Posts tagged “georgia

Eurovision 2019 – Final Thoughts!

Hello Dear Readers!

Well, there you have it; another Eurovision in the books. This one was, in my opinion, one of the most entertaining and diverse Contests we’ve had in a while, even if the songs were not as strong as in recent years. And, of course, I’m happy to have seen my favorite win. So, let’s take a breath, take a step back, and take a look at ESC 2019.

Which I will be doing on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and with the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Dutch Flag Map

Historical Markers

This is the fifth Dutch victory, after the Netherlands won in 1957, 1959, 1969, and 1975. They are now tied for third for all-time victories along with the United Kingdom, France, and Luxembourg (Ireland is first with seven wins, Sweden is second with six). Arcade is only the eleventh winner to be performed by a solo male (Rise Like a Phoenix is not counted, as its artist, Conchita Wurst, is a female character).

Other historical notes:

North Macedonian flag mapThis is the best ever placing for North Macedonia and its first ever Top Ten finish.
This is the best ever placing for San Marino.
This is the second time that the victor was neither the top in televote nor among the juries (Ukraine 2016 was the first).

This is the third time that Italy has been a runner-up.
This is Switzerland’s best finish (third) since coming in second back in 1993.
This is the Azerbaijan’s first Top Ten finish since 2013, when it was runner-up.
This is the first Top Ten finish for Iceland since 2009, when it was a runner-up. This is also its first qualification since 2014.

British flag mapThis is only the fourth last place for the United Kingdom.
This is the third year in a row, and fourth time in five years, that the host country came in the bottom ten.

Finally, Sweden retains the top spot for longest streak of Top Ten finishes, which now stands at 6.
Behind it is Italy, which now has three consecutive Top Ten finishes.
Australia maintains its 100% qualification record.
Montenegro has the longest non-qualification streak, which now stands at 4.
Unsurprisingly, Sweden has the longest qualification streak at 9, having made the Final every year since 2011.

My Thoughts

EO logo with Albanian flag

I am ecstatic that some of my favorite songs did so well, particularly the Netherlands and North Macedonia. So, after all of the performances this week, what are my favorite ten songs from the Contest?

10. Albania
9. Russia
8. Moldova
7. Malta
EO logo with Czech flag6. Georgia
5. Australia
4. Czech Republic
3. North Macedonia
2. Latvia
1. The Netherlands

 

Israeli flag map

This was quite the year. I think this was perhaps one of the most entertaining and engaging Grand Finals in quite some time. It was also one of the longest. Come on EBU! Five interval acts is way too many. The section with the past winners and runner-ups performing each other’s songs was fantastic! The Ilan Raichel Project was lovely and I quite enjoyed them. The mentalist was superfluous. The Gal Godot video could have been at any other point in the night – perhaps the beginning. The opening act could have clipped down the video or simply replaced it with Gal Godot before the parade of nations. And the Madonna section was unnecessary and bad — we did not need it nor want it. We can cut the show back down to three hours – or at least down to three and a half hours. We can do this! It’s not that difficult. Otherwise, I think KAN did a fantastic job – the stage was beautiful. I look forward to what AVROTROS will do next year in the Netherlands — I already have a hotel in Rotterdam; crossing my fingers that it hosts, since it is the only major city not to host Eurovision thus far.

EO logo witch Dutch flag

And, before I go, I want to congratulate AVROTROS on a job well done. This victory was eight years in the making. It started with the TROS (the broadcaster’s previous incarnation) deciding to take a new approach: taking Eurovision seriously. They began by connecting the Dutch music industry, calling upon Anouk, one of the country’s biggest stars, to restore their former glory. Since Birds became the first Dutch entry in nine years to qualify for the Final (and finished Top Ten), the Netherlands has consistently sent industry stars, resulting in five qualifications (out of six Contests), including a second place in 2014 and now this victory. AVROTROS is a perfect example of a country deciding to actively pursue winning, giving musicians the freedom to craft their own song and performance, and not afraid to take the long game approach. Hmm, perhaps a few other countries can follow this role and give established artists free reign to create strong entries on their own. Just saying, the Dutch music industry is not nearly the strongest on the continent…

One more friendly reminder: I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!

Another fantastic Contest that I will be watching for years to come. Many strong entries, a great production, and a winner with whom I fully agree. I cannot wait to attend next year!

 

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Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.


ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Semi-Final Two

Hello Dear Readers!

Thursday brings us a weak, but still competitive semi-final. Perennial qualifiers, like Romania, Russia, and Australia, should have no trouble moving through. Sweden and Norway will be there to support one another along with Denmark.

Country

Performing Artist

Song

Selection

Norway

Alexander Rybak

How You Write a Song

National Final

Thoughts:

So, breaking the promise he made with Marija Šerofović a few ago, Rybak is back with his attempt to pull a “Johnny Logan” (the only performing artist to win twice). Rybak knows how to write a catchy song. This will get stuck in your head, whether you want it to or not. Clearly, this song is much weaker than Fairytale, but it should do well with a “previous winner bump.” It will most likely finish Top Ten, but it won’t get anywhere close to winning.

Romania

The Humans

Goodbye

National Final

Thoughts:

A bland, forgettable song and potentially the first Romanian entry to fall short of qualifying. I strongly doubt it, but the important thing is that it could be. It’s not a bad song and the lyrics aren’t bad, it just melts into the background, particularly this year.

Serbia

Sanja Ilić & Balkanika

Nova Deca [New Children]

National Final

Thoughts:

This song is a hot mess. Oh golly! I do not understand it. The performance is weird and off-kilter. The composition makes little sense. The lyrics are simple and lack depth. I just don’t understand how this song was made.

San Marino

Jessika feat. Jenifer Brening

Who We Are

National Final

Thoughts:

This song has such great potential. For starters, rap does quite poorly at Eurovision; Brening adds nothing to the entry with her lame verse (conversely, the songs they had her compete with in the selection were great). The lyrics for the rest of the song are not as impactful as the songwriters probably think they are. The song is well performed by Jessika, but it’s severely average. SM is at a disadvantage and must try harder if it hopes to qualify again.

Denmark

Rasmussen

Higher Ground

National Final

Thoughts:

Sigh. This is an average song and I don’t have any strong feelings about it. It also will benefit from having both Norway and Sweden in this Semi-Final. However, Sweden is an unreliable alliance member and there is a lack of other friendly nations to buoy it above its averageness.

Russia

Julia Samoylova

I Won’t Break

Internal

Thoughts:

This is going to be an unpopular opinion, but I liked Flame is Burning way more than this trite inspirational piece. It will qualify, of course, but I doubt it will continue Russia’s Top Ten streak.

Moldova

DoReDos

My Lucky Day

National Final

Thoughts:

I like this song so much! It has big shoes to fill after Moldova achieved a new best placing last year. In my opinion, this song has a better composition and overall sound than Hey, Mamma! and is just more enjoyable, at least to me, and that hat from the music video better make an appearance in Lisbon!

The Netherlands

Waylon

Outlaw in ‘Em

Mixed

Thoughts:

This song will do well because Waylon was one half of the Common Linnets (the performers of the runner-up entry in 2014). This also has the distinction of being the only country song this year, which also helps it. Again, I have no strong feelings about this song either way.

Australia

Jessica Mauboy

We Got Love

Internal

Thoughts:

I think this has a chance of outperforming Australia’s second place from 2016. The song is truly inspirational, has an amazing singer who knows how to perform and is not a stranger to the Eurovision stage. Plus, it’s is quite catchy! It doesn’t hurt that Mauboy is stunning, as well. I think we may be packing our bags for Germany after an Aussie win.

Georgia

Ethno-Jazz Band Iriao

For You

Internal

Thoughts:

Georgia joins Armenia for its first ever entry in its national language. Unlike Armenia, this song lacks depth, interest, or anything that makes it stand out. I cannot imagine this song qualifying, even out this weaker semi-final.

Poland

Gromee feat. Lukas Meijer

Light Me Up

National Final

Thoughts:

I like this song and think it is quite contemporary. I think it will continue Poland’s qualification streak, but finish midtable in the Grand Final. This is a beneficiary of being in the weaker semi-final and following a weak entry.

Malta

Christabelle

Taboo

National Final

Thoughts:

While this song is uptempo and intriguing, it is forgettable. It’s one of those things that, I remember when I hear it, but otherwise, cannot really recall it. This will be right on the border of qualification and will benefit from a poor performance from another midlevel entry.

Hungary

AWS

Viszlát Nyár [Summer Gone]

National Final

Thoughts:

Our requisite hard rock entry. Not quite sure how this made it through the Hungarian selection, but here we are. Not my cup of tea, at all. From my understanding of rock music, this is not even that strong of a screamo song. It likely will not qualify for the Final.

Latvia

Laura Rizzotto

Funny Girl

National Final

Thoughts:

I really like this one. It is dark and draws you into it; the composition is particularly captivating. I don’t think it’s mainstream enough to qualify, but of course, I said something similar in 2015. I think following the screaming of Hungary and coming ahead of the slick Swedish song, it will be lost.

Sweden

Benjamin Ingrosso

Dance You Off

National Final

Thoughts:

The first Swedish entry I like since Heroes. This song is just so infectious, I can’t see it NOT finishing in the Top Ten on Saturday night. Of course, the last time Sweden failed to reach the Top Ten was 2013, and this song is miles ahead of You (though, I did like that song, too).

Montenegro

Vanja Radovanović

Inje [Frost]

National Final

Thoughts:

The only true Balkan ballad this year, this strikes me as Joksimovic-lite. I think this will easily qualify. Honestly, this is my dark horse candidate for this year; I think Montenegro is going to surprise a lot of folks.

Slovenia

Lea Sirk

Hvala Ne [No Thanks]

National Final

Thoughts:

Yet another mess of a song. I don’t know what it is about the former-Yugoslav countries this year, but they are submitting some poorly composed songs. This song is at least interesting…well…not really. It’s average and will once again leave Slovenia towards the bottom of the Semi-Final scoreboard.

Ukraine

MÉLOVIN

Under the Ladder

National Final

Thoughts:

So catchy! So modern! And MÉLOVIN is quite the performer. This seems like a song designed specifically to capture the ears and hearts of the massive teenage girl fan population. Ukraine will easily finish in the Top Ten, the first time with a male singer not in drag.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Russia

  • Sweden

  • Ukraine

  • Romania

  • Australia

  • Montenegro

  • Poland

  • The Netherlands

  • Moldova

  • Norway

And which songs are my favorite? (in order)

  1. Sweden

  2. Latvia

  3. Ukraine

  4. Montenegro

  5. Norway

  6. Australia

  7. Moldova

  8. Denmark

  9. Poland

  10. Malta

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Australia, Montenegro, and The Netherlands all have legitimate opportunities to win. I know that the Dutch entry is not towards the top of the betting odds and that Montenegro is in no one else’s conversation, but I think both are unique enough and of a high enough quality to pull off a surprise win. Fun note, if Montenegro does pull off the victory, it would be the lowest odds victor (a title currently held by Latvia 2002). I think Australia is an easy choice to pick as a winner for all the reasons I mentioned above.