Posts tagged “Finland

ESC 2018: Song Reviews – Semi-Final One

By far, Tuesday the stronger of the two semi-finals. Not just in my opinion, but also that of the bookies…and the majority of fan sites and Youtube playlists I’ve come across. It’s going to be a tough road for all those middle of the road entries.

 

Country

Performing Artist

Song

Selection

Azerbaijan

Aisel

X My Heart

 Internal

Thoughts:

It’s hard to believe that, after finishing in the Top Ten each of its first eight years in the Contest, Azerbaijan has not gotten back there since first failing in 2014. This will not return them to the Top Ten. It is a competant entry and should easily qualify, but it’s just too forgettable in a year full of strong songs.

Iceland

Ari Ólafsson

Our Choice

National Final

Thoughts:

Ehh…why? This song is not only dull and boring, but it is patronizing on top of it. This would have been average by early 2000s standards when this kind of stuff was en vogue, no, this will not break Iceland’s current streak of non-qualifiers.

Albania

Eugent Bushpepa

Mall [Yearning]

National Final

Thoughts:

Three entries, three forgettable acts. It’s almost as if the producers want to dump the weaker stuff first when folks are still late to tune in. This song is a bit bland and lacks much depth. The lyrics give it more intrigue, but, short of an amazing, life-altering staging, I doubt this will have much impact with either the juries or the televoters.

Belgium

Sennek

Matter of Time

 Internal

Thoughts:

The biggest beneficiary of the running order, I think, it will be the first strong song on the night, preceded by three weaker songs in one of the strongest semi-finals since the two show model was adapted in 2008. I love this song, personally, and think it also benefits from being the only James Bond-esque entry in the Competition.

Czech Republic

Mikolas Josef

Lie to Me

National Final

Thoughts:

So much fun! Czechia has succumbed to the common strategy of throwing a hot guy at their problems in what is bound to be its most popular and successful entry to date. Despite Josef’s hotness and the amazing composition, the lyrics to this song are…poor at best. Give them a read, they make very little sense.

Lithuania

Ieva Zasimauskaitė

When We’re Old

 National Final

Thoughts:

The biggest loser in the running order. This is already a weak, forgettable song; though, it is incredibly sweet. It is sandwiched between two of the most popular and distinctive entries this year. As I said, this song is super sweet, but stands NO chance of making any kind of lasting mark. It will likely finish last.

Israel

Netta

Toy

 Mixed

Thoughts:

Love it! It’s fun, memorable, catchy, immediately sing-along-able, and distinctive. I don’t think it’s a winner, but should easily return Israel to the Top Ten. I’ll

Belarus

ALEKSEEV

Forever

National Final

Thoughts:

I LOVE this entry, despite its dubious past (it was in a previous competition early last year in Belorussian, but they reworked the composition and switched it to English with the blessing of the EBU). It’s so haunting and captivating. It may just squek into the Grand Final, but I cannot imagine it doing well once it got there); I especially worry about his life vocals.

Estonia

Elina Nechayeva

La Forza [The Force]

National Final

Thoughts:

Another song that I absolutely love! It is utterly awesome and, like the majority of operatic songs at ESC, should have no problem qualifying for the Final. The question is: what will it do once it gets there? No operatic song has ever cracked the Top Ten. Not sure if this will change that.

Bulgaria

EQUINOX

Bones

 Internal

Thoughts:

So mysterious! I rather enjoy it, but am not quite sure what to make of it. The lyrics and composition linger with you long after listening. But, the questions are: 1) can an ethically diverse group succeed and 2) Can a weird song do well? It’s quite contemporary, but not really mainstream. We’ll see.

Macedonia

Eye Cue

Lost and Found

 Internal

Thoughts:

Upon repeated listens, this song seems like less of a hot mess, but, it’s still a hot mess regardless. This is not two, but three songs smashed together. Why? Heaven only knows. I don’t dislike this song, but I cannot see it changing Macedonia’s misfortunes.

Croatia

Franka

Crazy

 Internal

Thoughts:

An intriguing song that’s not completely put together. I like it; I think this song is sexy, but not captivating. As such, I cannot see it qualifying out of this semi-final, maybe it would out of Thursday’s line-up.

Austria

Cesár Sampson

Nobody but You

 National Final

Thoughts:

I really like this song. Even more so, I think it will be highly succesful and be a legitimate title contender. It is captivating, interesting, well-performed, continually builds throughout the duration of the song. I think that this should be considered for victory.

Greece

Yianna Terzi

Oneiro Mou [My Dream]

National Final

Thoughts:

Whoa! Talk about a haunting song that stops the show! It’s dark, it pulls you in, deeper and deeper – by far, Greece’s strongest and most unique entry in quite some time (maybe since 2013, incidentally, its last time in the Top Ten).

Finland

Saara Aalto

Monsters

Mixed

Thoughts:

A fun and contemporary song. We’ve had transexuals, cross-dressers & drag queens, gay men, and bisexuals but is Aalto Eurovision’s first out lesbian? While the composition is fun and the generic inspirational lyrics achieve their purpose, I have a feeling this might this year’s most overrated entry.

Armenia

Sevak Khanagyan

Qami [Wind]

National Final

Thoughts:

Joining Georgia, Armenia is submitting its first ever entry in its national language. It’s a captivating and intriguing song that teeters between broody and dark. This lack of a distinct tone will be this song’s undoing and prevent Armenia from returning to the Top Ten.

Switzerland

ZiBBZ

Throwing Stones

National Final

Thoughts:

Hmm, this song feels generic. I have a feeling, though, if this was coming from Sweden or Romania, it would be in victory conversations. It is from Switzerland, as such, it will most likely fall flat. I don’t dislike this song, but I’m not crazy for it either.

Ireland

Ryan O’Shaughnessy

Together

 Internal

Thoughts:

A pretty song, not dissimilar from last year, but not as good in my opinion. A simple song about a guy being betrayed by his wife. A simple composition that puts the listener at ease. Like Croatia, I think this song might be more successful if it was in the weaker Second Semi-Final, as such, I don’t think it has enough juice to qualify out of the First.

Cyprus

Eleni Foureira

Fuego [Fire]

National Final

Thoughts:

A very contemporary and American-sounding entry, I can see this flying through to the Final and potentially cracking the top five to give Cyprus its best finish to date. Potentially. It won’t because I have no reason to believe that Cyprus knows how to properly stage a song, but the important thing is that it could.

*Selection of the competing song can be internal (selected by producers or a secret jury), come through a national selection (singers with songs competed against each other), or mixed (either the song or the artist was picked internally and the other was picked in a national final)

So, who do I think will qualify? (in no particular order)

  • Armenia

  • Greece

  • Azerbaijan

  • Czech Republic

  • Cyprus

  • Finland

  • Israel

  • Bulgaria

  • Austria

  • Estonia

And which songs are my favorite? (in order)

  1. Estonia

  2. Israel

  3. Belgium

  4. Belarus

  5. Austria

  6. Greece

  7. Bulgaria

  8. Croatia

  9. Ireland

  10. Armenia

And, more importantly, who do I think has a legitimate shot at winning?

More on this next week, but, right now Austria and Czech Republic are the two I think have the best shot at victory. I know that Israel has dominated the betting odds, but each of the last two years, the leader in the betting odds has been the same throughout the entire pre-season and going into the Final and ended up not winning (2016 – Russia. 2017 – Italy). Bulgaria (which has been rising) and Estonia (which has been falling) are towards the top of the betting odds, but as of my initial reviews, I don’t think either has what it takes to win.

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Eurovision 2017 Song Reviews (Finally!) – First Semi-Final, First Half

Hello Dear Readers!

Here are my reviews for the first half of the first semi-final. I have kept them in alphabetical order because, frankly, I had written this before the running order was revealed and do not really have the time to reorder everything. Overall, I think this semi-final is the weaker of the two. However, there are some real gems that, sadly, I do not think will make the Final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

 

Albania

Lindita

World

Televised

Thoughts:

So epic! So powerfully sung! Still not 100% sure what she is saying; honestly, she could have left it in Albanian without much difference. Love the song – but it probably will not get Albania back to the Final.

 

Australia

Isaiah

Don’t Come Easy

Internal

Thoughts:

A well-done ballad; Australia once again brings a strong entry. However, I do not think this will continue its uphill trajectory of success (i.e., it’s not going to win). Will definitely make the Final, but it will be a stretch to see it in the Top Ten.

 

Azerbaijan

Dihaj

Skeletons

Internal

Thoughts:

A dazzling number. It definitely sounds more conventional than Dihaj’s more experimental look and sound, but still a great number. It’s been a long time since Azerbaijan wowed us with a stunning staging. I am thinking this might bring that back (as well as Azerbaijan’s place in the Top Ten).

 

Belgium

Blanche

City Lights

Internal

Thoughts:

Already a heavy favorite, this is definitely another side of the contemporary sound. I really like it, though, not quite sure I’m seeing it as a winner just yet. Blanche’s voice is definitely unique; not too often you hear a female singer’s voice be quite that deep which might be a big part of her appeal.

 

Finland

Norma John

Blackbird

Televised

Thoughts:

Haunting, simply haunting. Each time I hear this song, I like it more and more. Her voice is so captivating and the arrangement perfectly captures the lyrics. I wonder how it would sound in Finnish…

 

Georgia

Tamara Gachechiladze

Keep the Faith

Televised

Thoughts:

This song delivers a powerful message that is well sung. However, it comes off a bit self-important and I predict a lot of controversy around the staging come April. I do like the song, but think it has little chance to make it to the Final.

 

Montenegro

Slavko Kalević

Space

Internal

Thoughts:

When people ask me for a good example of “gay pop,” I can now point to this song. And, if you’re curious as to what makes this “gay pop” – here is my rationale: the composition is a dance track with a disco feel (plus disco trumpets!) and, even more so, the erotic nature of the lyrics and music video. With that said, I think the song is a good club track, but a poor competition piece.

 

Portugal

Salvador Sobral

Amar Pelos Dois [Love for Both of Us]

Televised

Thoughts:

A lovely, understated ballad. My initial thought was that it could stand out in this field of EDM and power ballads; however, I just don’t think Sobral has the stage presence nor is the composition enchanting enough to make much impact.

 

Sweden

Robin Bengtsson

I Can’t Go On

Televised

Thoughts:

I like to think of this as discount-Måns Zelmerlöw. Don’t get me wrong, I think this is very well done schlager. But not much more than that. Even with a slick staging, this will merely be another Swedish Top Ten song that doesn’t really challenge for victory.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

What are your thoughts on these songs? My outlook is fairly bleak on most of them, but I’ve been surprised by semi-final results before. Just see my reactions to ANY of the semi-finals on this blog over the years (this is ESC Obsession’s 8th Contest!).

Find the other reviews from this year here!

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Diversity at ESC2016

Hyvää Paivää – hei rakas lukijat!
And Hello Dear Readers!

There’s been an uptick in readers from Finland — kiitos että luit! And thanks to all of you for reading, regardless of where you are from!

Last year, we looked at race at the ESC and I expressed my pleasure that we were seeing more and more minorities as lead performers, particularly folks of African and East Asian descent. This year, there continues to be some racial diversity, but not as much as there should be in my opinion. This year, Norway is represented by a Sami woman – Agnete. This is awesome and would be akin to a member of a Cherokee tribe representing the US or an Aboriginal singer representing Australia (which happened somewhat when DR had Australian pop star Jessica Mauboy perform during the interval act of the second semi-final in 2014). Native peoples are an integral part of a nation’s history, particularly in looking back at how these people groups were often mistreated, disenfranchised, and systematically destroyed. Having a first-nation person representing a country shows that steps, perhaps small – perhaps big, have been made and are continuing to be made to heal past wounds.

Australia is also being represented by a minority. While Im was born in South Korea, she spent the majority of her life Down Under, as her family moved to Australia when she was a child. Im has received backlash since she was named Australia’s performer. Much how many non-white performers and soccer players (read: footballers) representing European nations must deal with, from opponents and their own countrymen. While we celebrate the Contest’s ability to be inclusive of LGBTQ+ persons (particularly gay men), we must not overlook the very real racism that still exists. Does this mean that every contestant needs to be non-white, no. Of course not. Does this mean that hosts need to do the same mindless pandering to racial minorities as they do to gay men? Again, of course not (if anything, there should be less pandering). But it does mean that when race-based issues around the Contest occur, they need the same attention and discourse that comes when an LGBTQ+ issue arises. Likewise, fan culture needs to promote and encourage racial diversity (actually, fan culture does a pretty good job of forcing any non-white, unattractive non-gay man into the realms of invisibility, but that is a conversation for another time) and call out people when they are not. This includes not just around skin color, but ethnicity, national origin, and religion as well.

One  country that has historically done a good job at bringing diverse performers to the Eurovision stage is France. They have been represented by persons and languages from across the French realm, including Corsica, Haiti, Congo, and Tahiti. This year, Amir takes the stage for his native France. His ethnic background is rather diverse, as his roots tie back to Morocco, Tunisia, and Spain as well as being ethnically Jewish and spending half of his life in Israel. Sandhja from Finland also has a multi-ethnic background, as her father is Finnish and her mother is Indo-Guyanan. Sandhja has often said that her identities, and the communities that they give her access to, inspire her music and performance.

So, once again, why do we care diversity, particularly ethnic and racial diversity, at the Contest? Because the ESC is for EVERYONE. Just like how gay male fans get excited when an openly gay performer competes (such as Hovi Star from Israel), how excited would the many more number of Europeans who are non-white be for ethnic minority performers? Those who feel like they belong to the broader community are more likely to contribute and otherwise actively participate in the community. Furthermore, when someone feels systematically excluded, it can lead to lowered psychological and physical well-being for individuals who feel marginalized. Additionally, these are the people who are most likely to violently strike out against society. We see this in the US with mass shootings, we see this throughout Europe with riots and the rise of neo-Nazi groups, and we see this in the Middle East with groups like DAESH/ISIS that specifically recruit those who are made to feel like outsiders and radicalize them to the point of striking out against those that ostracized them. Clearly, incorporating more minorities as performers won’t prevent or stop groups like ISIS, but it will make it harder for them to recruit.

And, you know, help the Eurovision Song Contest work towards its mission to unite Europe, if only for one night.

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Correction: Article has been updated to correct the spelling of Jessica Mauboy’s name and correcting the name Australia uses for the First Nations people. Eurovision Obsession apologizes for the error.


ESC 2016 Reviews: First Semi-Final, Part One

Hello Dear Readers!

As promised, here is the first of our five sets of reviews this week. Here are the nine countries competing in the first half of the first semi-final.

First Semi-Final, First Half

Country

Performing Artist

Song

Selection*

Armenian Flag Map

Armenia

Iveta Mukuchyan

LoveWave

Internal

Thoughts:

Initially, I was off put by the spoken portion at the beginning, but I think that the song picks up and I love how unique it is. Great sound and a lot of potential. This will most definitely qualify for the Final.
Croatian Flag Map

Croatia

Nina Kraljić

Lighthouse

Internal

Thoughts:

A truly epic, modern sounding ballad. Definitely not what I was expecting from Croatia; it’s very contemporary and captivating. I’m not sure of it’s final placing as of yet.
Finnish Flag Map

Finland

Sandhja

Sing It Away

Televised

Thoughts:

What a fun song! It’s a simple dance tune encouraging you to let the music take your cares away. It will definitely get Europe moving, but in a year of uptempo songs, I’m not sure if it will get Europe voting.
Greek Flag Map

Greece

Argo

Utopian Land

Internal

Thoughts:

Rap…yeah, not my favorite genre. An interesting choice to come out of an internal selection. I wonder if part of the thinking was a return to a more traditional Greek sound that brought the nation so much success throughout the 2000s and the first half of the decade. I think this will suffer the same fate as Montenegro 2013 – interesting, popular among the voters, weighed down by the juries.
Hungarian Flag Map

Hungary

Freddie

Pioneer

Televised

Thoughts:

The good: I love the sound and look of Freddie. I also like the composition. The bad: This song, it’s lyrics and production especially, is terribly generic. If the influx of eccentric entries is the legacy of last year’s Belgian and Latvian entries, then this is the legacy of Russia’s Million Voices.
Moldovan Flag Map

Moldova

Lidia Isac Falling Stars Televised

Thoughts:

My understanding is that the studio version of this song is better than its live version. However, I have what’s in front of me and, sadly, I do not think Isac’s voice is strong enough to carry this song. It’s bigger than she is and it results in a boring entry that does not go anywhere. Luckily, she has time to work on that between now and May.
Dutch Flag Country

The Netherlands

Douwe Bob Slow Down Internal

Thoughts:

After finding success with the genre in 2014, the Netherlands seems to be returning to country with another song that sounds as if it is straight from Nashville. I think this will get the Dutch back to Saturday night, but I’m not sure what it will do after that, especially since Douwe Bob’s name does not carry much weight outside of his home country.
Russian Flag Map

Russia

Sergey Lazarev You Are the Only One Internal

Thoughts:

Five years after the last hot Russian guy with a dance song fell flat at ESC, Russia is finally trying the combination again. The music video is quite amazing; it makes one forget that the song is fairly average (though, I like the dark undertones in the composition). If they are able to bring this production to the ESC stage, Russia will maintain its Top Ten streak.
Sammarinese Flag Map

San Marino

Serhat I Didn’t Know Internal

Thoughts:

REISSUED! San Marino switched out the original, classy version of I Didn’t Know for an outdated, disco-style version that will surely be lost among the pool of stronger dance entries this year. Whereas before, Serhat’s smokey voice drove the performance and the composition set us up for a distinctive song, a true ballad in a sea of uptempo numbers, now, we have a forgettable arrangement of a song that gives the impression of a grandfather trying to prove how “hip” he is. I’m so, so sorry San Marino, but this was a change for the worse. Instead of competing for the tenth qualification spot, you will be lucky to avoid last place.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

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