Posts tagged “georgia

Eurovision Song… Celebration – Part Two

Hello Dear Readers!

Here we are! Eurovision Song Celebration Part Two! Celebrating the remaining the twenty-one songs of the 2020 Contest. Once again, I’ll be providing live commentary since I’ve not had occasion to release my thoughts on the songs previously. Like on Tuesday, my comments are below the video.

Greek flag mapGreece I think this is a serviceable pop song, definitely hearkens back Greece’s heyday in the 2000s. It definitely would have qualified but I’m not sure it would have been enough to restore Greece to the Top Ten.

Estonia I think this song is critically underrated. It is a powerful love song that I would happily have a first dance to. I am not quite sure why the fandom does not like this song, but I think it would definitely outperform expectations, though, likely would not have qualified.

Austria One of my favorites this year! I love the 90s R&B sound of this song and I think Vincent Bueno would have been a fantastic performer on the ESC stage. I look forward to seeing what he brings in 2021. I think this had a strong chance of qualifying, particularly with the large diasporas from Southeast Asian countries that would get behind him.

Moldova Another criminally underrated entry from this year. I think the overwhelming consensus is that this song is fine, but desperately average (think Cyprus from Tuesday night). I think this song is fantastic – engaging, interesting, and powerful. Unfortunately, I know I’m in the minority holding that opinion, so I do not think it would qualify.

Sammarinese flag mapSan Marino This is an interesting choice for the running order. But given how unique this song is (disco! likely a stage show with lots of glitter), it was probably difficult to find a place in the running order for it. For what it’s worth, this song really grew on me. Longtime readers will know that, in addition to Denmark, San Marino is my country of choice at Eurovision. Initially, I hated Freaky! but over the course of the past six weeks or so, I have just been utterly taken over by its infectious melody and refrain. Could have been a borderline qualifier for SM, which would be its first back-to-back qualification.

Interval — Ukraine was only 50% not English. Portugal 2017 was one of only three 100% non-English songs to win in the televoting era (Israel 1998 and Serbia 2007). With that said, generally speaking, the non-English to English ratio of songs in the Top Ten and qualifications tend to be representative. I really do love hearing these native language versions of songs and wish broadcasters made it a habit of recording and releasing the native language version when the song is in English/some other language.

Czech Republic I believe I am one of the three people in the fandom who think the song was improved by its “Africa” revamp that added more guitar and adjusted the instrumentation overall. I think it gives the song a bit more of an authentic feel and I hope he further embraces his Angolan roots in his song next year. The African diaspora is quite large. Not sure if this would qualify, especially coming after the glitter bomb that is San Marino and before the ball of female fury that is Serbia, but I think it would sneak through.

Serbia On the opposite side of the revamp spectrum, the revamp of Hasta la Vista is not as strong as the original. Not that it matters as I think would be a shoo-in qualifier. It’s memorable, it’s fierce, and all the girls (and gay bois) would send this through.

Poland One of my favorites this year. It is such a powerful song with a powerful message. It reminds me of the Shelley poem “Ozymandias” – basically, no matter how strong, how invincible, how beloved, we all fade away. This song goes the extra mile to highlight that we fall because of our hubris – we think we’re unstoppable, but we’re merely mortal. Do hate the revamped ending, it’s lame and takes away from the song, especially since she’s not the strongest live performer. I’m not sure what to make of Poland’s chances of qualification.

Iceland You don’t need me to tell you how popular Iceland is – y’all voted it the champion of EO’s inaugural Eurovision Tournament! I love this song, one of my absolute favorites this year and I think it had a very legitimate chance at victory. I wonder if RÚV is paying attention to all the love Think About Things is getting; the band has already said that they would take a direct ticket to Eurovision next year, but would not go through thr national selection process again, so, we’ll see.

Switzerland WHOA! This was one of the big favorites and it is the first song of the back half. Interesting choice, producers. This is my favorite song this year. By a lot. It’s so vulnerable, so honest, so different than anything else this year. With that said, I do not think it would win, but it would have secured Switzerland its first back-to-back Top Ten finishes since the early 1980s.

Interval If you haven’t watched the Eurovision Home Concerts, I would STRONGLY recommend it. They’re fantastic. Also, I love that they used Stand By, my favorite Sammarinese song, for Senhit’s background music.

Denmark The only folksy/country song this year. That automatically helps it stand out, even though it sounds like something from the early 2010s. I like this song quite a bit; it’s just so adorable and earnest. And Ben + Tan have great chemistry together. It breaks my heart that they won’t be able to return next year (DR very strictly uses Dansk Melodi Grand Prix to choose entries and winners of DMGP have to wait like three years or so before they’re allowed back in). I think this would have been another sure qualifier.

Albanian flag mapAlbania RTVSh – don’t think we didn’t notice that you released this music video, like, yesterday in order to have this out for the Celebration. I like this song for a lot of the same reasons I like Poland – it is a powerful song with a powerful message – this time about self-empowerment in the face of someone who is emotionally abusive. While I think this should be an easy qualifier, I’m not sure it would stand out without a stage show that matched its intensity.

Finland Another criminally underrated song. It’s the perfect anthem for the age of nostalgia that we find ourselves in – even more so as this pandemic has forced us to start thinking about our own mortality and futures. I cannot help but wonder how people would feel if he was a conventionally-attractive guy as opposed to bigger guy with a bad mustache. He sings with such power, emotion, and authenticity. I think it could have been a shock qualifier, but not sure it would have the juice to do so, particularly in this running order – with Albania hitting a lot of the same (figurative) notes and Armenia coming behind with what was sure to be a stunning stage show.

Armenia The more I hear this song, the more I think it would finish Top Ten. It is criminally infectious, they would surely have an insane dance routine that likely would have included Athena walking several boys on chains made from diamonds, and it’s one of the few true club tracks songs we have this year. And, again, who doesn’t like a song about a girl threatening a boy with marriage?

Portugal Oh, poor Portugal. This national final performance is both, flat in pitch and flat in emotionality. Which is a shame, I think the studio version of this entry is absolutely stunning. I just think Elisa has the stage presence to compete on the ESC stage, which makes it difficult to succeed – even more so when you have a ballad that requires a lot of power behind it.

Georgia I try my best to avoid speaking when I have nothing nice to say…but…I am not a fan of this song. I understand that it’s a big “F* YOU!” to Western Europe, which I understand and can see why that is message that needs sending. But I just don’t this song at all. The most positive thing I think to say is that the harmonies on the chorus are really stirring and powerful. When it appears on my playlist, I just skip to the last sixty seconds and enjoy it from there. This would likely qualify given that this is a sentiment felt across most of Eastern Europe and Georgia has Armenia, Bulgaria, Serbia, Poland, Albania, Latvia, Estonia, and the Czech Republic to support it in its message – not to mention the diasporas of those countries in the West.

Bulgaria The big favorite of the bookies. It was the selection of this song that knocked Iceland off the top of the betting odds. VICTORIA definitely captures that Billie Eilish bedroom-dream-pop sound that’s quite popular right now, but is somehow more genuine than her more famous counterpart. Now, do I like this as much as I do its nearest competitor (Romania)? No. But it’s a good song and I see why it was atop the betting odds. I think it’s an easy qualifier, not sure it could win.

Latvian flag mapLatvia Our final competitive song for Semi2, an anthem about throwing off the shackles of expectations of womanhood overtop a sick beat. Yeah, I cannot imagine a world where this does not qualify.

France Ugh. I want to like song but dear God does it drone on. I like it better in the original, where it’s a love song to France and not to a specific lady. While likely not a last place entry, France would have dropped to the bottom of the Big Five.

United Kingdom An average song. It’s in offensive and would likely secure a decent amount of 1-4 points splattered from across Europe (mostly from Ireland, Malta, Cyprus, and Australia – but, you know). Here’s the thing, James Newman has written several hits and has two Grammy nominations. That’s the kind of stuff he needs to bring, not this neutered stuff. In all likelihood, the BBC will bring him back next year. They need to set him loose to write a song that could actually do something.

Spain This is another wasted opportunity, I think. He’s one of Spain’s biggest stars and they send him with a (good but) dated tune. It’s okay to give him something dated, but you got to make sure it slaps, and this does not. I know this is already somewhat club-track-esque, next year send him something that we could hear playing in the clubs tonight! They can keep this style while still kicking the composition up a notch….or three.

Another great show! Again, LOVE the fan recap. Is there a way to find the full version of those three girls doing the Latvian song?

Looking back, if this were a competitive show, who do I think would qualify?

Easily:

  • Greece

  • Iceland

  • Switzerland

  • Denmark

  • Armenia

  • Latvia

  • Bulgaria

More difficult: I honestly think just about every remaining entry has a legitimate shot at qualifying, but, if push came to shove:

  • Serbia

  • Poland

  • Georgia

I would prefer to see some other songs in there instead, but I think this is the most likely set of qualifiers. But what are my top ten from tonight? I’m glad you asked.

  1. Switzerland

  2. Poland

  3. Latvia

  4. Austria

  5. Iceland

  6. Denmark

  7. Albania

  8. Moldova

  9. San Marino

  10. Armenia

Now that we have heard all 41 songs in context, what is my final Top Ten of the Eurovision 2020 Season. Good question! I’ll figure this out while I’m calculating a winner from among the some of the major fan media polls.

OH! I’m going to be compiling seven of the biggest fan media polls that offered alternatives to the ESC this year, including Eurostream, Eurovision Online, WiwiBloggs, and OGAE. Check back next week (assuming everyone gets their results in by Sunday) to find out who I would crown the unofficial ESC 2020 winner.

In the meantime, what are my predictions? I think the Top Ten, remembering that this is a compilation of fan polls not the actual Contest with full professional juries and casual folks, will be:

  • Armenia

  • Australia

  • Germany

  • Iceland

  • Italy

  • Lithuania

  • Malta

  • Russia

  • Sweden

  • Switzerland

Who do I think has an actual chance at victory? I do not think it will be any surprise: Iceland, Lithuania, and Bulgaria are the three songs I think have the best chance at victory. A real hot take, I know. So, I won’t waste your time going through each song’s merits at this point other than – these seem to be the three most beloved songs of 2020.

See you next week!

EO logo with the Bulgarian flag

EO logo with Icelandic flag

EO logo with Lithuanian flag


Eurovision 2019 – Final Thoughts!

Hello Dear Readers!

Well, there you have it; another Eurovision in the books. This one was, in my opinion, one of the most entertaining and diverse Contests we’ve had in a while, even if the songs were not as strong as in recent years. And, of course, I’m happy to have seen my favorite win. So, let’s take a breath, take a step back, and take a look at ESC 2019.

Which I will be doing on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Dutch Flag Map

Historical Markers

This is the fifth Dutch victory, after the Netherlands won in 1957, 1959, 1969, and 1975. They are now tied for third for all-time victories along with the United Kingdom, France, and Luxembourg (Ireland is first with seven wins, Sweden is second with six). Arcade is only the eleventh winner to be performed by a solo male (Rise Like a Phoenix is not counted, as its credited artist is the female character Conchita Wurst).

This is only the second time the final scoreboard had to be adjusted after the Contest. The first was in 1998 when Croatia was docked 1/3 of its points after the EBU ruled the synthesized male chorus on the backing track broke the “spirit of the rule” requiring all lyrics to be live (this is the reason all backing tracks must be turned in ahead of time in March). The EBU announced that, due to human error, the wrong jury votes were calculated on behalf of the disqualified Belorussian jury. The jury from Belarus was disqualified due to sharing video of the jury deliberation process from the First Semi-Final; this is against the rules and the EBU punished them accordingly. Using a secret algorithm, the EBU calculates automated scores for disqualified juries or televotes. This had been used quite a few times since the new voting system was introduced in 2016. The results read live on air during the Contest were reversed, resulting in the bottom ten of the automated ranking receiving points as opposed to the Top Ten. After several fans noted how weird the votes were given what one would predict for Belarus, the EBU eventually reissued the Belorussian jury points, resulting in several changes to the scoreboard, including North Macedonia now being the jury champion and Israel receiving null points from the juries.

Other historical notes:

**updated with the corrected scoreboard

North Macedonian flag mapThis is the best ever placing for North Macedonia (2nd 1st in the jury, 8th 7th place overall) and its first ever Top Ten finish.
This is the best ever placing for San Marino (10th in the televote, 20th 19th overall).
This is the second time that the victor was neither the top in televote nor among the juries (Ukraine 2016 was the first).

This is the third time that Italy has been a runner-up (1974 and 2011 are the others).
This is Switzerland’s best finish (third place) since coming in second back in 1993.
This is the Azerbaijan’s first Top Ten finish since 2013, when it was runner-up.
This is the first Top Ten finish for Iceland since 2009, when it was runner-up. This is also its first qualification since 2014.

British flag mapThis is only the fourth last place for the United Kingdom (2003, 2008, 2010).
This is the third year in a row, and fourth time in five years, that the host country came in the bottom ten.

Finally, Sweden retains the top spot for longest streak of Top Ten finishes, which now stands at 6.
Behind it is Italy, which now has three consecutive Top Ten finishes.
Australia maintains its 100% qualification record.
Montenegro now has the longest non-qualification streak, which now stands at 4.
Unsurprisingly, Sweden has the longest qualification streak at 9, having made the Final every year since 2011.

My Thoughts

EO logo with Albanian flag

I am ecstatic that some of my favorite songs did so well, particularly the Netherlands and North Macedonia. So, after all of the performances this week, what are my favorite ten songs from the Contest?

10. Albania
9. Russia
8. Moldova
7. Malta
EO logo with Czech flag6. Georgia
5. Australia
4. Czech Republic
3. North Macedonia
2. Latvia
1. The Netherlands

 

Israeli flag map

This was quite the year! I think this was perhaps one of the most entertaining and engaging Grand Finals in quite some time. It was also one of the longest. Come on EBU! Five interval acts is way too many. The section with the past winners and runner-ups performing each other’s songs was fantastic! The Ilan Raichel Project was lovely and I quite enjoyed them. The mentalist was superfluous. The Gal Godot video could have been at any other point in the night – perhaps the beginning. The opening act could have clipped down the video or simply replaced it with Gal Godot before the parade of nations. And the Madonna section was unnecessary and bad — we did neither needed it nor wanted it. We can cut the show back down to three hours – or at least down to three and a half. We can do this! It’s not that difficult. Otherwise, I think KAN did a fantastic job – the stage was beautiful. I look forward to what AVROTROS will do next year in the Netherlands — I already have a hotel in Rotterdam; crossing my fingers that it hosts, since it is the only major city not to host a Eurovision thus far.

EO logo witch Dutch flag

And, before I go, I want to congratulate AVROTROS on a job well done. This victory was eight years in the making. It started with the TROS (the broadcaster’s previous incarnation) deciding on a new approach: taking Eurovision seriously. They began by connecting with the Dutch music industry, calling upon Anouk, one of the country’s biggest stars, to restore the county to its former glory. Since Birds became the first Dutch entry in nine years to qualify for the Final and first in thirteen Contests to finish Top Ten, the Netherlands has consistently sent industry stars, resulting in five qualifications (out of six Contests), including a second place in 2014 and now this victory. AVROTROS is a perfect example of a country deciding to actively pursue winning, giving musicians the freedom to craft their own song and performance, and not being afraid to take the long game approach. Hmm, perhaps a few other countries can follow this model and give established artists free reign to create strong entries on their own, just saying. The Dutch music industry is not nearly the strongest one on the continent…

One more friendly reminder: I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA – Part One & Part Two) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Another fantastic Contest that I will be watching for years to come. Many strong entries, a great production, and a winner with whom I fully agree. I cannot wait to attend next year!

 


Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.


ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Semi-Final Two

Hello Dear Readers!

Thursday brings us a weak, but still competitive semi-final. Perennial qualifiers, like Romania, Russia, and Australia, should have no trouble moving through. Sweden and Norway will be there to support one another along with Denmark.

Country

Performing Artist

Song

Selection

Norway

Alexander Rybak

How You Write a Song

National Final

Thoughts:

So, breaking the promise he made with Marija Šerofović a few ago, Rybak is back with his attempt to pull a “Johnny Logan” (the only performing artist to win twice). Rybak knows how to write a catchy song. This will get stuck in your head, whether you want it to or not. Clearly, this song is much weaker than Fairytale, but it should do well with a “previous winner bump.” It will most likely finish Top Ten, but it won’t get anywhere close to winning.

Romania

The Humans

Goodbye

National Final

Thoughts:

A bland, forgettable song and potentially the first Romanian entry to fall short of qualifying. I strongly doubt it, but the important thing is that it could be. It’s not a bad song and the lyrics aren’t bad, it just melts into the background, particularly this year.

Serbia

Sanja Ilić & Balkanika

Nova Deca [New Children]

National Final

Thoughts:

This song is a hot mess. Oh golly! I do not understand it. The performance is weird and off-kilter. The composition makes little sense. The lyrics are simple and lack depth. I just don’t understand how this song was made.

San Marino

Jessika feat. Jenifer Brening

Who We Are

National Final

Thoughts:

This song has such great potential. For starters, rap does quite poorly at Eurovision; Brening adds nothing to the entry with her lame verse (conversely, the songs they had her compete with in the selection were great). The lyrics for the rest of the song are not as impactful as the songwriters probably think they are. The song is well performed by Jessika, but it’s severely average. SM is at a disadvantage and must try harder if it hopes to qualify again.

Denmark

Rasmussen

Higher Ground

National Final

Thoughts:

Sigh. This is an average song and I don’t have any strong feelings about it. It also will benefit from having both Norway and Sweden in this Semi-Final. However, Sweden is an unreliable alliance member and there is a lack of other friendly nations to buoy it above its averageness.

Russia

Julia Samoylova

I Won’t Break

Internal

Thoughts:

This is going to be an unpopular opinion, but I liked Flame is Burning way more than this trite inspirational piece. It will qualify, of course, but I doubt it will continue Russia’s Top Ten streak.

Moldova

DoReDos

My Lucky Day

National Final

Thoughts:

I like this song so much! It has big shoes to fill after Moldova achieved a new best placing last year. In my opinion, this song has a better composition and overall sound than Hey, Mamma! and is just more enjoyable, at least to me, and that hat from the music video better make an appearance in Lisbon!

The Netherlands

Waylon

Outlaw in ‘Em

Mixed

Thoughts:

This song will do well because Waylon was one half of the Common Linnets (the performers of the runner-up entry in 2014). This also has the distinction of being the only country song this year, which also helps it. Again, I have no strong feelings about this song either way.

Australia

Jessica Mauboy

We Got Love

Internal

Thoughts:

I think this has a chance of outperforming Australia’s second place from 2016. The song is truly inspirational, has an amazing singer who knows how to perform and is not a stranger to the Eurovision stage. Plus, it’s is quite catchy! It doesn’t hurt that Mauboy is stunning, as well. I think we may be packing our bags for Germany after an Aussie win.

Georgia

Ethno-Jazz Band Iriao

For You

Internal

Thoughts:

Georgia joins Armenia for its first ever entry in its national language. Unlike Armenia, this song lacks depth, interest, or anything that makes it stand out. I cannot imagine this song qualifying, even out this weaker semi-final.

Poland

Gromee feat. Lukas Meijer

Light Me Up

National Final

Thoughts:

I like this song and think it is quite contemporary. I think it will continue Poland’s qualification streak, but finish midtable in the Grand Final. This is a beneficiary of being in the weaker semi-final and following a weak entry.

Malta

Christabelle

Taboo

National Final

Thoughts:

While this song is uptempo and intriguing, it is forgettable. It’s one of those things that, I remember when I hear it, but otherwise, cannot really recall it. This will be right on the border of qualification and will benefit from a poor performance from another midlevel entry.

Hungary

AWS

Viszlát Nyár [Summer Gone]

National Final

Thoughts:

Our requisite hard rock entry. Not quite sure how this made it through the Hungarian selection, but here we are. Not my cup of tea, at all. From my understanding of rock music, this is not even that strong of a screamo song. It likely will not qualify for the Final.

Latvia

Laura Rizzotto

Funny Girl

National Final

Thoughts:

I really like this one. It is dark and draws you into it; the composition is particularly captivating. I don’t think it’s mainstream enough to qualify, but of course, I said something similar in 2015. I think following the screaming of Hungary and coming ahead of the slick Swedish song, it will be lost.

Sweden

Benjamin Ingrosso

Dance You Off

National Final

Thoughts:

The first Swedish entry I like since Heroes. This song is just so infectious, I can’t see it NOT finishing in the Top Ten on Saturday night. Of course, the last time Sweden failed to reach the Top Ten was 2013, and this song is miles ahead of You (though, I did like that song, too).

Montenegro

Vanja Radovanović

Inje [Frost]

National Final

Thoughts:

The only true Balkan ballad this year, this strikes me as Joksimovic-lite. I think this will easily qualify. Honestly, this is my dark horse candidate for this year; I think Montenegro is going to surprise a lot of folks.

Slovenia

Lea Sirk

Hvala Ne [No Thanks]

National Final

Thoughts:

Yet another mess of a song. I don’t know what it is about the former-Yugoslav countries this year, but they are submitting some poorly composed songs. This song is at least interesting…well…not really. It’s average and will once again leave Slovenia towards the bottom of the Semi-Final scoreboard.

Ukraine

MÉLOVIN

Under the Ladder

National Final

Thoughts:

So catchy! So modern! And MÉLOVIN is quite the performer. This seems like a song designed specifically to capture the ears and hearts of the massive teenage girl fan population. Ukraine will easily finish in the Top Ten, the first time with a male singer not in drag.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Russia

  • Sweden

  • Ukraine

  • Romania

  • Australia

  • Montenegro

  • Poland

  • The Netherlands

  • Moldova

  • Norway

And which songs are my favorite? (in order)

  1. Sweden

  2. Latvia

  3. Ukraine

  4. Montenegro

  5. Norway

  6. Australia

  7. Moldova

  8. Denmark

  9. Poland

  10. Malta

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Australia, Montenegro, and The Netherlands all have legitimate opportunities to win. I know that the Dutch entry is not towards the top of the betting odds and that Montenegro is in no one else’s conversation, but I think both are unique enough and of a high enough quality to pull off a surprise win. Fun note, if Montenegro does pull off the victory, it would be the lowest odds victor (a title currently held by Latvia 2002). I think Australia is an easy choice to pick as a winner for all the reasons I mentioned above.


Eurovision 2017 Song Reviews (Finally!) – First Semi-Final, First Half

Hello Dear Readers!

Here are my reviews for the first half of the first semi-final. I have kept them in alphabetical order because, frankly, I had written this before the running order was revealed and do not really have the time to reorder everything. Overall, I think this semi-final is the weaker of the two. However, there are some real gems that, sadly, I do not think will make the Final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

 

Albania

Lindita

World

Televised

Thoughts:

So epic! So powerfully sung! Still not 100% sure what she is saying; honestly, she could have left it in Albanian without much difference. Love the song – but it probably will not get Albania back to the Final.

 

Australia

Isaiah

Don’t Come Easy

Internal

Thoughts:

A well-done ballad; Australia once again brings a strong entry. However, I do not think this will continue its uphill trajectory of success (i.e., it’s not going to win). Will definitely make the Final, but it will be a stretch to see it in the Top Ten.

 

Azerbaijan

Dihaj

Skeletons

Internal

Thoughts:

A dazzling number. It definitely sounds more conventional than Dihaj’s more experimental look and sound, but still a great number. It’s been a long time since Azerbaijan wowed us with a stunning staging. I am thinking this might bring that back (as well as Azerbaijan’s place in the Top Ten).

 

Belgium

Blanche

City Lights

Internal

Thoughts:

Already a heavy favorite, this is definitely another side of the contemporary sound. I really like it, though, not quite sure I’m seeing it as a winner just yet. Blanche’s voice is definitely unique; not too often you hear a female singer’s voice be quite that deep which might be a big part of her appeal.

 

Finland

Norma John

Blackbird

Televised

Thoughts:

Haunting, simply haunting. Each time I hear this song, I like it more and more. Her voice is so captivating and the arrangement perfectly captures the lyrics. I wonder how it would sound in Finnish…

 

Georgia

Tamara Gachechiladze

Keep the Faith

Televised

Thoughts:

This song delivers a powerful message that is well sung. However, it comes off a bit self-important and I predict a lot of controversy around the staging come April. I do like the song, but think it has little chance to make it to the Final.

 

Montenegro

Slavko Kalević

Space

Internal

Thoughts:

When people ask me for a good example of “gay pop,” I can now point to this song. And, if you’re curious as to what makes this “gay pop” – here is my rationale: the composition is a dance track with a disco feel (plus disco trumpets!) and, even more so, the erotic nature of the lyrics and music video. With that said, I think the song is a good club track, but a poor competition piece.

 

Portugal

Salvador Sobral

Amar Pelos Dois [Love for Both of Us]

Televised

Thoughts:

A lovely, understated ballad. My initial thought was that it could stand out in this field of EDM and power ballads; however, I just don’t think Sobral has the stage presence nor is the composition enchanting enough to make much impact.

 

Sweden

Robin Bengtsson

I Can’t Go On

Televised

Thoughts:

I like to think of this as discount-Måns Zelmerlöw. Don’t get me wrong, I think this is very well done schlager. But not much more than that. Even with a slick staging, this will merely be another Swedish Top Ten song that doesn’t really challenge for victory.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

What are your thoughts on these songs? My outlook is fairly bleak on most of them, but I’ve been surprised by semi-final results before. Just see my reactions to ANY of the semi-finals on this blog over the years (this is ESC Obsession’s 8th Contest!).

Find the other reviews from this year here!

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Reaction to the ESC2016 Grand Final!

Eurovision_2016_Official_Logo

Hello Dear Readers!

Wow wow wow! What a show! My favorite song won, the voting was incredibly exciting, and each entry was performed amazingly. I wanted to put out a reaction post for you all and then my normal recap post with my Annual EO Awards towards the end of this week or next (depending on how quickly I can process my photos without my computer).

So, we have a top ten, of which, I predicted only 6. Sad, as I was batting with 80% accuracy with the semi-finals, but you can’t with them all.
1. Ukraine
2. Australia
3. Russia
4. Bulgaria
5. Sweden
6. France
7. Armenia
8. Poland
9. Lithuania
10. Belgium

Some historic markers of note from this year’s Grand Final:
Ukrainian Flag Map-For only the second time, a country that was neither an automatic qualifier nor won its semi-final, was victorious. Just like in 2004, Ukraine was second in the semi-final but won the Contest.
-With 534 points and 17 sets of twelve, Ukraine has set the bar for this new voting system. We’ll see how long this record stands. FINorwegian Flag MapCongratulations to Norway 2009, that will eternally be enshrined as the highest point total under the previous system (1975-2015). And Sweden 2012, which will always hold the record for most sets of 12 points.
-This year, we also saw the best finish for a host nation since 2012.
Russian Flag Map-Russia extends its Top Ten streak to five, Ukraine and Sweden take theirs to three, and Australia and Belgium start streaks with their second consecutive Top Ten finishes. Norway’s streak ended (though, that happened with its elimination on Thursday night).

Bulgarian Flag CountryIndividual Country Historical Markers:
-Bulgaria reached its highest place ever, besting their 2007 finish by one spot. Australia also reached its highest position, beating last year’s finish by three places.
Polish Flag Map-Poland and Lithuania get their second best finishes ever. Armenia tied its second best finish (after getting seventh in 2010).
-France was the top Big Five country for the first time since 2001.
-Croatia, Georgia, and Serbia all had their lowest finish ever in a Final.

Some of my reactions to the Grand Final:
-I was rather skeptical of the new voting system. While it needs greater transparency, it definitely made things quite exciting!Ukraine This had to have gone better than they could’ve imagined.
-I’m shocked Ukraine won, but incredibly happy that it did! It was my favorite song this year and, I think, one of the most significant, meaningful, and artistic entries in the Contest ever.
Lithuania-I’m equally shocked by the success of Lithuania and Israel, as I find both songs to be generic and underwhelming. On the flip side, I’m shock and disappointed by Spain, UK, and Czech Republic’s finish. They all had fantastic entries that deserved more points. In the case of Spain and UK, great running order positions and very memorable, catchy pop tunes. Spain had a legitimate chance of winning after amazing performances Friday and Saturday; I just don’t get it.
Swedish Flag Map-Finally, while I loved each aspect of the voting entertainment and the interval acts, there was just too much! “Love Love Peace Peace” could’ve been the voting entertainment after the interview with Justin Timberlake. JT’s performance should’ve been moved to the Interval Act alongside Måns. The “Nerd Documentary” should have just been for the semi-finals. This year’s show could’ve easily stayed under three and half hours (if not three) if SVT didn’t go overboard with everything.

Congratulations to Ukraine!!Ukrainian Flag Map 1944 earned its victory through telling a meaningful story through a captivating composition and an emotional performance. I look forward to its impact on next year’s Contest and the show that Ukraine will give us!

Check back soon for my end of Eurovision wrap-up!


Reaction to the Second Semi-Final

Hello Dear Readers!

There you have it! Our last ten finalists!
Latvia
Poland
Israel
Serbia
Lithuania
Australia
Bulgaria
Ukraine
Georgia
Belgium

Georgian Flag MapQuite interesting that, unlike Tuesday, the qualifiers are well spread out; there are no more than two that performed consecutively last night.

Some historical markers from last night.

Ukrainian Flag Map-Ukraine extends its 100% qualification streak. Georgia extends its to four. Belgium and Poland get their first back-to-back qualifications and Latvia gets its second (last time was 07-08).
Bulgarian Flag Country-Bulgaria qualified for only the second time (last was 2007). While it will be Australia’s second final, it’s the country’s first qualifying from the semi.
Irish Flag Map-Georgia may very well be the qualifier with the lowest betting odds of all time. Conversely, Nicky Byrne – former pop star, professional goalkeeper, and presenter – and Ireland’s lack of qualification will make it harder to recruit stars in the future.
-Donny Montell got a measure of revenge after Kaliopi beat him in Baku (2012).
Lithuanian Flag Map-For the first time since 1970 (when all five did not participate), this will be the first time with one or fewer Nordic countries to be in a Final since Sweden joined Denmark in the Contest back in 1958.

My reactions:
Macedonia-Deeply saddened by Macedonia’s failed qualification, especially since Kaliopi is so awesome. I guess third time was not the charm, but I hope she returns in the future.
Israel-Surprised by Georgia’s qualification and taken off-guard by Israel’s. Though, I am most disappointed in Lithuania’s qualification (especially since neither Macedonia nor Norway made it).
Belgium-While I originally contended that Semi-Final One was stronger, after last night and the results, Semi-Final Two definitely was more entertaining and proved itself to have the harder hitting entries. Probably because it was much more competitive as fewer spots were uncertain.

Now that we have our qualifiers, there’s nothing to it but to do it! Tonight we have our Jury Final and tomorrow, the Grand Final! USAComplete with an unnecessary performance from Justin Timberlake. I am so excited to see who will win! Check back tomorrow for my reaction to the Jury Final and final predictions!

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We’re So Close!!

Hello Dear Readers!

Can you believe that we are just a few short weeks ahead of Eurovision 2016?!

I don’t know about y’all, but I am stoked (very excited!) and have been listening to the songs non-stop for the last month and a half. A few of my opinions have changed.

Romanian Flag MapSo, some news from today, Romania’s participating broadcaster TVR has been kicked out of the EBU, disqualifying them from participation in this year’s Contest. Lowering our participants down to 42. This moves Bulgaria up to 12th in the Second Semi-Final, which puts it ahead of the advert break. Good for Bulgaria, bad for SVT who were hoping that the popular song would bring viewers back, now that task will fall to the tepidly-received Denmark.

GeorgiaSongs I Like Better: Georgia, Slovenia, and the Netherlands. For each of these songs, the more I listen to them, the better I think they are. I think the Netherlands can definitely qualify now, though, I still think Georgia and Slovenia will not.

IsraelIsrael is the only song that I like less the more I hear it. I went from fairly neutral to negative towards the entry. I don’t know, the song is just uninspired and trite, and the more I listen to it, the easier it is to look past Hovi Star’s beautiful voice and actually listen to the words of the song and its composition.

Czech RepublicI still think that the Czech Republic is still my pick for victory. The country has a beautiful song and it really has a chance of wowing the audience. I think if it makes the Grand Final (which its running order makes more difficult), it can definitely challenge for the win.

Now, since the last post, there have been preview concerts throughout the continent in Russia, Latvia, Israel, UK, and the biggest one held annual in Amsterdam (Eurovision in Concert)!Netherlands These concerts are like friendlies (or exhibition matches) in sports – they are not competitive, but more of a showcase of the countries’ entries. It tends to get fans excited, as they offer some of the first previews of the live performances that we’ll see at the ESC and gives the artists a chance to see how an ESC audience reacts to their song.

More than this, these preview concerts are the last chance for the majority of acts to impact the betting odds. Which, in turn, impact how commentators discuss the song to the viewing audiences as well as how the producers determine the running order (songs with better odds are assumed to have better audience anticipation and will be pushed towards the end of the running order).

Speaking of which, the running orders for the semi-final has been released! In case you missed it, the ESC Obsession YouTube channel has an updated playlist.

Furthermore, the voting change that was announced in February seems to be getting traction again. As such, I’ll make a post explaining it tomorrow.

Speaking of upcoming posts…next week will be our annual Contender or Pretender series, where we look at the Top Ten countries in the betting odds and determine whether they have a legit chance at winning or of they’re merely posing as strong choices to win. Find past editions of Contender or Pretender here: 2015, 2014, 2013.

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ESC 2016 Reviews: Second Semi-Final, Part Two

Hello Dear Readers!

Nine more semi-finalists to review! Once again, not as strong as the First Semi-Final, but definitely a lot of good songs. And definitely some interesting ones.

Second Semi-Final, Second Half

 

Country

Performing Artist

Song

Selection*

Albanian flag country

 Albania

Eneda Tarifa

Fairytale

Televised

Thoughts:

I don’t understand why they decided to translate this song into English. The original Albanian was just fine – sure, the song’s composition needed a bit of retooling, but there was no need to change languages – especially since language does not seem to have much bearing on Albania’s final placing. I, personally, find this to be one of the more compelling, midtempo power ballads thus far, but I’m not sure how the song will translate to the ESC stage.
Belgian Flag Country

 Belgium

Laura Tesoro

What’s the Pressure

Televised

Thoughts:

So, apparently Tesoro is 19, even though she looks like she’s 12 and this sounds like something from JESC. Don’t get me wrong, I really dig the dynamite disco beat to this track. However, I’m not sure if the song has a mature enough sound to it; the lyrics are rather mundane. Nevertheless, the song is funky and fun and uplifting without being trite. It will be interesting to see Belgium send another dance heavy performance to ESC.
Bulgarian Flag Country

 Bulgaria

Poli Genova

If Love Was a Crime

Internal

Thoughts:

An interesting song. definitely better than Na Inat. Bulgaira, and Genova herself, are fresh off hosting the JESC and decided to take some of that production value and apply it here. This is the most mainstream song that I have ever heard Bulgaria present. In this weakened semi-final, I definitely think it will move through to the Grand Final – for only the second time in Bulgaria’s history!
Danish Flag Map

 Denmark

Lighthouse X

Soldiers of Love

Televised

Thoughts:

My initial thoughts on this song can be found in the DMGP 2016. Essentially, I like it a lot but thought that the Danes had stronger options available to them. This opinion remains unchanged after hearing it within the context of the Second Semi-Final. While each of the last two times the Contest was in Sweden, Denmark finished victorious, that streak will end this year. I am just hoping that this song qualifies for the Final.
Georgian Flag Map

 Georgia

Nika Kocharov & Young Georgian Lolitaz

Midnight Gold

Televised

Thoughts:

Definitely a song that stands out! I’m shocked that this could win a national selection show; though, Georgia has shown that it is most definitely a land of experimental and eccentric artists, young and old. However, this might be too out there for the mainstream audience of the adult ESC. I am predicting this to languish behind in the semi-finals.
Norwegian Flag Map

 Norway

Agnete

Icebreaker

Televised

Thoughts:

“I’ll be your icebreaker/When you’re stuck in frozen water.” Really? Is this best that could be done? Also, anyone else think that the transition into the chorus is kind of awkward, like, the song stops and skips a bit, the first time, I thought something was wrong with my video feed. With that said, like Serbia, this song has that “sound” of a winner. And, we know that Norway’s first victory came on Swedish soil — in fact, Norway tends to do well in Sweden.
Romanian Flag Map

 Romania

Ovidiu Anton

Moment of Silence

Televised

Thoughts:

Definitely an 80s rock opera inspired song; Queen immediately came to mind while listening to this song. I enjoyed it, but overall find it so-so. However, we know that Romania tends to do well as does 80s rock (generally), so I would bet for this song to move through to the Final.
Slovene Flag Map

 Slovenia

ManuElla

Blue and Red

Televised

Thoughts:

Another country song, a little poppier than the Netherlands, but definitely Nashville-inspired. I’m not quite sure what this song is about, though. Is she saying that she’s moved on and is happy that her ex is now blue (meaning sad)? Or is she saying that they’ve gone through ups and downs and now colors no longer matter because they have love and each other? The song is happy, but it could really go either way. Much like this entry’s odds at qualifying for the Final.
Ukrainian Flag Map

 Ukraine

Jamala

1944

Televised

Thoughts:

Hmmm…I’m surprised that they allowed this song to compete without a lyrics change. Officially, the song is about the forced migration of Crimeans to Central Asia by the USSR; the Crimean Tatar language portions are direct quotations from Jamala’s grandmother who lived through this event. However, it would be naïve to think that this song lacks a sharp, current context. It ends with her saying “Because you took away my peace/I couldn’t spend my youth there/I couldn’t enjoy my motherland.” This is clearly referencing Russia in Crimea, past and present. The fact that the EBU allowed it to stand as is shows Western Europe’s sympathy for the situation in Ukraine. This is my favorite song thus far between both semi-finals. I also think it well deserves a place in the Top Ten and that it will earn its spot there, as well.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

So, who do I think will qualify from this semi-final? What are my favorite songs?

Predicted Qualifiers
(In alphabetical order)

My Top 10
(Starting with my most favorite)

Australia Ukraine
Belgium
Serbia
Bulgaria
Macedonia
Denmark Australia
Norway Belgium
Poland Denmark
Romania Norway
Serbia
Israel
Switzerland
Bulgaria
Ukraine Latvia

More importantly, who do I think, from the First Semi-Final, will be competing for the crown?

Serbia – A diva-driven song about getting over a relationship.Serbia Well performed, well written, and well composed. While I think this song will be limited depending on where it falls within the running order, it should most definitely be considered a stronger contender to win ESC and return the Contest to heart of the Balkan peninsula, probably either back to Belgrade or to Novi Sad.

NorwaySerbiaUkraine is the only song from the Second Semi-Final that I think has the ability to win (as I said, this is the weaker of the two). However, both Norway and Ukraine have really strong songs that I think will finish in the Top Ten.

**Of course, these are my initial predictions without doing any research into fan sites, internet comments, or betting odds. Stay tuned for future posts (including Saturday’s) with more nuanced predictions and, of course, the 2016 edition of Contender or Pretender.

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Eurovision 2016 – And so it begins!

esc2016

Hello Dear Readers!

Officially, Eurovision kicks off at the end of March when all the competing countries have to turn in their official entries (and all related media). But, National Finals season, the period where each competing country selects its entry, has begun! Typically, AlbaniaAlbanian flag country kicks things off with Festivali i Këngës, held annually around Christmas Day. However, a growing number of countries have decided on an artist, a song, or both earlier and earlier. As of January 1, 2016, eight countries (Armenia, Bosnia & Herzegovina, Cyprus, Georgia, Macedonia, Montenegro, The Netherlands, and Russia) have selected an artist and one (Albania) has an artist and song selected. Germany had an artist selected, but, due to his controversial history, decided to go in another direction. A new artist has yet to be selected.

Yes! You read that correctly, Bosnia & HerzegovinaBosnian Flag Map is finally returning to the Contest after a three year absence! And it’s not alone. Bulgaria, Croatia, and Ukraine are returning to the Contest! Bulgaria and Croatia each last competed in 2013, and Ukraine last competed in 2014. Sadly, Turkey is not making a return after early rumors that it would. And, due to financial restraints, Portugal is once again withdrawing from the ESC.

Australian Flag MapUnsurprisingly, Australia was invited to return as a regular contender. Though, since they are no longer a guest, the country will have to compete in the semi-finals and hope to qualify for the Grand Final. I predict that there will be another song from Down Under on Saturday night.

Swedish Flag MapEqually as unsurprising, SVT, this year’s host broadcaster, has announced that there will be two hosts this year, the popular Petra Mede (who hosted the ESC solo in 2013) as well as last year’s winning performer Måns Zelmerlöw (who has several hosting gigs under his belt, including Melodifestivalen). The Green Room host (if there is to be one) has yet to be announced.

Those are the biggest news stories thus far for ESC2016, but as the National Finals begin in earnest, more news will surely break! Stay tuned for my post about my hopes and expectations for Stockholm from a fan standpoint as well as from that of an attendee.

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Playlist of the Week: Eurovision for Christmas!

Merry Christmas Dear Readers — and Happy New Year!

This week’s playlist features Eurovision artists singing traditional and contemporary Christmas songs. Once again, twenty songs curated for your enjoyment, plus a bonus gift at the end! If y’all like this list, let me know, and I’ll be sure to make a new one each year!

Find the playlist on YouTube: Eurovision for Christmas

  1. Kuunkuiskaajat (Finland 2010) – Talven Ihmemaa (Winter Wonderland)

  2. Tina Karol (Ukraine 2006) – Тиха Ніч (Silent Night)

  3. Carola (Sweden 1983, 1991, 2006) – I Wander as I Wonder

  4. Alexander Rybak (Norway 2009) – Tell Me When (Christmas Song)

  5. Anna Vissi (Greece 1980, 2006; Cyprus 1982) – Min Xehnas

  6. Juliana Pasha (Albania 2010) – Krishtlindje te bardha

  7. Ruslana (Ukraine 2004) – Добрий вечір, тобі

  8. Patricia Kaas (France 2009) – Merry Christmas Baby

  9. Paula Selig (Romania 2010, 2014) – Sus, la Porta Raiului

  10. Nox (Hungary 2005) – Szent ünnep

  11. Il Volo (Italy 2015) – I’ll be Home for Christmas

  12. Guy Sebastian (Australia 2015) – Someday at Christmas

  13. Yohanna (Iceland 2009) – Don’t Save it All for Christmas Day

  14. Hera Björk (Iceland 2010) & Chiara (Malta 1998, 2005, 2009) – The Christmas Song

  15. Litesound (Belarus 2012) – Shooting Star

  16. Maria Haukaas Storeng (Norway 2008) – All I Want for Christmas is You

  17. Dino Merlin (Bosnia & Herzegovina 1999, 2011) – Božić Je

  18. Charlotte Perrelli (Sweden 1999, 2008) – Låt Julen Förkunna

  19. Olsen Brothers (Denmark 2000) – We Believe in Love/Så er det Endelig Jul/Feliz Navidad

  20. Celine Dion (Switzerland 1988) – O Holy Night

  21. Bzikebi (JESC Georgia 2008) – Ave Maria

Honorable Mention: Dana (Ireland 1970) – It’s Gonna be a Cold, Cold Christmas; Olivia Newton John (UK 1974) – Christmas Waltz; Bonnie Tyler (UK 2013) – Merry Christmas; Edsilia Rombley (Netherlands 1998, 2007) – This Christmas; Polina Gagarina (Russia 2015) – Опять Метель; and many, many more!

!חג מולד שמח! عيد ميلاد مجيد
Καλά Χριστούγεννα! Wesołych Świąt – Bożego Narodzenia! Веселого Різдва’ – Христос Рождається’! Khrystos Rozhdayetsia! Vesel Božić! Happy Christmas! Весела Коледа! Bon Natale! Rõõmsaid Jõulupühi! Sretan Božić! Mutlu Noeller! Joyeux Noël! გილოცავ შობაახალ წელს! Milad bayramınız mübarək! Glædelig Jul! Bellas Festas! Vrolijk Kerstfeest! Schöni Wiehnachte! Hyvää Joulua! Nadolig Llawen! Счастливого рождества! Il-Milied it-Tajjeb! Priecïgus Ziemassvºtkus! Frohe Weihnachten! ¡Feliz Navidad! God Jul! Христос се роди! Շնորհավոր Ամանոր և Սուրբ Ծնուն! Gëzuar Krishtlindjen! Bon Nadale! Kellemes karácsonyi ünnepeket! Gleðileg jól! Nollaig Shona Dhuit! Buon Natale! Linksmų Kalėdų! Среќен Божик! Feliz Natale! Blithe Yule!  Vesele Vianoce! Schéi Chrèschtdeeg!

Or as my Southern friends here in the US say: Merry Christmas, Y’all!! 🎅


Playlist of the Week: Eurovision for Rockers

….And we’re back! After moving about 720 miles (~1155km), starting a graduate program, and dealing with various personal and health issues, I am back!  Thank you for your patience 🙂

So, Dear Readers, this week brings us another playlist. This time, we’re looking at rock songs. When most think of “Eurovision + rock music” they immediately go to Hard Rock Hallelujah (Finland 2006), and with good reason. It is a winning entry and one of the 20 most important ESC songs in history, in my opinion. However, there are many more rock entries that have graced the ESC stage. Below are twenty standout examples from the past few years.

When I say “rock music” — you may think of thrashing guitars and banging drums or power ballad that draws out every emotion or even your favorite eighties hairband. I tried to capture all of these styles (and more) below while also avoiding songs I have previously featured in a playlist. Again, I tried to curate a playlist with a nice flow. Enjoy!

Find the playlist here: Eurovision for Rockers

  1. France 2013 – L’Enfer et Moi performed by Amandine BourgeoisFrance

  2. Georgia 2011 – One More Day performed by Eldrine

  3. Finland 2007 – Leave Me Alone performed by Hanna

  4. Turkey 2010 – We Could be the Same performed by maNga

  5. San Marino 2008 – Complice performed by Miodio

  6. Finland 2015 – Aina Min Pitää performed by Pertti Kurikan Nimipäivät

  7. Belarus 2009 – Eyes That Never Lie performed by Petr ElfimovBelarus

  8. Armenia 2013 – Lonely Planet performed by Dorians

  9. Georgia 2015 – Warrior performed by Nina Sublatti

  10. Turkey 2008 – Deli performed by Mor ve Ötesi

  11. Ukraine 2010 – Sweet People performed by Aliosha

  12. Finland 2014 – Something Better performed by SoftEngine

  13. Slovakia 2012 – Don’t Close Your Eyes performed by Max Jason MaiSlovakia

  14. Iceland 2007 – Valentine Lost performed by Eiríkur Hauksson

  15. Italy 2014 – La Mia Città performed by Emma

  16. Switzerland 2012 – Unbreakable performed by Sinplus

  17. Finland 2008 – Missä Miehet Ratsastaa performed by Teräsbetoni

  18. Bosnia & Herzegovina 2009 – Bistra Voda performed by ReginaBosnia & Herzegovina

  19. Albania 2011 – Feel the Passion performed by Aurela Gace

  20. Norway 2005 – In My Dreams performed by Wig Wam

Honorable Mentions: Turkey 2004, Czech Republic 2007, Cyprus 2007, Macedonia 2009, Cyprus 2011, Turkey 2011, Denmark 2011, Macedonia 2012

Fun Facts

  • YouFinland may have noticed that there was a lot of Finland in that above list. That’s because the Finns love rock music! Finland is home to some of the most vibrant and renowned death metal, hard rock, and heavy metal scenes.

  • The Armenian song from 2013 may seem a bit out of place, but it was composed by none other than heavy metal legend Tony Iommi of Black Sabbath fame.

  • Hard Rock Hallelujah is considered the only rock song to win the Contest. However, quite a few other rock songs have fared well, particularly entries from Turkey, which has three Top Ten rock entries (2004, 2008, 2010).

    Turkey

What’s your favorite rock song from ESC’s history? Do you appreciate the diversity in musical styles that we find at the Contest or would you prefer that most entries just stick to pop?

Finnish Flag MapAs a reminder, these weekly playlists are meant to help introduce you to the wide breadth of music from the Contest’s recent history. For various reasons, I am focusing on the “Televoting Era” of the Contest (1998 – present), furthermore, the majority of entries I am choosing come from after semi-finals were introduced in 2004. I also limit the lists to only 20 songs, to help make them more manageable for listening.

The most recent previous list: Eurovision for Dance Parties
Next Week: Eurovision for Breakups


Reactions to the Second Dress Rehearsal

Hello Dear Readers!

After a rousing jury final and a good night’s rest (as short as it was), I have some reactions and updated predictions for you!

Overall, the jury final was great! Almost every act came to win; even the hosts jokes were better! So, some reactions:
Helped their case:
-France — I git goosebumps during her performance. This is not a song that fans will necessarily go for, so a strong jury performance was required and it was delivered.
-Serbia — the big favorite in the hall was Serbia. People were going wild throughout the song and the recaps. The performance was on point and the energy level was through the roof.
-Australia — the song is fun and catchy and a fan-favorite. But the performance was unbelievable! It will be hard for the juries to ignore it.

Still have work to do:
-Poland — their were some very prominent pitch issues throughout this performance which took away from the overall quality of the song. Big notes only work if the harmonies align properly. She’s going to need a strong performance for the televoters tonight to make up her lost points.
-Russia — there was definitely something lost between Tuesday and tonight. Everything was there, technically, but it lacked energy and felt forced. The spark that propelled this song up the bookies rankings needs to return for tonight or Russia can find itself on the outside of the Top Ten.
-Hungary & Romania — as I write this, I struggle to remember either performance. This is partly due to the underwhelming nature of the songs and partly due to the power of the songs around them. I’m not sure what either can do to help themselves at this point other than not doing things to hinder themselves.

New Predictions:
After months of listening to the songs, weeks of reading analysis and fan opinions, and days of watching live performances, here is my updated Top Ten prediction:
Sweden
Latvia
Serbia
Australia
Italy
Russia
Azerbaijan
Albania
Lithuania
Georgia

At this point, I would not be surprised if any of these songs win. Add Belgium, Estonia, and Norway to that list for all possible winners. We have more parity this year than in the recent past. The voting is bound to be close!

Right this second, I think Serbia can pull out the victory. It is catchy, empowering, and masterfully-performed. We very well can be back in Belgrade next year. Then again, my opinion os constantly shifting, so, we’ll see!

Enjoy the Final tonight!


ESC 2015 – Final Predictions

Hello Dear Readers!

Well, it’s finally here: Eurovision Week 2015!!! It’s a little late, but what’s a 60th edition without a bit of pomp and fanfare? Not sure where to start? Don’t worry, my annual Notes and Country Profiles will be coming at you ahead of your Eurovision Parties on Saturday!

Per usual, I want to make my final predictions ahead of the semi-finals! Once again, I will be attending the Contest live! (If you have not seen my previous posts, I have a FundRazr campaign!) What this means is that I will not have live notes this year, but will instead do a quick recap and reaction after each semi-final and the Grand Final. You can still expect my wrap-up post and awards after the Contest.

Without further ado, here are my final predictions for this year! These predictions are based upon internet chatter, betting odds, and Contest history. Agree? Disagree? Leave a comment below!

Qualifiers from First Semi-Final: I do not foresee too many surprises, except for maybe a bloated Armenian entry being left behind.Greek Flag Map

  • Greece
  • Estonia
  • Macedonia
  • Serbia
  • BelarusBelorussian Flag Map
  • Russia
  • Denmark
  • Albania
  • Romania
  • Georgia

Qualifiers from the Second Semi-Final: A lot of the heavy hitters are on tonight. While San Marino has improved its placing each year, even finally qualifying for the Final last year, that trend will end in Vienna.Lithuanian Flag Map

  • Lithuania
  • Ireland
  • Montenegro
  • Norway
  • Israel
  • AzerbaijanIcelandic Flag Map
  • Iceland
  • Sweden
  • Slovenia
  • Poland

Prediction for the final Top Ten: There’s a lot of parity this year. Unlike the bookies, I do not think it will be a runaway victory for Sweden. It’s going to be an intense battle for the crystal microphone – and I very much look forward to it!Albania

    • Sweden – the big favorite and catchiest song this year
    • Lithuania – cute and the duo has fantastic chemistry
    • Albania – the song is captivating and has been sliding beneath the radar
    • Azerbaijan – a rare gem in artistic creation at the Contest
    • Australia – fun, catchy and makes you want to dance with the one you love!
  • Italy – everything you think of when contemplating Italian musicItaly
  • Slovenia – quirky, endearing and easy to sing along to
  • Russia – a powerfully sung entry about peace
  • Norway – dark, mysterious and masterfully sung
  • Ireland – it’s time for Ireland to return to the Top Ten and this serious, contemplative number can do just that

AzerbaijanAnd the winner is….Azerbaijan! I am predicting that we’ll be heading back to Baku (or possibly Ganja) in 2016. After last year’s *relative* failure (by Azerbaijani standards), İctimai Television has gone to new lengths to bring a soul-searching, moody, meaningful entry to Eurovision this year.


Experimental Music at the ESC

One thing that I enjoy about the Junior ESC is that the kids, much more than the adults, experiment with music – submitting songs that are out there, that are crazy contemporary – and seeing success with them. Georgia is a prime example, so many of its entries are quite off-the-wall. In 2008, Georgia even won with a song that I would say is the most experimental that we have ever heard on an ESC stage, junior or adult.

We are used to maybe one experimental entry (usually from Bulgaria), but this year, we have two truly experimental entries: Belgium and Latvia. And two more that are pushing the limit: Georgia and Spain.

Beyond Modern

Belgian Flag CountryBelgium and Latvia can be said to be “beyond modern,” their sounds are unlike any other – past or present. Compare this with Australia and Estonia, both of which sound like something off the current pop charts, and Denmark and the UK, which both harken back to past musical eras. Rhythm Inside and Love Injection sound more like art pieces than pop songs. Both toy around with rhythm and melody; both stretch the singer’s abilities to capture the feelings of the songs. The biggest advantage that these entries have is standing out so drastically from the other thirty-eight songs. They’ll make an immediate impact and will not be soon forgotten.

Personally, I like rather enjoy both songs; both are currently in my my personal Top Ten. However, I do Latvian Flag Mapnot think either song has a chance of doing well. I think that qualification would be a victory for both. The juries have shown that they tend to favor well-sung ballads and catchy pop tunes above all else. The public may not be ready for such futuristic tunes, especially since neither has a strong chorus that can lodge itself in your head.

BulgariaWhere most songs like this fail, though, is in the staging. They often try too hard to have a staging that matches the uniqueness of their entry – often to ill-effect. Look at that Bulgarian compilation again, how many of those entries would have been more successful if the staging was stronger? If you have read my live notes, you know that I have an expression “DEDF” – Decent Entry Derailed by Fashion. Both of these entries are at potential to fall prey to this. The first thing that comes to mind when I think of Rhythm Inside is putting Loïc in a steampunk costume with a glowing piece over his heart. Throughout the song, he sheds the mechanical aspects, as if he’s becoming more human. However, while this could be done well – the tendency would be to go over the top; steampunk can go from supercool to scary and I fear that your typical stage director would not know the difference. Likewise, Love Injection could very well be enhanced by repeating the staging from the Latvian national selection, adding in some new light effects and possibly some chain elements; but how quickly would this devolve into some kind of dominatrix outfit? (Very quickly!)

Good luck to both Belgium and Latvia – I hope both delegations highlight their songs positively on stage without going overboard. But, these two are not the only ones experimenting this year, two more are giving us unique entries, albeit not quite as extreme.

Pushing the Envelope

Spanish Flag MapLess dramatic than Belgium and Latvia, Spain and Georgia both have songs that challenge traditional music expectations. Both songs have echoing, booming refrains that are easy to sing along with. Both songs have complex layers that create textured, intriguing pieces that captivate the listener. Both are different enough to avoid easy comparisons with the other entries, but neither are so otherworldly that they will scare off the casual viewer.

Like Belgium and Latvia, there will be a lot of temptation to go overboard with the staging of these acts.Georgian Flag Map Spain needs to focus on lighting effects – Edurne’s voice speak for itself (no pun intended). We don’t need dancers and a lot of graphics, just some well queued spotlights and coloring. Georgia has a bit more leeway. I would recommend reproducing the video, bringing women that represent different female warriors from around the world (or at least, around Europe) and from various time periods, from Maltese knights to modern British soldier, from ancient female heroins to tribal fighters. Again, good luck to Spain and Georgia, may commonsense and good taste prevail!

As we celebrate the 60th Contest, we are presented with a wide array of options, various genres are represented, from swing to punk rock to popera. This year, that diversity of music includes an increased number of songs that push the limits of modern music; that can be considered “experimental.” Regardless of the ultimate final placing of these songs, their presence alone enriches the ESC field of entries and promotes variance, hereby keeping the Contest relevant as it enters its seventh decade.

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2015 Entries Recap

Hello Dear Readers!

We have reached the submission deadline – all songs are *final* — i.e., the artists and songs are set, though minor lyrical or compositional changes might be made (for a fee, of course). At this point, all 40 participating countries have submitted their performing artists, the official lists of lyricists and composers, the official studio version, the official karaoke version (may have backing vocals), the official backing track (no vocals at all), and a music video/video clip (if no music video has been made yet).

Speaking of participants, some unexpectedness has ensued this year!

  • CzechFlagMapCzech Republic has returned! Probably on the back of Austria and Hungary’s (and, to a lesser extent, Poland’s) success last year. Returning alongside the Czech Republic are Cyprus and Serbia. Who would’ve thought that Czech Republic would be back before perennial Top Ten-er Turkey?
  • Ukraine has withdrawn (for obvious reasons), but Greece continues to compete (despite having bigger problems to deal with). Let’s hope they don’t win to avoid the political and economic firestorm that would surely ensue.
  • Armenia deciding that it wants people from all over the world. Genealogy has a representative from the Americas, Asia, Europe, Africa, and Australia, with an Armenian at the center. That Armenian – Inga Arshakyan; one half of the twin sister group Inga & Anush who you may remember from 2009’s Contest.
  • Sammarinese Flag MapSan Marino gives us not one, but TWO Junior Eurovision artists.
  • Germany had some crazy stuff happen. In short, the winner of Unser Song für Österreich, Andreas Kümert and his song Heart of Stone, after winning by a landslide decided to turn down the honor of representing Germany in Vienna. Second-place finisher, Ann Sophie and her song Black Smoke, will be going to Vienna instead. For her part, the host did a good job of handling the unprecedented situation.

AustraliaAnd, the biggest WTF of the ESC2015 thus far: AUSTRALIA!!!!

  • What. The. Mess!! The Aussies will be participating in ESC for the first and (most likely) only time. Yes, the EBU has decided to allow longtime observer Australia to participate in the ESC after decades of loyal viewership. This is meant as a one-time only affair. Unless, of course, Australia wins! In that case, SBS (the Australian broadcaster) will co-host the Contest next year with a European broadcaster in Europe. I guess, theoretically, Australia could compete forever if it always wins.  Wouldn’t that be something!  I wonder how many consecutive victories would be required before SBS would be allowed to host the Contest Down Under? And with international star Guy Richie performing the entry, SBS is not going small, but more on that below!

So, without looking at other blogs, commentary, or any other source of opinions, here is my quick assessment of this year’s 40 contenders! This is the first time I am hearing each song. My comments are in blue.

Semi-Final One (Australia, Austria, France, and Spain are voting)

  • Armenia – Face the Shadow performed by Genealogy: The refrain is nice, but the verses are kinda wonky. Overall, I generally like the sound; though, musically, it’s a really weird mash-up of styles. I predict it making the Grand Final and then falling flat.
  • Belgium – Rhythm Inside performed by Loïc Nottet: He surely is a good Belgian Flag Countrylooking guy! His voice kinda sounds like a male Sinéad O’Connor. I think I like the song. This seems a bit too experimental for ESC; I cannot see it doing well unless it gets surrounded by two WEAK entries AND the performance/staging is flawless.
  • Estonia – Goodbye to Yesterday performed by Elina Born & Stig Rästa: I don’t particularly care for this. I also do not think that this will do all that well; it’s not all that captivating at all. Perhaps they will spruce up the performance a bit for Vienna.
  • Finland – Aina Mun Pitää (I Always Have To) performed by Pertti Kurikan Nimipäivät: Definitely not my style of music at all. Finland has seen some success with hard rock, but this is not exciting or enthralling or even interesting. It’s the least rock rock song I think I have heard. And it feels like it is too short. I predict last place; perhaps even a null points.
  • Greece – One Last Breath performed by Maria Elena Kyriakou: If the last few years proved anything, it’s that Greece is not invulnerable. This ballad is not of high quality – it needs significant work before I think it has a serious chance at anything other than bottom ten at the Grand Final.
  • Macedonia – Autumn Leaves performed by Daniel Kajmakoski: I enjoy this, especially when compared to the previous three. It feels like it lasts a bit longer than it should, but at least it does not feel stagnant like so many other mid-tempo songs can. I think it can qualify for the Final, not sure after that.
  • Moldova – I Want Your Love performed by Eduard Romanyuta: Finally, an uptempo dance number! (Not words I thought I would ever say) It’s quite generic, but is completely different than any of the other songs in the first half. I anticipate Belgium will open the show and this will be performed around fourth or fifth to energize the audience. I think it will definitely qualify and finish mid-table.
  • The Netherlands – Walk Along performed by Trijntje Oosterhuis: The Dutch Flag CountryNetherlands reached the Top Ten two years in a row on the back of darker, soul-bearing songs.  So, it makes complete sense that they would turn their back on that equation and go back to generic, understated pop (that’s sarcasm, by the way). This is a pleasant song that leaves little impact. I anticipate The Netherlands being left behind once again in semi-finals.

We’re at the halfway point of the first semi-final and I am not impressed. So far, Belgium and Moldova are the top two entries in my mind.

  • Albania – I’m Alive performed by Elhaida Dani: More generic pop, yay (more sarcasm). I do not see Albania qualifying with this song, though, if the live performance as emotionally raw as 2012’s Albanian entry, then this song will have the ability to shock a lot of people.
  • Belarus – Time performed by Uzari & Maimuna: Belarus is great at pop numbers and this is no different. I think this is a real contender to finish in the Top Ten – especially if they can pull off a magic trick reminiscent to the end of the music video. I don’t think it is strong enough to win, though.
  • Denmark – The Way You Are performed by Anti Social Media — see my thoughts here
  • Georgia – Warrior performed by Nina Sublatti: The first of two songs withGeorgian Flag Map this title this year (which, I believe is a first). I definitely like it. This is what Georgia is best at: off-centre, groundshaking pop. I think it will move through on the back of its woman empowerment theme, though, I think it will fall outside of the Top Ten.
  • Hungary – Wars for Nothing performed by Boggie: So, a clear cry for peace in this tumultuous time that we are living in. Too bad this song is disparately boring. It will get some points for its message, but not many.
  • Romania – All Over Again performed by Voltaj: Romania, more than any other country, has the uncanny ability to perform well with mediocre songs. I foresee this year continuing that trend. A weak song will end up in the low teens because Romania has a strong backing across Europe.
  • Russia – A Million Voices performed by Polina Gagarina: With Armenia, Russian Flag MapBelarus, and Serbia voting, there is no way Russia is not making the Final. This song, much like Albania’s, is not that great, but an amazing live performance can help it outperform. Like Albania, there is a stunning singer delivering the song, unlike Albania, Russia has a huge diaspora throughout Europe that will support it and lift this song into the Top Ten.
  • Serbia – Beauty Never Lies performed by Bojana Stamenov: So, not bad, though, songs with huge tempo changes have a checkered past at the Contest. I’m not sure how well it will do. Though, against this competition, I think it will definitely move through to the Final despite the size-bias that we often see play out at ESC.

BelarusSo, that is the first semi-final. I cannot say that I am, at this point, overly enthusiastic about any of the songs. Though, there are a few gems: Serbia, Belarus, and Georgia all have decently strong entries, in my opinion. Russia, Belgium, and Albania are all at potential for greatness with a convincing live performance. I think Moldova will sneak through, and Greece, Romania, and Armenia will qualify based on the strength of their legacies.

Semi-Final Two (Australia, Germany, Italy, and the United Kingdom)

  • Czech Republic – Hope Never Dies performed by Marta Jandová & Václav Noid Bárta: Hmmm…interesting number. I am not convinced that it will do well, but I think it is right around a 9-12 finish in the semi-final. Definitely, the Czech Republic’s strongest entry to date.
  • Ireland – Playing with Numbers performed by Molly Sterling: Not really my thing. I also think that the sound is neither contemporary enough nor “retro” enough to make a big impact at ESC. I see another year left in the semi-final for Ireland.
  • Lithuania – This Time performed by Monika Linkytė & Vaidas Baumila: This song definitely has potential. I think that the two of them need to Lithuanian Flag Mapwork on singing together; their chemistry on stage is fantastic already. The kiss is a fun gimmick. This is definitely Lithuania’s strongest entry in recent years and, given the relative balance in strength, is the first real contender for victory I have heard.
  • Malta – Warrior performed by Amber: Our second warrior this year. Not as strong as Georgia; this is more formulaic and makes a much smaller impact. If this makes it to the Final, I think it will be due to weak competition, not its own merits.
  • Montenegro – Adio (Goodbye) performed by Knez: This is a good song, but overall, unremarkable in my opinion. It is rather stagnant; it does not build or captivate. Definitely not ŽjeIjko Joksimović’s (famed Contest composer, performer, and host) best work. I do think Montenegro will be returning to the Final.
  • Norway – A Monster Like Me performed by Mørland & Debrah Scarlett: Is it me or is there an increase in duets this year? This is the exact opposite Norwegian Flag Mapof Lithuania; they sing well together, but avoid having to display chemistry by standing back-to-back. The song is not fun and perky, but is instead stirring with a dramatic edge. I think it should also be considered a contender for the win.
  • Portugal – Há um Mar Que Nos Separa (There’s a Sea that Separates Us) performed by Leonor Andrade: I think this does not quite know what it wants to be. It starts like a rock number, but then pulls off the throttle and then purrs the rest of the way. They need to work on that arrangement if they really want this to succeed.
  • San Marino – Chain of Light performed by Michele Perniola & Anita Simoncini: One of the first to announce its artists, but one of the last to reveal a song; San Marino was definitely trying to stay in the media at each step of the way. It’s interesting how different Perniola sounds now then just a few years ago at JESC, definitely more mature. This song goes from dark to light; i.e., the composition captures the lyrics well. SM’s qualification hinges on the staging – can SMRTV devise a stage show that reflects the composition?

Halfway through the Second Semi-Final and things are a bit more hopeful at this point. The semi-final two is typically the stronger one and this year falls within that expectation. Two songs have already impressed me to the point of thinking of them as true Contenders. Let’s see what the second half has in store!

  • Azerbaijan – Hour of the Wolf performed by Elnur Huseynov: That is one awesome song title! The song makes me feel like I am out West, exploring the desert on horseback, which I guess is the point. Definitely the strongest entry thus far. We might be heading back to Baku in 2016.
  • Cyprus – One Thing I Should Have Done performed by John Karayiannis: It’s like we’ve stepped back into the early 90s! I really like the song but I think it has zero chance of moving through to the Final.
  • Iceland – Unbroken performed by Maria Ólafs: The song is a bit generic for me, but I think it has a real chance of achieving a Top Ten finish. However, I do not think that is will win (maybe with a strong performance + good position in the running order), but it will definitely be successful.
  • Israel – Golden Boy performed by Nadav Guedj: A very Bollywood-style Israeli Flag Countryentry. I hope it has the staging to match! It’s definitely a fun song and should stand out among the more serious entries of this semi-final. Again, being one of the few true, uptempo dance numbers will definitely help its case.
  • Latvia – Love Injected performed by Aminata: That was highly unexpected. Definitely WAY different than your typical ESC entry. I am thinking that it is a little too different. There is no real melody and her voice is a little jarring. I do not see this qualifying; though, I do like it!
  • Poland – In the Name of Love performed by Monika Kuszyńska: This song definitely gets better as it goes along. I like it and think a lot higher of its chances at the end of it than I did at the beginning, which is exactly what one wants in their entry: improving opinions throughout its duration.
  • Slovenia – Here for You performed by Maraaya: I like this! The song is a bit quirky, but not too much so. I fear, though, that the stage performance is going to be weird and derail its chances for success because it will alienate the viewers and confuse the juries.
  • Sweden – Heroes performed by Måns Zelmerlöw: Finally, Zelmerloöw makes it to the ESC! Wow! This Melodifestevalen performance! I cannot wait to see this on stage in Vienna. The song is also catchy, but captivating; multifaceted, but understandable. Definitely another serious contender to win!Swiss Flag County
  • Switzerland – Time to Shine performed by Mélanie René: There’s definitely a Native American vibe going on in the video, but it is not really reflected in the composition. This strikes me of a revamped My Time (UK 2009) – a repetitive song about empowerment, but this one is more uptempo. I think, again, its success depends on its placement in the running order.

AzerbaijanSo, the second semi-final is definitely the stronger of the two, but that is fairly standard at this point. I see four, legitimate contenders to carry the crown: Azerbaijan, Sweden, Norway, and Lithuania. I also see a Top Ten entry in Iceland. The last five is a crapshoot dependent on performance, staging, and the running order. For right now, let’s say the other five qualifiers will be Switzerland, Ireland, Poland, Slovenia, and Malta.

Automatic Finalists

  • Australia – Tonight Again performed by Guy Sebastian: Make no mistake about it, Australia looks to return next year. And the only way to do that is to win. This song, and the selection of international R&B star Guy Sebatian, gives Australia a legitimate shot of taking the crown. Personally, I think the song is fun and a good balance of catchy and intriguing. All it needs is a good running order slot.
  • Austria – I Am Yours performed by The Makemakes: I really like this. Austria has done a good job of setting itself up to do well on home turf without the risk of winning in consecutive years.New French Flag Map
  • France – N’oubliez Pas (Don’t Forget) performed by Lisa Angell: France returns to its roots with a traditional ballad. This will definitely help the French avoid another last place, but I do not see it making a major impact on the scoreboard.
  • Germany – Black Smoke performed by Ann Sophie: I like this song; it’s stands out as being unique, despite its 90s sound. I foresee this quickly becoming one of my favorites. Unfortunately, I do not foresee Black Smoke making a significant impact in Vienna, especially seeing how badly it was beaten in Unser Song.
  • Italy – Grande Amore (Great Love) performed by Il Volo: Like France, Italy is returning to its roots – a dramatic, tenor-driven, epic ballad of Italian Flag Maplove. Expect this song to collect jury votes and those of ESC’s older viewers. I will be interested to see how they stage this song; whether they will tell a story or simply put the guys on stage to sing their hearts out. I predict a Top Ten finish.
  • Spain – Amanecer (Dawn) performed by Edurne: Spain, seeing how successful it can be with emotional, power ballads, is trying its hand once again at the genre with its most epic attempt yet. Anyone else notice the date of the Grand Final inscribed inside the ring in the music video? I like it, but I have a feeling that it will not translate to the stage like it does to music videos – we’ll see, I guess.
  • United Kingdom – Still in Love with You performed by Electro Velvet: Oh, the faux-20s sound that was so popular in the 90s (hmmm, definitely a seeing a trend here). Usually, inside jokes come from the French, but the Brits attempt an entry that sounds and looks like something that will go over the heads of most watching the Contest (including yours truly). Hmm..not sure how it well it will do.

AustriaOf the automatic qualifiers, I think Italy, Austria, and Australia have the strongest entries, though, I think all of them are good. Germany, Spain, and the UK are probably my favorite.

As a recap, the 20 qualifiers that I think will join the automatic qualifiers: Serbia, Belarus, Georgia, Russia, Belgium, Albania, Moldova, Greece, Romania, Armenia, Azerbaijan, Sweden, Norway, Lithuania, Iceland, Switzerland, Ireland, Poland, Slovenia, and Malta. Of the 27 projected finalists, I think the Top Ten will be (in no particular order):

  • Australia
  • Italy
  • Lithuania
  • Sweden
  • Norway
  • Azerbaijan
  • Iceland
  • Spain
  • Austria
  • Belarus

IfSweden the Contest were to happen today, I would predict that these countries had the best chance of winning: Azerbaijan, Norway, Sweden, Lithuania, Australia, and Italy. Come back in a few days’ time for my more in-depth review of each of these six entries!

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ESC2014: Second Semi-Final Final Predictions

Tuesday’s spectacular show with its stunning performances and its historic qualifiers is now behind us as we face forward to tonight’s Semi-Final. This one is a bit more straightforward with fewer entries in limbo. Again, these predictions are based on the bookies and internet fan chatter.

Should make it through:
Greece
Romania
Norway
Israel
Ireland
Poland

Probably will make it through:
Austria
Macedonia
Malta
Finland

Fighting for the Final Spot:
Slovenia
Switzerland

No chance of moving through:
Georgia
Lithuania
Belarus

Slovenia – a strong composition that underwent a positive reworking to add a bit more Slovene and big notes. It’s such a captivating song!

Switzerland – a fun song with a charismatic performer. It stands out from the crowd and gets you whistling along with it

Both songs are folk-inspired, uptempo pieces performing towards the end of the show; both contrast the entries on either side of it. Both historically struggle to qualify and both have singers that will be “playing” instruments on stage. The difference lies in their support. The only predictable points are from culturally close countries (aka neighbors). Slovenia has fellow former Yugoslav republic Macedonia. Switzerland has Italy, Austria, and Germany all voting tonight. Advantage to the Swiss. I expect Sebalter to bring his homeland back to the Final.


ESC2014 Song Reviews: Recap

Hello Dear Readers! As promised, here is a recap of my song reviews!

First, the composite scores, ranked from highest to lowest. Potential for Success score was used as the first tie-breaker, Personal Interest Score as the second.Swedish Flag MapAustrian Flag Map

First Semi-Final Second Semi-Final
Sweden (9) Austria (8.5)
Armenia (9) Poland (8)
Azerbaijan (8.5) Romania (7)
Hungary (8.5) Israel (7)
Ukraine (8) Ireland (7)
Russia (8) Macedonia (7)
Moldova (8) Malta (7)
San Marino (7.5) Belarus (7)
Iceland (6) Greece (6.5)
Belgium (6) Switzerland (6.5)
Estonia (6) Slovenia (6)
The Netherlands (5.5) Finland (5.5)
Portugal (5) Lithuania (5)
Albania (4.5) Norway (5)
Latvia (4.5) Georgia (4.5)
Montenegro (4)

Italian Flag Map

Automatic Qualifiers
Italy (8)
Germany (8)
Denmark (7.5)
France (7)
United Kingdom (6.5)
Spain (6.5)

 

Overall Impressions

Typically, there are many entries that try to duplicate the most recent winner’s sound, which this year, would be pop with Denmarksome folk elements, much like what happened in 2010 after Norway’s most recent victory. And we see that in Germany, Ireland, Poland, Portugal, and Slovenia seem to have gone that route (I’m leaving Greece off because they always send the same, vaguely ethnic entry each year). Azerbaijan and Montenegro both incorporate folk elements into their ballads as well. Interestingly, there is also an abundance of American-style folk entries: the Netherlands, Georgia, Malta, Switzerland, and Latvia, taking inspiration from Rollo & King (Denmark 2001), perhaps, as the duo got second place the last time the Contest was in Copenhagen. Though, Never Let You Go is definitely more country than folk. There seems to be a dearth of rock entries, with (unsurprisingly) Finland and (surprisingly) Italy representing the genre on stage. France and Greece provide rap, a historically unsuccessful genre, this year – let’s see how they do.

ArmeniaAs you can see, I think it’s a pretty even field this year. As much as I like Austria’s entry, I just don’t see it competing for the championship, leaving Sweden and Armenia to duke it out for victory. As I continue to gather information and get more comfortable with the songs, I’ll have more analysis! Look for my “Contender or Pretender” series next week! As well as my first YouTube post that will focus on some entries that I think can be real dark horses this year!

One last note, though, since reviewing these songs, some of my opinions have evolved. I don’t Georgiathink Georgia is as bad as I thought it was initially, though, it still will struggle to avoid a null points in its semi-final. Israel and Lithuania have both slightly grown on me, though, I’m still not a big fan of either. Spain and Montenegro, to entries I did not pay much attention to before Eurovision in Concert, are now both on my watch list. They’re both just one stunning performance away from pulling an upset on May 10. Norway, Denmark, and Latvia have all lost ground with me and I no longer feel as favorable towards them as I once did.

 

I’m excited to dive deeper into the entries in the coming weeks. Even more excited that I will get to see the semi-finals and the jury dress rehearsal for the Grand Final in person for the first time!! Until next time, dear readers!


ESC2014: Song Reviews – Semi-Final 2, First Half

As a recap — I am reviewing each song from the 2014 ESC.  Sorry for the low frills styling; the semester is coming to a close here at my university, so things are a bit crazy!  I will neaten things up and style it up later.

 

Maltese Flag Map1. MaltaComing Home performed by Firelight

This is another song with a heavy subject matter and another questionable choice to start the night given the slower tempo and sure-to-be heart-wrenching performance. I like this song; its feel and its lyrics. I really like the sentiment, as well. I think, though, that it will not capture the hearts of Europe, particularly since it is going first.

Keys to Success: Playing up the WWI connection that they have in the video and making the audience cry

Potential Stumbling Blocks: Being perceived as too slow or too heavy; a weak, understated performance

Personal Interest Score: 8

Likelihood of Success: 6

Composite: 7

 

2. IsraelSame Heart performed by Mei FeingoldIsraeli Flag Country

I do not quite get the hype around this song. I do not think the composition fits Feingold’s uniquely deep voice all that well, but it remains one of the more popular songs thus far this year. Initially, I did not think that this song had much chance of succeeding, but that has changed now.

Keys to Success: Capitalizing on the dancehall sound this entry has

Potential Stumbling Blocks: Feingold’s deep voice going flat throughout the performance

Personal Interest Score: 6

Likelihood of Success: 8

Composite: 7

 

Norwegian Flag Map3. NorwaySilent Storm performed by Carl Espen

Quite a change from last year, eh?! This is another case of a song with a lot of unexplained hype. It is one of the bookies’ favorites, but lacks consistent fan support. Like many of the other slower tunes this year, this song lacks any kind of driving force or forward momentum. I think it will fall flat.

Keys to Success: Some kind of interesting use of LED and wind machine to capture the song’s lyrics visually

Potential Stumbling Blocks: A flat performance featuring Espen alone on stage

Personal Interest Score: 6

Likelihood of Success: 4

Composite: 5

 

Georgian Flag Map4. GeorgiaThree Minutes to Earth performed by The Shin & Mariko

Another folk entry, though, I think this one is a bit of a mess. It’s like an undisciplined gypsy tune. I don’t like the random off-tempo bits; they just confuse the ear. The lyrics also leave much to be desired.

Keys to Success: An action oriented performance showcasing the fact that this is a dance tune

Potential Stumbling Blocks: Expect name recognition and fancy guitar work to carry them (see Croatia 2007 or Albania 2013)

Personal Interest Score: 6

Likelihood of Success: 3

Composite: 4.5

 

Polish Flag Map5. PolandMy Słowianie – We Are Slavic performed by Cleo & Donatan

Such a fun song!! A sexy, girl-power song brings Poland back to the ESC in style. I think given the fact that this will be the first uptempo, club song of the night (and, really, is the only one in the first half) it will definitely earn Poland its first trip to the Grand Final since 2008.

Keys to Success: Get Europe dancing! Use the LED to project images of all kinds of Slavic ladies

Potential Stumbling Blocks: Depending so much on the sexual innuendo that the the tighter standards that the EBU will impose water down the staging (see: Austria 2012).

Personal Interest Score: 9

Likelihood of Success: 7

Composite: 8

Austrian Flag Map6. AustriaRise Like a Phoenix performed by Conchita Wurst

I love this song! I love that it sounds like something out of James Bond. I love that it has such a powerful message. And, most of all, I love the constant build throughout the arrangement. What I find most interesting, though, is that I like this singer much more as the drag queen Conchita Wurst then I do as himself (Tom Neuwerth).

Keys to Success: A grand staging: they cannot back away from this number.   they should make amble use of smoke machines, the LED background and stage.

Potential Stumbling Block: Wurst’s image can be a bit jarring for those who are not expecting it or are not use to this kind of drag; These big dramatic numbers are not for everyone

Personal Interest Score: 10

Likelihood of Success: 6

Composite: 8.5

 

Lithuanian Flag Map7. LithuaniaAttention performed by Vilija

Umm…this song is a mess. The random shouting throughout, the strange composition, the dancing is okay, I guess. Though, the interesting thing about Lithuania is that it is so unpredictable. When you think it will do well, it fails (think 2007) and when you think it will fail, it succeeds (think about 2012).

Keys to Success: Nailing the choreography

Potential Stumbling Blocks: Anything short of a perfect performance

Personal Interest Score: 4

Likelihood of Success: 6

Composite: 5

 

Finnish Flag Map8. FinlandSomething Better performed by Softengine

Not my favorite; it’s a bit bland and trite. The composition does not really go anywhere, and the singer’s voice is a bit grating. With that said, I do think that it is catchy and appeals to a wide audience. Just not me.

Keys to Success: Getting the rock band sound to come across on stage and having a look to match

Potential Stumbling Block: a la Belarus 2012, letting the production remove you from who you are and coming across as plain and unoriginal

Personal Interest Score: 4

Potential for Success: 7

Composite: 5.5


RtD14: Looking Back at Georgia

In its short history, Georgia has had varied success at the Contest.  While they have two victories at the Junior version – where it has submitted very unique and experimental entries, its songs for the ESC have generally been much more formulaic.  In my opinion, the songs have declined in quality since their debut in 2007.  Let’s dive in, shall we?

GeorgiaGeorgian Flag Map2007 – Visionary Dream – Georgia’s debut at the Contest, it definitely tried to show its unique style with this entry.  The music is hot and the singing was outstanding.  I think Sopho and Georgia took Europe by surprise with the strength of this song.  Though, the lyrics leave much to be desired.

2008 – Peace Will Come – The only female singer for Georgia not named “Sopho,” Gurtskaya is one of the country’s biggest stars. The song was nice; the costume change was well done and I am still looking for where the clothes went.  Irony!  Right after a song about peace and maturity, Georgia withdraws because they’re political, anti-Putin song did not qualify to compete.

2010 – Shine – A formulaic song that won the hearts of the juries, I think that the performance outshone the actual elements of the song.  Nizharadze’s voice was strong and pure – very well done.  I thought the staging was a bit over the top, but the singing was right on target.

2011 – One More Day – In an unexpected turn of events, Georgia broke into the Top Ten with a rock song (and incredibly ugly outfits).  I still do not quite understand how this song managed to be so successful among such a strong field of contenders, but it is what it is.  I do not think that the composition was all that compelling nor the lyrics all that moving – the performance wasn’t even all that interesting.  One of those results I just do not quite understand.

2012 – I’m a Joker – The only Georgian entry, thus far, to fail to qualify for the Final.  It was a hot mess – it’s lyrics, it’s composition, it’s performance: it was nowhere near quality.  It was not even a decent joke entry as it took itself too seriously.  Just…poorly done.

2013 – Waterfall – Big ballad: Check!  Swedish song author: Check!  Wind machine: Check!  Key change at just the right moment: Double check!!  ESC victory: nul.  This is, as ESC Insight would say, “Eurovision by numbers;” however, it failed to impress the fans or garner the jury support that everyone figured it would.  In fact, it barely slipped into the Grand Final ahead of San Marino’s effort.  This reminds us all that it may be time to reexamine what makes a “perfect” ESC entry.

Let’s Take a Closer Look at:Georgia Georgia 2013.  Painting by numbers is when one is able to recreate a painting by matching colors to a number on a canvas.  When applied to ESC “Eurovision by numbers” is the concept that an entry encapsulates all the stereotypical elements of songs that have traditionally been successful in decades past – a power ballad with a dramatic key change and overly sentimental lyrics that involves a key change and uses a wind machine in its performance.  Waterfall had all of these, plus a bonus point for having a big name Swedish songwriter.  Unfortunately for Georgia, the song fell flat, with the fans and the juries.  I think it’s an indication that we must rethink what we deem as the “ideal ESC entry.”  Ever since the involvement of televoting in 1998, the strength of the performance (the singing as well as the staging) became more important.  With the victories of Estonia, Turkey, Greece, and Sweden 2012 – the influence of dance music has multiplied tenfold.  In fact, since 1998, only three true, ballads (in this case, ballad is defined as a slow, emotional song) have won – Denmark’s surprising folk entry from 2000, Serbia’s megaballad from 2007, and the 2008 winner performed by Russian megastar Dima Bilan.  Otherwise, pure pop tunes or dance hall tracks have lifted the trophy at ESC.  Maybe, instead of asking if a song is stirring enough, we should ask “can I dance to this beat?”  What this means for the future of the Contest, I’m not quite sure.  But with similar failures like France 2009 and Spain 2012, we really have to challenge what we believe are the conventions that define a strong entry.

Check back for the next stop on the Road to Denmark: Germany!  You can also look for previous stops as well.


Eurovision 2013 – One Week Later

So, it’s been a week since Denmark’s third Eurovision victory – and what a week it has been!!  But more on the accusations, concerns, and speculations a little later – first, let’s wrap up Eurovision 2013…and we all know what that means – my annual awards!  I will give out awards for lyrics, outfits, American-ized sound, and general “ESC-ness.”  Additionally, I am adding awards for staging.  Please note, all photos are from the official ESC website: eurovision.tv.

Best Lyrics Award

Icelandic Flag MapWinner: Iceland

“Og ég trúi því, já ég trúi því
Kannski opnast fagrar gáttir himins
Yfir flæðir fegursta ástin hún umvefur mig alein”

Full disclosure here: my primary reason for liking these lyrics so much are their Christian undertones.  The whole song is sung vaguely to a “you” and how the love this person (or Deity) provides hope, light, and inspiration.

First Runner-Up: Croatia

“Zlata niman da te njime okitim
Samo ove ruke dvi da ti dušu zagrlim”

A simple love song – the singer has nothing more than love to offer his beloved.  The “misery” they keep singing is a reflection of this lack of material goods.

Second Runner-Up: Estonia

“Veel sulab jää ja õide puhkeb raagus puu
Iga lõpp ei ole muud kui algus uus
On vaja ööd, et päev tooks valguse”

Some might consider this song a bit trite, but I like it!  The hope it inspires, its optimistic attitude.  All of which are made more significant by the fact that Birgit is pregnant with her first child.

Honorable Mention: Greece, Cyprus, France, Israel

The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

Winner: BelarusBelorussian Flag Map

“Solayoh, Solayoh, where the sun is always shining on ya
We play-oh, we play-oh to the rhythm of a cha-cha”

Yeah…if you’re going to make up words, go the whole way and sing the whole song in an imaginary language – none of this mix-and-match stuff.

First Runner-Up: Hungary

“Farkasok neveltek és
Táncolt egy délibábbal
Majd elillant csendesen”

Throughout the song, we learn that his love was raised by wolves, she embraces the seven continents, and dances with mirages.  What?  Who is this girl? Is she some kind of wild child?  How does one dance with mirages?

Second Runner-Up: Montenegro

“Kik i bas zaraza razara, niko neće poć’ utvrđenog pazara
Opet sjutra utabanim stazama, s mojima visim ne mislim o parama”

A song about going to a never-ending party, with lots of ways to lose your money and with plenty of scantily clad women.  It’s like a flashback to the 90s! Really, just a rather vapid song, lyrically.

Honorable Mention: Lithuania, Serbia, Macedonia

Best Dressed Award

Winner: ItalyItaly

A big improvement from last year!  Marco Mengoni was impeccably dressed in a sharp green suit, good stuff!

Runner-Up: Norway    norwayoutfit2

Her dress, which was only slightly altered from the one she wore at Norsk Melodi Grand Prix, fit the attitude of the song perfectly.  Tight, alluring, but covers enough to leave a bit of mystery in the air.  Perfect.

Second Runner-Up: Malta
malta outfits

Their outfits perfectly fit the feeling of the song and the persona of the singers.

Honorable Mention: Moldova, Georgia, Ireland, The Netherlands

Most in Need of a Costume Change Award

Winner: Serbia
Serbia outfits

Moje 3 won the Barbara Dex Award this year.  Need I say more?

First Runner-Up: Romania
romania outfits

His outfit was not only awful, but he had the nerve to complain that people continually compared him to Dracula.  Let’s see, you’re from Romania, you have a black cloak that has a collar as high as your head, and you rise up throughout your song while surrounded by people who look as if they’re covered in blood (and nothing else!) – yeah, those comparisons are going to be made.

Second Runner-Up: Belarus
belarus outfits

Bright…shiny…death by sequins…

Honorable Mention: Israel, Bulgaria, Petra Mede (I know she wasn’t competing, but her dresses were awful)

Best Staging Award: a new award this year – I often talk about the performances and thought that I should formally recognize the best ones

Winner: Azerbaijanazerbaijan performance

The idea of using a dancer to shadow Fariid Mammadov was genius.  Its execution was even more brilliant.  They established the box man’s purpose, which allowed him to be a bit more freeform later in the performance. Smashing!

First Runner-Up: Denmark

Frankly. this staging was designed to make this entry look like a winner – and it worked.  Well done!

Second Runner-Up: France

It was very simple, but Amandine Bourgeois excelled on stage and brought the passion and the fire!

Honorable Mention: Italy, Moldova, San Marino

I don’t want to add another negative award for worse staging, so I won’t.  Though, I do want to say that Belarus was way over the top.

“This is DC Calling” Award: Given to the most American sounding entry

Winner: SloveniaSlovene Flag Map

Not just because Hannah Mancini is American, but in a year with a lot of ethnopop, this one brought the least “European” feel to the Contest this year.

First Runner-Up: Switzerland

They reminded me a lot of generic Christian rock – which I guess makes sense given Takasa’s background.

Second Runner-Up: Moldova

Very much a 1990’s R&B sound to this song.

Honorable Mention: Greece, Russia, Finland

“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular

Winner: GermanyGerman Flag Map

It’s Cascada.  I wouldn’t be surprised to hear this song on the radio in a month of so.

First Runner-Up: Sweden

One of the more modern entries this year, I think You would fit perfectly with the current Top 40 in the American charts.

Second Runner-Up: Greece

While the metaphors and intricacies of the lyrics would be lost on most in the US, it’s a great party song and the masses would jump behind the “Alcohol is free” lyrics and ska sound.

Honorable Mention: Moldova, Hungary, Finland, Norway, United Kingdom

The “Spirit of ABBA” Award: Give to the most stereotypical ESC entry – especially apropos due to this year’s location in Sweden!

Winner: BelarusBelorussian Flag Map

Campy – yes!  Dodgy lyrics – yes!  Over-the-top stage performance – yesyes!!

First Runner-Up: Georgia

I have said this and so have many commentators and commenters: “this song is Eurovision by numbers.” Just your standard, carbon cut ESC song.

Second Runner-Up: Denmark

Also considered tobe a bit generic, this year’s Danish entry was flashy and vaguely ethnic, two classic elements to many ESC entries.

Honorable Mention: Russia, Malta

The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Israeli Flag CountryWinner Moment: Israel failing to qualify

This year, Israel had a very strong composition, with well written lyrics, and an amazing singer.  Yes, her dress was ridiculous and distracting, but not so much so that it warranted Israel’s failing so greatly.

First Runner-Up: San Marino failing to qualify

This song was a huge fan favorite, and rightfully so.  Granted, Valentina Monetta’s vocals were not as strong as they could have been, it was still a huge shock and disappointment that Crislide (Vola) failed to make it to the Final.

Second Runner-Up: France scoring only 23rd place.

Amandine Bourgeois was flawless on the night and deserved a Top 15 spot, if not Top Ten.  She was sunk by her position in the running order.

Honorable Mention: Finland allowed to have its girl-girl kiss (Krista Siegfrids admitted that it was a political move, but was still allowed to do it anyway)

And finally, the biggest award of them all…My Top Ten!  While I like all of the songs, these are my ten favorites taking into consideration the lyrics, music, live performance, and studio performance.  Songs are ranked from 10 – 1, with one being my most favorite song.

10. Azerbaijan I was lukewarm on this song until I saw the performance – wow!
9. Israel A captivating song from the first note
8. Hungary Smooth, understated, quite nice
7. Denmark A lovely song that is catchy and uncomplicated
6. San Marino Unexpected and entertaining, well sung
5. Slovenia This song is pure energy (it’s a shame about the live performance, though)
4. The Netherlands Powerful, quiet, and contemplative that perfectly builds throughout
3. Switzerland Fun and catchy, a love song that dares to pop
2. France Dark, powerful, and devilishly addictive
1. Norway Mysterious, very modern, and utterly captivating – live or in studio

Honorable Mention: Moldova, United Kingdom, Macedonia, Greece

Final Thoughts

I don’t think I will comment on the voting controversies (essentially, various countries are concerned that several entries receiving a lot of support from the televote received little to no points in the final point awarding) other than to say that I agree with the general consensus of the ESC blog world: people were not prepared for just how much the new voting system was going to affect the final scores.  I agree, the EBU should repeat what they did in 2009 and reveal the full split vote, showing the jury vote and televote for each country for each of the three shows.  Their rationale of “protecting countries that did not reach the televoting threshold” is suspicious and disconcerting (especially since they have not released the guidelines for what this threshold would be for each country, either).  Anyway, for more detailed look, you can go to one of my favorite ESC blogs and read his article on the voting.

I will also talk briefly about the Marcel Bezaçon Awards, the annual awards given to the Press’ favorite act, the best performance (as deemed by the commentators), and the best composition (as voted by the composers of the 39 competing songs).  Georgia won the Press Award (probably because of how stereotypically ESC it sounded).  Many complaining that Italy or The Netherlands should have won, but given that both of the performing artists canceled some press interactions and generally had an air of nonchalance, there was no way the Press would vote for them.  Azerbaijan won the Commentator’s Artistry Award; while I do no think any one would objectively say that Farid Mammadov was the best performer this year, the entire staging of the Hold Me definitely warranted Azerbaijan winning this award.  Finally, Sweden won the composition award.  I’m not quite sure how or why, it’s not bad, but there were many more with better compositions (such as Norway, Germany, or Greece), but the composers thought it was best so it won.  I imagine because it was one of the least divisive entries (the three I listed tend to have people who love or hate them, few that just like them).

Overall, I am satisfied with the results.  I’m still shocked that Romania seems to have broken the curse of the counter-tenor and landed a 13th placing.  I’m also pretty shocked that Belgium did so well with Love Kills as well.  But, as I say every year, the final placings are the ones that were deserved based on the lyrics, music, and performances during the second dress rehearsals and live telecasts.  I can’t wait until for my dvd to come in the mail!

Looking Forward

I won’t put too much here, as I will save my hopes for next year for after we learn a bit more about ESC2014.  But, I hope the DR makes some changes from this year’s Contest.

-I hope that we go back to a random draw.  Honestly, I did not see a big difference in the mix of musical styles or overall flow of the night, but I know there are a lot of angry folks around the Continent and can put their blame towards the producer-derived running order.

-I hope that the Contest will be more accessible.  I said it before, the sheer intensity and frequency that SVT pandered to gay male fans was annoying and unnecessary (which I am saying as a gay guy) and, more importantly, made this year’s Contest less accessible.  Now, it requires a disclaimer before I show it to my friends who are not gay males (which is the grand majority of them).

-I hope that DR chooses to host the Contest in the soon to be built Hans Christian Anderson Arena in Copenhagen.  CPH is by far the easiest and least expensive city to get to in Denmark (not to mention that I’ve already reserved my hotel room).  Also, the planned arena would be smaller than Parken, which would give the arena a more cozy (or hygge) feel.  And, since the arena is not yet built, they can optimize it for the Contest.  If Azerbaijan can build an arena in one year, surely Denmark can.

Going forward, I plan on posting a last ESC2013 entry once the split votes are revealed.  Throughout the summer, I will be posting articles about each of country’s entries since 2007 (my first year watching the Contest) highlighting my ones, key strengths and challenges moving forward, and one thing they can do to achieve a better result next year.


Eurovision 2013 — Grand Final Live Notes…Live!

Thanks for reading my live-live notes! It was fun, but difficult, but overall, worth it! I hope to make this a tradition (at least for the Grand Final).  If you did not come to this post until after the Contest, you’ll notice that it is in reverse chronological order, so scroll to the bottom and read your way back to the top of the page.  I have hyperlinked each individual performance (click the country’s name).  If you want to follow along in real time, here’s the link to the Grand Final on the official website.  Good night!

Final Thoughts

Looks like I am still batting .800.  Not too shabby!  I had predicted that Germany (finished 21st) and Georgia (finished 15th) would be in the Top Ten and sorely missed the call there.  I also predicted that the UK would finish in the Top 15, nope.  I did call Sweden finishing 14th, though, so that’s pretty sweet!  Overall, I’m quite happy with the results.  While I do not think Denmark was the strongest in any one field (lyrics, composition, performance), I thought it had the best package.  This is a situation similar to Norway’s win 2009.  Now, all three Scandinavian countries have won since 2009 (that’s 3 out of 4 years!) – expand that to include all the Nordic countries (add in Finland and Iceland) and they have 4 victories since 2006 and a slew of Top Ten placings.  I know people in the West like to whine about the East, but it’s the Nordic bloc that has taken control of the Contest. Not a bad thing, since all five of those countries take the Contest very seriously and tend to produce very strong entries.  It will be interesting to see next year.  DR is not as aggressive about change as SVT is (and, really, who is), so I am hoping that some things will revert – like, we’ll go back to random draw for the running order and we won’t have the host try to end the show early.  Denmark won a long time before Petra announced it, so everything just seemed a bit awkward.

Anyway, I have complained a lot about SVT’s production, but I want to note some highlights: the opening and interval acts were all top notch.  While I think they got a little too cheeky with the humor during tonight’s interval act, overall, it was funny and well done.  Sarah Dawn Finer did an amazing job (though, I do wonder if anyone bothered calling the Herrey’s or Charlotte Perelli who also won for Sweden in 1984 and 1999, respectively) both as Lynda Woodruff and when she sung.  I want to go find her now!  I loved the postcards – they really helped endear you to each performing artist. And I thought the stage was really nifty (though, it was a little too easy to hide backing singers) – so well done there!

More to come in my usual “One Week Later” post.  I will also go through and clean up this post for typos, correct factual mistakes, and add images and links to the performances.

Actual Top Ten

1. Denmark (1 for 1)
2. Azerbaijan (2 for 2)
3. Ukraine (3 for 3)
4. Norway (4 for 4)
5. Russia (4 for 5)
6. Greece (5 for 6)
7. Italy (6 for 7)
8. Malta (7 for 8)
9. The Netherlands (8 for 9)
10. Hungary (8 for 10)

I like that Denmark brought their own confetti to add to that which was already falling.  Many said that the Danish staging was made to look like a winner – and it was! It looked good, it sounded good, it had strong lyrics, and a strong composition.  It had huge support from fans, analysts,  and bookies alike.  It was song that was destined to win, albeit, I don’t think anyone (other than maybe the bookies who had this at much lower odds than everyone else) expected it to win by so much.

Boo SVT Boo!!!!!!  You cut off the winner’s reprise – that is wholly unacceptable!

Yay – time for the Winner’s Reprise!!  Not a close race like I was hoping for, but the outcome that I had wanted, most definitely!  I promised myself that I would go to the Contest if Denmark were to win – looks like I’m heading back to Land of the Danes!  As soon as the host city is officially announced – I will be booking plane tickets and hotel rooms (or couches of friends) and heading to the place where I first discovered the Contest back in 2007.

I love that she is walking through the flags of all the other countries – awesome!!  Even better, I predicted this win way back when she took DMGP!

And Azerbaijan is officially second!

It’s a race for second! Azr is back in after Switzerland!

I think they just wanted to get Denmark moving.  We’re already 25 minutes over the 3 hour allotment.

What’s the point of announcing a winner if we’ll keep going to the spokespersons?  Is it simply because no Contest is complete without Cyprus officially giving 12 points to Greece?

We won’t get to the last few (Cyprus, Croatia, Switzerland, and Lithuania) — I like the light effect on her dress.

Macedonia – interesting, she forgot to say “Former Yugoslav Republic of ” before Macedonia, I think she’s getting tired. The FYR folks seem to be lining up behind Denmark. Fun!

Georgia – no surprises here

Slovenia – now the entire top 8 is over 100pts. 12pts to Denmark.

Montenegro – what’s up with that echo?

Denmark – No real surprises here.

Ireland – poor Ireland, they’re on track for their second last place finish.

Greece – Denmark breaks 200 and Azerbaijan regains second place.

France – And the Danes are just outside of 200 points.  I don’t think she’ll crack 300, though.

Iceland – no surprises here.  If I haven’t already, I am officially calling this for Denmark (I think I did earlier, but just in case I did not)

Germany – 12 to Hungary?  Interesting, not too surprising.  First slip up like that from a spokesperson in quite a few years.

Estonia – when will people learn, leading a vote announcement with “Our neighbors…” is not a good idea and will not buy you any love from the fans.

Malta – Oh – Azr! not expected!  Looks like I’ll be eating crow for my words about the UK entry, it’s not doing too well.

Russia – no real shock except for 8pts to Belgium.  But the sentiment seems rampant in Russian art that “love kills,” so I guess that’s why it got so many points.

Belgium – interesting to see where the points go without Turkey in the competition – The Netherlands, they’re fun neighbors to the north!  Yay, at least Anouk got one 12 for the Netherlands.  Good stuff.

Bulgaria – Armenia?  how strange. Oh, Ukraine narrows the gap to a mere 14 points.

And Eric Saade knows a thing or two about leading at the halfway point, only to see that lead slip away.  Though, Denmark’s lead is stronger than his was in 2011.

135 for Denmark, 113 for Ukraine, 100 for Azerbaijan

Latvia – It’s funny, you can hear the annoyance in Petra’s voice as she tries to get people to talk faster.

Belarus – first big points for Russia, who is also holding tight, like Norway. And Ukraine breaks 100.

Spain – Italy is back in the Top Ten.

Finland – Hungary is definitely doing better than expected.  Denmark has a 36 point lead over second place Ukraine.

Italy – Still no points for poor Estonia 😦 And Denmark stretches it’s lead.

Armenia – Interesting, Norway, I think, has only gotten one big point, but it is racking up a lot of small ones and staying in the mix of the Top Ten.  And the Ukraine is making a play for the top.

Norway – the party has been going for nearly 3 hours, Tooji. More big points for Malta!  Do I see an underdog trying to make a run?  No big points for Denmark?  Interesting.  Interesting that Sweden got their 12.

Azerbaijan – 8pts for Malta! The tiny nation climbs to 6th.

Moldova – only ten for Romania? 12 goes to? Ukraine – not surprising.

Romania – Azerbaijan is now only 7 points behind Denmark.

Hungary – Malta is holding tough!  Azerbaijan is trying to keep things close, I wonder if it can close the gap (13 points).

Ukraine – the voting is going so fast! Thanks for slowing things down a bit.  Belarus?  Interesting.

Serbia – first FYR country gives their 12 to…Denmark.  Okay – I think I need to start looking for flights to Copenhagen.

Israel – another unpredictable country. I feel like the same guy gives their points every year.

United Kingdom – only 1 point for Ireland?  Interesting. Hmmm…Denmark has taken the lead.  I wonder if they will relinquish it?  Still too early to call it.

Austria – Azerbaijan is the only surprise, but it was a good performance.  It really annoys me that Azerbaijan tends to hold a Turkish flag – boo!  Support your own country!

The Netherlands – Way to screw things up producers! You revealed the 12 pointer way too early! and on the wrong country! yay neighbor voting in the West! And Roberto isn’t even Flemish!

Albania – Italy! Is this the beginning of a run to the top?

Sweden – way to go Petra, better she caught her issue now, as opposed to later. Finally, Sweden plays the part of a nice neighbor.

San Marino – only 4 points for Italy.  and our first 12 goes to: Greece! Not expected, but who can guess the minds of the Sammarinese

Another awful outfit for our lovely host.  Voting time!!

Oh, it’s Melodifestivalen regular and Lynda Woodruff player: Sarah Dawn Finer.  What a beautiful voice!

I love The Winner Takes it All!  And she’s doing an amazing job with it!  Who is this?

Ooh! I wonder why this is like the second or third time that they’ve gone to Jon Ola without him being ready – but given there is a singer ready, I’m assuming that was planned.  OOh!  Judging by what he said, he makes it sound like it will be a tie – and they’re going through to see who the winner is after the countback — how awesome would that be!!

Aww…he’s reminding us why pop stars do not equal good host.  I’m guessing he’s just nervous.

Everyone’s favorite dancing, overrated singing Swede – Eric Saade!

Love the sequence of over-the-top endings!

Poor Linda Martin, no need to attack her.

Yay, more history!!

Two and a half hours, Petra, two and a half hours.

What?!  That’s all the Carola that we get?  The woman that brought the wind machine to ESC gets only five seconds after all the promotion they did around her appearance, I thought she would at least get to do a medley of her three ESC songs, especially her winner (that we only got three seconds of).

In case you were wondering, Sweden has the highest rate of lactose intolerance in the world.

The video they have preceding the Interval Act is hilarious! (though, they started it a little early, but it was quickly corrected)  How is it that Sweden seems to be allowed to cross all sorts of lines that the EBU typically shuts down (there was a guy with several penises drawn on his face and a bare bottom)?  Azerbaijan would not have been allowed to get away with a lot of this.  I was wondering why Petra was wearing yet another awful outfit – it’s to make fun of her country – yay!  Interestingly enough, this outfit is her least awful.  And she just said “titties” on pan-European television. An entry would not have been allowed to get away with this.  What is going on?  Why is SVT allowed to do whatever it pleases? Oh, more pandering to the gays.  yay.  I expect a lot of backlash in tomorrow’s papers across the Continent.

My Top Ten on the Night Who I think will be Top Ten
Iceland Denmark
Italy Germany
France Azerbaijan
Norway Italy
Azerbaijan Norway
Denmark Georgia
Estonia Ukraine
The Netherlands The Netherlands
Belgium Greece
United Kingdom Malta

What is Loreen wearing?!  I like that she’s back, but I hate the idea of a song being performed during the voting sequence. It distracts from the competitors, especially when they are not running the voting numbers throughout the sequence – which is utterly silly for them to not do.  Boo SVT.  Oh!  My Heart is Refusing Me the song she lost Melodifestivalen in 2011(?) with, but it went on to be a big hit. And, of course, Euphoria complete with stage lift!

After the recap, I think the entries that stand out the most to me are: Greece and France.  That’s it for now.  Top Ten for the night soon to follow.

Poor cameraman, he must have drawn the short straw.

Ireland Only Love Survives performed by Ryan Dolan — those drummers are just a bit much in my opinion.  Why does the standard ESC answer to falling odds always seem to be throwing half-naked people at their problem? Ryan is a bit off tonight – too much pressure closing the show?  I think with the strength of singers we have this year, the vocal performance is going to play a bigger part than ever – I don’t think he has the chops to compete.  This is a nice diddy and he’s singing well enough but that won’t be enough, in my opinion. It’s a nice close to the show, but I don’t expect Ireland to finish higher than, maybe, 14th or so.

Georgia Waterfall performed by Nodi Tatishvili & Sopho Gelovani — the final ballad on the night, which will give it a big boost in the voting, both jury and televotes. The fact that this is also a standard ESC ballad (composed by ESC legend Thomas G:son) will also help it out a lot. What will not help – Sopho singing like she did on Thursday night. She was off-key for a large part of the second half of the song starting at the big note. Tonight – she’s doing better (Nodi is a little off) but will it be enough?  Ex that, she’s flat for that last note.  I don’t know – with Italy, Azerbaijan, Denmark, Italy, the Netherlands, and Ukraine all turning in flawless performances, I think Georgia just sung their way out of contention.

Norway Feed Your My Love performed by Margaret Berger — in case you didn’t know, she’s a DJ – that’s why she’s dj-ing in the postcard.  She needs a stronger performance here than she gave in the semi-final if she hopes to stay in contention. And she gave it!! Listen to the audience – that could win! I just wonder if Europe will appreciate her sound.

Italy L’Essenziale performed by Marco Mengoni — Mengoni brings the song that he won Sanremo with – given how big and competitive that contest is, we know that this song is battletested and proven in competition.  I think the press, who seem to be rating this song lower than the bookies, are down on this song because he was very nonchalant throughout his time in Malmo.  I think he was flawless during that performance and thrown down the gauntlet.  Italy has reached the Top Ten each of the last years since returning to the Contest, there’s no reason it won’t do the same now (especially with all the former Yugoslav nations out of the running and looking to someone to throw votes at).

Ukraine Gravity performed by Zlata Ognevich — still don’t quite get the giant (apparently it’s a reference to Easter European folklore).  His footsteps still don’t align with the camera shakes. I think this year we are seeing some of the best vocalists we have seen at the Contest in a long time – that was vocally amazing. The song is going to be hit or miss for a lot of folks, so I don’t think it will win, but it will be Top Ten for sure.

Greece Alcohol is Free performed by Koza Nostra fest. Agathon Iakovidis — this song has actually sneaked its way into the oddsmakers’ top ten. It’s so different than everything else – not to mention that it’s staged and performed so well.  And, the fact that it’s Greece doesn’t hurt either.  This song will probably finish in the 5-10 range.

Azerbaijan Hold Me performed by Farid Mammadov — I think his nerves may be getting him, his voice is a little flat and his hand shaky, but he still sounds fairly good (or, at least as good as he can sound). Great performance!  This will definitely be contending for a top spot.

Iceland Ég á Líf performed by Eythor Ingi — flawless performance – utterly flawless.  I think this could also shock a lot of folks, too!  What a strong year this is shaping up to be.

Denmark Only Teardrops performed by Emmelie de Forrest —  Huge crowd reaction for Denmark!  Amazing performance!  Well done well done — Gå Danmark!  This song has winner dripping all over it – I think we just saw a winning performance.

And now we begin our run of heavy hitters – songs 18 (Denmark), 20 (Azerbaijan), 22 (Ukraine), 23 (Norway), 24 (Italy), and 25 (Georgia) are all in the top ten of the oddsmakers.

Hungary Kedvesem performed by Bye.Alex — still a bit dull but he sounds just like he does every time he performs this song.  Apparently, there’s enough hipsters and indie fans to get this song to the Final, but are there enough to get Bye.Alex and Kedvesem on the better side of the scoreboard – probably not.

Sweden You performed by Robin Stjernberg — not as big a crowd reaction as the home performance usually gets, interesting.  Now it’s time for Stjernberg to prove that he actually can sing this song live.  Those two dancers are rather distracting.  That big note is a lot better than when we typically hear it.  Still not great, but better.  With the host country bump, this should finish around 12th or so.

United Kingdom Believe in Me performed by Bonnie Tyler — big crowd reaction for Ms. Tyler. She’s rather off-key 😦  But she just seems to be warming up – there she goes! Love the camera effect for this last run through of the chorus!! The stage lift is nice, unneccessary, but nice.  Huge crowd reaction – though!  Good stuff.  I hope that she is able to prove her countrymen wrong, as Britons seem to be the only folks who don’t think this song can finish in the top half of the entries (it’s 11th or 12th in the odds right now).

Romania It’s My Life performed by Cezar — Not the first operatic act in the Final (not at all) as Cezar thinks he is, but he is the first countertenor who uses his supreme range throughout the entire song to qualify for the Final.  Still not quite sure how he did, though. Still cannot find his backing singer, she’s hidden well! Yeah, still not convinced that this song can do much, Europe has never gone for countertenors before, I don’t think it will now.  Past operatic acts never finished higher than mid-table and I do not expect this one to.

Brace yourselves everyone – here comes Romania!

The Netherlands Birds performed by Anouk — if you don’t understand the lyrics – want to understand why the album this comes from is called Sad Singalong Songs, or just want to feel blue, watch the official video (after the Final, of course). I wonder how big an impact following the advert break will be – I wonder if she was placed here to help bring people back faster.  Oh my, the fans are really into this one! As I’ve said before, this song could shock a lot of folks and win (or at least finish Top Three).

I’m getting tired of all the pandering to the gays.  Really? Really? Do we really need so much pandering?  I think not.

The crowd preemptively cheered for Anouk, only to realize that Petra Mede was on stage.  Then cheered again for Lynda Woodruff – who’s skits are awesome!  Love the viking helmet!  I love how she’s acting as if ABBA is the Swedish royal family – hilarious!!

Armenia Lonely Planet performed by The Dorians — Another song that leaves me curious on how it slipped through to the final. The timing sounds off, like the singer is slightly behind the music.  He got pipes, though! The pyro is unnecessary.  Still do not think it will make the Top Ten, but then again, I didn’t think it could qualify.

Germany Glorious performed by Cascada — I have yet to hear this song performed, in a big concert style like this, in which Natalie Horner (Cascada’s singer) was on key throughout the song.  It’s such a foot stomper, and Cascada is so big, that it probably won’t effect the fan vote at all (I wholeheartedly expect Germany to be top five in the televote) but I wonder if the juries will bring down the score.

Something has just come to mind.  The advert break is usually after song 12.  I wonder if they will push it back for Anouk or if the are subjecting her to following it (a spot that is notorious for hurting the entry).  Not only would following the advert break be a disadvantage, but coming before the craziness that is Romania would not help things.

Russia What If? performed by Dina Garipova — uh oh, first notes were a little off.  Is someone nervous?  She looks it.  She’s recovered, but not as strong as on Tuesday, I think.  Still, though, a solid performance.  There’s every reason to believe that this will finish in the Top Ten.

Malta Tomorrow performed by Gianluca — this song is so adorable, and the lyric video in the background is great. It fits the song so well.  As I said on Thursday, it definitely gives you that sing-a-long on the beach feel, which is what they are going for.  Hey! That one random fan guy was singing along, but facing away from the stage.  Hahaha!

Belarus Solayoh performed by Alyona Lanskaya — much better than on Tuesday.  The staging is still much too busy, but Lanskaya sounded a thousands times better.  Only a couple of times was she screaming, hmm…she may be moving back into my predicted Top Ten.

Estonia Et Uus Saaks Alguse performed by Birgit — Is it me, or does she look naked during this black and white portion? Still a very lovely ballad, still a bit forgettable, still beautifully sung.  And still, all I can think about is France and Amandine’s awesome performance, sorry Estonia.  Great song, though!

Belgium Love Kills performed by Roberto Bellarosa — he definitely seems to have a bit more stage presence this time around.  I guess qualifying gave him the confidence he needed. His dancers are so creepy! And that look he just gave the camera (right after that big note) was a bit deranged!  Overall, a much better performance than on Tuesday – well done young man!! Is he crying? No one expected Belgium to be here, not even him, I suppose.

Spain Contigo Hasta el Final performed by ESDM — another contender for last place.  Not because it’s a bad song (actually, it’s an amazing song; it’s not too often you hear Spain embracing the Celtic roots of Galicia (they sent a major Galician artist in 2011, but gave her a thoroughly Spanish song) but because it’s kinda of just there for most ESC fans.  Did she just change her dress? Let that be a warning – don’t ESC and type, my friends. Iteresting choice to go full throttle, then pull it back.  Love the floating lamps! Is it just me, or was she flat throughout that whole song?

Finland Marry Me performed by Krista Siegfrids — a bit less energy at the beginning here. I hated this song, then liked it, then loved it, then hated it again.  And the part at the end of the performance is silly and, in my opinion, demeaning – but that’s a post for another time. Ably performed once again, albeit with a little less enthusiasm and energy tonight.  The question is, will she be able to garner enough points from the more conservative populaces (particularly those in the East) to land a decent placing?  Not sure.

Moldova O Mie performed by Aliona Moon — her voice is not quite as strong as on Tuesday. And her hair does not seem as high, either. Though, I will say, the song is captivating enough that I forgot about her backing dancers for the entire first half of the song. Awesome! Maybe not Top Ten, though, since it is so early in the Running Order.

Lithuania Something performed by Andrius Pojavis — Still not quite sure how this got through to the Final. It’s pleasant I suppose.  The lyrics still don’t make any sense to me. I predict a near bottom finish for this song.

France L’Enfer et Moi performed by Amandine Bourgeois — That was a heck of a performance – bravo!!  Amandine is going to shock a lot of folks when she scores well, I think.

BTW, my pre-Contest prediction for Top Ten

1. Denmark
2. Georgia
3. Norway
4. Ukraine
5. The Netherlands
6. Italy
7. Azerbaijan
8. Moldova
9. Greece
10. Russia

France is opening for us this year! An interesting choice, but I guess it can inject some energy into the fans – but what kind, I’m not sure. Like any French girl, Amandine loves trying on new clothes.

As I said before, Azerbaijan’s biggest fear is to have Italy too close, and they’re only four songs away, with Italy going after AZR, I predict that neither will win because of this, opening the door for a brawl between Denmark, Norway, and Georgia.  Though, given the semi-final performances, Denmark is the strongest of the three.

Whoo!!  I’m stoked – this promises to be a close a Contest with the five biggest favorites are stacked together at the end of the running order.

Clearly, Sweden does not seem to have any good fashion designers because this is Petra’s third straight ugly dress.

I find it interesting that only Gianluca of Malta got a huge fan reaction – perhaps he’ll bring Malta back to the Top Ten this year?

So, I really liked the opening clip of the caterpillar heading to Malmo.  And I really like opening song.  I know it’s supposed to feel like the opening of the Olympics, but it feels more like the Junior ESC when every country gets introduced.  I do love it, though!

This year I am writing notes live and then immediately posting so remember to refresh your browser.

Hello Everyone!


Eurovision 2013 – Live Notes for the Second Semi-Final

After a few days of thinking about it, I am still fairly satisfied with the results of the First Semi-Final – let’s hope that tonight will be equally as satisfying (if not more!).  A lot of people seemed shocked that none of the former-Yugoslav countries made it through, despite the fact so many of them were in the First Semi-Final together.  Now the big question is: “Who will they all vote for in the Grand Final (since Macedonia most likely will not be in the Final)?”  I can tell you now, Serbia will vote for Russia, Croatia & Slovenia will vote for Italy, and Montenegro & Macedonia will vote for Albania.

Something interesting going on with the draws for the halves of the Grand Finals:

Estonia, the Netherlands, Russia, Lithuania, Belgium, Moldova, Belarus, Spain, Germany, and France have all been drawn into the first half of the Grand Final – that means only three songs qualifying tonight will join them; all the rest will be in the second half.  What does that mean, the Netherlands, Russia, and Germany, who all had outside shots of winning, have much slimmer hopes now.  Azerbaijan, Georgia, and Norway – the remaining favorites (who all will most likely qualify tonight) have had their chances increased! as they will probably land in the second half of the show.  Italy also sees its slim hopes alive, as it is in the second half, and as I said previously, if it is close to Azerbaijan, it will surely still votes from last year’s host as it is the better male ballad between the two.  San Marino, who is a dark horse this year, could also see itself land in higher than expected spot if it qualifies for the Final and gets drawn to the second half.

Onward to the Second Semi-Final!

I was 8 for 10 in my predictions from Tuesday night – not too shabby!  Below are my initial thoughts on who will qualify for Grand Final from tonight’s show:

-San Marino

-Azerbaijan

-Finland

-Iceland

-Greece

-Israel

-Norway

-Albania

-Georgia

-Switzerland

I think San Marino is poised with its best chance to qualify since joining the Contest.  It has a good spot in the running order and is a big fan favorite (it got second place in the OGAE Fan Poll); but, we have seen fan favorites fall before.  Same goes for Norway – it is the kind of thing that would succeed in the Grand Final, but may not do well in a semi-final.  With a strong performance, Switzerland could join the Netherlands and Belgium in the Final – wouldn’t that be a sight!  Anyway, I’m super excited for this – so let the show began!

Opening Act:

I’m rather liking this Opening Act! I think it’s called dance symphony or something like that.  That was pretty awesome!

OH MY GOODNESS – What is our host wearing?!  And what’s up with her hair?!  And why did she compare herself to Indira Gandhi and Mother Theresa?

On to the entries!

Latvian Flag MapLatvia Here We Go performed by PeR

OH MY – this went from zero to sixty in a blink of an eye!  There’s…so…much…sequins – does that jacket really need to be so bright and silver?  Is that guy playing an iPad attached to a guitar?  I get it, he represents today, the keytar represents the 80s and the those two guys represent the 90s, the era from which this song was taken.  That was better than expected – but still rather silly.

San Marino Crisalide (Voda) performed by Valentina MonettaSammarinese Flag Map

Already some positive crowd reaction and it hasn’t started yet.  Looking at this robe she’s wearing – will there be a costume change?  Yes! the first since, what, 2009?  Remember when costume changes used to be the staple of the Contest?  Now the wind machine has taken over.  Well done (except for that last note, which was rather botched), though not quite as strong as I was hoping it would be.

Macedonian Flag MapMacedonia Pred da se Razdeni performed by Lozano & Esma

I like how Esma’s portions of the postcard all show off how famous and decorated she is.  Where’s Lozano’s glasses?  What is Esma wearing?  Is she sick?  Why is her voice so hoarse?  I wonder if Lozano came over to hug her to let her know it was time to start wrapping up the song.  If they had any hope of moving through, they needed a flawless performance.  This, unfortunately, was not it.  It looks like there will not be any former Yugoslav nations in the Final this year (the first time since they started joining the Contest in 1993).

Azerbaijan Hold Me performed by Farid MammadovAzerbaijani Flag Map

Is he singing in English?  Oh, yeah, he is.  He mumbles a lot.  Oh cool!  It’s like his shadow there in the box.  WHOA!  That guy is upside-down!  Does that lady’s dress need to be so long?  Oh – the box is actually a money machine full of little paper hearts!  Whoops – Farid dropped that last note.  His vocals were about as expected – okay, whiny and a bit nasally, but that’s his voice. That guy in the box is much like the sand artist for the Ukraine from 2010, makes the stage show so unique, it’s hard not to like it.

Finnish Flag MapFinland Marry Me performed by Krista Siegfrids

She looks so much more mature with her hair down – I actually think that hinders the song a bit.  Well, this most definitely gets the “Campiest Act of the Year Award.”  Was that part supposed go like that – because on the studio version she says “Yeah” one more time and for a longer amount of time.  And the timing seems rather off for launching back into the chorus.  And I roll my eyes at the girl-girl kiss – really?  That just cheapens everything.  But it’s a cheap song, so perhaps it will work well for them.

Hahaha – yes Petra, folks just tuning in are probably freaking out if the first thing they saw was that Finnish act.  I really like this Lynda Woodruff character – she’s funny!  And I loved the reference to Bonnie Tyler.

Malta Tomorrow performed by GianlucaMaltese Flag Map

I bet Malta is happy they got an advert break between themselves and Finland – gives us time to readjust ourselves.  There was a lot of energy in those first few entries, and we have to recalibrate.  I like the words on the screen, it gives the act a sing-along feel; like, we’re all on that beach with him and his friends in the postcard.  That’s such a sweet song – the whole thing is rather adorable.  Still don’t think it has a shot of moving through, though.

Bulgarian Flag CountryBulgaria Samo Shampioni performed by Elista Todorova & Stoyan Yankulov

And Europe’s favorite Bulgarian percussion duo is back on the ESC stage.  The only act to get Bulgaria to the Grand Final (back in 2007, they got 5th place), they’re hoping for a repeat after Bulgaria’s participating broadcaster polled people and found that folks wanted a ethno-club track in Bulgarian for ESC.  That bagpiper is a bit creepy.  Glad to hear that Elitsa’s voice is much stronger (and more frequently on key) than in 2007.  The bagpiper seems to have evolved into some kind of creepy tribal man – how strange.  This whole package – the song, the performance – just…kinda…strange.

Iceland Ég á Líf performed by Eythor IngiIcelandic Flag Map

Not a strong start out of the gate.  That big note was amazing!!  It completely wipes out the fact that the rest of the song was performed marginally (as compared to the studio version).  There’s his backing singers!  All I can think about is that big note in the middle – and it was amazing!  Well done!

Greek Flag MapGreece Alcohol is Free performed by Koza Nostra feat. Agathon Iakovidis

Oh cool – their instruments light up!  The energy here is maybe not as high as Latvia or as manic as Finland, but it feels Oh! so much more genuine.  While those other two acts may be a bit more dazzling, this one infects you and wants to get you up and moving and dancing and singing.  I thoroughly enjoyed that!

Israel Rak Bishvilo performed by Moran MazorIsraeli Flag Country

Wow, listen to that crowd reaction!  What a shame, that would be such a nice dress if it didn’t go all the way down to her belly button (apparently, it originally went lower before they thought better of it).  So, she’s only 21, but the combination of hair, glasses, and dress makes her look like she’s in her 40s.  Which works for this song, since it has such a mature sound and would seem disingenuous if she appeared her age.  Oh, she hit the high note, but was smart enough to not linger on it as it was getting away from her.  AMAZING!  Her voice is so powerful, it’s awe-inspiring.

Armenian Flag MapArmenia Lonely Planet performed by The Dorians

His voice sounds like a gospel singer – it’s really soulful.  Too bad this song is trite and dull.  Oh, spoke a little too soon, he’s gone a bit screechy.  If we’re trying to save the world – why so many pyros?  All that smoke cannot be good for the ozone.  Ouch – he botched that last note.

Hungary Kedvesem performed by Bye.AlexHungariran Flag Map

Who knew Europe had hipsters?  I like this song and I like reprising the cartoon from the music video in the background.  That was rather pleasant.  Unfortunately for Hungary, pleasant does not go far at the ESC.

Norwegian Flag MapNorway Feed You My Love performed by Margaret Berger

Is it me, or does the timing seem off?  Like, Margaret Berger is just ahead of the beat and that the whole song is a few clicks faster than it should be.  It kinda feels like she’s phoning in this performance.  The one from Norsk Melodi Grand Prix was much more emphatic.  I know she’s a favorite to win – but we’ve seen favorites fall in the semi-final and after with great performances.  With a song that is this different and this out-of-the-ordinary, you cannot risk having a less than awesome performance.  I think she left herself vulnerable here.

Lys Assia!  Glad to see her out of the hospital and looking good (she was hospitalized last week for pneumonia – she said that she thought that she was dying).  We weren’t expecting to see her this year – but here she is!  Great to have you Ms. Assia!  I wish every winner was as endeared to the Contest as she is.

Albania Identitet performed by Adrian Lulgjuraj & Bledar SejkoAlbanian flag country

Whoa!  We don’t need to be that close to Bledar!  The camera was, like, literally on his cheek!  Everyone seems to like this song so much – I think it’s because it’s the only rock song this year…and it has that killer guitar solo, but still.  It’s alright, but it could be better.

Georgian Flag MapGeorgia Waterfall performed by Nodi Tatishvili & Sophie Gelovani

People compare this song to In a Moment Like This (Denmark 2010) and Running Scared (Azerbaijan 2011).  I don’t think it’s anything like 2011’s winning song; it’s much more powerful and emotive.  It is a lot like the Danish 2010 entry, though, “Eurovision by numbers” they say.  It worked then and I see no reason it won’t work now.

Ooh!  Sopho missed both big notes in that key change – badly!  Disappointing, but they’re going through.  This type of song is too popular and both Armenia and Azerbaijan are voting tonight.

Switzerland You and Me performed by TakasaSwiss Flag County

Another change from the studio version – the girl lead singer gets the second verse.  In case you were wondering, the bass player is 95 and is now the oldest person to ever compete in the Contest.  I don’t know.  I love this song, but it is definitely lacking energy – it just is not very dynamic tonight.  Disappointing.

I find it interesting that calling themselves “Salvation Army” and wearing their uniforms was too political and religious, but Krista Siegfrids can kiss a girl in protest on the stage (something that Russia was forbidden from doing in 2003) and use her song for political activism….interesting…

Romanian Flag MapRomania It’s My Life performed by Cezar

WHAT IS HE WEARING?!?!  What is up with the awful outfits this year?!  Are those dancers naked?  Why are they red, like, they’re covered in blood or something?  Oh, time for “Spot the Backing Singer!”  Oh look, a lady covered in gold.  Oh my gosh!  He’s so tall!  Wait, I think he’s on stilts.

Oh!  Thanks Petra – I guess the backing singer was under Cezar’s vampire cloak.

And, there you have it!  In an hour’s time, we will have the last ten songs to enter the Final.

Any else reminded of Jedward by the Latvian duo?  They jump around, where a small country’s worth of sparkles, and sing off key.

Overall, I am somewhat disappointed.  This was supposed to be the stronger of the two semi-finals, with three favorites (Norway, Azerbaijan, and Georgia), a major fan favorite (San Marino), and a bunch of my personal favorite entries (Macedonia, Switzerland, etc.) but everyone seemed to be under-performing except for Azerbaijan, Greece, and Israel – I hope all three move through!

My Top Ten Who I Think Will Qualify
Israel Azerbaijan
Azerbaijan Greece
Greece Israel
Malta Norway
San Marino Albania
Hungary Georgia
Latvia Armenia
Switzerland Iceland
Norway Malta
Iceland San Marino

Excuse me, I stand corrected, Moran Mazor is actually 22.

I love the history bits!

Haha San Marino!  I noticed that this time they used the faster part of the song as opposed to the slower half in the second recap (in the first recap, the slower half was used).  I guess if people only remembered half of it, they wanted to make sure that they remembered to vote for them!

Interval Act:

Darin!  A major Swedish pop star and Melodifestivalen loser (he got 4th in 2010).  He’s attractive but his voice is not that good.  But he’s a pop start, so I guess that’s a winning combination.

And now we have Agnes.  Who has not competed in Melodifestivalen (yet) but did win the second season of Swedish Idol (Darin was runner-up the preceding season).  I liked her bit better than Darin’s songs, but I am not about to run out and buy either of their albums.

Why isn’t Amadine Bourgeious not in the arena for this semi-final?

The Actual Qualifiers Are:

-Hungary!  Whoa!!  That was not expected! (0 for 1)

-Azerbaijan – no surprise here (1 for 2)

-Georgia – they need to step up their game if they hope to contend for the victory (2 for 3)

-Romania – What…the…Heck!  How did this happen? (2 for 4)

-Norway – I was getting scared after Romania got through…Oh, I hopw San Marino makes it!! (3 for 5)

-Iceland – yay! (4 for 6)

-Armenia – it’s a weak song, but well performed (5 for 7)

-Finland – big reaction!  I wonder if it will be as popular on Saturday (6 for 8)

-Malta – nice, but now a more deserving entry (San Marino or Israel) will not make it (7 for 9)

-Greece – right, I forgot they hadn’t moved through yet (8 for 10)

Final Thoughts:

What just happened?  I like Kedvesem but it did not deserve to go through.  Romania…what?!…how?  I’m so confused!!!  How on earth did he garner enough points to move through?  How did Israel and San Marino fail to garner enough points to progress?  What?!  My head hurts.  I can’t think about what just happened.  San Marino had so much fan support.  Israel was such a high quality entry – what?  Romania?  What? How?  I give up.  Let’s just look at the running order:

Break down of who landed where

The three unlucky entrants that will be in the first half on Saturday: Finland, Malta, and Armenia

All others are in the second half.

They just released the running order (remember, I’m watching the semi-final in the evening (American East Coast time) since I work during the day)

  1. France
  2. Lithuania
  3. Moldova
  4. Finland
  5. Spain
  6. Belgium
  7. Estonia
  8. Belarus
  9. Malta
  10. Russia
  11. Germany
  12. Armenia
  13. The Netherlands
  14. Romania
  15. United Kingdom
  16. Sweden
  17. Hungary
  18. Denmark
  19. Iceland
  20. Azerbaijan
  21. Greece
  22. Ukraine
  23. Italy
  24. Norway
  25. Georgia
  26. Ireland

France gets to open the show – and interesting choice when Spain or Malta might have been provided an easier, smoother opening.

Lithuania gets the kiss of death with the second spot – not that it had much chance to win, anyway.

Finland is sandwiched between two ballads, which will either smother it or boost its ratings, I’m not sure.

The Netherlands once again finds itself at the end of the first half, sandwiched between two very different songs, Armenia (which will probably a slightly smoother transition than Ukraine) and before Romania (which will probably wipe out the Netherlands from people memories with its craziness).

The United Kingdom is much higher in the running order than expected, given the name recognition of Bonnie Tyler (compared to Anouk, who is always as late in the running order as possible, most likely due to her celebrity).

Interestingly enough, with the producer chosen running order, all the favorites are at the end of the show:

18. Denmark

20. Azerbaijan

22. Ukraine

23. Italy

24. Norway

25. Georgia

This has never happened before, where so many betting favorites are lumped together and with prime running order position.  Russia is the only favorite not in that run because it was drawn in the top half of the show.  I’m interested to see how this affects the show, I imagine that it will lead to a more even point spread.  Since many favorites tend to be knocked out by running order position (think Russia last year or Azerbaijan in 2010) points were easily pooled into one or two acts.  This year, the favorites are all together at the end of the show, they will all be vying for points against one another – I think my prediction of a tie just might come to fruition!

Finally, Ireland closes the show.  In my opinion, this song should not even be in the Final, now it will most likely finish in the Top Ten.  Oh well, at least it’s not a bad song.

I think I’ve recovered from Romania’s qualification, but, yikes! it was still so unexpected.  I guess its 100% qualification record survives another year.  Okay, so, we can all take Friday to recover, reflect on what has happened on Tuesday and Thursday, and prepare for the Grand Final – I’ll see y’all here Saturday!  I’m posting my live notes live this year!  So don’t miss out!