Posts tagged “montenegro

Eurovision 2019 – Final Thoughts!

Hello Dear Readers!

Well, there you have it; another Eurovision in the books. This one was, in my opinion, one of the most entertaining and diverse Contests we’ve had in a while, even if the songs were not as strong as in recent years. And, of course, I’m happy to have seen my favorite win. So, let’s take a breath, take a step back, and take a look at ESC 2019.

Which I will be doing on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Dutch Flag Map

Historical Markers

This is the fifth Dutch victory, after the Netherlands won in 1957, 1959, 1969, and 1975. They are now tied for third for all-time victories along with the United Kingdom, France, and Luxembourg (Ireland is first with seven wins, Sweden is second with six). Arcade is only the eleventh winner to be performed by a solo male (Rise Like a Phoenix is not counted, as its credited artist is the female character Conchita Wurst).

This is only the second time the final scoreboard had to be adjusted after the Contest. The first was in 1998 when Croatia was docked 1/3 of its points after the EBU ruled the synthesized male chorus on the backing track broke the “spirit of the rule” requiring all lyrics to be live (this is the reason all backing tracks must be turned in ahead of time in March). The EBU announced that, due to human error, the wrong jury votes were calculated on behalf of the disqualified Belorussian jury. The jury from Belarus was disqualified due to sharing video of the jury deliberation process from the First Semi-Final; this is against the rules and the EBU punished them accordingly. Using a secret algorithm, the EBU calculates automated scores for disqualified juries or televotes. This had been used quite a few times since the new voting system was introduced in 2016. The results read live on air during the Contest were reversed, resulting in the bottom ten of the automated ranking receiving points as opposed to the Top Ten. After several fans noted how weird the votes were given what one would predict for Belarus, the EBU eventually reissued the Belorussian jury points, resulting in several changes to the scoreboard, including North Macedonia now being the jury champion and Israel receiving null points from the juries.

Other historical notes:

**updated with the corrected scoreboard

North Macedonian flag mapThis is the best ever placing for North Macedonia (2nd 1st in the jury, 8th 7th place overall) and its first ever Top Ten finish.
This is the best ever placing for San Marino (10th in the televote, 20th 19th overall).
This is the second time that the victor was neither the top in televote nor among the juries (Ukraine 2016 was the first).

This is the third time that Italy has been a runner-up (1974 and 2011 are the others).
This is Switzerland’s best finish (third place) since coming in second back in 1993.
This is the Azerbaijan’s first Top Ten finish since 2013, when it was runner-up.
This is the first Top Ten finish for Iceland since 2009, when it was runner-up. This is also its first qualification since 2014.

British flag mapThis is only the fourth last place for the United Kingdom (2003, 2008, 2010).
This is the third year in a row, and fourth time in five years, that the host country came in the bottom ten.

Finally, Sweden retains the top spot for longest streak of Top Ten finishes, which now stands at 6.
Behind it is Italy, which now has three consecutive Top Ten finishes.
Australia maintains its 100% qualification record.
Montenegro now has the longest non-qualification streak, which now stands at 4.
Unsurprisingly, Sweden has the longest qualification streak at 9, having made the Final every year since 2011.

My Thoughts

EO logo with Albanian flag

I am ecstatic that some of my favorite songs did so well, particularly the Netherlands and North Macedonia. So, after all of the performances this week, what are my favorite ten songs from the Contest?

10. Albania
9. Russia
8. Moldova
7. Malta
EO logo with Czech flag6. Georgia
5. Australia
4. Czech Republic
3. North Macedonia
2. Latvia
1. The Netherlands

 

Israeli flag map

This was quite the year! I think this was perhaps one of the most entertaining and engaging Grand Finals in quite some time. It was also one of the longest. Come on EBU! Five interval acts is way too many. The section with the past winners and runner-ups performing each other’s songs was fantastic! The Ilan Raichel Project was lovely and I quite enjoyed them. The mentalist was superfluous. The Gal Godot video could have been at any other point in the night – perhaps the beginning. The opening act could have clipped down the video or simply replaced it with Gal Godot before the parade of nations. And the Madonna section was unnecessary and bad — we did neither needed it nor wanted it. We can cut the show back down to three hours – or at least down to three and a half. We can do this! It’s not that difficult. Otherwise, I think KAN did a fantastic job – the stage was beautiful. I look forward to what AVROTROS will do next year in the Netherlands — I already have a hotel in Rotterdam; crossing my fingers that it hosts, since it is the only major city not to host a Eurovision thus far.

EO logo witch Dutch flag

And, before I go, I want to congratulate AVROTROS on a job well done. This victory was eight years in the making. It started with the TROS (the broadcaster’s previous incarnation) deciding on a new approach: taking Eurovision seriously. They began by connecting with the Dutch music industry, calling upon Anouk, one of the country’s biggest stars, to restore the county to its former glory. Since Birds became the first Dutch entry in nine years to qualify for the Final and first in thirteen Contests to finish Top Ten, the Netherlands has consistently sent industry stars, resulting in five qualifications (out of six Contests), including a second place in 2014 and now this victory. AVROTROS is a perfect example of a country deciding to actively pursue winning, giving musicians the freedom to craft their own song and performance, and not being afraid to take the long game approach. Hmm, perhaps a few other countries can follow this model and give established artists free reign to create strong entries on their own, just saying. The Dutch music industry is not nearly the strongest one on the continent…

One more friendly reminder: I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Another fantastic Contest that I will be watching for years to come. Many strong entries, a great production, and a winner with whom I fully agree. I cannot wait to attend next year!

 

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Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.


ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Recap!

Hello Dear Readers!

Here we are, at the end of another initial reviews week. I’m sure many of you feel vindicated, many of you feel confused, and some of you may even be angry – no matter how you feel, thanks for reading 🙂

In case you missed it, here are my song reviews:
Semi-Final One
Semi-Final Two
Automatic Qualifiers

Preferences

First things first, which songs did I like the most? Check out this year’s ESC Obsession 2018 Preference Bracket to find out.

Looking for your own bracket? Here is this year’s blank bracket for you and your ESC friends to fill out! ESC Obsession 2018 Eurovision Tournament

But, which songs currently comprise my personal Top Ten heading into the Contest?

  • Armenia

  • Belarus

  • Belgium

  • Bulgaria

  • Czech Republic

  • Estonia

  • Israel

  • Greece

  • Latvia

  • Sweden

Predictions

As a quick refresher, I predicted that these songs would finish in the Top Ten: (in no particular order)

  • Israel

  • Estonia

  • Austria

  • Australia

  • Czech Republic

  • Italy

  • Germany

  • Montenegro

  • The Netherlands

  • Sweden

Of, these, I thought five had a legitimate chance at victory: (again, in no particular order)

  • Austria

  • The Netherlands

  • Czech Republic

  • Montenegro

  • Australia

Currently, Australia and Czech Republic are both in the top ten of the betting odds, meaning, that I will discuss them more in next week’s Contender or Pretender series. Let’s dive into the three other entries receiving little attention from the bookies.

Austria – From the very first time I heard this song, it sounded like a winner to me. From the composition and style to the lyrics to the how smooth César Sampson is. This song may not be on too many radars right now, but it will shoot towards the top of the scoreboard, I can feel it. Now, since I first heard this song in March, I have seen videos of him performing it live, and it does not quite translate, at least, not during the preview concerts. Ultimately, this impacts his betting odds, but it won’t affect his final position with the juries and televoters on the night. I’ve said it before and I’ll say it again, it’s truly difficult for a person of color, particularly a Black person, to be particularly successful at ESC. I honestly think this can be a counterexample to that opinion.

Montenegro – This song is on no one’s radar and actually falls towards the bottom of the betting odds currently. So, why on earth do I think it can win? Several reasons: 1) it’s one of only a few true and well ballads, 2) it’s a very classic Balkan sound, 3) the other four former Yugoslav nations will struggle to reach the Final, let alone seriously compete, leaving Montenegro there to soak up all their big points as well as from other Balkan allies not voting for Bulgaria, and 4) it’s a high quality song! The composition alone is worthy of victory. The singing is right on and the lyrics are captivating. This song should narrow those odds greatly once it qualifies and then we’ll see just how big it will go. Again, without any other former-Yugoslav country (and really, any Balkan country not named Greece or Bulgaria) having a legitimate shot at even qualifying, I think Montenegro will do quite well.

The Netherlands – A song that started on everyone’s radar as it is performed by a one-half of a runner-up duo, it’s country rock – a genre not often heard (if ever) on the ESC stage, and it was one the first to be selected. Don’t underestimate the power of a well done song that is unlike any other in the competition. The real question is whether enough country and rock fans will be voting to bring the Netherlands up the scoreboard, as I think it will only finish in the high single digits/low teens among the jury. It is most definitely not a traditional Eurovision entry like Austria and Montenegro, but that just may be its saving grace.

Who do I think will actually win? Well, you need to check out my prediction bracket! ESC Obsession 2018 Prediction Bracket

The bigger story here is that, for as long as I have been keeping this blog (December 2009), no victor has come from outside the top ten folks according to the betting odds. This is going to be an interesting year – a well-deserved anomaly for Portugal, hosting for the first time ever after so many failed attempts.

Come back next week for the annual Contender or Pretender series where I break down each of the top ten songs according to the betting odds and determine which ones have a legitimate shot at victory and which are merely distractions.

Until next time, find me on Twitter, Reddit, Pinterest, or YouTube, all @escobsession