Posts tagged “finland

Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.

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ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Semi-Final One

By far, Tuesday the stronger of the two semi-finals. Not just in my opinion, but also that of the bookies…and the majority of fan sites and Youtube playlists I’ve come across. It’s going to be a tough road for all those middle of the road entries.

 

Country

Performing Artist

Song

Selection

Azerbaijan

Aisel

X My Heart

 Internal

Thoughts:

It’s hard to believe that, after finishing in the Top Ten each of its first eight years in the Contest, Azerbaijan has not gotten back there since first failing in 2014. This will not return them to the Top Ten. It is a competant entry and should easily qualify, but it’s just too forgettable in a year full of strong songs.

Iceland

Ari Ólafsson

Our Choice

National Final

Thoughts:

Ehh…why? This song is not only dull and boring, but it is patronizing on top of it. This would have been average by early 2000s standards when this kind of stuff was en vogue, no, this will not break Iceland’s current streak of non-qualifiers.

Albania

Eugent Bushpepa

Mall [Yearning]

National Final

Thoughts:

Three entries, three forgettable acts. It’s almost as if the producers want to dump the weaker stuff first when folks are still late to tune in. This song is a bit bland and lacks much depth. The lyrics give it more intrigue, but, short of an amazing, life-altering staging, I doubt this will have much impact with either the juries or the televoters.

Belgium

Sennek

Matter of Time

 Internal

Thoughts:

The biggest beneficiary of the running order, I think, it will be the first strong song on the night, preceded by three weaker songs in one of the strongest semi-finals since the two show model was adapted in 2008. I love this song, personally, and think it also benefits from being the only James Bond-esque entry in the Competition.

Czech Republic

Mikolas Josef

Lie to Me

National Final

Thoughts:

So much fun! Czechia has succumbed to the common strategy of throwing a hot guy at their problems in what is bound to be its most popular and successful entry to date. Despite Josef’s hotness and the amazing composition, the lyrics to this song are…poor at best. Give them a read, they make very little sense.

Lithuania

Ieva Zasimauskaitė

When We’re Old

 National Final

Thoughts:

The biggest loser in the running order. This is already a weak, forgettable song; though, it is incredibly sweet. It is sandwiched between two of the most popular and distinctive entries this year. As I said, this song is super sweet, but stands NO chance of making any kind of lasting mark. It will likely finish last.

Israel

Netta

Toy

 Mixed

Thoughts:

Love it! It’s fun, memorable, catchy, immediately sing-along-able, and distinctive. I don’t think it’s a winner, but should easily return Israel to the Top Ten. I’ll

Belarus

ALEKSEEV

Forever

National Final

Thoughts:

I LOVE this entry, despite its dubious past (it was in a previous competition early last year in Belorussian, but they reworked the composition and switched it to English with the blessing of the EBU). It’s so haunting and captivating. It may just squek into the Grand Final, but I cannot imagine it doing well once it got there); I especially worry about his life vocals.

Estonia

Elina Nechayeva

La Forza [The Force]

National Final

Thoughts:

Another song that I absolutely love! It is utterly awesome and, like the majority of operatic songs at ESC, should have no problem qualifying for the Final. The question is: what will it do once it gets there? No operatic song has ever cracked the Top Ten. Not sure if this will change that.

Bulgaria

EQUINOX

Bones

 Internal

Thoughts:

So mysterious! I rather enjoy it, but am not quite sure what to make of it. The lyrics and composition linger with you long after listening. But, the questions are: 1) can an ethically diverse group succeed and 2) Can a weird song do well? It’s quite contemporary, but not really mainstream. We’ll see.

Macedonia

Eye Cue

Lost and Found

 Internal

Thoughts:

Upon repeated listens, this song seems like less of a hot mess, but, it’s still a hot mess regardless. This is not two, but three songs smashed together. Why? Heaven only knows. I don’t dislike this song, but I cannot see it changing Macedonia’s misfortunes.

Croatia

Franka

Crazy

 Internal

Thoughts:

An intriguing song that’s not completely put together. I like it; I think this song is sexy, but not captivating. As such, I cannot see it qualifying out of this semi-final, maybe it would out of Thursday’s line-up.

Austria

Cesár Sampson

Nobody but You

 National Final

Thoughts:

I really like this song. Even more so, I think it will be highly succesful and be a legitimate title contender. It is captivating, interesting, well-performed, continually builds throughout the duration of the song. I think that this should be considered for victory.

Greece

Yianna Terzi

Oneiro Mou [My Dream]

National Final

Thoughts:

Whoa! Talk about a haunting song that stops the show! It’s dark, it pulls you in, deeper and deeper – by far, Greece’s strongest and most unique entry in quite some time (maybe since 2013, incidentally, its last time in the Top Ten).

Finland

Saara Aalto

Monsters

Mixed

Thoughts:

A fun and contemporary song. We’ve had transexuals, cross-dressers & drag queens, gay men, and bisexuals but is Aalto Eurovision’s first out lesbian? While the composition is fun and the generic inspirational lyrics achieve their purpose, I have a feeling this might this year’s most overrated entry.

Armenia

Sevak Khanagyan

Qami [Wind]

National Final

Thoughts:

Joining Georgia, Armenia is submitting its first ever entry in its national language. It’s a captivating and intriguing song that teeters between broody and dark. This lack of a distinct tone will be this song’s undoing and prevent Armenia from returning to the Top Ten.

Switzerland

ZiBBZ

Throwing Stones

National Final

Thoughts:

Hmm, this song feels generic. I have a feeling, though, if this was coming from Sweden or Romania, it would be in victory conversations. It is from Switzerland, as such, it will most likely fall flat. I don’t dislike this song, but I’m not crazy for it either.

Ireland

Ryan O’Shaughnessy

Together

 Internal

Thoughts:

A pretty song, not dissimilar from last year, but not as good in my opinion. A simple song about a guy being betrayed by his wife. A simple composition that puts the listener at ease. Like Croatia, I think this song might be more successful if it was in the weaker Second Semi-Final, as such, I don’t think it has enough juice to qualify out of the First.

Cyprus

Eleni Foureira

Fuego [Fire]

National Final

Thoughts:

A very contemporary and American-sounding entry, I can see this flying through to the Final and potentially cracking the top five to give Cyprus its best finish to date. Potentially. It won’t because I have no reason to believe that Cyprus knows how to properly stage a song, but the important thing is that it could.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Armenia

  • Greece

  • Azerbaijan

  • Czech Republic

  • Cyprus

  • Finland

  • Israel

  • Bulgaria

  • Austria

  • Estonia

And which songs are my favorite? (in order)

  1. Estonia

  2. Israel

  3. Belgium

  4. Belarus

  5. Austria

  6. Greece

  7. Bulgaria

  8. Croatia

  9. Ireland

  10. Armenia

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Austria and Czech Republic are the two I think have the best shot at victory. I know that Israel has dominated the betting odds, but each of the last two years, the leader in the betting odds has been the same throughout the entire pre-season and going into the Final and ended up not winning (2016 – Russia. 2017 – Italy). Bulgaria (which has been rising) and Estonia (which has been falling) are towards the top of the betting odds, but as of my initial reviews, I don’t think either has what it takes to win.


Eurovision 2017 Song Reviews (Finally!) – First Semi-Final, First Half

Hello Dear Readers!

Here are my reviews for the first half of the first semi-final. I have kept them in alphabetical order because, frankly, I had written this before the running order was revealed and do not really have the time to reorder everything. Overall, I think this semi-final is the weaker of the two. However, there are some real gems that, sadly, I do not think will make the Final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

 

Albania

Lindita

World

Televised

Thoughts:

So epic! So powerfully sung! Still not 100% sure what she is saying; honestly, she could have left it in Albanian without much difference. Love the song – but it probably will not get Albania back to the Final.

 

Australia

Isaiah

Don’t Come Easy

Internal

Thoughts:

A well-done ballad; Australia once again brings a strong entry. However, I do not think this will continue its uphill trajectory of success (i.e., it’s not going to win). Will definitely make the Final, but it will be a stretch to see it in the Top Ten.

 

Azerbaijan

Dihaj

Skeletons

Internal

Thoughts:

A dazzling number. It definitely sounds more conventional than Dihaj’s more experimental look and sound, but still a great number. It’s been a long time since Azerbaijan wowed us with a stunning staging. I am thinking this might bring that back (as well as Azerbaijan’s place in the Top Ten).

 

Belgium

Blanche

City Lights

Internal

Thoughts:

Already a heavy favorite, this is definitely another side of the contemporary sound. I really like it, though, not quite sure I’m seeing it as a winner just yet. Blanche’s voice is definitely unique; not too often you hear a female singer’s voice be quite that deep which might be a big part of her appeal.

 

Finland

Norma John

Blackbird

Televised

Thoughts:

Haunting, simply haunting. Each time I hear this song, I like it more and more. Her voice is so captivating and the arrangement perfectly captures the lyrics. I wonder how it would sound in Finnish…

 

Georgia

Tamara Gachechiladze

Keep the Faith

Televised

Thoughts:

This song delivers a powerful message that is well sung. However, it comes off a bit self-important and I predict a lot of controversy around the staging come April. I do like the song, but think it has little chance to make it to the Final.

 

Montenegro

Slavko Kalević

Space

Internal

Thoughts:

When people ask me for a good example of “gay pop,” I can now point to this song. And, if you’re curious as to what makes this “gay pop” – here is my rationale: the composition is a dance track with a disco feel (plus disco trumpets!) and, even more so, the erotic nature of the lyrics and music video. With that said, I think the song is a good club track, but a poor competition piece.

 

Portugal

Salvador Sobral

Amar Pelos Dois [Love for Both of Us]

Televised

Thoughts:

A lovely, understated ballad. My initial thought was that it could stand out in this field of EDM and power ballads; however, I just don’t think Sobral has the stage presence nor is the composition enchanting enough to make much impact.

 

Sweden

Robin Bengtsson

I Can’t Go On

Televised

Thoughts:

I like to think of this as discount-Måns Zelmerlöw. Don’t get me wrong, I think this is very well done schlager. But not much more than that. Even with a slick staging, this will merely be another Swedish Top Ten song that doesn’t really challenge for victory.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

What are your thoughts on these songs? My outlook is fairly bleak on most of them, but I’ve been surprised by semi-final results before. Just see my reactions to ANY of the semi-finals on this blog over the years (this is ESC Obsession’s 8th Contest!).

Find the other reviews from this year here!

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