when I hear it, but otherwise, cannot really recall it. This will be right on the border of qualification and will benefit from a poor performance from another midlevel entry.

Hungary

AWS

Viszlát Nyár [Summer Gone]

National Final

Thoughts:

Our requisite hard rock entry. Not quite sure how this made it through the Hungarian selection, but here we are. Not my cup of tea, at all. From my understanding of rock music, this is not even that strong of a screamo song. It likely will not qualify for the Final.

Latvia

Laura Rizzotto

Funny Girl

National Final

Thoughts:

I really like this one. It is dark and draws you into it; the composition is particularly captivating. I don’t think it’s mainstream enough to qualify, but of course, I said something similar in 2015. I think following the screaming of Hungary and coming ahead of the slick Swedish song, it will be lost.

Sweden

Benjamin Ingrosso

Dance You Off

National Final

Thoughts:

The first Swedish entry I like since Heroes. This song is just so infectious, I can’t see it NOT finishing in the Top Ten on Saturday night. Of course, the last time Sweden failed to reach the Top Ten was 2013, and this song is miles ahead of You (though, I did like that song, too).

Montenegro

Vanja Radovanović

Inje [Frost]

National Final

Thoughts:

The only true Balkan ballad this year, this strikes me as Joksimovic-lite. I think this will easily qualify. Honestly, this is my dark horse candidate for this year; I think Montenegro is going to surprise a lot of folks.

Slovenia

Lea Sirk

Hvala Ne [No Thanks]

National Final

Thoughts:

Yet another mess of a song. I don’t know what it is about the former-Yugoslav countries this year, but they are submitting some poorly composed songs. This song is at least interesting…well…not really. It’s average and will once again leave Slovenia towards the bottom of the Semi-Final scoreboard.

Ukraine

MÉLOVIN

Under the Ladder

National Final

Thoughts:

So catchy! So modern! And MÉLOVIN is quite the performer. This seems like a song designed specifically to capture the ears and hearts of the massive teenage girl fan population. Ukraine will easily finish in the Top Ten, the first time with a male singer not in drag.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Russia

  • Sweden

  • Ukraine

  • Romania

  • Australia

  • Montenegro

  • Poland

  • The Netherlands

  • Moldova

  • Norway

And which songs are my favorite? (in order)

  1. Sweden

  2. Latvia

  3. Ukraine

  4. Montenegro

  5. Norway

  6. Australia

  7. Moldova

  8. Denmark

  9. Poland

  10. Malta

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Australia, Montenegro, and The Netherlands all have legitimate opportunities to win. I know that the Dutch entry is not towards the top of the betting odds and that Montenegro is in no one else’s conversation, but I think both are unique enough and of a high enough quality to pull off a surprise win. Fun note, if Montenegro does pull off the victory, it would be the lowest odds victor (a title currently held by Latvia 2002). I think Australia is an easy choice to pick as a winner for all the reasons I mentioned above.


Eurovision 2017 – Grand Final Live Notes!!

Hello Dear Readers and Welcome to the live notes for the Grand Final of Eurovision 2017!!! Kyiv hosts the 62nd edition after previously hosting the 50th back in 2005. Tonight, 26 songs battle it out to be crowned the victor – but who will win?

Bulgaria, at least, that is my pre-show prediction. I think the rest of the Top Ten will be comprised of: The Netherlands, Italy, Belgium, Denmark, United Kingdom, Armenia, Azerbaijan, Sweden, and Romania. That can (and probably will) change after we see the 26 performances tonight, but those are my thoughts heading into the show.

**Be sure to keep refreshing the page to see my notes as they appear.

Also, if you’re new or just want some info about this year’s Contest, you can find my ESC Notes and Country Profiles here!

On to the show!!!

Parade of Nations

I still think this is a pointless exercise. But the sparks and the effect of them appearing seemingly out of nowhere is pretty cool.

Opening Act

Boo!! No opening act. Another reason to get rid of the parade of nations.

On to the songs!

01 Israel I Feel Alive

IMRI sounds really off tonight. The dancing is on point, though. Oh, just when I thought he had righted the ship, he misses the big note.

02 Poland Flashlight

I’m guessing Poland didn’tfinish too high on Tuesday to be assigned the cursed #2 spot. This seems less emphatic and enthusiastic than on Tuesday. Still good, though. Especially that last note!

03 Belarus Historyja Majho Žyccia/Story of My Life

So much fun!! They are so into this — definitely taking hold of this moment. Ha – she almost fell! Very good performance; they definitely gave it their all.

04 Austria Running on Air

He sounds WAY better than Thursday night. Still not good enough to make a big impact, but he should definitely be proud with how he did tonight.

05 Armenia Fly with Me

Another fantastic performance from Artsvik – listen to the crowd reaction! Definitely going to the Top Ten.

06 The Netherlands Lights and Shadows

Uh oh, someone seems to be flat. It sounds, like, she is sick, maybe? But they still sound great — their harmonies are just a little less tight than usual.

07 Moldova Hey, Mamma!

Still fun, still exciting, still not going to get into the Top Ten. But I think they’ll finish better than they did in 2010 (22nd place).

08 Hungary Origo

He seems markedly less nervous and has better pacing than on Thursday. Wow! You can feel his passion burning in that rap verse. This could do better than I thought; I probably still not Top Ten, though.

09 Italy Occidentali’s Karma

Our first major contender of the night, let’s see how this goes. Still do not understand the hype. I just don’t. Maybe there’s something about seeing it in person? But my god, the crowd sounds like they’re about to go marching forth.

10 Denmark Where I Am

Stronger than Tuesday, for sure, but still not at the level of her DMGP performance. Definitely good enough for a Top Ten finish, I think, though.

11 Portugal Amar Pelos Dois

Amazing! I just got goosebumps! Even better with Tuesday. He even fixed the part where he backed too far away and wasn’t picked up by the mic. Loved it! Oh, it might actually win. It is number two in the betting odds.

Speaking of odds sitting at third is Bulgaria, which is second-last in the running order tonight.

That was an awesome joke “(from Twitter) ‘I can’t believe in a few hours it will all be over and we’ll be wondering what to do with the rest of our lives.’ (Host) ‘Us, too.'”

12 Azerbaijan Skeletons

Better than Tuesday, but still not good enough to seriously contend for victory. I think Azerbaijan will, however, easily be waltzing back into the Top Ten.

13 Croatia My Friend

I still think this staging comes off as silly. Well, less impressive with the stronger competition ahead of him. He sounded great – it’s just a terrible song.

14 Australia Don’t Come Easy

Definitely better than Tuesday — WAY better! But still a lot of missed notes. There are too many strong songs tonight for this to do well.

15 Greece This is Love

Yikes! That was a big note to miss. I didn’t notice that before, the dancer on the left is also a backing singer. Yikes – she missed another note at the end of a verse. Nope – not going to be Greece’s triumphant return to the Top Ten, but not last place either, so, good?

16 Spain Do It for Your Lover

And if you had any doubts about the vocals being live, that cracked note is your proof. I bet Germany is happy because now they may not get last.

17 Norway Grab the Moment

He sounds spot on tonight. Really good – only makes me like this song more. Perhaps it’ll finish in the 11-15 range. Good, but not great in a year of strong competitors.

Hahahaha! Måns! I love this host-training montage.

18 United Kingdom Never Give Up on You

A love ballad from the UK to Eurovision, haha. Very well done, I see why this song shot up the betting odds over the course of the week. Wow! The UK just might find itself back in the Top Ten.

19 Cyprus Gravity

Why is he so flat? I still think that this staging is oh so very weak compared to what it could be. Even just one silks dancer would have been amazing. At least his vocals seemed to have leveled out.

20 Romania Yodel It!

Ugh, this song is so bad. At least their performance is still good. I can’t believe that this song will probably do well tonight. Hopefully, it will be no where close to the top spot.

21 Germany Perfect Life

This is an average song that is staged quite poorly. Maybe she has done enough to beat out Spain and avoid being the third straight last place finish for Germany.

22 Ukraine Time

This gets two bumps 1) for being from the host country and 2) for being this year’s only rock song. It is alright. I think we’ve heard better ones through the years. But, despite the supercreepy head on stage with them, they did a good job and will probably finish in the 11-15 range.

23 Belgium City Lights

She still looks kind of scared – so, I guess that’s just how she looks. Despite the fear in her eyes, I think she still has a commanding presence on stage. She forces you to pay attention. Well done! Belgium back to the Top Ten!

24 Sweden Can’t Go On

I keep forgetting that he is purposefully singing gravely and low – I think it’s supposed to be sexy. This song is just obnoxious, though. I know Sweden is trying to protect its Top Ten streak (three in a row, including a winner), but this song does not deserve to be in the Top Ten. There are so many more that have greater artistic value (for example: Hungary, Belgium, Portugal) or more genuine performances (for example: Croatia, Romania, the Netherlands) that deserve that spot more.

25 Bulgaria Beautiful Mess

He’s behind Italy and Portugal in the betting odds, but not by much. He needs to bring his top performance if he hopes to win — performing so close to the end does not guarantee a strong placing (just ask the UK). Wow! Started a bit shaky, but he definitely finished strong! Is it enough to win? I’m not sure. Portugal, UK, and Belgium all gave pretty amazing performances as well of their strong songs. Not to mention that Italy sounds like he raised an army with his. We’ll see, it should be close!

26 France Requiem

I am so confused by France’s staging. Why is she alone and without dancers? Is everything spinning? She is stunningly beautiful, though. Hmmm, maybe not enough for the Top Ten, but should finish with a respectable position.

 

And there you have it! One of these 26 songs will be our new champion. But who will it be?!

Well, I think that it will come down to Bulgaria, Portugal, Italy, and the UK. Which, I guess, isn’t too surprising. I think these had the best performances tonight and captured audience interest while also garnering jury support. I think Italy will be super popular among the televoters while Portugal and the UK will be favorites among the jury. Ultimately, I think one song will garner enough support from both to claim victory: Bulgaria. I know, boring that my prediction has not changed, but I still think that this song has what it takes to win. And I think it will be quite close, with Portugal coming second within a reasonable margin.

So, who do I think will be in the Top Ten?

  1. Bulgaria

  2. Portugal

  3. Belgium

  4. Italy

  5. United Kingdom

  6. Belgium

  7. Romania

  8. Sweden

  9. Armenia

  10. Azerbaijan

And, who were my ten favorites from tonight?

  1. Hungary

  2. Armenia

  3. Belgium

  4. Portugal

  5. Bulgaria

  6. United Kingdom

  7. Denmark

  8. France

  9. Norway

  10. Poland

Voting Entertainment/ Interval, I guess

While I think Ruslana, contemporary-traditional Ukrainian fusion music, and Jamala were all super awesome — I don’t understand why this is happening during voting. This is why shows keep running over, because they try to do a thousand things. I bet Jamala is going to be the Interval Act – adding yet more time. This should be a tight, three-hour show. Let last year’s winning artist (in this case, Jamala) open the show with a reprise and whatever new single they are hoping to promote (and get rid of the parade of nations), keep the voting to a tight 15 minutes, and move the entertainment back to the interval act, which can be shorter thanks to the fact that fan votes can continue to be verified while the jury votes are provided. It just doesn’t make sense.

LET THE VOTING BEGIN!! Here are the jury votes!

Sweden – Whoa! Sweden gave its twelve to Portugal. That’s highly unexpected (and no points for Norway) Portugal will either run away with these points or fall flat

Azerbaijan – No Russia, now to its twelve goes to…Belarus.

San Marino – more points to Portugal

Latvia – and the points continue for Portugal

OMG IBA from Israel is shutting down! Bombshell announcement live on air! Maybe Morocco and Lebanon will finally return?

Israel – Another 12 to Portugal

Montenegro – 12 to Greece

Albania – 12 points to Italy

Malta – surprise, instead of the UK their 12 goes to Italy

Macedonia – first 12 for Bulgaria

It’s going to be interesting to see where points from the former USSR will go without Russia. And from the former Yugoslav with Croatia being the group’s only representative.

Denmark – 12 to Sweden. surprise, surprise

Austria – 12 points to the Netherlands. Interesting

Norway – 12 to Bulgaria (and not Denmark or Sweden, surprisingly)

Spain – 12 to…Portugal (no surprise)

Finland – 12 points to Sweden (no surprise)

France – 12 points to Portugal (much to Belgium’s chagrin – zero points from their French friends)

Greece – 12 points to Cyprus (no surprise)

Lithuania – 12 points to Portugal (yea, I’m sensing a runaway)

Estonia – 12 points to Bulgaria (keeping them in the realm of closeness)

Moldova – 12 points to (let me guess….) Romania — no surprise.

Armenia – 12 points to Portugal!

Time for a breather – wow so fast, these votes! I think Portugal will handily win the Jury. The question is, how will it do with the televote?

Bulgaria – 12 points to Austria? That was unexpected. Strategic?

Iceland – 12 points to Portugal. Oh yeah, two out of four Nordic countries, definitely going to win the jury vote.

Serbia – 12 points to Portugal

Australia – 12 points to (the UK?) Yep. First time they sent 12 points to the motherland, fyi

Italy – 12 points to Azerbaijan?! Huh. Strategic?

Germany – 12 points to Norway – interesting

Portugal – 12 points to Azerbaijan! Interesting…strategic?

Switzerland  – another 12 points to Portugal

The Netherlands – 12 points to (wait! only 2 points to Belgium?!) Portugal

Ireland – 12 points to Belgium! (can’t think of the last time Ireland gave 12 points to the UK)

Georgia – 12 points to Portugal!

Cyprus – 12 points to Greece (I love how the spokesperson even knew that everyone already knew that their points were going to Greece)

Belarus – 12 to Bulgaria (benefiting from the lack of Russia, I bet)

Romania – 12 points to (Italy?) the Dutch! wow wow!

Hungary – 12 points to Portugal! Maintain the lead, but its definitely not as thick as it was. But, win or not, Portugal will definitely get its best ever placing tonight.

Slovenia – 12 points to Portugal

Belgium – 12 points to Sweden – that was highly unexpected

Poland – 12 points to Portugal!

United Kingdom – (yes, Katrina, we all know who you are) 12 points to Portugal!

Croatia – 12 points to Hungary – well deserved, I’d say

Czechia – 12 points to Portugal, 94 points ahead of Bulgaria

Ukraine – final 12 points from the juries – 12 points to Belarus! Whoa!

Portugal has won the jury votes by 104 points, leading Bulgaria who is 60 points ahead of Sweden. Australia led Ukraine by 109 at this point last year.

Televote!

Spain is saved from null point land!

And there goes the UK’s shot at the Top Ten

A lot of interesting televote points…And a lot of low point values. All the ones outside the top ten of the televote have fewer than 90 points

France got 90 points

Croatia got 103 points

126 points to Sweden

152 to Hungary – and quite the jump!

Italy – 208 WOW!!! Way underperforming for the bookie and fan favorite going into the Contest

Romania – is next with a sizeable jump

Portugal, Bulgaria, Moldova, and Belgium left to receive points

255 points to Belgium (WOW – how many points did Moldova get?!)

264 points and third in the televote to Moldova

Bulgaria v. Portugal

337 points to Bulgaria

MEANING THAT PORTUGAL HAS WON (with an addition 376 points)

WOW Our first new winner since 2011 (Azerbaijan) and PORTUGAL’s first ever victory!!! It took 49 attempts and a lot of shame, but Portugal has finally won. It is no longer the country with the most participations without a victory (Cyprus now takes that helm with 30 participations without a win). Congratulations and next year in Lisbon! Also, great job Ukraine, after a lot of confusion and craziness, you put on a fantastic show!

Awww, he has his sister (who wrote and composed the song) up there with him to sing the winner’s reprise as a duet with him. A beautiful moment for a beautiful song. A well-deserved, well-earned victory for Portugal.

Check back tomorrow for our wrap-up podcast with DizzyDJC as well as my wrap-up article about the Grand Final.

 

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Eurovision 2017 – Second Semi-Final Recap and Podcast

Hello Dear Readers!

As we anxiously await the forthcoming Grand Final, some thoughts on last night’s Second Semi-Final. I think this semi-final suffered from a lot of nervous performers with shaky performances. Additionally, there seemed to be a plague of poor stagings (more on that below). But first, here are our qualifiers (in alphabetical order with their semi-final half in parentheses):

Photo ©EBU Andreas Putting

  • Austria (first half)

  • Belarus (first half)

  • Bulgaria (second half)

  • Croatia (first half)

  • Denmark (first half)

  • Hungary (first half)

  • Israel (first half)

  • The Netherlands (first half)

  • Norway (second half)

  • Romania (second half)

Some Historical Markers from last night

  • Romania maintains its 100% qualification record. Hungary extends its streak to seven straight qualifications, reaching back to 2011. Austria extends its streak to four. Croatia, the Netherlands, and Israel have now all qualified twice in a row.

  • Bulgaria also has qualified twice in a row for the first time ever (and only third time overall). Denmark and Norway both return to Grand Final after missing it last year (for Norway) and each of the past two years (Denmark). Belarus qualifies for the first time since 2014.

  • Serbia and Lithuania’s streaks of qualifications end after two straight and Malta fails to make a second straight qualification. Macedonia has not qualified since 2012, Ireland since 2013, Switzerland and San Marino since 2014, and Estonia since 2015.

My Reactions

  • Biggest Disappointment: Austria and Ireland, two of my favorite songs, were both terribly performed last night. I could barely make it through Austria’s performance. I hope that Nathan Trent’s singing is better tomorrow night.

  • Biggest Shock: I am still shocked by how well I thought Romania and Croatia (two songs I do not like) did. They performed their hearts out and deserved their qualification.

  • Macedonia and Switzerland, while I think there might have been some nullification effect on one another, I think both were just missed opportunities. They both had strong, popular songs this year and A) staged them poorly and B) did not sing at their best abilities. Just, disappointing.

  • I think the Netherlands had the best performance on the night, followed closely by Bulgaria. They could possibly make a huge splash tomorrow, especially with the help of the juries.

  • France, Germany, and Ukraine had very questionable stagings. Read more about it in my live notes.

  • Just sad that San Marino failed to qualify. I think SMRTV may blame it on their small size, but, actually, it’s because it continually chooses dated songs with lame stagings. More on this in a forthcoming summer series.

So, there you have it my reactions to the Second Semi-Final. My excitement for the Grand Final is through the roof! Hear more about mine (and my friend DIZZYDJC) below in our podcast from today!

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Eurovision 2017 – Second Semi-Final: Live Notes!

Hello Dear Readers!

It is Thursday of Eurovision Week and we all know what that means: time for the Second Semi-Final! Tonight we will get the last ten qualifiers for Saturday’s Grand Final. As a reminder, the qualifiers for tonight will join the Big Five (Spain, Germany, France, Italy, and the United Kingdom), our defending champs & host (Ukraine), and Tuesday’s ten qualifiers (Armenia, Australia, Azerbaijan, Belgium, Cyprus, Greece, Moldova, Poland, Portugal, and Sweden).

Make sure to keep refreshing the page throught the show!

It’s starting! I love starting with a recap of Tuesday.

…what are the hosts wearing?! No. Not good. I do love a good ESC medley! Euphoria! Fairytale! My Number One (which was the winner the last time we were in Ukraine). Rise like a Phoenix! Definitely not a bad openning act. I always enjoy a reinterpretation of songs into a new folk style.

 01 Serbia In Too Deep

They seemed to have scaled back the epicness of song; why? This is wholly underwhelming. This song is nice, but forgettable. The dancer didn’t add much other than some additional eye candy.

02 Austria Running on Air

Oh no, he sounds a bit underpitch and he’s singing with zero emotion. I also don’t understand this staging – why is there a moon? Oh no, he just botched the big note. I love this song but this is just a poor presentation of it.

03 Macedonia Dance Alone

Interesting to put the backing singers so dominatingly right at the beginning lime that. That was also a poor model walk she is doing. Her outfit is cute, though. I understand the use of the mic effect, but I can barely hear her. She is certainly selling this as hard as she can as a dance number. Ummm…..I’m just not sure how to react. Definitely a HUGE missed opportunity for Macedonia, but it might be enough to qualify.

 04 Malta Breathlessly

I don’t understand this backing scene choice. It should be black amd white images of her and her lover. Not random gifs of her singing. Really pretty dress! No one can say that her voice is not good, but this song is just so drab and boring.

05 Romania Yodel It!

I like the toy soldiers. The cannons look cool – but I don’t know why they’re there. Oh! That’s why — pretty cool. As much as I dislike this song, it is, so far, the strongest performance tonight — by a mile.

06 The Netherlands Lights and Shadows

Oh! Love those outfits! Oh my goodness, they sound amazing hitting those harmonies! Honestly, I was expecting their outfits to turn white during the climax towards the end. Very good – definite qualifier, I think.

 07 Hungary Origo

 He seems to be going a bit fast amd is a bit ahead of the beat. But things seemed to habe caught up with the violin. Cool! Was not expecting the flames. I don’t what it is, but the camerawork just seems — not good – they should have goven the producers better camera choreography to work with. It doesn’t help that he looks so uncomfortable on stage.

08 Denmark Where I Am

Why does her voice sound weird? Did they leave a mic effect on? She seems out of breath as well, like she can’t quite fully support her singing. She hit that big note, though! Too much backing singer on this performance; I hope they turn them down for Saturday.

09 Ireland Dying to Try

Why the hot air balloon? Oh, missed a note there. He’s so adorable, though. Uh oh. He missed that big note. And just barely made the biggest one. Disappointing. This is one of my favorite songs this year and this performance is just flat.

10 San Marino Spirit of the Night

What are they wearing?! Why are they so sparkly?! They have really good chemistry together. Despite the fact tat this is a fairly dated sounding disco-track, given the quality of performances tonight, it has a legit chance to qualify. I think my friend called this the “song of a thousand key changes” — most definitely. They at least nailed them all.

Man, San Marino had a black American guy and now Croatia has a big guy, it’s like Eurovision producers wanted me to feel particularly represented on stage.

11 Croatia My Friend

Oh my goodness, this turning back and forth is silly. As is that glove he is wearing. He sounds good, though. Bad song, but well performed.

–sorry for the interruption, my town is under tornado warning and I had to take shleter– 

**All clear! Picking up where we left off.

12 Norway Grab the Moment

I like the camera effects and how digitized he looks during the refrain and his face is featured on the screen. I know the desire to keep it simple is tempting, but I wish they had added a bit more dynamic elements to the staging, particularly to the climax at the end.

13 Switzerland Apollo

LOVE the dress, hate the hair. Her voice seems to be dancing in the edge of in tune and out of it. I feel the same as I did after Macedonia, just a huge missed opportunity. Maybe enough to qualify, maybe not.

14 Belarus Historyja Majho Žyccia

Love the wite and blue aesthetic! They started off a bit shaky, but their voices leveled out. Some much energy and fun – fireworks!! That screen is fun and that’s a huge crowd reaction!

Time for this year’s youngest competitor and my predicted winner:

14 Bulgaria Beautiful Mess

Love this overhead shot during the first verse! He gets a bit off pitch during the refrain. Love the interplay between the camera, the special effects, the background, and the lyrics – beautifully staged! As good as that was, not sure I’d rate that higher than Portugal’s performance Tuesday. I’ll be interested to see what happens Saturday night when thy can go head-to-head.

16 Lithuania Rain of Revolution

I see they are reproducing their national final performance… includingn that terrible hairstyle. They should have invested in actual spark showers. The animated ones just don’t have the same effect. And, honestly, coming after a song like Bulgaria only makes this, with its super-synthesized instrumentation, sound a bit fake and dated.

17 Estonia Verona

Mic issues! I wonder if they will deemed bad enough to call for a second performance. Vocal issues! I wonder if they will be bad enough to stop this from qualifying. I do love the camera effect making it look like they were on two completely different stages throughout the first verse and bridge. They don’t seem to have much chemistry; maybe that’s why they barely interact with each other throughout the performance. I know this is a big fan favorite, but I remain unimpressed.

18 Israel I Feel Alive

He knows how to work a camera! Which, I guess takes away from his weak vocals. The staging was a lot of fun — quite dazzling.

My Top Ten from tonight

  1. The Netherlands
  2. Bulgaria
  3. Croatia
  4. Norway
  5. Belarus
  6. Denmark
  7. Israel
  8. San Marino
  9. Switzerland
  10. Romania

Who I think will qualify (in no particular order)

  • Romania
  • Denmark
  • Bulgaria
  • Israel
  • The Netherlands
  • Belarus
  • Switzerland
  • Serbia
  • Estonia
  • Norway

Voting Sequence EntertainmentMore Verka (Ukraine 2007 and probably one of the modt popular entries to date)! And yay for talking to fans 🙂

Interval Act

The dancing is really cool. I never know quite what to make of it, but it’s certainly interesting and much appreciated.

A marriage proposal for Jana from Macedonia!!! Awwwww

Our Automatic Qualifiers

  • France – whoa! All the spinning is dizzying, which I guess is the point.
  • Germany – why is she in a dress that matches the background. She’s just going to get lost in the production. Maybe Germany is aimig to break Norway’s most last places record?
  • Ukraine – that head is CREEPY!!! It looks like a possessed baby doll. 

Now, on the results! Our ten qualifiers are:

  • Bulgaria! Woot, woot – we could legitimately be heading to Sofia next year (1 for 1 in my predictions)
  • Belarus – well deserved! (2 for 2)
  • Croatia – not surprised, just didn’t think this and Belarus would both make it (2 for 3)
  • Hungary – one of my favorites, but he’s going to need a much stronger performance Saturday (and Friday) night (2 for 4)
  • Denmark – Gå Danmark!! (3 for 5)
  • Israel – no surprise here (4 for 6)
  • Romania – ugh (5 for 7)
  • Norway – good stuff (6 for 8)
  • The Netherlands – well earned, best performance of the night (7 for 9)
  • Austria – complete shocker!! (7 for 10)

Well, there you have it. Ten qualifiers. Macedonia completes its fall from grace going from big favorite to non-qualifier in six short weeks. Come back tomorrow for my full thoughts and my next podcast ahead of Saturday’s Grand Final! 

 
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Eurovision 2017 Song Reviews (Finally!) – Second Semi-Final, First Half

Hello Dear Readers!

Our second semi-final. Sadly, Russia has decided to not participate this year due to…all the political things. This is sad because 1) I always hate to see a country withdraw and 2) I loved Flame is Burning. Oh well, such is life. It does open up one more qualifier spot in this competitive semi-final (as Russia always qualifies). Again, song reviews are in alphabetical order because…I’m lazy.

Second Semi-Final

Country

Performing Artist

Song

Selection*

 

Austria

Nathan Trent

Running on Air

Internal

Thoughts:

A lovely, upbeat song that can’t help make one feel happy when listening to it. Honestly, it’s such a simple song. It’s only shot at making the final, though, is probably on the back of Trent’s charisma — cute boys tend to do well.

 

Denmark

Anja

Where I Am

Televised

Thoughts:

See my Live Notes on DMGP 2017 for my full thoughts on this entry. It’s a strong entry that will not only make it to the Final, but will most likely end in the Top Ten.

 

Hungary

Joci Pápai

Origo [Origin]

Televised

Thoughts:

This song is one of the most unique, not just this year, but this decade. It’s dark one of the few that follows in the footsteps of 1944, mysterious and about a serious issue (this focuses on the prevailing racism, particularly against the Romani peoples), but this has a message of hope (and faith!).

 

Ireland

Brendan Murray

Dying to Try

Internal

Thoughts:

Such an intriguing voice and such a sweet song. The sentiment of the lyrics is definitely one with which I can relate. While it seems like a love song, it’s truly more of a song of loneliness and longing. I want nothing more than for this song to win; unfortunately, this semi-final is too strong and this song just is not captivating enough, especially being in the first half of the show. It could very well be the beneficiary of Russia’s withdrawal.

 

Macedonia

Jana Burčeska

Dance Alone

Internal

Thoughts:

A catchy song about being happy on one’s own. While I have preferred most of Macedonia’s other entries, this one isn’t bad. To me, it’s a bit generic, but fun. Macedonian fans will be happy to be back in the Grand Final and, possibly, in the Top Ten for the first time.

 

Malta

Claudia Faniello

Breathlessly

Televised

Thoughts:

A powerfully sung ballad. However, unlike in previous years where this kind of entry would make a significant impact, this year, it comes off as a bit boring and dated. I’m sure Faniello will give a stunning performance; I just don’t think this song is captivating enough to get it to the Final.

 

The Netherlands

O’G3NE

Lights and Shadows

Internal

Thoughts:

Alternatively, whereas Malta sounds a bit dated (old-fashioned in a bad way), the Dutch entry sounds “vitange” – that is, old-fashioned in a good way. Their harmonies are tight, the lyrics are inspirational, and the composition is catchy.

 

Romania

Ilinca feat. Alex Florea

Yodel It!

Televised

Thoughts:

Ugh. Probably my least favorite song this year. Let’s see, yodeling doesn’t do well at Eurovision (just ask Austria 2005). Nor does rap (just ask UK 2006 or Finland 2009). I presume that, since we’re talking about Romania, two wrongs will indeed make a right; unless Romania becomes the next country to have its 100% qualification streak snapped.

Serbia

Tijana Bogićević

In Too Deep

Internal

Thoughts:

A powerful song that is unique and intriguing! I imagine there will be silk dancers to further the aesthetic from the music video. I think, though, as I have listened through the songs over and over, this is one that I continually forget – despite its power. It will make the Final, but I think it will do surprisingly little.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

Find the other reviews from this year here!

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Eurovision 2016 – Wrap Up!

Hello Dear Readers!

It has been about a month and a half since the Grand Final in Stockholm, yet, I have still been Eurovisioning every day since as best I can – I’ve become quite active on Twitter and Instagram (both @escobsession). Typically, I like to watch the full Contest a time or two more before making this wrap up. I particularly like to rewatch the Final. Unfortunately, both the official Eurovision website and the official YouTube still have this year’s Contest blocked in the US (and, as I am told, Canada). Eventually, I was able to find a decent, fan uploaded version of the Contest on YouTube, but I shouldn’t have to go through these lengths. The beauty of the Contest in the modern era is that it stretches globally. Yes, the US had its first ever live broadcast of ESC this year (on the cable network Logo, which is dedicated to broadcasting LGBTQ+ themed content, my thoughts on this in a later post this summer), why would the EBU not want to build upon this by continuing to allow access to the Contest to fans in North America beyond May? Logo does not have the Contest streaming online. This needs to be rectified. With all the fuss being made over Russia losing, people have all but ignored this issue — and the EBU is shooting itself in the foot in the very markets that into which it is trying to expand.

Both the official website and YouTube block the Contest in the US and Canada

No ESC for those in the US or Canada 😦

With that said, let’s recap some of my thoughts from this year’s Contest!

General Reactions

I already hit the historical markers in my initial post after the Final. So these are just some of my thoughts and opinions.

  • I was incredibly skeptical about the new voting system. However, I actually really like it (for the most part)! Yes, Ukraine won neither the juries nor the televote, but it did come second with both a feat that neither Australia nor Russia matched (Australia was fourth in the televote, Russia was sixth with the juries). Furthermore, it made the voting sequence that much more exciting. It went from a clear Australian victory to a nailbiter of a finish! Particularly in the arena where we could barely see the screens and the scores. We had no idea who won until Ukraine was announced as the winner. And, the most exciting move of the night, Poland’s jump from last to eighth!

    We could barely see the screens inside Globen.

    We could barely see the screens inside Globen.

  • Truly, the best song won. Russia had an amazing stage show and Australia had a powerful performance, but neither You Are the Only One nor Sound of Silence matched 1944 in originality of composition nor in lyrical strength. As such, Ukraine emerged victorious.

  • Also, it’s nice that the winning song was not entirely in English. While it mostly was, it’s still nice to know that non-English can still do well. This was further reinforced by the success of France and Austria.

  • The show’s production was great, but, once again, the Swede’s gave us an overly crowded show. Love Love Peace Peace, the highlight of the infinite interval acts for many, would have been great as during the vote entertainment. The mockmentary Nerd Nation should have been a two-parter just for the semi-finals; if you didn’t watch the first two parts, you would have been lost for the conclusion. I also would have brought the Eurovision by Numbers to the Final, since so many people were watching the Contest for the first time across the world. Lastly, I would have moved Måns to the opening act (scrap the parade of nations, or, at least, the fashion show element that made it drag out forever) and let Justin Timberlake stand alone as the Interval Act as the votes were being verified.

  • Lastly, while I agree with the winner, I am overall surprised and disappointed in most of the results otherwise. The Czech Republic, the United Kingdom, Spain, and Germany all deserved much better placings than they got. Likewise, Lithuania, Sweden, and Malta all overperformed and finished higher than they should have.

So, now that you know my general reactions, let’s move on to the Annual Eurovision Obsession Awards!

For new readers, I hand out awards every year to noteworthy entries and their performers. A few things to keep in mind 1) this is my personal opinion, 2) I look at all the entries, not just the finalists, 3) this is all in good fun and sparks from my love of the Contest. One more note — all photos that appear are mine – I took those!

Best Lyrics Award

Serbia

Winner: Serbia

“I thought that it was supposed to hurt me
I thought that it was love,
I put my hands up but I won’t surrender
Don’t need what doesn’t serve me anymore

I lick my wounds
So that I can keep on fighting”

Throughout Goodbye (Shelter) we see a singer transform from abused partner to strong woman as she realizes that she deserves more than what she is getting from her relationship. This transition is beautifully mirrored in the composition as well as the performance.

UkraineRunner-Up: Ukraine

“When strangers are coming
They come to your house
They kill you all and say
We’re not guilty, not guilty

Where is your mind? Humanity cries
You think you are gods but everyone dies
Don’t swallow my soul
Our souls”

I have talked about this song many times on this blog, so I will keep it brief: powerful song with lyrics that highlight the parallels between the past and the present.

Honorable Mention: Croatia, Bosnia & Herzegovina, Germany

The “Huh?” Award

Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

IrelandWinner: Ireland

“Just touch who you wanna, kiss who you gotta
Fight like we’re winners, love like beginners
Dance like you mean it, sing like you feel it
Everything’s better standing out in the sun”

Aside from advocating sexual assault (you should NEVER touch or kiss whoever you want without consent), the lyrics are otherwise a trite mess of cliché optimism and hollow saying.

MoldovaRunner-Up: Moldova

“The sky is tumbling
It’s coming down, coming down
The wildest fire
Is burning out, out

And when our fall torn us to pieces
All of our love turned into dust
We’re the brightest falling stars”

Essentially, the main argument of the song is that the relationship is ending – so why not go out in a blaze of glory? This is not a healthy relationship goal. If things are over, just let them end. That is that.

Honorable Mention: Sweden, The Netherlands, Montenegro

Best Dressed Award

Albania

Winner: Albania

Albania dress

She almost looks like an award statue, doesn’t she? Just an utterly gorgeous dress that fits her well. Too bad the majority of the act was against a gold background so you barely saw it (I took this photo during some of the brief blue moments).

 

AustraliaRunner-Up: Australia

Australia outfit

At first, I wasn’t sure what to make of Dami Im’s dress. But it’s elegant and distinctive, much like Dami Im herself.

Honorable Mention: Estonia, The Netherlands, Slovenia, Israel

Most in Need of a Costume Change Award

So many awful outfits this year, sadly. This was probably the hardest category to choose a winner for.

Italy

Winner: Italy

Italy outfit

Sparkly, brown overalls. Need I say more? Italy got my vote for the Barbara Dex Award this year.

AzerbaijanRunner-Up: Azerbaijan

Azr outfits

So…much…gold… Honestly, what the heck are they wearing? In the music video, Samra has on this really nice black gown. This glittery, gold catsuit is just…awful. And, to make matters worse, it doesn’t even fit the tone or message of the song.

Honorable Mention: Croatia (Barbara Dex Award winner), Spain, Bosnia & Herzegovina, Hungary, Belarus, Lithuania

Best Staging Award

Russia

Winner: Russia

Russia performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Come on, was there ever any doubt? This staging was incredible! The first time we saw him walk on the screen during the First Semi-Final dress rehearsal, we all gasped. And each time, it was equally as amazing. The staging was just stunning; so much so, it inspired hoards of angry fans to complain when Russia lost.

ArmeniaRunner-Up: Armenia

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Talk about doing a lot with a little! Armenia had a solo performer by herself on stage and created a dazzling show that seamlessly incorporated pyrotechnics, slick camera angles, quick-cutting shots, and nifty image overlaying. Who needs an LED screen when you can work magic with cameras?

Honorable Mention: Belarus, Georgia, Belgium, Spain, The Netherlands, Iceland, Ukraine

Worst Staging Award

Estonia

Winner: Estonia

Estonian perfomance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Yeah, you have a sexy, Bond-esque song with a very attractive, young singer. This should have been a great stage show. Instead, we are left with this, seemingly casino-inspired act that makes Juri seem more creepy than alluring. Also, he was lost in the staging; he was this little man on this giant red stage.

MoldovaRunner-Up: Moldova

Moldova performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

I am starting to feel bad with just how critical I am being with Moldova’s entry this year. Unfortunately, they took a poor song with a poor message, gave it to a singer who was a poor fit for the composition, and staged it with few visuals and a random astronaut. This is a dance number – why were there no dancers? This is a song literally called “Falling Stars” why were there no spark curtains or other pyrotechnics? Just…so many things done wrong this year, Moldova.

Honorable Mention: Slovenia, San Marino, France, Croatia

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Sweden

Sweden was deemed "a contender" in last year's series.

It feels like a hipster anthem, doesn’t it? From Frans’ look to his sarcastic tone – the song is just one big “screw you” to whoever he’s singing to. This wins the DC Calling Award because so many young people today have this kind of attitude and I could totally imagine a random American high school student saying these words.

Runner-Up: Czech Republic

It is my understanding that, to most Europeans, Americans are a religious bunch who often work their faith into everything, including our pop music. I Stand is vague in who the target of the song is, but, at least to me, it is a song about the power of faith – ironic, since the Czech Republic has the highest percentage of atheists of any nation.

Honorable Mention: Azerbaijan, Denmark, Slovenia, Israel

Pond Leaper Award

While I think each song would find a niche here in the USA, I think this song would be the most popular

ItalyWinner: Italy

This is a passionate, yet innocent, love song that is just the perfect tempo for a first dance. If No Degree of Separation made its way across the Atlantic, it would quickly ascend the list of most popular wedding songs, without a doubt.

NetherlandsRunner-Up: The Netherlands

Douwe Bob has perfectly captured the contemporary, country sound that is ever-so-popular in the US. I think that Slow Down would be considered a welcome change to the “stadium country” that has swept the genre over the past decade. This would quickly climb the country, and pop, charts.

Honorable Mention: Australia, Finland, United Kingdom, Bulgaria

The “Spirit of ABBA” Award

Given to the most stereotypical and/or traditional ESC entry

BelgiumWinner: Belgium

A happy dance tune? Check! Lyrics that make you feel good about yourself and the world? Check! Some cool choreography that you can try to mimic in your living room? Check!  Belgium checked all the right boxes to carry the spirit of schlager that typifies the Eurovision genre.

United KingdomRunner-Up: United Kingdom

A fun song about the uplifting power of friendship performed by a duo that looks like they are genuinely friends off-stage. A fun song that got the audience, both at home and in the arena, involved. That’s definitely bringing the continent, and world, together!

Honorable Mention: Finland, Spain, Croatia

Israeli Flag CountryThe “Shiri Maimon Travesty of the Year” Award

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: United Kingdom getting 24th place

United KingdomAfter years of dubious entries, songs that I liked, but left most of Europe cold, the BBC finally put real effort in finding the British entry. They used a public vote, got artists and songwriters that captured modern British pop music, and selected a song that was catchy, fun, contemporary, and even had two attractive boys – just for good measure. Joe & Jake (and their backing singers) gave outstanding performances for both the juries (Grand Final dress rehearsal) and the televoting public, yet still somehow finished third last. I am still miffed as to how this happened. I know Electro Velvet was devastated by their finish last year, I can only hope that Joe & Jake continue to perform together and eventually return and finish higher up the scoreboard.

RomaniaRunner-Up: Romania’s Disqualification

This is less about Romania not being able to participate (TVR should have to pay their debts, they have owned up to this fact), but the fashion in which it was done. These debts are years old. The EBU could have penalized them in December (when they paid their entry fee and the list of participants was finalized), in March (when the heads of delegations met and entries had to be formally submitted), or in May (after the Contest). But no, the EBU instead opted to discipline Romania in the most humiliating way possible. Waiting for the deadzone that is April to ensure maximum exposure of the event so that it could publicly shame Romania and TVR.

Honorable Mention: Iceland failing to qualify, Czech Republic getting 25th, Lithuania getting 9th

Final Thoughts

Eurovision_2016_Official_LogoWell, another Contest is in the books. It was utterly amazing to be there in person, though, Standing Right sucked. And I am still bitter about how much I had to pay and how long I queued to have such a subpar – particularly since it was a great financial burden. Speaking of which, going to Eurovision this year contributed to what has been my worst time financially – though, it brought something to light for me.

By my age (28), my parents were married with two kids, my eldest sibling had been married for several years, my next oldest sibling had just gotten married, and my last sibling (also older) had just gotten engaged. And then there’s me. Single. No kids. Just my education and Eurovision. Being there in Sweden, seeing the “Eurovision by Numbers” video, the “What’s Eurovision?” opening act from the second semi-final, the “Peace Peace Love Love” interval act, and having Ukraine win – a song which I loved from the start and truly thought was the best entry – it all reminded me just how much I love Eurovision and the role it plays in uniting all kinds of people.

I always say that the combination pop music, geography, and competition is what drew me to Eurovision – and that’s true – but what keeps me there is the genuine community that the Contest breeds. When else can one be connected to over 200 million other people worldwide? When else can one lose themselves in music that transcends boundaries, that is as much visual as it is auditory, and allows you to participate in the realized dreams of 42+ performing artists?

Is Eurovision perfect? No! Of course not (and I’ll be going into its various shortcomings throughout the summer in a series of blog posts), but it is awesome. Eurovision is so much more than a song contest, it’s a community – it’s the people, the culture, the forums, the traditions, the opportunities, the dreams — the connections that it makes possible between all of these things and more. Eurovision connects countries, people groups, generations, allies & enemies, strangers & friends. Attending ESC, watching it, engaging with it – it allows me to be a part of that intricate web human connection.

I don’t currently have a family of my own, but I hope to some day. And when I do, I know that Eurovision will be there – allowing me to share an integral part of myself with those I love and for them to join in my passion. Indeed, it will help us all “come together.”

File Jul 03, 4 03 34 PM

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We’re So Close!!

Hello Dear Readers!

Can you believe that we are just a few short weeks ahead of Eurovision 2016?!

I don’t know about y’all, but I am stoked (very excited!) and have been listening to the songs non-stop for the last month and a half. A few of my opinions have changed.

Romanian Flag MapSo, some news from today, Romania’s participating broadcaster TVR has been kicked out of the EBU, disqualifying them from participation in this year’s Contest. Lowering our participants down to 42. This moves Bulgaria up to 12th in the Second Semi-Final, which puts it ahead of the advert break. Good for Bulgaria, bad for SVT who were hoping that the popular song would bring viewers back, now that task will fall to the tepidly-received Denmark.

GeorgiaSongs I Like Better: Georgia, Slovenia, and the Netherlands. For each of these songs, the more I listen to them, the better I think they are. I think the Netherlands can definitely qualify now, though, I still think Georgia and Slovenia will not.

IsraelIsrael is the only song that I like less the more I hear it. I went from fairly neutral to negative towards the entry. I don’t know, the song is just uninspired and trite, and the more I listen to it, the easier it is to look past Hovi Star’s beautiful voice and actually listen to the words of the song and its composition.

Czech RepublicI still think that the Czech Republic is still my pick for victory. The country has a beautiful song and it really has a chance of wowing the audience. I think if it makes the Grand Final (which its running order makes more difficult), it can definitely challenge for the win.

Now, since the last post, there have been preview concerts throughout the continent in Russia, Latvia, Israel, UK, and the biggest one held annual in Amsterdam (Eurovision in Concert)!Netherlands These concerts are like friendlies (or exhibition matches) in sports – they are not competitive, but more of a showcase of the countries’ entries. It tends to get fans excited, as they offer some of the first previews of the live performances that we’ll see at the ESC and gives the artists a chance to see how an ESC audience reacts to their song.

More than this, these preview concerts are the last chance for the majority of acts to impact the betting odds. Which, in turn, impact how commentators discuss the song to the viewing audiences as well as how the producers determine the running order (songs with better odds are assumed to have better audience anticipation and will be pushed towards the end of the running order).

Speaking of which, the running orders for the semi-final has been released! In case you missed it, the ESC Obsession YouTube channel has an updated playlist.

Furthermore, the voting change that was announced in February seems to be getting traction again. As such, I’ll make a post explaining it tomorrow.

Speaking of upcoming posts…next week will be our annual Contender or Pretender series, where we look at the Top Ten countries in the betting odds and determine whether they have a legit chance at winning or of they’re merely posing as strong choices to win. Find past editions of Contender or Pretender here: 2015, 2014, 2013.

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ESC 2016 Reviews: First Semi-Final, Part One

Hello Dear Readers!

As promised, here is the first of our five sets of reviews this week. Here are the nine countries competing in the first half of the first semi-final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

Armenian Flag Map

Armenia

Iveta Mukuchyan

LoveWave

Internal

Thoughts:

Initially, I was off put by the spoken portion at the beginning, but I think that the song picks up and I love how unique it is. Great sound and a lot of potential. This will most definitely qualify for the Final.
Croatian Flag Map

Croatia

Nina Kraljić

Lighthouse

Internal

Thoughts:

A truly epic, modern sounding ballad. Definitely not what I was expecting from Croatia; it’s very contemporary and captivating. I’m not sure of it’s final placing as of yet.
Finnish Flag Map

Finland

Sandhja

Sing It Away

Televised

Thoughts:

What a fun song! It’s a simple dance tune encouraging you to let the music take your cares away. It will definitely get Europe moving, but in a year of uptempo songs, I’m not sure if it will get Europe voting.
Greek Flag Map

Greece

Argo

Utopian Land

Internal

Thoughts:

Rap…yeah, not my favorite genre. An interesting choice to come out of an internal selection. I wonder if part of the thinking was a return to a more traditional Greek sound that brought the nation so much success throughout the 2000s and the first half of the decade. I think this will suffer the same fate as Montenegro 2013 – interesting, popular among the voters, weighed down by the juries.
Hungarian Flag Map

Hungary

Freddie

Pioneer

Televised

Thoughts:

The good: I love the sound and look of Freddie. I also like the composition. The bad: This song, it’s lyrics and production especially, is terribly generic. If the influx of eccentric entries is the legacy of last year’s Belgian and Latvian entries, then this is the legacy of Russia’s Million Voices.
Moldovan Flag Map

Moldova

Lidia Isac Falling Stars Televised

Thoughts:

My understanding is that the studio version of this song is better than its live version. However, I have what’s in front of me and, sadly, I do not think Isac’s voice is strong enough to carry this song. It’s bigger than she is and it results in a boring entry that does not go anywhere. Luckily, she has time to work on that between now and May.
Dutch Flag Country

The Netherlands

Douwe Bob Slow Down Internal

Thoughts:

After finding success with the genre in 2014, the Netherlands seems to be returning to country with another song that sounds as if it is straight from Nashville. I think this will get the Dutch back to Saturday night, but I’m not sure what it will do after that, especially since Douwe Bob’s name does not carry much weight outside of his home country.
Russian Flag Map

Russia

Sergey Lazarev You Are the Only One Internal

Thoughts:

Five years after the last hot Russian guy with a dance song fell flat at ESC, Russia is finally trying the combination again. The music video is quite amazing; it makes one forget that the song is fairly average (though, I like the dark undertones in the composition). If they are able to bring this production to the ESC stage, Russia will maintain its Top Ten streak.
Sammarinese Flag Map

San Marino

Serhat I Didn’t Know Internal

Thoughts:

REISSUED! San Marino switched out the original, classy version of I Didn’t Know for an outdated, disco-style version that will surely be lost among the pool of stronger dance entries this year. Whereas before, Serhat’s smokey voice drove the performance and the composition set us up for a distinctive song, a true ballad in a sea of uptempo numbers, now, we have a forgettable arrangement of a song that gives the impression of a grandfather trying to prove how “hip” he is. I’m so, so sorry San Marino, but this was a change for the worse. Instead of competing for the tenth qualification spot, you will be lucky to avoid last place.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

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Eurovision 2016 – And so it begins!

esc2016

Hello Dear Readers!

Officially, Eurovision kicks off at the end of March when all the competing countries have to turn in their official entries (and all related media). But, National Finals season, the period where each competing country selects its entry, has begun! Typically, AlbaniaAlbanian flag country kicks things off with Festivali i Këngës, held annually around Christmas Day. However, a growing number of countries have decided on an artist, a song, or both earlier and earlier. As of January 1, 2016, eight countries (Armenia, Bosnia & Herzegovina, Cyprus, Georgia, Macedonia, Montenegro, The Netherlands, and Russia) have selected an artist and one (Albania) has an artist and song selected. Germany had an artist selected, but, due to his controversial history, decided to go in another direction. A new artist has yet to be selected.

Yes! You read that correctly, Bosnia & HerzegovinaBosnian Flag Map is finally returning to the Contest after a three year absence! And it’s not alone. Bulgaria, Croatia, and Ukraine are returning to the Contest! Bulgaria and Croatia each last competed in 2013, and Ukraine last competed in 2014. Sadly, Turkey is not making a return after early rumors that it would. And, due to financial restraints, Portugal is once again withdrawing from the ESC.

Australian Flag MapUnsurprisingly, Australia was invited to return as a regular contender. Though, since they are no longer a guest, the country will have to compete in the semi-finals and hope to qualify for the Grand Final. I predict that there will be another song from Down Under on Saturday night.

Swedish Flag MapEqually as unsurprising, SVT, this year’s host broadcaster, has announced that there will be two hosts this year, the popular Petra Mede (who hosted the ESC solo in 2013) as well as last year’s winning performer Måns Zelmerlöw (who has several hosting gigs under his belt, including Melodifestivalen). The Green Room host (if there is to be one) has yet to be announced.

Those are the biggest news stories thus far for ESC2016, but as the National Finals begin in earnest, more news will surely break! Stay tuned for my post about my hopes and expectations for Stockholm from a fan standpoint as well as from that of an attendee.

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Playlist of the Week: Eurovision for Christmas!

Merry Christmas Dear Readers — and Happy New Year!

This week’s playlist features Eurovision artists singing traditional and contemporary Christmas songs. Once again, twenty songs curated for your enjoyment, plus a bonus gift at the end! If y’all like this list, let me know, and I’ll be sure to make a new one each year!

Find the playlist on YouTube: Eurovision for Christmas

  1. Kuunkuiskaajat (Finland 2010) – Talven Ihmemaa (Winter Wonderland)

  2. Tina Karol (Ukraine 2006) – Тиха Ніч (Silent Night)

  3. Carola (Sweden 1983, 1991, 2006) – I Wander as I Wonder

  4. Alexander Rybak (Norway 2009) – Tell Me When (Christmas Song)

  5. Anna Vissi (Greece 1980, 2006; Cyprus 1982) – Min Xehnas

  6. Juliana Pasha (Albania 2010) – Krishtlindje te bardha

  7. Ruslana (Ukraine 2004) – Добрий вечір, тобі

  8. Patricia Kaas (France 2009) – Merry Christmas Baby

  9. Paula Selig (Romania 2010, 2014) – Sus, la Porta Raiului

  10. Nox (Hungary 2005) – Szent ünnep

  11. Il Volo (Italy 2015) – I’ll be Home for Christmas

  12. Guy Sebastian (Australia 2015) – Someday at Christmas

  13. Yohanna (Iceland 2009) – Don’t Save it All for Christmas Day

  14. Hera Björk (Iceland 2010) & Chiara (Malta 1998, 2005, 2009) – The Christmas Song

  15. Litesound (Belarus 2012) – Shooting Star

  16. Maria Haukaas Storeng (Norway 2008) – All I Want for Christmas is You

  17. Dino Merlin (Bosnia & Herzegovina 1999, 2011) – Božić Je

  18. Charlotte Perrelli (Sweden 1999, 2008) – Låt Julen Förkunna

  19. Olsen Brothers (Denmark 2000) – We Believe in Love/Så er det Endelig Jul/Feliz Navidad

  20. Celine Dion (Switzerland 1988) – O Holy Night

  21. Bzikebi (JESC Georgia 2008) – Ave Maria

Honorable Mention: Dana (Ireland 1970) – It’s Gonna be a Cold, Cold Christmas; Olivia Newton John (UK 1974) – Christmas Waltz; Bonnie Tyler (UK 2013) – Merry Christmas; Edsilia Rombley (Netherlands 1998, 2007) – This Christmas; Polina Gagarina (Russia 2015) – Опять Метель; and many, many more!

!חג מולד שמח! عيد ميلاد مجيد
Καλά Χριστούγεννα! Wesołych Świąt – Bożego Narodzenia! Веселого Різдва’ – Христос Рождається’! Khrystos Rozhdayetsia! Vesel Božić! Happy Christmas! Весела Коледа! Bon Natale! Rõõmsaid Jõulupühi! Sretan Božić! Mutlu Noeller! Joyeux Noël! გილოცავ შობაახალ წელს! Milad bayramınız mübarək! Glædelig Jul! Bellas Festas! Vrolijk Kerstfeest! Schöni Wiehnachte! Hyvää Joulua! Nadolig Llawen! Счастливого рождества! Il-Milied it-Tajjeb! Priecïgus Ziemassvºtkus! Frohe Weihnachten! ¡Feliz Navidad! God Jul! Христос се роди! Շնորհավոր Ամանոր և Սուրբ Ծնուն! Gëzuar Krishtlindjen! Bon Nadale! Kellemes karácsonyi ünnepeket! Gleðileg jól! Nollaig Shona Dhuit! Buon Natale! Linksmų Kalėdų! Среќен Божик! Feliz Natale! Blithe Yule!  Vesele Vianoce! Schéi Chrèschtdeeg!

Or as my Southern friends here in the US say: Merry Christmas, Y’all!! 🎅


Playlist of the Week: Eurovision for Dance Parties

Hello Dear Readers!

Do you like to dance? Do you like to party? Well, good news! This week’s playlist will help you do both of those things! I tried to have a good mix of styles, countries, and finishing positions. No notes this week as most of the songs are fairly self-explanatory, but I did my best to curate a party playlist for you all!


Find the playlist here: Eurovision for Dance Parties

  1. Israel 2015 – Golden Boy
  2. Germany 2013 – Glorious
  3. ArmeniaArmenia 2008 – Qele, Qele
  4. Hungary 2009 – Dance with Me
  5. Poland 2011 – Jestem
  6. Montenegro 2013 – Igranka
  7. France 2010 – Allez! Ola! Olé!
  8. Portugal 2014 – Quero Ser Tua
  9. The Netherlands 2008 – Your Heart Belongs to Me
  10. LithuaniaLithuania 2010 – Eastern European Funk
  11. Cyprus 2012 – La La Love
  12. Serbia 2011 – Čaroban
  13. Estonia 2014 – Amazing
  14. Moldova 2015 – I Want Your Love
  15. Norway 2007 – Ven a Bailar Conmigo
  16. AlbaniaAlbania 2006 – Zjarr e Ftohte
  17. Turkey 2009 – Düm Tek Tek
  18. Greece 2007 – Yassou Maria
  19. Romania 2012 – Zaleilah
  20. Ukraine 2006 – Show Me Your Love

Honorable Mention: Moldova 2010, Turkey 2007, Russia 2012, Ireland 2013, Ukraine 2008, Azerbaijan 2009, Norway 2012, Macedonia 2014, Hungary 2011, Austria 2007, Serbia 2010

Fun Trivia

  • While animals are not allowed on the stage, puppets are; and in 2008, Ireland sent their humorous comedy puppet Dustin the Turkey.
  • LuxembourgWhile the title of the 1963 winner from Denmark, Dansevise, translates to “dance song,” the first, truly uptempo song to win the Contest was 1965’s Poupé de Cire, Poupée de Son from Luxembourg (which is featured on my playlist Eurovision for Beginners).
  • Of the 63 winners in Eurovision history through 2015 (remember, four songs won in 1969), only 29 (46%) have been moderate to uptempo. Thirteen of which (45%) of those came in the televoting era (1998 to today).
  • TurkeyGreece and Turkey are, generally, the most renowned for their ethnic-pop infused dance numbers. Highlights include: Greece – 2001, 2004, 2005, 2008, and 2013; Turkey – 1999, 2003, 2005, 2006, 2012.

What are your favorite ESC songs to dance to?

Missed last week? Eurovision for Anglophobes
Next Week: Eurovision for Rockers (prepare for a lot of Finland and Turkey!)


Eurovision 2015 – Four Weeks Later

Hello Dear Readers!

I am home and have been ruminating upon this year’s Contest. Over the past few weeks, I have been reflecting upon my experience in Vienna (post to come), the ESC itself (this post), and my hopes for next year (post to come). I am completely addicted to attending the event live — next year in Sweden! But, before I get personal or forward-thinking, let’s dive into my thoughts from this year and my annual awards!

General Thoughts: Overall, ÖRF put on a great show (even if the arena organization was poor), the production was good. I didn’t mind the three hosts and their writing seemed to get better each night.  I’m still not a fan of doing the winner’s reprise to start the first semi-final. Call me old-fashioned, but I believe that it should stay at the start the Grand Final – as that is the show that the majority of those “almost 200 million viewers” watches. Some historical notes:

  • It’s the first time in the Semi-Final Era that we’ve had a “nul points” – let alone two! It’s the first nul points since 2003 (2009 gave us one in the semi-final) and the first multiple “nul points” since 1997 (Norway & Portugal) and the seventh time ever that multiple songs got nul points (1963, 1964, 1965, 1966, 1983, 1997).
  • Montenegro extends its qualification streak after five failed attempts. Not only that, it once again qualified with a song in Montenegrin. San Marino does not extend its streak of continually improving its result; this year, it failed to qualify after coming 24th in last year’s Final.
  • For the first time since the induction of 50/50 voting, the televote favorite (Italy) did not win. A win by Grande Amore would have been only the third non-English language victory since televoting began in 1998. Which, after seeing them go at only 75% power in the Jury Final, makes sense. Their jury final performance and their televised Grand Final performance were light years apart.
  • Albania was also brought down by the juries as it would have finished in the Top Ten via the televoters. In the semi-finals, the Czech Republic would have made their first ever Grand Final if it were 100% televoting. Conversely, Malta’s streak of qualifications was snapped by a low televoting performance.
  • Russia, Sweden, and Norway maintain their Top Ten streaks — Russia extends its to 4, Norway is at 3, and Sweden is now at 2. Thanks to Italy, the Big Five now have seven straight years of having at least one representative in the Top Ten.
  • And, while we’re talking about streaks, Denmark, not only broke its Top Ten streak, but also snapped its qualification streak at 7 (including last year’s auto-qualification). Iceland, which did not qualify until 2008, also snapped its streak at 7. Malta snapped its streak at 3. Whereas, Latvia qualified for the first time since 2008 (and its first Top Ten placing since winning in 2003).
  • And, the elephant in the room: Greece and Cyprus. There was an audible gasp when Cyprus revealed that there were only 8 points for Greece. This was the first time since 1991 that Cyprus has given Greece anything other than 12 points. Of Cyprus’ 32 years in the Contest, only 9 times has Cyprus not given Greece maximum points. Greece, which has had fewer opportunities to give Cyprus points, has given Cyprus 12 points every time it could since 1996 until this year.

Now, on to the Awards: For new readers, I hand out awards every year to noteworthy entries and their performers. A few things to keep in mind 1) this is my personal opinion, 2) I look at all the entries, not just the finalists, 3) this is all in good fun and sparks from my love of the Contest. One more note — all photos that appear are mine – I took those!

Best Lyrics

AzerbaijanWinner: Azerbaijan
“I once met peace, he said that he
Soon would have the answers to this hurt
And my mind was made up, I would never give up

No, I won’t sleep tonight
If tomorrow comes I’ll lose my mind
I won’t give up my right
I know every heart deserves a fight”

I know that I have mentioned my opinion of the strength and artistic merit of this song and I will again! This song is deep and communicates the existential struggle of a man fighting to reclaim himself and his identity. It’s a beautiful song with beautiful lyrics.

Runner-Up: Ireland
“I made the mess in your vision
And I see a debt to be paid
To give a little love was all I wanted
Give a little love was all my intent
I was playing with numbers
And I didn’t know what it meant”

Subtle, deep, stirring – Playing with Numbers tells the story of a young woman who spoiled a relationship due to selfishness and is now reflecting back on that fractured relationship. The song is deep, it’s genuine, and it draws you in to its narrative. Bravo!

Honorable Mention: Georgia, Malta, Czech Republic, Latvia, Australia

The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics. In a year that gave us a lot of fairly straightforward entries and artistic songs, it was hard to choose. Though, there are a few cringe-worthy acts from this year.

MoldovaWinner: Moldova
“Yeah baby, let me show ya
You got me trippin’ over
‘Cause you got what I want, what I want
What I want, want, want, I want your love

I want your love, I want your love
I want your love”

Anytime you have verses that start with “Hey girl” – you know that you have song from a sleazy guy’s perspective. The entire song is fairly hitting that same point. Guy thinks a girl is pretty and starts catcalling her for three minutes.

Runner-Up: Greece
“I’m begging you, take me out of this fiery hell
Come back and save me, what happened wasn’t fair
Nothing left, all that I have is one last breath
Only one last breath

I’m begging you, take me wherever you have gone
I’m begging you, take me, don’t wanna be alone
All that I have is one last breath”

Mostly here because it is a song of longing and heartbreak, but the song builds and builds, becoming more and more powerful. That’s not how these songs are to be done. Had Greece just gone a few short miles to any former Yugoslav nation, then it would be okay. Or if the lyrics turned positive throughout. But neither of these are the case. Boo.

Honorable Mention: Belarus, Armenia

Best Dressed Award

 

IMG_6572

ArmeniaWinner: Armenia
I love their outfits – a perfect blend of traditional and contemporary styling. While the dark tones reflect the sombre images invoked by the song. Not to mention that the outfits are coordinated, but not matching – each is unique.

IMG_6304

Runner-Up: Switzerland
Sparkly dress, flowing cape, just enough exposed leg to be classy without being trashy. A perfect Eurovision outfit!

Honorable Mention: Latvia, Spain, Italy, Belgium, Belarus

Most in Need of a Costume Change Award

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Winner: AustraliaAustralia
I am not quite sure who told Guy Sebastian that a blue suit jacket and yellow pants went together? They lied to him. He looks like he’s about to go off to vacation in the Caribbean instead of on Europe’s biggest stage. If Australia is invited back, let’s hope they have better stylists next year.

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Runner-Up: Portugal
Sorry for the blurry picture! But, given that she’s wearing some kind of leather catsuit-parachute combination outfit, it’s not a bad thing. I think it was meant to give her more of a “rocker” feel, but it was just…horrible.

Honorable Mention: The Netherlands (Barbara Dex Award winner!), Moldova

Best Staging Award

FranceWinner: France
There were a lot of fantastic stagings this year; however, only one performance gave me chills. When I was watching performance, as the screen went from rubble to a blue sky, I was mesmerized.  When the drummers came out, I got goosebumps! This simple, striking staging perfectly captures the tone and message of the song.

Runner-Up: Belgium
This song has a deeply futuristic sound – with its drum machine and mechanical tones. The choreography, the lighting, the outfits – everything about the staging reflected the style of the song.

Honorable Mention: Latvia, Sweden, Estonia

Worst Staging Award

Winner: The NetherlandsNetherlands
A flysuit that earned the dubious Barbara Dex Award, questionable camera angles that prevented any kind of connection with the song, and a disorganized collection of backing singers – this staging is just a mess. The sad thing is, this song was getting some traction and could have snuck into the Final, had the staging been anything like the Selection Special when the song was revealed or the Eurovision in Concert. Unfortunately, it was not.

Runner-Up: Germany
Not that I think Black Smoke deserved its nul points, but the fact that her back was to the audience for the entirety of the first verse did not help. It’s a break-up song, so, why was she trying to be sexy? No one got that joke.

Honorable Mention: Azerbaijan, Spain, San Marino — all three are more here for missed opportunities than for a bad staging

“This is DC Calling” Award: Given to the most American sounding entry

GermanyWinner: Germany
Perhaps I should start calling this the “Germany Award” as I feel like this country wins more often than not in this category. It’s a 90’s-style, R&B song that would fit perfectly with this current kick of “rhythmic pop” that is so popular in the US.

Runner-Up: Australia
Uptempo R&B pop — there’s no way that this would not be a Top Ten hit in the US.

Honorable Mention: Iceland, Estonia, Ireland

“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think this song would be the most popular

AustraliaWinner: Australia
Australian artists tend to do quite well in the US. Not to mention, Guy Sebastian already has some notoriety in the States from a rap collaboration he was a part of a few years back. As I said above, this song would be destined for the top of the US charts if it got a formal American release.

Runner-Up: Albania
I’ve actually heard this on the radio here! Granted, it was satellite radio and it was playing songs that were getting traction on YouTube, but still! That means there are already some Americans who are listening to this song.

Honorable Mention: Cyprus, Italy, Ireland

The “Spirit of ABBA” Award: Given to the most stereotypical and/or traditional ESC entry

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SerbiaWinner: Serbia
Normally, Serbia gets these kind of awards for its Balkan ballads. This year, it sent a campy, anthematic dance number. This is the kind of thing that comes to mind when most non-fans think of the Contest.

Honorable Mention: Montenegro
Balkan ballad of heartbreak in a Serbo-Croatian dialect composed by Žjelko Joksimović — YES, this is Eurovision.

Honorable Mention: The United Kingdom, Russia, Sweden

Israeli Flag CountryThe “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

GermanyWinner: Nil Points for Austria and Germany
Historically, songs coming last on the night were clearly lacking – they were either ludicrous, poorly performed, or blatantly terrible. This is doubly so for songs in null points-land. AustriaThe fact that both, Austria and Germany, had good songs that were more-than ably performed with memorable staging, makes their lack of points unbelievable and uncalled for. It’s sad that these two songs will go down in history for scoring the infamous nil points despite being strong entries.

Runner-Ups: Malta & Ireland failing to qualify for the Grand Final
Two strong songs with deep meaning and interesting lyrics. Both were well performed and modestly staged. These songs are true musical gems and it’s unfortunate that they did not move through.

Honorable Mention: Hungary moving through to the Grand Final

Final Thoughts
Overall, this was a historic Contest and not just because it’s the 60th Edition! Sweden sets its sights on Ireland’s record, we have a double null points, Australia competes at long last (setting a dangerous precedent in the eyes of many), and we have a victor that was selected by the juries but not the televoting public (which will invariably lead to rule changes for next year, I’m sure). Not to mention that there was a near riot with Russia being in the lead for so long during the voting.  While I am disappointed that a few of my favorites did not do as well as I would have liked, many of them (Belgium, Latvia, Sweden, and Australia, amongst others) were quite successful! I think the shows were well produced, the entries were strong, and the voting was exciting. It was a great year for the ESC and I look forward to next year’s show in Sweden!


2015 Entries Recap

Hello Dear Readers!

We have reached the submission deadline – all songs are *final* — i.e., the artists and songs are set, though minor lyrical or compositional changes might be made (for a fee, of course). At this point, all 40 participating countries have submitted their performing artists, the official lists of lyricists and composers, the official studio version, the official karaoke version (may have backing vocals), the official backing track (no vocals at all), and a music video/video clip (if no music video has been made yet).

Speaking of participants, some unexpectedness has ensued this year!

  • CzechFlagMapCzech Republic has returned! Probably on the back of Austria and Hungary’s (and, to a lesser extent, Poland’s) success last year. Returning alongside the Czech Republic are Cyprus and Serbia. Who would’ve thought that Czech Republic would be back before perennial Top Ten-er Turkey?
  • Ukraine has withdrawn (for obvious reasons), but Greece continues to compete (despite having bigger problems to deal with). Let’s hope they don’t win to avoid the political and economic firestorm that would surely ensue.
  • Armenia deciding that it wants people from all over the world. Genealogy has a representative from the Americas, Asia, Europe, Africa, and Australia, with an Armenian at the center. That Armenian – Inga Arshakyan; one half of the twin sister group Inga & Anush who you may remember from 2009’s Contest.
  • Sammarinese Flag MapSan Marino gives us not one, but TWO Junior Eurovision artists.
  • Germany had some crazy stuff happen. In short, the winner of Unser Song für Österreich, Andreas Kümert and his song Heart of Stone, after winning by a landslide decided to turn down the honor of representing Germany in Vienna. Second-place finisher, Ann Sophie and her song Black Smoke, will be going to Vienna instead. For her part, the host did a good job of handling the unprecedented situation.

AustraliaAnd, the biggest WTF of the ESC2015 thus far: AUSTRALIA!!!!

  • What. The. Mess!! The Aussies will be participating in ESC for the first and (most likely) only time. Yes, the EBU has decided to allow longtime observer Australia to participate in the ESC after decades of loyal viewership. This is meant as a one-time only affair. Unless, of course, Australia wins! In that case, SBS (the Australian broadcaster) will co-host the Contest next year with a European broadcaster in Europe. I guess, theoretically, Australia could compete forever if it always wins.  Wouldn’t that be something!  I wonder how many consecutive victories would be required before SBS would be allowed to host the Contest Down Under? And with international star Guy Richie performing the entry, SBS is not going small, but more on that below!

So, without looking at other blogs, commentary, or any other source of opinions, here is my quick assessment of this year’s 40 contenders! This is the first time I am hearing each song. My comments are in blue.

Semi-Final One (Australia, Austria, France, and Spain are voting)

  • Armenia – Face the Shadow performed by Genealogy: The refrain is nice, but the verses are kinda wonky. Overall, I generally like the sound; though, musically, it’s a really weird mash-up of styles. I predict it making the Grand Final and then falling flat.
  • Belgium – Rhythm Inside performed by Loïc Nottet: He surely is a good Belgian Flag Countrylooking guy! His voice kinda sounds like a male Sinéad O’Connor. I think I like the song. This seems a bit too experimental for ESC; I cannot see it doing well unless it gets surrounded by two WEAK entries AND the performance/staging is flawless.
  • Estonia – Goodbye to Yesterday performed by Elina Born & Stig Rästa: I don’t particularly care for this. I also do not think that this will do all that well; it’s not all that captivating at all. Perhaps they will spruce up the performance a bit for Vienna.
  • Finland – Aina Mun Pitää (I Always Have To) performed by Pertti Kurikan Nimipäivät: Definitely not my style of music at all. Finland has seen some success with hard rock, but this is not exciting or enthralling or even interesting. It’s the least rock rock song I think I have heard. And it feels like it is too short. I predict last place; perhaps even a null points.
  • Greece – One Last Breath performed by Maria Elena Kyriakou: If the last few years proved anything, it’s that Greece is not invulnerable. This ballad is not of high quality – it needs significant work before I think it has a serious chance at anything other than bottom ten at the Grand Final.
  • Macedonia – Autumn Leaves performed by Daniel Kajmakoski: I enjoy this, especially when compared to the previous three. It feels like it lasts a bit longer than it should, but at least it does not feel stagnant like so many other mid-tempo songs can. I think it can qualify for the Final, not sure after that.
  • Moldova – I Want Your Love performed by Eduard Romanyuta: Finally, an uptempo dance number! (Not words I thought I would ever say) It’s quite generic, but is completely different than any of the other songs in the first half. I anticipate Belgium will open the show and this will be performed around fourth or fifth to energize the audience. I think it will definitely qualify and finish mid-table.
  • The Netherlands – Walk Along performed by Trijntje Oosterhuis: The Dutch Flag CountryNetherlands reached the Top Ten two years in a row on the back of darker, soul-bearing songs.  So, it makes complete sense that they would turn their back on that equation and go back to generic, understated pop (that’s sarcasm, by the way). This is a pleasant song that leaves little impact. I anticipate The Netherlands being left behind once again in semi-finals.

We’re at the halfway point of the first semi-final and I am not impressed. So far, Belgium and Moldova are the top two entries in my mind.

  • Albania – I’m Alive performed by Elhaida Dani: More generic pop, yay (more sarcasm). I do not see Albania qualifying with this song, though, if the live performance as emotionally raw as 2012’s Albanian entry, then this song will have the ability to shock a lot of people.
  • Belarus – Time performed by Uzari & Maimuna: Belarus is great at pop numbers and this is no different. I think this is a real contender to finish in the Top Ten – especially if they can pull off a magic trick reminiscent to the end of the music video. I don’t think it is strong enough to win, though.
  • Denmark – The Way You Are performed by Anti Social Media — see my thoughts here
  • Georgia – Warrior performed by Nina Sublatti: The first of two songs withGeorgian Flag Map this title this year (which, I believe is a first). I definitely like it. This is what Georgia is best at: off-centre, groundshaking pop. I think it will move through on the back of its woman empowerment theme, though, I think it will fall outside of the Top Ten.
  • Hungary – Wars for Nothing performed by Boggie: So, a clear cry for peace in this tumultuous time that we are living in. Too bad this song is disparately boring. It will get some points for its message, but not many.
  • Romania – All Over Again performed by Voltaj: Romania, more than any other country, has the uncanny ability to perform well with mediocre songs. I foresee this year continuing that trend. A weak song will end up in the low teens because Romania has a strong backing across Europe.
  • Russia – A Million Voices performed by Polina Gagarina: With Armenia, Russian Flag MapBelarus, and Serbia voting, there is no way Russia is not making the Final. This song, much like Albania’s, is not that great, but an amazing live performance can help it outperform. Like Albania, there is a stunning singer delivering the song, unlike Albania, Russia has a huge diaspora throughout Europe that will support it and lift this song into the Top Ten.
  • Serbia – Beauty Never Lies performed by Bojana Stamenov: So, not bad, though, songs with huge tempo changes have a checkered past at the Contest. I’m not sure how well it will do. Though, against this competition, I think it will definitely move through to the Final despite the size-bias that we often see play out at ESC.

BelarusSo, that is the first semi-final. I cannot say that I am, at this point, overly enthusiastic about any of the songs. Though, there are a few gems: Serbia, Belarus, and Georgia all have decently strong entries, in my opinion. Russia, Belgium, and Albania are all at potential for greatness with a convincing live performance. I think Moldova will sneak through, and Greece, Romania, and Armenia will qualify based on the strength of their legacies.

Semi-Final Two (Australia, Germany, Italy, and the United Kingdom)

  • Czech Republic – Hope Never Dies performed by Marta Jandová & Václav Noid Bárta: Hmmm…interesting number. I am not convinced that it will do well, but I think it is right around a 9-12 finish in the semi-final. Definitely, the Czech Republic’s strongest entry to date.
  • Ireland – Playing with Numbers performed by Molly Sterling: Not really my thing. I also think that the sound is neither contemporary enough nor “retro” enough to make a big impact at ESC. I see another year left in the semi-final for Ireland.
  • Lithuania – This Time performed by Monika Linkytė & Vaidas Baumila: This song definitely has potential. I think that the two of them need to Lithuanian Flag Mapwork on singing together; their chemistry on stage is fantastic already. The kiss is a fun gimmick. This is definitely Lithuania’s strongest entry in recent years and, given the relative balance in strength, is the first real contender for victory I have heard.
  • Malta – Warrior performed by Amber: Our second warrior this year. Not as strong as Georgia; this is more formulaic and makes a much smaller impact. If this makes it to the Final, I think it will be due to weak competition, not its own merits.
  • Montenegro – Adio (Goodbye) performed by Knez: This is a good song, but overall, unremarkable in my opinion. It is rather stagnant; it does not build or captivate. Definitely not ŽjeIjko Joksimović’s (famed Contest composer, performer, and host) best work. I do think Montenegro will be returning to the Final.
  • Norway – A Monster Like Me performed by Mørland & Debrah Scarlett: Is it me or is there an increase in duets this year? This is the exact opposite Norwegian Flag Mapof Lithuania; they sing well together, but avoid having to display chemistry by standing back-to-back. The song is not fun and perky, but is instead stirring with a dramatic edge. I think it should also be considered a contender for the win.
  • Portugal – Há um Mar Que Nos Separa (There’s a Sea that Separates Us) performed by Leonor Andrade: I think this does not quite know what it wants to be. It starts like a rock number, but then pulls off the throttle and then purrs the rest of the way. They need to work on that arrangement if they really want this to succeed.
  • San Marino – Chain of Light performed by Michele Perniola & Anita Simoncini: One of the first to announce its artists, but one of the last to reveal a song; San Marino was definitely trying to stay in the media at each step of the way. It’s interesting how different Perniola sounds now then just a few years ago at JESC, definitely more mature. This song goes from dark to light; i.e., the composition captures the lyrics well. SM’s qualification hinges on the staging – can SMRTV devise a stage show that reflects the composition?

Halfway through the Second Semi-Final and things are a bit more hopeful at this point. The semi-final two is typically the stronger one and this year falls within that expectation. Two songs have already impressed me to the point of thinking of them as true Contenders. Let’s see what the second half has in store!

  • Azerbaijan – Hour of the Wolf performed by Elnur Huseynov: That is one awesome song title! The song makes me feel like I am out West, exploring the desert on horseback, which I guess is the point. Definitely the strongest entry thus far. We might be heading back to Baku in 2016.
  • Cyprus – One Thing I Should Have Done performed by John Karayiannis: It’s like we’ve stepped back into the early 90s! I really like the song but I think it has zero chance of moving through to the Final.
  • Iceland – Unbroken performed by Maria Ólafs: The song is a bit generic for me, but I think it has a real chance of achieving a Top Ten finish. However, I do not think that is will win (maybe with a strong performance + good position in the running order), but it will definitely be successful.
  • Israel – Golden Boy performed by Nadav Guedj: A very Bollywood-style Israeli Flag Countryentry. I hope it has the staging to match! It’s definitely a fun song and should stand out among the more serious entries of this semi-final. Again, being one of the few true, uptempo dance numbers will definitely help its case.
  • Latvia – Love Injected performed by Aminata: That was highly unexpected. Definitely WAY different than your typical ESC entry. I am thinking that it is a little too different. There is no real melody and her voice is a little jarring. I do not see this qualifying; though, I do like it!
  • Poland – In the Name of Love performed by Monika Kuszyńska: This song definitely gets better as it goes along. I like it and think a lot higher of its chances at the end of it than I did at the beginning, which is exactly what one wants in their entry: improving opinions throughout its duration.
  • Slovenia – Here for You performed by Maraaya: I like this! The song is a bit quirky, but not too much so. I fear, though, that the stage performance is going to be weird and derail its chances for success because it will alienate the viewers and confuse the juries.
  • Sweden – Heroes performed by Måns Zelmerlöw: Finally, Zelmerloöw makes it to the ESC! Wow! This Melodifestevalen performance! I cannot wait to see this on stage in Vienna. The song is also catchy, but captivating; multifaceted, but understandable. Definitely another serious contender to win!Swiss Flag County
  • Switzerland – Time to Shine performed by Mélanie René: There’s definitely a Native American vibe going on in the video, but it is not really reflected in the composition. This strikes me of a revamped My Time (UK 2009) – a repetitive song about empowerment, but this one is more uptempo. I think, again, its success depends on its placement in the running order.

AzerbaijanSo, the second semi-final is definitely the stronger of the two, but that is fairly standard at this point. I see four, legitimate contenders to carry the crown: Azerbaijan, Sweden, Norway, and Lithuania. I also see a Top Ten entry in Iceland. The last five is a crapshoot dependent on performance, staging, and the running order. For right now, let’s say the other five qualifiers will be Switzerland, Ireland, Poland, Slovenia, and Malta.

Automatic Finalists

  • Australia – Tonight Again performed by Guy Sebastian: Make no mistake about it, Australia looks to return next year. And the only way to do that is to win. This song, and the selection of international R&B star Guy Sebatian, gives Australia a legitimate shot of taking the crown. Personally, I think the song is fun and a good balance of catchy and intriguing. All it needs is a good running order slot.
  • Austria – I Am Yours performed by The Makemakes: I really like this. Austria has done a good job of setting itself up to do well on home turf without the risk of winning in consecutive years.New French Flag Map
  • France – N’oubliez Pas (Don’t Forget) performed by Lisa Angell: France returns to its roots with a traditional ballad. This will definitely help the French avoid another last place, but I do not see it making a major impact on the scoreboard.
  • Germany – Black Smoke performed by Ann Sophie: I like this song; it’s stands out as being unique, despite its 90s sound. I foresee this quickly becoming one of my favorites. Unfortunately, I do not foresee Black Smoke making a significant impact in Vienna, especially seeing how badly it was beaten in Unser Song.
  • Italy – Grande Amore (Great Love) performed by Il Volo: Like France, Italy is returning to its roots – a dramatic, tenor-driven, epic ballad of Italian Flag Maplove. Expect this song to collect jury votes and those of ESC’s older viewers. I will be interested to see how they stage this song; whether they will tell a story or simply put the guys on stage to sing their hearts out. I predict a Top Ten finish.
  • Spain – Amanecer (Dawn) performed by Edurne: Spain, seeing how successful it can be with emotional, power ballads, is trying its hand once again at the genre with its most epic attempt yet. Anyone else notice the date of the Grand Final inscribed inside the ring in the music video? I like it, but I have a feeling that it will not translate to the stage like it does to music videos – we’ll see, I guess.
  • United Kingdom – Still in Love with You performed by Electro Velvet: Oh, the faux-20s sound that was so popular in the 90s (hmmm, definitely a seeing a trend here). Usually, inside jokes come from the French, but the Brits attempt an entry that sounds and looks like something that will go over the heads of most watching the Contest (including yours truly). Hmm..not sure how it well it will do.

AustriaOf the automatic qualifiers, I think Italy, Austria, and Australia have the strongest entries, though, I think all of them are good. Germany, Spain, and the UK are probably my favorite.

As a recap, the 20 qualifiers that I think will join the automatic qualifiers: Serbia, Belarus, Georgia, Russia, Belgium, Albania, Moldova, Greece, Romania, Armenia, Azerbaijan, Sweden, Norway, Lithuania, Iceland, Switzerland, Ireland, Poland, Slovenia, and Malta. Of the 27 projected finalists, I think the Top Ten will be (in no particular order):

  • Australia
  • Italy
  • Lithuania
  • Sweden
  • Norway
  • Azerbaijan
  • Iceland
  • Spain
  • Austria
  • Belarus

IfSweden the Contest were to happen today, I would predict that these countries had the best chance of winning: Azerbaijan, Norway, Sweden, Lithuania, Australia, and Italy. Come back in a few days’ time for my more in-depth review of each of these six entries!

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ESC2014 – Final Predictions and Notes

Hello Dear Readers!

Finally, after much struggle and anguish and many hours, I have finally resolved enough of my technical woes to finally be able to post my notes for y’all!

Eurovision 2014 Write-ups

2014 Country Profiles

 

Reactions from the Jury Final

Last night was the jury final and I can safely say that only one country had a bad enough performance to hurt themselves.  Though, Italy had, by far, the worse performance.  It was pretty flat.  This will definitely be Italy’s worse finish since returning.  Even if Emma has a mind-blowing performance tonight, I see little reason to believe that she will score any higher than 15 based on the jury performance alone.

The UK also had some minor issues when a backing singer tried to end the song a few seconds early.  I am sure that will not happen again tonight. Poland also seemed to suffer from some timing issues that affected the performance.

A few countries also helped their case.  Azerbaijan, a song that was already jury fodder, will likely score very highly for the performance she gave last night.  Likewise, Austria, Sweden, and Switzerland also gave exhilerating performances that are sure to go over well with the juries.  I won’t go into more detail because they were minor improvements to their semi-final performances.  Spain gave a good performance as well.  Valentina Monetta from San Marino was the most improved from her semi-final performance and has secured that she will at least be spared the embarassment of a null points.

Final Predictions

Well, I think (and really, really hope) that this will be the closest Contest in quite some time.  The odds favorite is now Austria, with Sweden, Denmark, the Netherlands, and the UK right behind.  After that, the odds begin to drop.  After much back and forth and consultation with my new friends waiting in line for the shows, I truly think that Sweden will take the crown.  Denmark’s song and staging is weak.  The Netherlands will benefit from being so close to the end and so different from everything else, but at the end of the day, country has never placed higher than second at ESC and I do not think that will change this year.  I do not think the juries will be as enamored with the UK entry as the fans are.  Even though the Austrian entry is my favorite this year, I do not think it will be a winner.  Aside from Conchita Wurst’s look, songs in this style – big, dramatic, ballads that sound like they should be on a James Bond soundtrack – do not have as much mass appeal as one would think.  Especially, not compared to more traditional pop ballads such as the one Sweden has.  Sweden has a simple staging that emphasizing the song; its subtly and power seperate it from the other entries, the juries traditionally like these kinds of songs, and the drama is just enough to captivate audiences without scaring them off.  Undo has the perfect combination of factors to carry the trophy, and the Contest, back across the Øresund for the sixtieth edition in 2015

After Sweden, I think the remaining Top Ten will be:

  • Austria
  • UK
  • The Netherlands
  • Azerbaijan
  • Spain
  • Montenegro
  • Greece
  • Ukraine
  • Hungary

As far as the Bottom Five, I would predict Italy, Belarus, Iceland, Slovenia, and Finland.  These five lack a combination of adequate public appeal, public interest, and stagning.

Final Thoughts Ahead of the Grand Final

Let’s try to keep the politics out of ESC!  This goes both ways.  As far as Russia is concerned, booing Russia does not help anything and only encourages the true villains more.  What happens when you boo the Tomaschevy Twins is that you are booing 17 girls who are Junior Eurovision champions – that’s all.  The best way to handle the situation is to sit quietly; lack of reaction is much more impactful.  Additionally, with Austria.  What the character of Conchita Wurst represents is great, but that is no reason to vote.  Give Austria points because Rise Like a Pheonix is an amazing song, not because you want the drag queen to win.

And with that, enjoy the show!!  It promises to be fantastic!  I will be keeping live notes the best I can from the ESC party that I am attending.  See you this evening!