This year, diversity is taking the forefront at ESC, this is Conchita Wurst’s legacy. I, for one, am quite excited that we are finally diving deeply into this issue. Diversity is more than merely having folks of different backgrounds present, it’s incorporating the variety of differences into the event, organization, etc. and celebrating our unity through celebrating our variance. Armenia’s supergroup, Genealogy, is built on this principle; celebrating the wide breadth of the Armenian diaspora through having each continent represented within the group.
ESCInsight has a fantastic article looking at disabilities and the Contest, something brought to light through due to various forms of ability represented this year: the band members from Finland each have a developmental disorder, Monika from Poland has paralysis, and Bianca Nicholas, one half of Electro Velvet from the UK ha,s cystic fibrosis. I won’t dive into disabilities here, no need to rehash what has already been discussed so well.
I do want to talk about the racial diversity at this year’s Contest. In addition to the smattering of black background singers that we’ve grown accustomed to seeing, we have several black lead artists, from Latvia and Switzerland. And Maimuna from Belarus and Guy Sebastian from Australia are of Asian descent. Between these lead artists, the backing vocalists, and backing dancers – this will probably be one of the most ethnically diverse Contests on record.
Why is This Important?
As the ESC continues to increase its brand globally, it needs to increase the presence of non-white folks onstage to broaden its appeal. While many European countries tend to fall along the bottom of global diversity scales, no country is 100% singular in its ethnic make-up. Furthermore, Europe is slowly becoming more diverse. As we reaffirm that ESC is for all, we must then ensure that all are actually represented on stage. This holds especially true as we discuss the legacy of colonialism among Western nations, the increasing immigration in the North, and the various people groups throughout the East, all of these contribute to the diversity across the continent. Just as the LGBTQ+ Community often exclaims, “visibility matters;” seeing people who look like you, as a member of the minority, in prominent places (such as onstage in a starring position at Europe’s Favorite TV Show) helps you feel more represented, connected, and a part of the larger society. This, in turn, leads to increased positive feelings and welfare. I am not arguing that increasing the ethnic diversity of Contest performers will singlehandedly improve race relations across Europe, but it can certainly play a part in it.
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In its short history, Georgia has had varied success at the Contest. While they have two victories at the Junior version – where it has submitted very unique and experimental entries, its songs for the ESC have generally been much more formulaic. In my opinion, the songs have declined in quality since their debut in 2007. Let’s dive in, shall we?
2007 – Visionary Dream – Georgia’s debut at the Contest, it definitely tried to show its unique style with this entry. The music is hot and the singing was outstanding. I think Sopho and Georgia took Europe by surprise with the strength of this song. Though, the lyrics leave much to be desired.
2008 – Peace Will Come – The only female singer for Georgia not named “Sopho,” Gurtskaya is one of the country’s biggest stars. The song was nice; the costume change was well done and I am still looking for where the clothes went. Irony! Right after a song about peace and maturity, Georgia withdraws because they’re political, anti-Putin song did not qualify to compete.
2010 – Shine – A formulaic song that won the hearts of the juries, I think that the performance outshone the actual elements of the song. Nizharadze’s voice was strong and pure – very well done. I thought the staging was a bit over the top, but the singing was right on target.
2011 – One More Day – In an unexpected turn of events, Georgia broke into the Top Ten with a rock song (and incredibly ugly outfits). I still do not quite understand how this song managed to be so successful among such a strong field of contenders, but it is what it is. I do not think that the composition was all that compelling nor the lyrics all that moving – the performance wasn’t even all that interesting. One of those results I just do not quite understand.
2012 – I’m a Joker – The only Georgian entry, thus far, to fail to qualify for the Final. It was a hot mess – it’s lyrics, it’s composition, it’s performance: it was nowhere near quality. It was not even a decent joke entry as it took itself too seriously. Just…poorly done.
2013 – Waterfall – Big ballad: Check! Swedish song author: Check! Wind machine: Check! Key change at just the right moment: Double check!! ESC victory: nul. This is, as ESC Insight would say, “Eurovision by numbers;” however, it failed to impress the fans or garner the jury support that everyone figured it would. In fact, it barely slipped into the Grand Final ahead of San Marino’s effort. This reminds us all that it may be time to reexamine what makes a “perfect” ESC entry.
Let’s Take a Closer Look at: Georgia 2013. Painting by numbers is when one is able to recreate a painting by matching colors to a number on a canvas. When applied to ESC “Eurovision by numbers” is the concept that an entry encapsulates all the stereotypical elements of songs that have traditionally been successful in decades past – a power ballad with a dramatic key change and overly sentimental lyrics that involves a key change and uses a wind machine in its performance. Waterfall had all of these, plus a bonus point for having a big name Swedish songwriter. Unfortunately for Georgia, the song fell flat, with the fans and the juries. I think it’s an indication that we must rethink what we deem as the “ideal ESC entry.” Ever since the involvement of televoting in 1998, the strength of the performance (the singing as well as the staging) became more important. With the victories of Estonia, Turkey, Greece, and Sweden 2012 – the influence of dance music has multiplied tenfold. In fact, since 1998, only three true, ballads (in this case, ballad is defined as a slow, emotional song) have won – Denmark’s surprising folk entry from 2000, Serbia’s megaballad from 2007, and the 2008 winner performed by Russian megastar Dima Bilan. Otherwise, pure pop tunes or dance hall tracks have lifted the trophy at ESC. Maybe, instead of asking if a song is stirring enough, we should ask “can I dance to this beat?” What this means for the future of the Contest, I’m not quite sure. But with similar failures like France 2009 and Spain 2012, we really have to challenge what we believe are the conventions that define a strong entry.
Check back for the next stop on the Road to Denmark: Germany! You can also look for previous stops as well.
For those of you that celebrate it, Happy Boxing Day! Aujord’hui, nous examinons le premier pays de la groupe «la Grand Cinq» : la France!
2007- L’Amour à la Françoise – A fun song that is very “French” – it’s artsy, slightly nonsensical, and a whole lot of guys wearing pink. It took a couple of years to grow on me, but this song isn’t half-bad.
2008 – Divine – the infamous entry anglais; the only French entry to be performed in English (save for two lines). Again, it’s “very French” in that it’s rather artsy (check out the beards on the backing singers!) and a bit nonsensical, like there’s some kind of inside joke that we’re not privy to. It’s fun; I’ve always liked it, but as far as a song goes – it’s average.
2009 –Et S’il Fallait le Faire – the first of the four perfect scores (check the tables) that we’ll see. Musically, the composition is perfect – it’s French cabaret (which is Kaas’ style), and constantly pushes the song forward, it invokes the sound of a clock that magnifies the growing sense of urgency in the lyrics. Speaking of which, the lyrics are so heart-wrenching, they’re so passionate, and Kaas performed them beautifully. I thought that the staging was absolutely perfect for the song, just the singer and a microphone on a darkened stage, really captured the cabaret feel and the camerawork, again, added to texture to the words. One of the best entries to date and I completely understand why a mere eighth place was seen as a disappointment.
2010 – Allez! Ola! Olé! – Bravo to the French for not being afraid to embrace, not only its colonial past, but also its diverse present – yay Black people on the ESC stage! The song is a bit nonsense, but its the definition of a party anthem. Too bad Les Bleus did not perform in the World Cup as well as their anthem did at ESC.
2011 – Sognu – One of the biggest flops in recent history, this song was a huge favorite to win in Düsseldorf, but finished a mere 15th due to a timid performance and stiff competition. 2011 was a strong year and this song, as nice as it is, was lost in the fray.
2012 – Echo (You and I) – I. LOVE. THIS. SONG! The staging was TERRIBLE! The song, though, is quite lovely. The lyrics harken back to this dying love and the music is well orchestrated. Anggun’s singing was fine, but the staging was horrendous, the pure definition of a mess.
2013 – L’Enfer et Moi – An amazing song that was screwed by the producers because, r some reason, someone thought it was wise to put it first in the running order. Bourgeious was amazing in her performance of this intense rock song. The constant building throughout the song in both the music and the lyrics is beautifully done; it’s such a well-written song!
Let’s Take a Closer Look at: France 2010. I would love to take this opportunity to blast off on the producer chosen running order that was introduced in 2013, but I will bite my tongue. Instead, I will look at what will hopefully be a continuing trend – the submission of soccer anthems to the Contest. Allez! Ola! Olé! was written to be the French world cup song in 2010. Be My Guest from the Ukraine in 2012, while not officially said to be a soccer anthem, definitely had that sound. Both songs were high energy and a ball of fun. While neither finished in the Top Ten, both brought a much needed spark to the ESC stage that I hope countries continue to send. Who knows, maybe Valentina Monetta’s third attempt will be a foot stomper for San Marino.
What do you think – do we need more anthems on the ESC stage or is one every few years enough?
Merry Christmas!! Or should I say, “Hyvää Joulua!” as the Road to Denmark takes us to Finland today.
As you can see, I’m fairly lukewarm with the Finnish entries. They’re generally okay, but I do not have a particularly strong affinity for any of them (at least, not these ones). Finland, though, will always have a special place in my heart because Helsinki hosted the first Contest that I watched. Speaking of which, let’s look at the first defending champion I saw.
2007 – Leave Me Alone – An attempt at pop-rock that was better than the reception it received, but ended where it probably should have in its final placing. It’s a pleasant enough entry and fun to sing along to if one is in an angry mood, but, generally, it’s rather generic.
2008 – Missä Miehet Ratsastaa – A true rock entry that slipped into the Final but then fell flat. It’s not my cup of tea, but as I said in the Czech Republic post, these kind of songs bring a much needed diversity to the running order.
2009 – Lose Control –A beneficiary of the former jury system, which allowed a wild card to move through to the Grand Final. It’s a slapdash song that is alright, but not much. The singing is better than the rapping and the presentation was a bit of a mess – it did better than it probably should have.
2010 – Työlki Ellää – A fun song and I think one of the more popular Finnish entries among the fans. It’s fun and catchy; I don’t know a lick of Finnish, but I can sing along to the chorus! The presentation was fitting, but in the end, the song just wasn’t quite memorable enough. (Finland would have done better with this song)
2011 – Da Da Dam – A song with surprising success. I think it was generally overlooked, but it brought Finland back to the Final and gave us a soothing song about a boy trying to save the planet. Again, I’m fairly lukewarm on the song, but it is rather pleasant.
2012 – När Jag Blundar – First time we here Swedish on the ESC stage since the open language rule went back into effect in 1999 and it comes from Finland! The song is quite forgettable, but it has a wonderful story behind it. Karlsson’s brother wrote the song about their mother; both were on stage to honor her with their performance. Oh, so very sweet!
2013 – Marry Me – My feelings about this performance are already documented on this blog. I will say, though, that the song is fun and a bit inventive and guaranteed that it will be remembered for quite some time, particularly if it continues to be used for gay marriage campaigns.
Let’s Take a Closer Look At: Finland 2009. As I said, despite finishing 12th in its semi-final, Lose Control qualified for the Grand Final thanks to the former jury system that was present in 2008 and 2009. I’m going to use this as a nice little soapbox to restate my love of the jury system from 2010-2012. I loved the way the old 50/50 system worked – it was simple math. This new ranking system is not ideal and it’s more complicated than it needs to be. Though, I appreciate the new steps being add in starting this year – where each jury member’s individual ranking will be revealed along with the voting results. This is not retroactive, unfortunately, but it should stay standing going forward.
Welcome back to the Road to Denmark 2014! As you may have noticed, we skipped our host country to head to Estonia. I will review Dk last as that makes the most sense to me. Disagree? Leave a comment below!
I was honestly surprised when I made this table. I had no idea just how much I liked the Estonian entries. Each one has its own unique flair. I think Estonia, much more than most others, has done a great job of sending a diverse array of entries to the Contest. They are also one of the few countries that have found more success in their native language than in English.
2007 – Partners in Crime – A fun power ballad performed by the sister of 1/2 of Estonia’s winning duo. Originally, I liked this song a lot, but over time, its appeal has lessened. Overall, its a bit one note, she’s at max level throughout most of the song. Additionally, it’s a rather simple entry without much charm.
2008 – Leto Svet – What happens when you take three old guys, two of which are politicians, and tell them to make funny song that mixes in some pandering to the host crowd: Estonia 2008. While the song is fun, it’s incredibly silly and nonsensical. There’s no meaning or depth to it. You know it’s a bad sign when you can mute the performance and not lose anything from it.
2009 – Rândajad – Perhaps the most popular Estonian entry to date, Rândajad is another song with suspect lyrics from Estonia. What redeems it, though, is how the mysteriousness of the song is captured in both its arrangement and its performance. One can actually picture oneself on the Saharan dunes, watching these nomads travel by night. The orchestration was perfect. The singing was perfect. The visual arrangement was perfect. This is how you help a song rise above its station.
2010 – Siren – And Estonia comes crashing back to Earth. I like this song about as much as I like Rândajad; however, I believe I am in the minority holding that sentiment. I think the performance fits the song and the song fits the duo of Malcolm Lincoln. I think a combination of running order, retro sound, and suspect lyrics did this entry in.
2011 – Rockefeller Street – A heavy favorite coming into the Grand Final, this song was supposed to challenge Denmark, France, and the UK for the win. We all know how that turned out. I do not think I am alone in saying the results of the 2011 Contest were one of the most surprising in Contest history when they are compared against the betting odds and public opinion preceding ESC week. Objectively, though, a bland pop song with lyrics that don’t make a whole lot of sense (“1…2…7…3”?) that had a childish performance – there should not be a whole lot of surprise that this song did not do well, except to ask why it beat out some of the competition left behind in the Second Semi-Final.
2012 – Kuula – I know I am in the minority when I say that this song is highly overrated. It’s boring, doesn’t really go anywhere, and is overdramatic. A positive, though, is that Lepland flawlessly performs it. I think it is on the back of this performance, in a year where a lot of vocal abilities were subpar, that this song succeeded.
2013 – Et Uus Saaks Alguse – An incredibly aptly titled song as Birgit was pregnant when she performed this entry. She gave Estonia another flawless vocal performance. Interestingly, though, she was not as successful as Ott Lepland, even though both songs were of equal quality. Perhaps this was due to the stronger field of entries in Malmô compared to Baku.
Let’s Take a Closer Look at: Estonia 2010. The Contest in Oslo saw a revitalization of retro sounding entries, from Estonia to Albania, to Serbia to the Netherlands, among others. This trend has continued as a few countries always seem to submit, 70s, 80s, and 90s era songs to the Contests in 2011, 2012, and 2013. Unfortunately, while these songs add some much needed diversity, they do not tend to be very successful. I say unfortunately because I tend to like these songs a lot! What’s the consensus on these kinds of entries? Do other fans like them, too, or do I stand alone? Leave a comment below!
I got my tickets for the both Semi-Finals, though couldn’t get a Grand Final ticket. Hope you were able to get yours! Hmm…the Road to Denmark just got a little more real. Onward to Cyprus!
Oh Cyprus – like Croatia, the tiny island has also decided to withdraw from next year’s Contest due to financial reasons. Again, a moment of silence…
Like Bulgaria, the Cypriot entries are all over the place – including one in French! However, their performances are much better and tend to be on the more tasteful side of things. Let’s dive a little deeper, shall we?
2007 – Comme Çi, Comme Ça – The ever-so-rare non-native language/non-English entry. This French-language number from Contest veteran Evridiki surprised many with this rock song. It was quite popular among the fans and seemed to make an impression on the audience, it even won an award from ESC Today for best song not to qualify for the Final. I think I agree with that choice.
2008 – Femme Fatale – A sexy song that’s a bit repetitive. The performance was a little over-the-top, but not bad. I think it finished about where it deserved. The song is entertaining, but nothing special.
2009 – Firefly – A sweet song written by a brother for his little sister. Unfortunately, what sweetness the song had was lost with Metaxa’s very shaky performance. Though, I think in a few years, she’ll be strong enough to try again and do a lot better her second time around. At 16, the Moscow stage was just a little too big for her.
2010 – Life Looks Better in Spring – Cyprus looked outside itself to Wales and offered the opportunity to lead a band of Cypriot songwriters to an up-and-coming singer they found on the small venue circuit in Britain. The song is great and had a chance to capitalize on the younger, singer-songwriter vibe. Unfortunately for Cyprus, Belgium beat them to the punch and outperformed Jon Lilygreen to outplace them.
2011 – San Angelos S’Agapisa – I don’t quite understand the point of this song – “I loved you like an angel.” The song is a poorly mashed together combination of folk ballad and rock. Granted, the marriage isn’t as poorly done as Slovenia 2010, but it could definitely be better.
2012 – La La Love – Cyprus surged to their best finish in years with this lively pop song. It’s so much fun and was amicably performed. Given its spot between the epic Icelandic entry and the hot mess that was France, one would think that it would have finished higher than 16th. It has left a legacy of commercial success and was the first time Cyprus outperformed big brother Greece in quite some time.
2013 – An Me Thimase – This is a truly beautiful entry, and it was performed so well. It’s powerful, it’s moving, it is a truly wonderful work of art. Sadly, it did not do as well as I think it should have. Even the English and Spanish versions are well done, which is a rarity for translated entries. Olympiou showed herself to be a force and I hope she returns.
Let’s Take a Closer Look At: Cyprus 2013. It seems that, no matter what Cyprus tries, pop, ballads, rock, indie, it cannot succeed. For as popular as La La Love was, it still only finished mid-table. Some blame the Greek language, as Cyprus has yet to qualify for the Final with a song in Greek, but, truly, songs have transcended their languages before. Essentially, 2008 was unremarkable, 2011 was a mess, and 2013 was considerably less enthralling than its competition. Cyprus needs to continue sending artful entries, like 2013, and begin to play with the song’s energy until they have a winning competition.
What do you think? Is Cyprus doomed to always by an “also ran”?
Happy Thanksgiving! A moment of silence for Croatia’s withdrawal from ESC2014.
And we’re back! Croatia, a country that I consistently like (though, not love), is withdrawing from next year’s Contest (along with several other countries, sadness!) but they have left a legacy of some nice, heartfelt songs.
2007 – Vjerujem u Ljubav – A unique song that doesn’t neatly fit the ESC mold. It sounds a bit sloppy to me, like it didn’t quite come together correctly. It’s an alright song, I suppose.
2008 – Romanca – One of Croatia’s more popular entries. Apparently, this was a group of street performers before they competed at ESC. I loved the feel of this song – it’s so cool. And they were so stylish! It’s a shame this song didn’t do better.
2009 – Lijepa Tena – This song was a beneficiary of the jury wild card spot for the second semi-final in 2009. It’s a bit melodramatic, but generally is a nice listen. The singing is passionate, though a bit screechy at times, the music could be better, but it fits the overall tone of the song.
2010 – Lako je Sve – A big favorite going into the Contest, the return of a much more mature Feminnem to the Contest, this time for the homeland. This song is amazing, the story of a woman crawling back to her husband after cheating, the composition is moving, and the performance was gripping. It suffered from being in a very strong semi-final.
2011 –Celebrate – A fun, lively song that’s a bit on the daft side. There’s not much to this fluff song – just fun.
2012 – Nebo – A stirring song. A bit of discord among the fans, as they generally like the original composition and performance better than the Contest version, but I like both versions. The song is purposefully underwhelming, aiming to move the soul as opposed to appeal to the shallow vanities as many entries try to do.
2013 – Mižerija – Croatia, once again aiming for a high brow entry, presented a piece of high culture with this entry, as klapa style is considered a part of the world heritage. While ESC is most definitely the stage where a nation should be displaying its unique cultures, when this is done, one must remember that great success should, unfortunately, not be expected. A truly beautiful work of art stymied by its entrance into a pop music competition.
Let’s Take a Closer Look At: Croatia 2010. This song is a part of a bigger point that I’ve made before in my live notes. One semi-final always seems much stronger than the other. Some how, some way, more of the favorites and other strong contenders end up together while the other semi-final remains weak. In 2010, favorites, Croatia, Denmark, Azerbaijan, Armenia, Armenia, Israel, and Turkey, not to mention Georgia, Sweden, Ukraine, and Ireland, were all in the second semi-final, along with the Netherlands (which had developed quite the cult following). It’s no wonder that a song as strong as Lako je Sve failed to move through to the Final. How do we balance this? How do we ensure that both semi-finals are equally balanced in quality? Especially, since it’s usually the second-semi-final that is stronger. It will be interesting to see how the two semi-final format continues to stabilize as we move forward it continues to establish itself.
Hey! Welcome back to the blog! I’m doing alright. Hopefully, there will be no more pauses. We continue on our journey along the Road to Denmark 2014 with a stop in Bulgaria!
Much like the efforts of Bulgaria, my preferences for their entries are all over the place. Oftentimes, it takes me a few months before I come around to liking them. But, I like Bulgaria; it’s got spunk! They keep trying and trying; hopefully it’ll find its swing in Denmark.
2007 – Voda (Water) – This was the very first song I ever heard at the Eurovision Song Contest; it opened up the semi-final in 2007 (the last year of a single semi-final). I remember thinking, “What is this strange European thing?” Little did I know it was the first of 26 musical strings that would tug on my heart with immense gravity. I thought that this song was a train wreck the first time I heard it. It has since grown on me immensely.
2008 – DJ, Take Me Away – Perhaps the best Bulgarian entry in recent memory. It’s distinct, memorable, and unlike anything else that year. It’s a great song! I think that it is a perfect balance between uptempo dance and pop.
2009 – Illusion – I am assuming that Krassimir was sick because the performance of this song was awful. The staging was way over the top. The singing was way off. The lady screeching was unwanted. Awful. Which is a shame because it’s a great song!
2010 – Angel Si Ti – I loved this song from the first listen. Unfortunately, Europe did not. Again, another over the top performance; the half-naked, glittery angels were way too much. The song is fun, the music is upbeat, and the lyrics are quite positive. It’s a fantastic entry – a bass singing an uptempo disco number, what’s not to like?
2011 – Na Inat – Bulgaria took a rare break from the dance floor to try a pop-rock number. Poli Genova gave it everything she had, but was lost in a night full of strong entries and performances. An average song performed admirably.
2012 – Love Unlimited – Probably the most beloved Bulgarian entry among the fans. It broke the record for number of languages within a single song to be performed on the ESC stage (11); it was disco at full power! However, the one time that an over-the-top staging was called for, Bulgaria gave one lonely woman on a colorful stage. It just doesn’t make sense.
2013 – Samo Shampioni (Only Champions) – Hoping to repeat the past, Bulgaria sent the country’s top percussion duo in Editsa and Stoyan. Unfortunately, this was the case. Once again, the performance was over the top and scared off the voters. Why, on earth, would we need to see a random guy jumping around in a giant tribal mask?
Let’s Take a Closer Look At: Bulgaria 2009
So, this actually is what caused my delay. I spent so much time agonizing which one of these songs to focus on. I finally decided upon 2009 due to the rabid success of this year’s Romanian entry. In 2009, a countertenor making his first foray into pop music won the Bulgarian national selection with an uptempo, slightly bizarre song. This entry was maligned as another piece of rubbish from Bulgaria. It was unpopular and looked over; deemed too weird to be successful. The negative thoughts combined with a poor performance made that prophesy come true. However, in 2013, Romania sent a countertenor making his first foray into pop music won the Romanian national selection with an uptempo, slightly bizarre song. But this time, things were different. People heralded the song as revolutionary and amazing. While a lot of the ESC press thought the song to be too out there, the populace jumped on board. When the song failed to reach the top ten of the final – the press and public yelled, “Foul!!” What I don’t understand is, what made this song so much better than the Bulgarian entry from 2009? They’re essentially the same song – and as bad as Krassimir’s performance was, it doesn’t warrant the wide disparity between the two receptions. Perhaps you fair readers can shine some light on this.
Howdy friends! We’re back on the Road to Denmark today. This time, we’re heading to one of the founding members of the ESC – Belgium! A country that has generally underperformed at the Contest – whether its due to poor performances, low televoting, a lack of love from the juries, or a mixture of the three – Belgium just can’t quite find its groove. Personally, I like a lot of the Belgian entries and think that, generally, they deserved better than what they placed. Let’s dive in!
2007 – Love Power – A fun, throwback number. Actually, I love this song a lot! It’s one of my first favorite entries from my first ever Contest. Unfortunately, the performance was rather poor. But hey, the music video is pretty awesome!
2008 – O Julissi – After missing its second victory by only one point in 2003 with Urban Trad’s boundary-breaking , invented language hit Sanomi, Belgium tried to send another eclectic act with a made-up language. It’s a fun song that got the Belgrade crowd cheering and clapping; unfortunately, that energy did not transfer through onscreen. I like this song – it’s so fun!
2009 – Copycat – When I heard this song for the first time, I thought “that’s crazy.” Who would have thought any European country would have submitted an Elvis song – but it was ironic and humorous. But I don’t think anyone thought this song had a chance of succeeding.
2010 – Me and My Guitar – Belgium’s most successful entry since 2003; I always found the song a bit dull. Don’t get me wrong, Tom Dice is a looker and his whiny voice fits the song really well; not to mention the fact that the song was beautifully staged. Could Tom Dice work his magic a second time…I don’t know about that; I think that this was a perfect storm in Oslo, which seems to be a lucky city for the Belge.
2011 – With Love – A rare entry from the West that had public support to move through to the Final, but not enough jury love. I love this song! My favorite Belgian entry thus far – they got robbed from the Final! But, that’s the way the cookie crumbles. I would love to see Witloof Bay return to the Contest.
2012 – Would You? – I thought this song was horridly boring. Until I heard it performed live during the semi-final. It was moving! Still a bit trite and ultimately finished where it probably should have, but Iris did an indomitable job and deserves to be commended.
2013 – Love Kills – Who would’ve thought this song would have finished 12th in the Grand Final, beating the more popular (and higher regarded) Romania, Georgia, the UK, and Germany. This song improved a thousand times over since it was first performed and showed that Western Europe can succeed without a big name or gimmicks. Take note United Kingdom.
Let’s Take a Closer Look At: Belgium 2012. I think this song was probably one of the most overlooked and underrated acts in its year. Iris was this small, mousy girl with little experience with a cheesy little song with weak lyrics and insipid music. But, her performance was amazing. She sung her heart out and won fans for herself. While, on its merits, the song clearly deserved its 17th placing, Iris performed like a contender. Well done!
What do you think? Am I making too much of Iris? Can you feel the Love Power? Do you think Ishtar got what they deserved? Leave a comment below!
Other stops along the Road to Denmark. Check back tomorrow for our return to the Balkans with Bosnia & Herzegovina!
Welcome back dear readers. Finally! We move on to the B’s with “White Russia”…I mean Belarus! A country that has sent an eclectic mix of entries to the Contest. I do not think I could pick a “stereotypical Belorussian sound” based on their entries – and even if I did, it would probably be changed after a few weeks. Anywho, despite the repeated song changes – these are the Belorussian entries along the “Road to Denmark 2014”!
2007 – Work Your Magic – The country’s most successful entry thus far. The popular and charismatic Koldun used nifty stage tricks to wow audiences across Europe to Belarus’ only Top Ten finish.
2008 – Hasta la Vista – A song that was just not very good. The lyrics were uninspired, the vocals were unremarkable, and the staging was cheesy. Just…not a very strong entry.
2009 – Eyes that Never Lie – The overwhelming commentary on this entry was that it sounded like a Bond theme. Unfortunately, it did not live up to expectation – though, the camerawork won the production team a prestigious award. For the song itself, it’s alright. I am not overly enthralled by it, but it is fun to rock out to every so often. Not too many ESC songs are genuine rock like this one is. Yay diversity!
The winning camerawork is from 2:41-3:09.
2010 – Butterflies – So, what happens when you take five of the top classical vocal talents in your country and force them to perform together in a language none of them speak? 3+2, of course! Belarus is not exactly known for having singers with the clearest articulation, but this group takes the cake in terms of singing with accents. And, the song really makes no sense! Also, why did Georgia give them 12 points? To this day, I refuse to guess the way Georgia votes because of this.
2011 – I Love Belarus – As I said in my live notes, I am so confused as to why this song is not, at least partly, in Belorussian. The whole point of the entry is nationalistic pride, but the country’s language does not even feature once throughout the entire song – it doesn’t make sense. My question is – did the producers honestly think this song had a chance of doing well or were they just hoping to get a club hit they could sell the rights to for years to come? Or, were they just trying to get 3+2 out of everyone’s minds?
2012 – We are the Heroes – Okay, so many folks complain that the pop version is not nearly as good as the original alternative rock one. I disagree! The pop version that Belarus competed with was more generally accessible and, given the success of similar entries, made more sense to compete with. The issue with the song was the lackluster performance. It was kinda just there. It was too gimmicky for the band to be taken seriously, but not exciting enough for the act to be considered memorable. Definitely one of my favorite entries from Belarus.
2013 – Solayoh – So, my distaste for this song is well documented on this blog. After a few months – I still am not impressed by it. It’s fun, I guess – but the giant disco ball and half-naked singer were not appreciated. It was just a generic song that, in my opinion, over-performed and finished much higher than it should have.
Let’s Take a Closer Look At: Belarus 2011. Fun, upbeat, and entirely way too nationalistic (and this is coming from an American). I am much more amused by the reaction than by the song itself. People seemed to think “Oh, there goes that silly Belarus, being all irreverent again.” or “That poor country is ruled by a tight-fisted government that use stuff like this as propaganda” (because, no other country does that, of course!). What I didn’t see was anyone complaining about the presence of such blatant national-pride. Could you imagine if the UK, France, or Russia tried to sing this song (with their name in title, of course!)? Or Germany? Oh yeah, I’m sure Ich Liebe Deutschland would have been über-successful. Which brings us to my bigger point, all jokes about dark histories aside, there’s an air of haves and have-nots. Those from the bigger countries that “are actually worth bragging about” would be seen as jerks if they subjected us to “I Love the Netherlands” or “I Love Sweden” but those small, poor countries, awww, they’re just trying to put on their big boy pants and be seen as equals even though we know they’re not. That is just patronizing and disrespectful. The beauty of the Contest is that every country gets at least three minutes on stage to display why they’re awesome. Until the fans are ready to be equally engaged by (or angered by) each country, the EBU will have work to do to accomplish the mission of the Contest – to unite Europe through song.
What’s your thoughts – am I being overly idealistic in my call for equality? Do you, indeed, not love Belarus? Did this Eastern European country “work its magic” on you?
Check back tomorrow when I will be looking back at Belgium! Meanwhile, check out the previous stops on the Road to Denmark 2014!
Welcome dear readers! I have returned! Sorry for my absence, I will be posting on the daily in order to complete this series before news for ESC2014 hits us in earnest.
As a reminder, I will be talking about each country that has competed since I began following the Contest in 2007. The next stop on the Road to Denmark 2014: Azerbaijan! The “Land of Fire” could also just as well be called the “Land of Pop Music” – or should I say, “Land from which Money Flows to bring in Europe’s Top Music Makers.” Azerbaijan, except for its very first entry (and, arguably, its 2012 entry) has always presented very Western, very mainstream pop music with little ties to actual Azerbaijani culture or heritage. In forsaking its history, the Caucasian country has been rewarded with Top Ten placings each and every year that it has competed, including first, second, and third placings. Let’s do a quick recap of their entries.
2008 – Day After Day – Azerbaijan debuted with a song that tied tradition mugham singing with pop music. Despite the use of a countertenor for part of the song, some freaky light effects, and strange staging – the song finished 8th. To date, Azerbaijan’s worse placing. Not too shabby! Personally, it took about a year and a half before I actually enjoyed listening to this song. It’s still a little too out there for me.
2009 – Always – Probably Azerbaijan’s most popular entry thus far. Not sure why, though. To me, it’s generic and not all that appealing. It takes more than some ethnic drums and a wind machine to impress me!
2010 – Drip Drop – Azerbaijan’s first song that was heavily favored to win. And, had it been performed some time in the second half of the show, it might have. Safura was waaaaaaay off-key throughout her performances; I’ll just chalk that up to stage fright. Otherwise, I like this song a lot!
2011 – Running Scared – I still contend that this song would not have won had Turkey been competing in the Final. It’s bland, boring, and a bit creepy when you consider the age difference between Ell and Nikki. Still, it deserves respect for pulling off a victory despite being what many consider the country’s weakest entry to date.
2012 – When the Music Dies – Azerbaijan’s attempt to bring some of its own culture back into the Contest. This is my favorite entry by far. It’s emotionally gripping, musically interesting, and beautifully performed. A valiant effort to defend the crown – Everyone involved in this entry should be very proud of themselves; except for the decision to do the song in English as opposed to Azerbaijani.
2013 – Hold Me – From a musical standpoint, this song is fairly generic and sounds like any other pop ballad you might come across in the 90s. However, the staging for this song was phenomenal! Phen – nom – men – nal!! The use of that guy in the box to shadow Farid Mammadov, then reflect him to set up the connection, then use him to show his inner turmoil once Mammadov stepped to the front of the stage – awesome! That’s the kind of artistry and choreography that should earn your song a higher placing than it deserves!
Let’s Take a Closer Look At: Azerbaijan 2012 (you didn’t think I was going to choose Running Scared, did you?). The only entry that was originally in Azerbaijani (this year’s entry, Hold Me, did have an alternate version, but it was in Turkish, came after the original English, and sucked), When the Music Dies truly displays what happens when you blend traditional sounds with modern pop balladry. However, as I said above, Gəl (the original Azerbaijani version) was just as powerful, if not more so, than the English version and should have been performed in Baku. You would think that, after finishing fifth, this proved that Azerbaijan could be successful with an entry that’s true to its culture. For better or worse, the small nation reverted back to generic, Western pop in 2013. What will 2014 bring? Probably more of the same. Here’s to AZR 2012 – a true gem!
Check back tomorrow when I will be looking back at Belarus! Wanna see the past stops on the Road to Denmark? Click here.
Hey hey – I’m back! I’m so stoked to be going to Eurovision next year, that I’m reflecting back on my years of ESC fandom, country-by-country, entry-by-entry. Let’s continue our series looking back at the Eurovision entries of each country since 2007 by turning our gaze to Austria!
Oh, Austria. As we all know, this central European nation is not as good at ESC as most other nations, but it’s not the worst. Excuse me if I am not as reverent towards Austria as I am to most participating nations; I dislike the fact that they have set out several times because they didn’t think the others played fairly. I have very little sympathy for whiners and quitters.
2007 – Get A Life – Get Alive – A very decent entry that was derailed by an absolutely abysmal presentation. The outfits, the feathers, the bright lights – it took a year before I was able to watch this all the way through without cringing or turning away.
2011 – The Secret is Love – Austria returned from a few years of pouting with a powerful ballad that was wonderfully sung with a magically appearing choir. And Nadine Beiler joined an elite group of performers who performed a capella (the first verse was sung without accompaniment).
2012 – Woki Mit Deim Popo – Party rap in a fairly unknown dialect of German: only at Eurovision. This song won the Austrian selection due to its bright spirit, stage act, and raunchy performance – all of which were toned down to comply with EBU standards – taking away the awe and leaving us just with the shock.
2013 – Shine – A fairly typical pop song performed admirably. Unfortunately, it’s early spot in the running order and lack of any kind of major catching point made it quickly forgotten in the First Semi-Final in Malmö.
Let’s Take a Closer Look At: Austria 2011. So far, this is the only time that Austria has qualified out of the semi-final into the Grand Final. Granted, though, Austria has set out of four Contests since 2004. In my opinion, The Secret is Love is probably the strongest Austrian entry in recent memory – the lyrics are not as trite as Shine, the performance is understated and appropriate, unlike Get A Life – Get Alive, and no one can be offended about love – something that can’t be said about Woki Mit Deim Popo. If Austria hopes to qualify for the Final again, it needs to go back to basics, like they did in 2011.
Austria has now competed three consecutive times – let’s all hope and pray that they keep up their participation!
Hello Dear Readers!
We continue on in our Road to Denmark 2014 series with a look back at Armenia 2007-2013. As a reminder, this retrospective is looking back all the entries that have competed since I first started following the Contest in 2007 in tribute to my return to Denmark for the 2014 edition of ESC.
2007 – Anytime You Need – A haunting ballad of desperate love. It proved that Armenia’s success the previous year was not a fluke as the country landed in the Top Ten with their sophomore effort as well.
2008 – Qele, Qele – Armenia’s most successful entry to date. Personally, I find it rather repetitive and simplistic, but it’s fun to dance to.
2009 – Jan Jan – One of the best examples of ethnopop at the Contest. The sisters seamlessly blended traditional folk music with a dance beat, but still landed Armenia’s lowest finish at the time (10th place).
2010 – Apricot Stone – A fun song about the seed of Armenia’s national fruit, it calls us to return to our homeland. A heavy favorite to win, the sixth place finish was considered a disappointment by many.
2011 – Boom, Boom – Proof that Armenia is not bulletproof. Not only did Emmy become the first Armenian entry to fall outside of the Top Ten, she failed to even get out of the semi-final. The song is fun…and that’s about it.
2013 – Lonely Planet – Armenia returned to the Contest with the country’s leading rock band and a song written by a rock legend. Unfortunately, it was an average song with an average performance that resulted in a mid-table finish.
Let’s Take a Closer Look At: Armenia 2011. This entry is remarkable for more than just the fact that it was an epic fail that dropped Armenia from the 100% Qualification Club; it’s remarkable as it is an example of something that happens to several countries each year – the weakest song in the national final comes out the winner. Boom Boom beat out three songs that were miles better. Goodbye is a heartbreaking ballad that, in the hands of a stronger singer, could have been a contender for victory; in the hands of Emmy, it would have at least continued the qualification streak. Hi had as much energy as Boom Boom but had stronger lyrics and was generally more mature – it too would have gotten Armenia to the Final and threatened for the Top Ten. Ayo, in my opinion, was not only high energy, but also utilized Emmy’s voice the best between the four options. This song would have been a serious contender for the win! Way to miss the boat Armenia.
What is your favorite Armenian entry and why? Do you think if Emmy presented Ayo, she would have been more successful?
Welcome to the first in my series “Road to Denmark 2014: A Retrospective” in which I am looking back at all the entries between when I first started following the Contest in 2007 to now as I prepare to see the Contest live in Denmark next year. I’m going through each of the 46 countries that have competed over the past seven years alphabetically starting with Albania!
As you can see, I rate the Albanian entries fairly high. Given that I am American, we generally view 75% as “average” and that is the mentality that I am bringing to these ratings. Elements that I generally view as generic received a “7” with songs that I consider strong or weak having their scores adjusted accordingly. A brief look at seven Albanian entries, then I’ll provide a deeper focus on a few select entries.
2007 – Hear My Plea – I actually really liked this song, it was so unique and stood out for everything else in the field. You could feel the longing in Ndoci’s voice. I think that these entry suffered from being a bit too different without being memorably so.
2008 – Zemrën E Lamë Peng – An understated song that was aptly sung by one of the youngest artists to be on the ESC stage. While I think the song is artistically valuable, it’s not really my cup of tea – it doesn’t really go anywhere musically.
2009 – Carry Me in Your Dreams – A fun song that is easy to sing along to. This song seems to have a bit of a cult following, but RTSH seems to have clamped down on this song more than any other and it’s hard to find online (and the 80’s style music video has essentially disappeared from the internet). I like it and can’t wait for Kejsi Tola to make it back to the ESC stage.
2010 – It’s All About You – As you can see, this is my favorite Albanian entry thus far. It is one I sing in the shower on a regular basis. It’s fun, modern, and sung beautifully. It’s a great, up-tempo love song.
2011 – Feel the Passion – Another personal favorite, despite the fact that the performance could have been stronger. I like being able to shout at the top of my lungs when singing along with a song and this definitely provides those opportunities, not to mention the vaguely religious undertones of the lyrics.
2012 – Suus -The most successful Albanian entry to date. Rona Nishliu is an amazing singer, though, I still maintain that her vocals were a bit off on the night of the Grand Final. Whether I am listening to the original or the jazzed up English version, this song gets me every time.
2013 – Identitet – It’s always nice to see a genuine rock number at ESC; they add a bit of spice to the disco/ballad melange that the Contest typically is. I am not a big fan of this particular song, but think it’s a valiant effort.
With that said, I do want to focus on one particular Albanian entry – 2012’s Suus. The reason that the Contest utterly captured me from the very first time that I watched it was the fact that I could understand the exact sentiments of the singers without knowing their language. I could feel the heartbreak, I could celebrate the joy, I could lose myself in the frenzied state induced by certain entries. Rona Nishliu exemplifies this. This song is pure art, which does not have the best record at ESC. But she was able to secure Albania’s best placing to date because her vocal performance transcended style and language. During her semi-final performance, tears were brought to my eyes; I could feel my heart break when she kicked it up a notch in the Final. Many casual viewers complain that the ESC lacks artistic merit and doesn’t make valuable contributions to culture (I vehemently disagree, of course) this song, and entries like it, strengthen the argument that ESC is a valuable aspect of pan-European culture. Thank you Albania for sending Suus!
Hello Dear Readers!
You may remember that I was in Denmark when I first discovered the Eurovision Song Contest, all the way back in the spring of 2007. The 52nd Edition remains one of my favorite, but of course, nothing compares to our first time. I have vowed to return to Denmark in the event that they won ESC – and it did! So, I will be on my way back to Denmark come May 2014 (hopefully with a press accreditation). What that means for the blog:
1. I will still have live notes for the semi-finals and Grand Final. Instead of doing them during the televised shows, I will write them based on the second dress rehearsals (the ones in which the juries vote). This, of course, would ideally happen if I can somehow manage to gain access to the press center so that I can type while watching – otherwise, we’ll have to move to a Plan B.
2. In honor of my return to the land where I first developed my “Eurovision Obsession,” I will spend the summer looking back at all the entries, country by country, from the past seven Contests, in alphabetical order – from Albania to the United Kingdom.
3. It seems like everyone and their mother are talking about the voting this year and the various controversies surrounding this year’s results. I do not feel the need to dive into that conversation – but if there is some kind of official word from the EBU or they do release more information (like, the complete country-by-country split votes) then I will post something. That has nothing to do with my travel to Dk next year, but just thought that I would let you know!
Also, I am embarking on the path of developing a logo – if anyone out there is able to help me with this endeavor, definitely let me know!
So, it’s been a week since Denmark’s third Eurovision victory – and what a week it has been!! But more on the accusations, concerns, and speculations a little later – first, let’s wrap up Eurovision 2013…and we all know what that means – my annual awards! I will give out awards for lyrics, outfits, American-ized sound, and general “ESC-ness.” Additionally, I am adding awards for staging. Please note, all photos are from the official ESC website: eurovision.tv.
Best Lyrics Award
“Og ég trúi því, já ég trúi því
Kannski opnast fagrar gáttir himins
Yfir flæðir fegursta ástin hún umvefur mig alein”
Full disclosure here: my primary reason for liking these lyrics so much are their Christian undertones. The whole song is sung vaguely to a “you” and how the love this person (or Deity) provides hope, light, and inspiration.
First Runner-Up: Croatia
“Zlata niman da te njime okitim
Samo ove ruke dvi da ti dušu zagrlim”
A simple love song – the singer has nothing more than love to offer his beloved. The “misery” they keep singing is a reflection of this lack of material goods.
Second Runner-Up: Estonia
“Veel sulab jää ja õide puhkeb raagus puu
Iga lõpp ei ole muud kui algus uus
On vaja ööd, et päev tooks valguse”
Some might consider this song a bit trite, but I like it! The hope it inspires, its optimistic attitude. All of which are made more significant by the fact that Birgit is pregnant with her first child.
The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.
“Solayoh, Solayoh, where the sun is always shining on ya
We play-oh, we play-oh to the rhythm of a cha-cha”
Yeah…if you’re going to make up words, go the whole way and sing the whole song in an imaginary language – none of this mix-and-match stuff.
First Runner-Up: Hungary
“Farkasok neveltek és
Táncolt egy délibábbal
Majd elillant csendesen”
Throughout the song, we learn that his love was raised by wolves, she embraces the seven continents, and dances with mirages. What? Who is this girl? Is she some kind of wild child? How does one dance with mirages?
Second Runner-Up: Montenegro
“Kik i bas zaraza razara, niko neće poć’ utvrđenog pazara
Opet sjutra utabanim stazama, s mojima visim ne mislim o parama”
A song about going to a never-ending party, with lots of ways to lose your money and with plenty of scantily clad women. It’s like a flashback to the 90s! Really, just a rather vapid song, lyrically.
Best Dressed Award
A big improvement from last year! Marco Mengoni was impeccably dressed in a sharp green suit, good stuff!
Her dress, which was only slightly altered from the one she wore at Norsk Melodi Grand Prix, fit the attitude of the song perfectly. Tight, alluring, but covers enough to leave a bit of mystery in the air. Perfect.
Their outfits perfectly fit the feeling of the song and the persona of the singers.
Honorable Mention: Moldova, Georgia, Ireland, The Netherlands
Most in Need of a Costume Change Award
Moje 3 won the Barbara Dex Award this year. Need I say more?
His outfit was not only awful, but he had the nerve to complain that people continually compared him to Dracula. Let’s see, you’re from Romania, you have a black cloak that has a collar as high as your head, and you rise up throughout your song while surrounded by people who look as if they’re covered in blood (and nothing else!) – yeah, those comparisons are going to be made.
Bright…shiny…death by sequins…
Honorable Mention: Israel, Bulgaria, Petra Mede (I know she wasn’t competing, but her dresses were awful)
Best Staging Award: a new award this year – I often talk about the performances and thought that I should formally recognize the best ones
The idea of using a dancer to shadow Fariid Mammadov was genius. Its execution was even more brilliant. They established the box man’s purpose, which allowed him to be a bit more freeform later in the performance. Smashing!
First Runner-Up: Denmark
Frankly. this staging was designed to make this entry look like a winner – and it worked. Well done!
Second Runner-Up: France
It was very simple, but Amandine Bourgeois excelled on stage and brought the passion and the fire!
I don’t want to add another negative award for worse staging, so I won’t. Though, I do want to say that Belarus was way over the top.
“This is DC Calling” Award: Given to the most American sounding entry
Not just because Hannah Mancini is American, but in a year with a lot of ethnopop, this one brought the least “European” feel to the Contest this year.
First Runner-Up: Switzerland
They reminded me a lot of generic Christian rock – which I guess makes sense given Takasa’s background.
Second Runner-Up: Moldova
Very much a 1990’s R&B sound to this song.
Honorable Mention: Greece, Russia, Finland
“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular
It’s Cascada. I wouldn’t be surprised to hear this song on the radio in a month of so.
First Runner-Up: Sweden
One of the more modern entries this year, I think You would fit perfectly with the current Top 40 in the American charts.
Second Runner-Up: Greece
While the metaphors and intricacies of the lyrics would be lost on most in the US, it’s a great party song and the masses would jump behind the “Alcohol is free” lyrics and ska sound.
Honorable Mention: Moldova, Hungary, Finland, Norway, United Kingdom
The “Spirit of ABBA” Award: Give to the most stereotypical ESC entry – especially apropos due to this year’s location in Sweden!
Campy – yes! Dodgy lyrics – yes! Over-the-top stage performance – yesyes!!
First Runner-Up: Georgia
I have said this and so have many commentators and commenters: “this song is Eurovision by numbers.” Just your standard, carbon cut ESC song.
Second Runner-Up: Denmark
Also considered tobe a bit generic, this year’s Danish entry was flashy and vaguely ethnic, two classic elements to many ESC entries.
Honorable Mention: Russia, Malta
The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar. Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry. For me, that was the biggest travesty in Eurovision history. Each year, I hand out this award to the biggest disappointment of the Contest.
This year, Israel had a very strong composition, with well written lyrics, and an amazing singer. Yes, her dress was ridiculous and distracting, but not so much so that it warranted Israel’s failing so greatly.
First Runner-Up: San Marino failing to qualify
This song was a huge fan favorite, and rightfully so. Granted, Valentina Monetta’s vocals were not as strong as they could have been, it was still a huge shock and disappointment that Crislide (Vola) failed to make it to the Final.
Second Runner-Up: France scoring only 23rd place.
Amandine Bourgeois was flawless on the night and deserved a Top 15 spot, if not Top Ten. She was sunk by her position in the running order.
Honorable Mention: Finland allowed to have its girl-girl kiss (Krista Siegfrids admitted that it was a political move, but was still allowed to do it anyway)
And finally, the biggest award of them all…My Top Ten! While I like all of the songs, these are my ten favorites taking into consideration the lyrics, music, live performance, and studio performance. Songs are ranked from 10 – 1, with one being my most favorite song.
|10. Azerbaijan||I was lukewarm on this song until I saw the performance – wow!|
|9. Israel||A captivating song from the first note|
|8. Hungary||Smooth, understated, quite nice|
|7. Denmark||A lovely song that is catchy and uncomplicated|
|6. San Marino||Unexpected and entertaining, well sung|
|5. Slovenia||This song is pure energy (it’s a shame about the live performance, though)|
|4. The Netherlands||Powerful, quiet, and contemplative that perfectly builds throughout|
|3. Switzerland||Fun and catchy, a love song that dares to pop|
|2. France||Dark, powerful, and devilishly addictive|
|1. Norway||Mysterious, very modern, and utterly captivating – live or in studio|
I don’t think I will comment on the voting controversies (essentially, various countries are concerned that several entries receiving a lot of support from the televote received little to no points in the final point awarding) other than to say that I agree with the general consensus of the ESC blog world: people were not prepared for just how much the new voting system was going to affect the final scores. I agree, the EBU should repeat what they did in 2009 and reveal the full split vote, showing the jury vote and televote for each country for each of the three shows. Their rationale of “protecting countries that did not reach the televoting threshold” is suspicious and disconcerting (especially since they have not released the guidelines for what this threshold would be for each country, either). Anyway, for more detailed look, you can go to one of my favorite ESC blogs and read his article on the voting.
I will also talk briefly about the Marcel Bezaçon Awards, the annual awards given to the Press’ favorite act, the best performance (as deemed by the commentators), and the best composition (as voted by the composers of the 39 competing songs). Georgia won the Press Award (probably because of how stereotypically ESC it sounded). Many complaining that Italy or The Netherlands should have won, but given that both of the performing artists canceled some press interactions and generally had an air of nonchalance, there was no way the Press would vote for them. Azerbaijan won the Commentator’s Artistry Award; while I do no think any one would objectively say that Farid Mammadov was the best performer this year, the entire staging of the Hold Me definitely warranted Azerbaijan winning this award. Finally, Sweden won the composition award. I’m not quite sure how or why, it’s not bad, but there were many more with better compositions (such as Norway, Germany, or Greece), but the composers thought it was best so it won. I imagine because it was one of the least divisive entries (the three I listed tend to have people who love or hate them, few that just like them).
Overall, I am satisfied with the results. I’m still shocked that Romania seems to have broken the curse of the counter-tenor and landed a 13th placing. I’m also pretty shocked that Belgium did so well with Love Kills as well. But, as I say every year, the final placings are the ones that were deserved based on the lyrics, music, and performances during the second dress rehearsals and live telecasts. I can’t wait until for my dvd to come in the mail!
I won’t put too much here, as I will save my hopes for next year for after we learn a bit more about ESC2014. But, I hope the DR makes some changes from this year’s Contest.
-I hope that we go back to a random draw. Honestly, I did not see a big difference in the mix of musical styles or overall flow of the night, but I know there are a lot of angry folks around the Continent and can put their blame towards the producer-derived running order.
-I hope that the Contest will be more accessible. I said it before, the sheer intensity and frequency that SVT pandered to gay male fans was annoying and unnecessary (which I am saying as a gay guy) and, more importantly, made this year’s Contest less accessible. Now, it requires a disclaimer before I show it to my friends who are not gay males (which is the grand majority of them).
-I hope that DR chooses to host the Contest in the soon to be built Hans Christian Anderson Arena in Copenhagen. CPH is by far the easiest and least expensive city to get to in Denmark (not to mention that I’ve already reserved my hotel room). Also, the planned arena would be smaller than Parken, which would give the arena a more cozy (or hygge) feel. And, since the arena is not yet built, they can optimize it for the Contest. If Azerbaijan can build an arena in one year, surely Denmark can.
Going forward, I plan on posting a last ESC2013 entry once the split votes are revealed. Throughout the summer, I will be posting articles about each of country’s entries since 2007 (my first year watching the Contest) highlighting my ones, key strengths and challenges moving forward, and one thing they can do to achieve a better result next year.
Thanks for reading my live-live notes! It was fun, but difficult, but overall, worth it! I hope to make this a tradition (at least for the Grand Final). If you did not come to this post until after the Contest, you’ll notice that it is in reverse chronological order, so scroll to the bottom and read your way back to the top of the page. I have hyperlinked each individual performance (click the country’s name). If you want to follow along in real time, here’s the link to the Grand Final on the official website. Good night!
Looks like I am still batting .800. Not too shabby! I had predicted that Germany (finished 21st) and Georgia (finished 15th) would be in the Top Ten and sorely missed the call there. I also predicted that the UK would finish in the Top 15, nope. I did call Sweden finishing 14th, though, so that’s pretty sweet! Overall, I’m quite happy with the results. While I do not think Denmark was the strongest in any one field (lyrics, composition, performance), I thought it had the best package. This is a situation similar to Norway’s win 2009. Now, all three Scandinavian countries have won since 2009 (that’s 3 out of 4 years!) – expand that to include all the Nordic countries (add in Finland and Iceland) and they have 4 victories since 2006 and a slew of Top Ten placings. I know people in the West like to whine about the East, but it’s the Nordic bloc that has taken control of the Contest. Not a bad thing, since all five of those countries take the Contest very seriously and tend to produce very strong entries. It will be interesting to see next year. DR is not as aggressive about change as SVT is (and, really, who is), so I am hoping that some things will revert – like, we’ll go back to random draw for the running order and we won’t have the host try to end the show early. Denmark won a long time before Petra announced it, so everything just seemed a bit awkward.
Anyway, I have complained a lot about SVT’s production, but I want to note some highlights: the opening and interval acts were all top notch. While I think they got a little too cheeky with the humor during tonight’s interval act, overall, it was funny and well done. Sarah Dawn Finer did an amazing job (though, I do wonder if anyone bothered calling the Herrey’s or Charlotte Perelli who also won for Sweden in 1984 and 1999, respectively) both as Lynda Woodruff and when she sung. I want to go find her now! I loved the postcards – they really helped endear you to each performing artist. And I thought the stage was really nifty (though, it was a little too easy to hide backing singers) – so well done there!
More to come in my usual “One Week Later” post. I will also go through and clean up this post for typos, correct factual mistakes, and add images and links to the performances.
Actual Top Ten
1. Denmark (1 for 1)
2. Azerbaijan (2 for 2)
3. Ukraine (3 for 3)
4. Norway (4 for 4)
5. Russia (4 for 5)
6. Greece (5 for 6)
7. Italy (6 for 7)
8. Malta (7 for 8)
9. The Netherlands (8 for 9)
10. Hungary (8 for 10)
I like that Denmark brought their own confetti to add to that which was already falling. Many said that the Danish staging was made to look like a winner – and it was! It looked good, it sounded good, it had strong lyrics, and a strong composition. It had huge support from fans, analysts, and bookies alike. It was song that was destined to win, albeit, I don’t think anyone (other than maybe the bookies who had this at much lower odds than everyone else) expected it to win by so much.
Boo SVT Boo!!!!!! You cut off the winner’s reprise – that is wholly unacceptable!
Yay – time for the Winner’s Reprise!! Not a close race like I was hoping for, but the outcome that I had wanted, most definitely! I promised myself that I would go to the Contest if Denmark were to win – looks like I’m heading back to Land of the Danes! As soon as the host city is officially announced – I will be booking plane tickets and hotel rooms (or couches of friends) and heading to the place where I first discovered the Contest back in 2007.
I love that she is walking through the flags of all the other countries – awesome!! Even better, I predicted this win way back when she took DMGP!
And Azerbaijan is officially second!
It’s a race for second! Azr is back in after Switzerland!
I think they just wanted to get Denmark moving. We’re already 25 minutes over the 3 hour allotment.
What’s the point of announcing a winner if we’ll keep going to the spokespersons? Is it simply because no Contest is complete without Cyprus officially giving 12 points to Greece?
We won’t get to the last few (Cyprus, Croatia, Switzerland, and Lithuania) — I like the light effect on her dress.
Macedonia – interesting, she forgot to say “Former Yugoslav Republic of ” before Macedonia, I think she’s getting tired. The FYR folks seem to be lining up behind Denmark. Fun!
Georgia – no surprises here
Slovenia – now the entire top 8 is over 100pts. 12pts to Denmark.
Montenegro – what’s up with that echo?
Denmark – No real surprises here.
Ireland – poor Ireland, they’re on track for their second last place finish.
Greece – Denmark breaks 200 and Azerbaijan regains second place.
France – And the Danes are just outside of 200 points. I don’t think she’ll crack 300, though.
Iceland – no surprises here. If I haven’t already, I am officially calling this for Denmark (I think I did earlier, but just in case I did not)
Germany – 12 to Hungary? Interesting, not too surprising. First slip up like that from a spokesperson in quite a few years.
Estonia – when will people learn, leading a vote announcement with “Our neighbors…” is not a good idea and will not buy you any love from the fans.
Malta – Oh – Azr! not expected! Looks like I’ll be eating crow for my words about the UK entry, it’s not doing too well.
Russia – no real shock except for 8pts to Belgium. But the sentiment seems rampant in Russian art that “love kills,” so I guess that’s why it got so many points.
Belgium – interesting to see where the points go without Turkey in the competition – The Netherlands, they’re fun neighbors to the north! Yay, at least Anouk got one 12 for the Netherlands. Good stuff.
Bulgaria – Armenia? how strange. Oh, Ukraine narrows the gap to a mere 14 points.
And Eric Saade knows a thing or two about leading at the halfway point, only to see that lead slip away. Though, Denmark’s lead is stronger than his was in 2011.
135 for Denmark, 113 for Ukraine, 100 for Azerbaijan
Latvia – It’s funny, you can hear the annoyance in Petra’s voice as she tries to get people to talk faster.
Belarus – first big points for Russia, who is also holding tight, like Norway. And Ukraine breaks 100.
Spain – Italy is back in the Top Ten.
Finland – Hungary is definitely doing better than expected. Denmark has a 36 point lead over second place Ukraine.
Italy – Still no points for poor Estonia 😦 And Denmark stretches it’s lead.
Armenia – Interesting, Norway, I think, has only gotten one big point, but it is racking up a lot of small ones and staying in the mix of the Top Ten. And the Ukraine is making a play for the top.
Norway – the party has been going for nearly 3 hours, Tooji. More big points for Malta! Do I see an underdog trying to make a run? No big points for Denmark? Interesting. Interesting that Sweden got their 12.
Azerbaijan – 8pts for Malta! The tiny nation climbs to 6th.
Moldova – only ten for Romania? 12 goes to? Ukraine – not surprising.
Romania – Azerbaijan is now only 7 points behind Denmark.
Hungary – Malta is holding tough! Azerbaijan is trying to keep things close, I wonder if it can close the gap (13 points).
Ukraine – the voting is going so fast! Thanks for slowing things down a bit. Belarus? Interesting.
Serbia – first FYR country gives their 12 to…Denmark. Okay – I think I need to start looking for flights to Copenhagen.
Israel – another unpredictable country. I feel like the same guy gives their points every year.
United Kingdom – only 1 point for Ireland? Interesting. Hmmm…Denmark has taken the lead. I wonder if they will relinquish it? Still too early to call it.
Austria – Azerbaijan is the only surprise, but it was a good performance. It really annoys me that Azerbaijan tends to hold a Turkish flag – boo! Support your own country!
The Netherlands – Way to screw things up producers! You revealed the 12 pointer way too early! and on the wrong country! yay neighbor voting in the West! And Roberto isn’t even Flemish!
Albania – Italy! Is this the beginning of a run to the top?
Sweden – way to go Petra, better she caught her issue now, as opposed to later. Finally, Sweden plays the part of a nice neighbor.
San Marino – only 4 points for Italy. and our first 12 goes to: Greece! Not expected, but who can guess the minds of the Sammarinese
Another awful outfit for our lovely host. Voting time!!
Oh, it’s Melodifestivalen regular and Lynda Woodruff player: Sarah Dawn Finer. What a beautiful voice!
I love The Winner Takes it All! And she’s doing an amazing job with it! Who is this?
Ooh! I wonder why this is like the second or third time that they’ve gone to Jon Ola without him being ready – but given there is a singer ready, I’m assuming that was planned. OOh! Judging by what he said, he makes it sound like it will be a tie – and they’re going through to see who the winner is after the countback — how awesome would that be!!
Aww…he’s reminding us why pop stars do not equal good host. I’m guessing he’s just nervous.
Everyone’s favorite dancing, overrated singing Swede – Eric Saade!
Love the sequence of over-the-top endings!
Poor Linda Martin, no need to attack her.
Yay, more history!!
Two and a half hours, Petra, two and a half hours.
What?! That’s all the Carola that we get? The woman that brought the wind machine to ESC gets only five seconds after all the promotion they did around her appearance, I thought she would at least get to do a medley of her three ESC songs, especially her winner (that we only got three seconds of).
In case you were wondering, Sweden has the highest rate of lactose intolerance in the world.
The video they have preceding the Interval Act is hilarious! (though, they started it a little early, but it was quickly corrected) How is it that Sweden seems to be allowed to cross all sorts of lines that the EBU typically shuts down (there was a guy with several penises drawn on his face and a bare bottom)? Azerbaijan would not have been allowed to get away with a lot of this. I was wondering why Petra was wearing yet another awful outfit – it’s to make fun of her country – yay! Interestingly enough, this outfit is her least awful. And she just said “titties” on pan-European television. An entry would not have been allowed to get away with this. What is going on? Why is SVT allowed to do whatever it pleases? Oh, more pandering to the gays. yay. I expect a lot of backlash in tomorrow’s papers across the Continent.
|My Top Ten on the Night||Who I think will be Top Ten|
|The Netherlands||The Netherlands|
What is Loreen wearing?! I like that she’s back, but I hate the idea of a song being performed during the voting sequence. It distracts from the competitors, especially when they are not running the voting numbers throughout the sequence – which is utterly silly for them to not do. Boo SVT. Oh! My Heart is Refusing Me the song she lost Melodifestivalen in 2011(?) with, but it went on to be a big hit. And, of course, Euphoria complete with stage lift!
After the recap, I think the entries that stand out the most to me are: Greece and France. That’s it for now. Top Ten for the night soon to follow.
Poor cameraman, he must have drawn the short straw.
Ireland Only Love Survives performed by Ryan Dolan — those drummers are just a bit much in my opinion. Why does the standard ESC answer to falling odds always seem to be throwing half-naked people at their problem? Ryan is a bit off tonight – too much pressure closing the show? I think with the strength of singers we have this year, the vocal performance is going to play a bigger part than ever – I don’t think he has the chops to compete. This is a nice diddy and he’s singing well enough but that won’t be enough, in my opinion. It’s a nice close to the show, but I don’t expect Ireland to finish higher than, maybe, 14th or so.
Georgia Waterfall performed by Nodi Tatishvili & Sopho Gelovani — the final ballad on the night, which will give it a big boost in the voting, both jury and televotes. The fact that this is also a standard ESC ballad (composed by ESC legend Thomas G:son) will also help it out a lot. What will not help – Sopho singing like she did on Thursday night. She was off-key for a large part of the second half of the song starting at the big note. Tonight – she’s doing better (Nodi is a little off) but will it be enough? Ex that, she’s flat for that last note. I don’t know – with Italy, Azerbaijan, Denmark, Italy, the Netherlands, and Ukraine all turning in flawless performances, I think Georgia just sung their way out of contention.
Norway Feed Your My Love performed by Margaret Berger — in case you didn’t know, she’s a DJ – that’s why she’s dj-ing in the postcard. She needs a stronger performance here than she gave in the semi-final if she hopes to stay in contention. And she gave it!! Listen to the audience – that could win! I just wonder if Europe will appreciate her sound.
Italy L’Essenziale performed by Marco Mengoni — Mengoni brings the song that he won Sanremo with – given how big and competitive that contest is, we know that this song is battletested and proven in competition. I think the press, who seem to be rating this song lower than the bookies, are down on this song because he was very nonchalant throughout his time in Malmo. I think he was flawless during that performance and thrown down the gauntlet. Italy has reached the Top Ten each of the last years since returning to the Contest, there’s no reason it won’t do the same now (especially with all the former Yugoslav nations out of the running and looking to someone to throw votes at).
Ukraine Gravity performed by Zlata Ognevich — still don’t quite get the giant (apparently it’s a reference to Easter European folklore). His footsteps still don’t align with the camera shakes. I think this year we are seeing some of the best vocalists we have seen at the Contest in a long time – that was vocally amazing. The song is going to be hit or miss for a lot of folks, so I don’t think it will win, but it will be Top Ten for sure.
Greece Alcohol is Free performed by Koza Nostra fest. Agathon Iakovidis — this song has actually sneaked its way into the oddsmakers’ top ten. It’s so different than everything else – not to mention that it’s staged and performed so well. And, the fact that it’s Greece doesn’t hurt either. This song will probably finish in the 5-10 range.
Azerbaijan Hold Me performed by Farid Mammadov — I think his nerves may be getting him, his voice is a little flat and his hand shaky, but he still sounds fairly good (or, at least as good as he can sound). Great performance! This will definitely be contending for a top spot.
Iceland Ég á Líf performed by Eythor Ingi — flawless performance – utterly flawless. I think this could also shock a lot of folks, too! What a strong year this is shaping up to be.
Denmark Only Teardrops performed by Emmelie de Forrest — Huge crowd reaction for Denmark! Amazing performance! Well done well done — Gå Danmark! This song has winner dripping all over it – I think we just saw a winning performance.
And now we begin our run of heavy hitters – songs 18 (Denmark), 20 (Azerbaijan), 22 (Ukraine), 23 (Norway), 24 (Italy), and 25 (Georgia) are all in the top ten of the oddsmakers.
Hungary Kedvesem performed by Bye.Alex — still a bit dull but he sounds just like he does every time he performs this song. Apparently, there’s enough hipsters and indie fans to get this song to the Final, but are there enough to get Bye.Alex and Kedvesem on the better side of the scoreboard – probably not.
Sweden You performed by Robin Stjernberg — not as big a crowd reaction as the home performance usually gets, interesting. Now it’s time for Stjernberg to prove that he actually can sing this song live. Those two dancers are rather distracting. That big note is a lot better than when we typically hear it. Still not great, but better. With the host country bump, this should finish around 12th or so.
United Kingdom Believe in Me performed by Bonnie Tyler — big crowd reaction for Ms. Tyler. She’s rather off-key 😦 But she just seems to be warming up – there she goes! Love the camera effect for this last run through of the chorus!! The stage lift is nice, unneccessary, but nice. Huge crowd reaction – though! Good stuff. I hope that she is able to prove her countrymen wrong, as Britons seem to be the only folks who don’t think this song can finish in the top half of the entries (it’s 11th or 12th in the odds right now).
Romania It’s My Life performed by Cezar — Not the first operatic act in the Final (not at all) as Cezar thinks he is, but he is the first countertenor who uses his supreme range throughout the entire song to qualify for the Final. Still not quite sure how he did, though. Still cannot find his backing singer, she’s hidden well! Yeah, still not convinced that this song can do much, Europe has never gone for countertenors before, I don’t think it will now. Past operatic acts never finished higher than mid-table and I do not expect this one to.
Brace yourselves everyone – here comes Romania!
The Netherlands Birds performed by Anouk — if you don’t understand the lyrics – want to understand why the album this comes from is called Sad Singalong Songs, or just want to feel blue, watch the official video (after the Final, of course). I wonder how big an impact following the advert break will be – I wonder if she was placed here to help bring people back faster. Oh my, the fans are really into this one! As I’ve said before, this song could shock a lot of folks and win (or at least finish Top Three).
I’m getting tired of all the pandering to the gays. Really? Really? Do we really need so much pandering? I think not.
The crowd preemptively cheered for Anouk, only to realize that Petra Mede was on stage. Then cheered again for Lynda Woodruff – who’s skits are awesome! Love the viking helmet! I love how she’s acting as if ABBA is the Swedish royal family – hilarious!!
Armenia Lonely Planet performed by The Dorians — Another song that leaves me curious on how it slipped through to the final. The timing sounds off, like the singer is slightly behind the music. He got pipes, though! The pyro is unnecessary. Still do not think it will make the Top Ten, but then again, I didn’t think it could qualify.
Germany Glorious performed by Cascada — I have yet to hear this song performed, in a big concert style like this, in which Natalie Horner (Cascada’s singer) was on key throughout the song. It’s such a foot stomper, and Cascada is so big, that it probably won’t effect the fan vote at all (I wholeheartedly expect Germany to be top five in the televote) but I wonder if the juries will bring down the score.
Something has just come to mind. The advert break is usually after song 12. I wonder if they will push it back for Anouk or if the are subjecting her to following it (a spot that is notorious for hurting the entry). Not only would following the advert break be a disadvantage, but coming before the craziness that is Romania would not help things.
Russia What If? performed by Dina Garipova — uh oh, first notes were a little off. Is someone nervous? She looks it. She’s recovered, but not as strong as on Tuesday, I think. Still, though, a solid performance. There’s every reason to believe that this will finish in the Top Ten.
Malta Tomorrow performed by Gianluca — this song is so adorable, and the lyric video in the background is great. It fits the song so well. As I said on Thursday, it definitely gives you that sing-a-long on the beach feel, which is what they are going for. Hey! That one random fan guy was singing along, but facing away from the stage. Hahaha!
Belarus Solayoh performed by Alyona Lanskaya — much better than on Tuesday. The staging is still much too busy, but Lanskaya sounded a thousands times better. Only a couple of times was she screaming, hmm…she may be moving back into my predicted Top Ten.
Estonia Et Uus Saaks Alguse performed by Birgit — Is it me, or does she look naked during this black and white portion? Still a very lovely ballad, still a bit forgettable, still beautifully sung. And still, all I can think about is France and Amandine’s awesome performance, sorry Estonia. Great song, though!
Belgium Love Kills performed by Roberto Bellarosa — he definitely seems to have a bit more stage presence this time around. I guess qualifying gave him the confidence he needed. His dancers are so creepy! And that look he just gave the camera (right after that big note) was a bit deranged! Overall, a much better performance than on Tuesday – well done young man!! Is he crying? No one expected Belgium to be here, not even him, I suppose.
Spain Contigo Hasta el Final performed by ESDM — another contender for last place. Not because it’s a bad song (actually, it’s an amazing song; it’s not too often you hear Spain embracing the Celtic roots of Galicia (they sent a major Galician artist in 2011, but gave her a thoroughly Spanish song) but because it’s kinda of just there for most ESC fans. Did she just change her dress? Let that be a warning – don’t ESC and type, my friends. Iteresting choice to go full throttle, then pull it back. Love the floating lamps! Is it just me, or was she flat throughout that whole song?
Finland Marry Me performed by Krista Siegfrids — a bit less energy at the beginning here. I hated this song, then liked it, then loved it, then hated it again. And the part at the end of the performance is silly and, in my opinion, demeaning – but that’s a post for another time. Ably performed once again, albeit with a little less enthusiasm and energy tonight. The question is, will she be able to garner enough points from the more conservative populaces (particularly those in the East) to land a decent placing? Not sure.
Moldova O Mie performed by Aliona Moon — her voice is not quite as strong as on Tuesday. And her hair does not seem as high, either. Though, I will say, the song is captivating enough that I forgot about her backing dancers for the entire first half of the song. Awesome! Maybe not Top Ten, though, since it is so early in the Running Order.
Lithuania Something performed by Andrius Pojavis — Still not quite sure how this got through to the Final. It’s pleasant I suppose. The lyrics still don’t make any sense to me. I predict a near bottom finish for this song.
France L’Enfer et Moi performed by Amandine Bourgeois — That was a heck of a performance – bravo!! Amandine is going to shock a lot of folks when she scores well, I think.
BTW, my pre-Contest prediction for Top Ten
5. The Netherlands
France is opening for us this year! An interesting choice, but I guess it can inject some energy into the fans – but what kind, I’m not sure. Like any French girl, Amandine loves trying on new clothes.
As I said before, Azerbaijan’s biggest fear is to have Italy too close, and they’re only four songs away, with Italy going after AZR, I predict that neither will win because of this, opening the door for a brawl between Denmark, Norway, and Georgia. Though, given the semi-final performances, Denmark is the strongest of the three.
Whoo!! I’m stoked – this promises to be a close a Contest with the five biggest favorites are stacked together at the end of the running order.
Clearly, Sweden does not seem to have any good fashion designers because this is Petra’s third straight ugly dress.
I find it interesting that only Gianluca of Malta got a huge fan reaction – perhaps he’ll bring Malta back to the Top Ten this year?
So, I really liked the opening clip of the caterpillar heading to Malmo. And I really like opening song. I know it’s supposed to feel like the opening of the Olympics, but it feels more like the Junior ESC when every country gets introduced. I do love it, though!
This year I am writing notes live and then immediately posting so remember to refresh your browser.
As you prepare for the Grand Final, I have prepped documents giving a brief overview of the Contest’s history, rules, the voting system, and each participating country. I have previously posted these, but thought it would be good idea to re-post them. I have also updated the country profiles to include the Grand Final running order. Keep them for yourself, share with friends, print them out and have them ready for the passing during your Eurovision Party — whatever works for you!
After a few days of thinking about it, I am still fairly satisfied with the results of the First Semi-Final – let’s hope that tonight will be equally as satisfying (if not more!). A lot of people seemed shocked that none of the former-Yugoslav countries made it through, despite the fact so many of them were in the First Semi-Final together. Now the big question is: “Who will they all vote for in the Grand Final (since Macedonia most likely will not be in the Final)?” I can tell you now, Serbia will vote for Russia, Croatia & Slovenia will vote for Italy, and Montenegro & Macedonia will vote for Albania.
Something interesting going on with the draws for the halves of the Grand Finals:
Estonia, the Netherlands, Russia, Lithuania, Belgium, Moldova, Belarus, Spain, Germany, and France have all been drawn into the first half of the Grand Final – that means only three songs qualifying tonight will join them; all the rest will be in the second half. What does that mean, the Netherlands, Russia, and Germany, who all had outside shots of winning, have much slimmer hopes now. Azerbaijan, Georgia, and Norway – the remaining favorites (who all will most likely qualify tonight) have had their chances increased! as they will probably land in the second half of the show. Italy also sees its slim hopes alive, as it is in the second half, and as I said previously, if it is close to Azerbaijan, it will surely still votes from last year’s host as it is the better male ballad between the two. San Marino, who is a dark horse this year, could also see itself land in higher than expected spot if it qualifies for the Final and gets drawn to the second half.
Onward to the Second Semi-Final!
I was 8 for 10 in my predictions from Tuesday night – not too shabby! Below are my initial thoughts on who will qualify for Grand Final from tonight’s show:
I think San Marino is poised with its best chance to qualify since joining the Contest. It has a good spot in the running order and is a big fan favorite (it got second place in the OGAE Fan Poll); but, we have seen fan favorites fall before. Same goes for Norway – it is the kind of thing that would succeed in the Grand Final, but may not do well in a semi-final. With a strong performance, Switzerland could join the Netherlands and Belgium in the Final – wouldn’t that be a sight! Anyway, I’m super excited for this – so let the show began!
I’m rather liking this Opening Act! I think it’s called dance symphony or something like that. That was pretty awesome!
OH MY GOODNESS – What is our host wearing?! And what’s up with her hair?! And why did she compare herself to Indira Gandhi and Mother Theresa?
On to the entries!
Latvia Here We Go performed by PeR
OH MY – this went from zero to sixty in a blink of an eye! There’s…so…much…sequins – does that jacket really need to be so bright and silver? Is that guy playing an iPad attached to a guitar? I get it, he represents today, the keytar represents the 80s and the those two guys represent the 90s, the era from which this song was taken. That was better than expected – but still rather silly.
San Marino Crisalide (Voda) performed by Valentina Monetta
Already some positive crowd reaction and it hasn’t started yet. Looking at this robe she’s wearing – will there be a costume change? Yes! the first since, what, 2009? Remember when costume changes used to be the staple of the Contest? Now the wind machine has taken over. Well done (except for that last note, which was rather botched), though not quite as strong as I was hoping it would be.
Macedonia Pred da se Razdeni performed by Lozano & Esma
I like how Esma’s portions of the postcard all show off how famous and decorated she is. Where’s Lozano’s glasses? What is Esma wearing? Is she sick? Why is her voice so hoarse? I wonder if Lozano came over to hug her to let her know it was time to start wrapping up the song. If they had any hope of moving through, they needed a flawless performance. This, unfortunately, was not it. It looks like there will not be any former Yugoslav nations in the Final this year (the first time since they started joining the Contest in 1993).
Azerbaijan Hold Me performed by Farid Mammadov
Is he singing in English? Oh, yeah, he is. He mumbles a lot. Oh cool! It’s like his shadow there in the box. WHOA! That guy is upside-down! Does that lady’s dress need to be so long? Oh – the box is actually a money machine full of little paper hearts! Whoops – Farid dropped that last note. His vocals were about as expected – okay, whiny and a bit nasally, but that’s his voice. That guy in the box is much like the sand artist for the Ukraine from 2010, makes the stage show so unique, it’s hard not to like it.
Finland Marry Me performed by Krista Siegfrids
She looks so much more mature with her hair down – I actually think that hinders the song a bit. Well, this most definitely gets the “Campiest Act of the Year Award.” Was that part supposed go like that – because on the studio version she says “Yeah” one more time and for a longer amount of time. And the timing seems rather off for launching back into the chorus. And I roll my eyes at the girl-girl kiss – really? That just cheapens everything. But it’s a cheap song, so perhaps it will work well for them.
Hahaha – yes Petra, folks just tuning in are probably freaking out if the first thing they saw was that Finnish act. I really like this Lynda Woodruff character – she’s funny! And I loved the reference to Bonnie Tyler.
Malta Tomorrow performed by Gianluca
I bet Malta is happy they got an advert break between themselves and Finland – gives us time to readjust ourselves. There was a lot of energy in those first few entries, and we have to recalibrate. I like the words on the screen, it gives the act a sing-along feel; like, we’re all on that beach with him and his friends in the postcard. That’s such a sweet song – the whole thing is rather adorable. Still don’t think it has a shot of moving through, though.
Bulgaria Samo Shampioni performed by Elista Todorova & Stoyan Yankulov
And Europe’s favorite Bulgarian percussion duo is back on the ESC stage. The only act to get Bulgaria to the Grand Final (back in 2007, they got 5th place), they’re hoping for a repeat after Bulgaria’s participating broadcaster polled people and found that folks wanted a ethno-club track in Bulgarian for ESC. That bagpiper is a bit creepy. Glad to hear that Elitsa’s voice is much stronger (and more frequently on key) than in 2007. The bagpiper seems to have evolved into some kind of creepy tribal man – how strange. This whole package – the song, the performance – just…kinda…strange.
Iceland Ég á Líf performed by Eythor Ingi
Not a strong start out of the gate. That big note was amazing!! It completely wipes out the fact that the rest of the song was performed marginally (as compared to the studio version). There’s his backing singers! All I can think about is that big note in the middle – and it was amazing! Well done!
Greece Alcohol is Free performed by Koza Nostra feat. Agathon Iakovidis
Oh cool – their instruments light up! The energy here is maybe not as high as Latvia or as manic as Finland, but it feels Oh! so much more genuine. While those other two acts may be a bit more dazzling, this one infects you and wants to get you up and moving and dancing and singing. I thoroughly enjoyed that!
Israel Rak Bishvilo performed by Moran Mazor
Wow, listen to that crowd reaction! What a shame, that would be such a nice dress if it didn’t go all the way down to her belly button (apparently, it originally went lower before they thought better of it). So, she’s only 21, but the combination of hair, glasses, and dress makes her look like she’s in her 40s. Which works for this song, since it has such a mature sound and would seem disingenuous if she appeared her age. Oh, she hit the high note, but was smart enough to not linger on it as it was getting away from her. AMAZING! Her voice is so powerful, it’s awe-inspiring.
Armenia Lonely Planet performed by The Dorians
His voice sounds like a gospel singer – it’s really soulful. Too bad this song is trite and dull. Oh, spoke a little too soon, he’s gone a bit screechy. If we’re trying to save the world – why so many pyros? All that smoke cannot be good for the ozone. Ouch – he botched that last note.
Hungary Kedvesem performed by Bye.Alex
Who knew Europe had hipsters? I like this song and I like reprising the cartoon from the music video in the background. That was rather pleasant. Unfortunately for Hungary, pleasant does not go far at the ESC.
Norway Feed You My Love performed by Margaret Berger
Is it me, or does the timing seem off? Like, Margaret Berger is just ahead of the beat and that the whole song is a few clicks faster than it should be. It kinda feels like she’s phoning in this performance. The one from Norsk Melodi Grand Prix was much more emphatic. I know she’s a favorite to win – but we’ve seen favorites fall in the semi-final and after with great performances. With a song that is this different and this out-of-the-ordinary, you cannot risk having a less than awesome performance. I think she left herself vulnerable here.
Lys Assia! Glad to see her out of the hospital and looking good (she was hospitalized last week for pneumonia – she said that she thought that she was dying). We weren’t expecting to see her this year – but here she is! Great to have you Ms. Assia! I wish every winner was as endeared to the Contest as she is.
Albania Identitet performed by Adrian Lulgjuraj & Bledar Sejko
Whoa! We don’t need to be that close to Bledar! The camera was, like, literally on his cheek! Everyone seems to like this song so much – I think it’s because it’s the only rock song this year…and it has that killer guitar solo, but still. It’s alright, but it could be better.
Georgia Waterfall performed by Nodi Tatishvili & Sophie Gelovani
People compare this song to In a Moment Like This (Denmark 2010) and Running Scared (Azerbaijan 2011). I don’t think it’s anything like 2011’s winning song; it’s much more powerful and emotive. It is a lot like the Danish 2010 entry, though, “Eurovision by numbers” they say. It worked then and I see no reason it won’t work now.
Ooh! Sopho missed both big notes in that key change – badly! Disappointing, but they’re going through. This type of song is too popular and both Armenia and Azerbaijan are voting tonight.
Switzerland You and Me performed by Takasa
Another change from the studio version – the girl lead singer gets the second verse. In case you were wondering, the bass player is 95 and is now the oldest person to ever compete in the Contest. I don’t know. I love this song, but it is definitely lacking energy – it just is not very dynamic tonight. Disappointing.
I find it interesting that calling themselves “Salvation Army” and wearing their uniforms was too political and religious, but Krista Siegfrids can kiss a girl in protest on the stage (something that Russia was forbidden from doing in 2003) and use her song for political activism….interesting…
Romania It’s My Life performed by Cezar
WHAT IS HE WEARING?!?! What is up with the awful outfits this year?! Are those dancers naked? Why are they red, like, they’re covered in blood or something? Oh, time for “Spot the Backing Singer!” Oh look, a lady covered in gold. Oh my gosh! He’s so tall! Wait, I think he’s on stilts.
Oh! Thanks Petra – I guess the backing singer was under Cezar’s vampire cloak.
And, there you have it! In an hour’s time, we will have the last ten songs to enter the Final.
Any else reminded of Jedward by the Latvian duo? They jump around, where a small country’s worth of sparkles, and sing off key.
Overall, I am somewhat disappointed. This was supposed to be the stronger of the two semi-finals, with three favorites (Norway, Azerbaijan, and Georgia), a major fan favorite (San Marino), and a bunch of my personal favorite entries (Macedonia, Switzerland, etc.) but everyone seemed to be under-performing except for Azerbaijan, Greece, and Israel – I hope all three move through!
|My Top Ten||Who I Think Will Qualify|
Excuse me, I stand corrected, Moran Mazor is actually 22.
I love the history bits!
Haha San Marino! I noticed that this time they used the faster part of the song as opposed to the slower half in the second recap (in the first recap, the slower half was used). I guess if people only remembered half of it, they wanted to make sure that they remembered to vote for them!
Darin! A major Swedish pop star and Melodifestivalen loser (he got 4th in 2010). He’s attractive but his voice is not that good. But he’s a pop start, so I guess that’s a winning combination.
And now we have Agnes. Who has not competed in Melodifestivalen (yet) but did win the second season of Swedish Idol (Darin was runner-up the preceding season). I liked her bit better than Darin’s songs, but I am not about to run out and buy either of their albums.
Why isn’t Amadine Bourgeious not in the arena for this semi-final?
The Actual Qualifiers Are:
-Hungary! Whoa!! That was not expected! (0 for 1)
-Azerbaijan – no surprise here (1 for 2)
-Georgia – they need to step up their game if they hope to contend for the victory (2 for 3)
-Romania – What…the…Heck! How did this happen? (2 for 4)
-Norway – I was getting scared after Romania got through…Oh, I hopw San Marino makes it!! (3 for 5)
-Iceland – yay! (4 for 6)
-Armenia – it’s a weak song, but well performed (5 for 7)
-Finland – big reaction! I wonder if it will be as popular on Saturday (6 for 8)
-Malta – nice, but now a more deserving entry (San Marino or Israel) will not make it (7 for 9)
-Greece – right, I forgot they hadn’t moved through yet (8 for 10)
What just happened? I like Kedvesem but it did not deserve to go through. Romania…what?!…how? I’m so confused!!! How on earth did he garner enough points to move through? How did Israel and San Marino fail to garner enough points to progress? What?! My head hurts. I can’t think about what just happened. San Marino had so much fan support. Israel was such a high quality entry – what? Romania? What? How? I give up. Let’s just look at the running order:
Break down of who landed where
The three unlucky entrants that will be in the first half on Saturday: Finland, Malta, and Armenia
All others are in the second half.
They just released the running order (remember, I’m watching the semi-final in the evening (American East Coast time) since I work during the day)
- The Netherlands
- United Kingdom
France gets to open the show – and interesting choice when Spain or Malta might have been provided an easier, smoother opening.
Lithuania gets the kiss of death with the second spot – not that it had much chance to win, anyway.
Finland is sandwiched between two ballads, which will either smother it or boost its ratings, I’m not sure.
The Netherlands once again finds itself at the end of the first half, sandwiched between two very different songs, Armenia (which will probably a slightly smoother transition than Ukraine) and before Romania (which will probably wipe out the Netherlands from people memories with its craziness).
The United Kingdom is much higher in the running order than expected, given the name recognition of Bonnie Tyler (compared to Anouk, who is always as late in the running order as possible, most likely due to her celebrity).
Interestingly enough, with the producer chosen running order, all the favorites are at the end of the show:
This has never happened before, where so many betting favorites are lumped together and with prime running order position. Russia is the only favorite not in that run because it was drawn in the top half of the show. I’m interested to see how this affects the show, I imagine that it will lead to a more even point spread. Since many favorites tend to be knocked out by running order position (think Russia last year or Azerbaijan in 2010) points were easily pooled into one or two acts. This year, the favorites are all together at the end of the show, they will all be vying for points against one another – I think my prediction of a tie just might come to fruition!
Finally, Ireland closes the show. In my opinion, this song should not even be in the Final, now it will most likely finish in the Top Ten. Oh well, at least it’s not a bad song.
I think I’ve recovered from Romania’s qualification, but, yikes! it was still so unexpected. I guess its 100% qualification record survives another year. Okay, so, we can all take Friday to recover, reflect on what has happened on Tuesday and Thursday, and prepare for the Grand Final – I’ll see y’all here Saturday! I’m posting my live notes live this year! So don’t miss out!
It’s that time of year again – when Europe comes together to choose one song to rule them all over the next year. For the 58th time, the Continent is unifying in this way to select the 61st winning song of the Eurovision Song Contest (remember, 1969 had four winners). The first stage in this process is the semi-final round in which 33 songs enter, but only 20 will advance to the Grand Final. Tonight in the First Semi-Final, 16 entries battle for ten available spots. Tonight we will the big favorite (Denmark), one of the biggest names competing this year (the Netherlands), an American (Slovenia), an American-born singer (Austria), the first jESC participant to be a lead singer (Serbia), and two The Voice champions (Belgium and Russia). As I have done the past five years, I will be taking notes as I watch the show for the first time and will post them (after some light editing for fixing abbreviations and typos). Given that I live in the US and have a full time job, I cannot post notes live during the semi-finals because I will not be watching them until evening my time.
This is the tenth year of the televised semi-final (but only the fifth year of the dual semi-finals). That sets this year up to be historic – some things I expect to happen this year that we haven’t seen in quite a while (or ever):
1. The Netherlands will qualify for the Grand Final (for the first time since 2004). It’s been ten years – they have to! The Netherlands have sent some of its biggest stars in the past (2007, 2008, 2009, 2011), but never one quite as big as Anouk. And, this is the best song that the country has sent in a while. It’s not too often that history is on the Netherlands’ side.
2. Montenegro will also qualify – probably the most popular Montenegrin entry to date and already one of the most commercially successful entries this year, Igranka.
3. Romania will fail to qualify – something that has never happened before. Again, the law of averages says it must happen eventually and this year seems like as good a time as any for it to come to pass.
4. We will see a tie (or at least a really, really close result) in the Grand Final. It only took until the 14th Contest for the first tie to occur (1969), then, 22 years passed before the next one (1991). It has now been 22 years since the last tie, and I think we’re due for one! I just hope they have an interesting and suspenseful way of going through the tie-break procedure (as opposed to just having the computer do it automatically).
As a reminder, I predicted that these songs would move through based on fan chatter, betting odds, history, and personal opinion:
I will make my final predictions during the interval act. Onward!!
I like this opening video – Malta to Germany to Greece to France to Russia to Ireland to Macedonia to Israel – I love how Euphoria seems to have swept over all of ESC-land. And now all these beautiful flag-butterflies arrive in Malmo. I’m loving this children’s choir!
This is great!! I love this re-interpreted version of the song. I love that everyone is signing (though, it’s always fun to be reminded that sign language changes across country boundaries). I love that Loreen disappeared into the crowd and that the host just came out of the stage. I wonder if that will be the last we see of Loreen, probably. 😦
The host: For the first time since the mid-90s, we will have only one host to guide us – and she’ll be doing that with her loud, British accent and bright, shiny dress!
The stage looks cool, but a little dated. Like, this almost looks like a Contest from the early nineties.
On to the entries!!
Love the postcard idea – show the artist in their home country with a flag butterfly floating around!! Yay!
Austria Shine performed by Nataliá Kelly
Where did all this vibrato come from? Every note warbles. Uh oh, that big note was not nearly big enough. Sorry Nataliá, I just don’t think that was enough to get you through (especially since they got rid of the sparkle shower that she had in the national selection).
Estonia Et Uus Saaks Alguse performed by Birgit Õigemeel
So, Birgit Õigemeel is pregnant! Ooh, black and white! As if to say, “we don’t think our song is quite dull and dated enough.” Oh, here comes the color! That was a pleasant effect; so is having her out on the satellite stage with the backing singer just over her shoulder. The addition of that big note was nice; it definitely gave this song a bit more oomph! Still don’t think it was enough to qualify, but I don’t think it will be last.
Slovenia Straight Into Love performed by Hannah
I don’t know how I feel about them using that beat between each entry. Ooh!! She keeps missing those big notes in the refrain. Her dances trot the line between entertaining and distracting. Well hid backing singers – I almost lost that round of “Spot the Backing Singer” (they’re behind the stage right butterfly wing). I love this song – but that performance was a mess! This will probably be last.
Croatia Mižerija performed by Klapa s More
I love how big their voices are! That was quite pleasant! I still think Estonia is the best thus far, but this is quite good; a close second!
Denmark Only Teardrops performed by Emmelie de Forest
I recognize some of those places in the postcard!!
The crowd reaction is huge!! And it hasn’t even started yet.
Why are the backing singers up so loud? This performance is exactly like it was at DMGP – whoops, spoke too soon, there’s confetti here. This was good, and since she’s the heavy favorite, she’ll sail through tonight, but she’ll have to step up her game on Saturday if she hopes to win. But that ending (and the whole thing, actually) looked and felt a lot like a winner’s reprise, which I am sure was on purpose.
I liked the tagline bit, particularly the “Don’t complain, it’s even more expensive in Norway.”
Russia What If? performed by Dina Garipova
Ahh! The beat is annoying, I keep expecting Euphoria to start.
Time for another round of “Spot the Backing Singers!” Nevermind, there they are. Ooh, she botched some notes there. This is a revamp from the studio version where she sings mostly on her own. The choral effect is really effective!! It actually makes me like this song and the lights throughout the auditorium are lovely! I know I’ve written off Russia previously, but that was really good and reestablishes this entry as a legitimate contender in my book.
Ukraine Gravity performed by Zlata Ognevich
What was the point of having that tall guy carry her out? It’s distracting, from his presence to his outfit – just dumb. It already seems like a much more tacky staging after the beautiful one we just saw from Russia. I like the backing singers coming out of the ground. She has a beautiful voice and she is dressed splendidly…but…this is still a weak song in my book, musically and lyrically. Coming into tonight, I thought this was the most overrated entry, seeing it here has done nothing to change that opinion. It will most definitely open the Grand Final if it is drawn in the first half, of that I am sure.
The Netherlands Birds performed by Anouk
Ooh, I can’t wait to hear this!!
Hmmm…her voice seems a bit off, like, just below where it is supposed to be. Don’t know if we needed to see the backing singers there. I still think this is the classiest song in the competition this year; and the staging fits it perfectly. Not sure if it will go through (despite my immense enthusiasm for this song).
Montenegro Igranka performed by Who See
This is madness!! I’m a little dizzy for watching this. Props to the cameramen and directors, they are doing an excellent job capturing the craziness of this song and performance. Interesting choice to have her sing without backing singers – I think it added to the “lost in space” vibe. I think this one will be close.
Lithuania Something performed by Andrius Pojavis
I think they need a dancer here, just a one woman dancing around Andrius on stage. This song still does nothing for me. I do not see it doing anything.
Belarus Solayoh performed by Alyona Lanskaya
Did she seriously just emerge from a giant disco ball? Is she out of breath? I can barely hear her. And when I do, it sounds more like she’s shouting than singing. Ooh, she botched those big notes there. Nice pyrotechnics. When this song was chosen, there were a lot of high hopes and expectations for it, I think those are completely gone now; Belarus will be lucky just to qualify.
Moldova O Mie performed by Aliona Moon
Aliona Moon, I think because of how red her hair is, always looks like a character from the Final Fantasy series to me. What’s up with her hair? It’s like something from The Flintstones or The Jetsons; why isn’t jetting out to the side like in the national final? I hope you’re paying attention, Slovenia, that’s how you use three male dancers. Amazing vocals! Amazing song! Amazing staging (love the dress and the riser)! Why is this song not getting more respect?! Most definitely the dark horse this year; expect Moldova to finish Top Ten on Saturday.
Ireland Only Love Survives performed by Ryan Dolan
Ooh, shirtless men! Oh, just when I was going to say that his vocal performance was better than anticipated, he botches that huge note at the beginning of the chorus. His voice is a bit whiny. I don’t know, I’m on the fence. This one might sneak through, but I think that Estonia might take its spot in the Final.
Love the feature on Australia! Fun how the first Contest broadcasted there was when Sweden gained victory number two!
Cyprus An Me Themase performed by Despina Olympiou
I love the staging of the opening, well done! She missed that big note going into the last run through of the chorus and again on that second to last note. Otherwise, this was an amazing performance. I always appreciate it when a performer goes out on stage with a nice, tasteful, simple performance by themselves. Well done, well done!
Belgium Love Kills performed by Roberto Bellarosa
Perhaps Belgium could have loaned one of its dancers to Lithuania, as, together, they’re a little creepy. This is going to sound meaner than it is supposed to, but Roberto Bellarosa looks like a robot. He’s showing zero emotion – is that intentional? This was better than expected, but I still don’t think that it will do anything.
Serbia Ljubav je Svuda performed by Moje 3
WHAT. ARE. THEY. WEARING?!?!?!?! If I didn’t already know the lyrics, I would think this is a song about two lesbians fighting over a girl. It was smart to have the backing singers so that the main three could act out the song, but again, there was something lost – that was…not good.
|My Top Ten for the night||Who I Think Will Qualify|
I find it interesting that Montenegro chose to use just the part of Nina singing as the recap clip.
Also, I find it interesting that they are not showing the numbers throughout the entire voting sequence.
I love the history clips though!! Yay for cherishing history!
Hmm…we seem to have a bunch of people dancing in the snow to a deconstructed version of Euphoria.
I don’t get modern dance.
They should have just made the entire interval act Lynda Woodruff – that segment was awesome!
Boo Sweden, boo! Why are you showing us the postcards for the automatic qualifiers? Though, I do love that Natalie Horner (lead singer of Germany’s Cascada) is wearing an American flag t-shirt.
Who Actually Qualified
Here we go! Moment of truth!
Moldova Good stuff! (1 for 1)
Lithuania What?!?!?!?!?! I guess Belgium is not moving through (1 for 2)
Ireland No real surprise there (2 for 3)
Estonia She had enough tonight to pull it through! (3 for 4)
Belarus Hmm….interesting….that performance was a hot mess! Guess Croatia is not moving through (3 for 5)
Denmark Well, duh! (4 for 6)
Russia Again, not surprise here, she was great tonight! (5 for 7)
Belgium Interesting. Didn’t think Belgium and Lithuania would both go through, guess Montenegro will not be moving through (6 for 8)
Ukraine No surprise here (7 for 9)
The Netherlands oohh, why did they have to pause for so long? That was almost too much anticipation for me to bear! (8 for 10)
That was a very satisfying semi-final. Three surprises.
Small Surprise: Estonia performed well enough to make a lasting impression.
Medium Surprise: So did Belgium.
Big Surprise: Lithuania is going to be performing again on Saturday night. Shocking!
In the end, I am satisfied with the songs that are moving through. I love Slovenia, but Hannah sounded awful tonight. I also loved Cyprus, but no one expected that song to get to the Final. I am so happy that the Netherlands have made it back to the Final, finally, after waiting so long (in case you did not know, the last time the Netherlands qualified for a Final was 2004, the first year with a televised semi-final). I’m a little disappointed that Croatia did not progress, but, again, not too surprising given that it was buried amongst a lot of popular female ballads.
In the end, the juries and the public made the best decisions. An interesting note about the draws that happened during the press conference, with the exception of Denmark, Ukraine, and Ireland, all the songs were drawn for the first half of the show. That means several things:
1. Estonia will probably end up being second in the running order again.
2. The Netherlands have most likely lost its shot of winning
3. Denmark’s chances have exponentially increased as it will most likely be placed towards the end of the running order (since it’s so popular) giving it amble opportunity to leave a lasting impression.
I’m so excited for Thursday!!
Here we are, less than one week out from the First Semi-Final! With rehearsals in full swing, we are seeing some of the last throws of changes and adjustments ahead of next week’s shows. Below, I will be giving my final review and predictions for each entry – pulling in everything I know and have learned in terms of history, betting odds, and fan chatter.
I’ll give a brief review of every entry, then dive deeper into who I think will win.
Starting with the First Semi-Final:
Estonia – This song has definitely grown on me since the first time I heard it. It’s still quite dull, though, and will make zero impact on the night. I fear that it will be struggling to avoid last place.
Slovenia – I love this song! And the fact that Hannah Mancini is American only makes me like it all that much more. Unfortunately, there’s usually only room for one club track in ESC and Norway owns it this year. Even within its own semi-final, Slovenia is less memorable (and appears earlier than) Montenegro and will likely suffer because of it.
Croatia – Classy, simple, clean – it’s lovely. It will garner points for being so culturally true, but it will suffer from being so early and so slow. Like Austria, I think it might sneak into the Final and then just sit there.
Denmark – This is the big favorite to win, I loved it since the first time I heard it at DMGP. If this song is not in the Top Five, I would be shocked.
Russia – Dina Garipova has a beautiful voice, but this song is sooo bland. It will do well given that its Russia and I wholeheartedly expect this to finish in the Top Ten.
Ukraine – I’ve said it before, the retooled version is miles better than the original, but it’s still a bit too theatrical, I think, to challenge for a win. I think being from the Ukraine will get the entry some points as will the sheer power of Zlata Ognevich’s voice. Unfortunately, the feedback from rehearsals is not good and her chances are sinking.
The Netherlands – Anouk is a rather amazing performer and the chatter is that she is keeping her presentation simple, which is perfect for this song. I think there’s a lot of positive buzz around this song but the Dutch’s stock seems to be dropping. I think she will qualify, but struggle to reach the Top Ten.
Montenegro – I’m still on the fence about this song, personally. Depending on the mood of the voters, I think this could take the last qualifying spot away from Austria or Croatia.
Lithuania – The song doesn’t entirely make sense and it’s not very dynamic. I think this will be challenging Estonia for last place on Tuesday.
Belarus – I think of this year’s 39 entries, Belarus’ stock dropping faster than anyone else. When Solayoh was revealed, it was immediately counted as a contender to win. Now, people think it will be lucky to qualify – which I think it will do as long as the presentation is decent.
Ireland – I think this is in a similar situation as Slovenia, except Ireland is a much more popular and successful country than Slovenia or Montenegro in ESC. I think that it will qualify for the Final, but not do too much after that.
Cyprus – Another one of my absolute favorites this year. But, like Estonia, I think it is a bit too dull to do anything. I think it benefits from being expertly sung (particularly, following Ireland) but I do not think Despina Olympiou’s fantastic vocals will be enough to bring success to Cyprus this year.
Belgium – This song gets better each time I hear it. Unfortunately, viewers only have one time to listen and Roberto Bellarosa is not necessarily a great live singer.
Serbia – This song is a hot mess, and I think it’s stock is also headed in the wrong direction. It has all the makings of a dud.
Bottom Line: Who do I think will qualify?
I think Denmark is the only one from this bunch that can actually win.
Take a quick breath. Ready? Onward to Semi-Final Two.
Latvia – I never particularly cared for this song. I recently looked up their other song from the Latvian, Sad Trumpet, it’s amazing, which makes me dislike this song even more.
San Marino – Already proving itself to be SM’s most popular entry, it scored a second placing in ESCToday/OGAE’s Annual Poll of Clubs. I think this could surprise a lot of folks and finish Top Ten.
Azerbaijan – I think Azerbaijan’s weakest entry yet, but it will benefit from the fact that Turkey is not voting. They even released a Turkish language version (which is awful, by the way) in order to capitalize on the Turkish diaspora.
Finland – Like Belgium and Estonia, this song has definitely grown on me and she has a cult following across Europe. But, most Finnish entries seem to garner a cult following of some degree (I’m thinking of 2010, especially) and still not go anywhere. I’m thinking that this will qualify and finish mid-table.
Malta – I really like this, it’s adorable, genuine, and very sweet. I do not think, though, that it will make a lasting impression on the night, but it could sneak through.
Iceland – This song is a bit captivating and is generally well-received throughout the fan-sites. I think it will qualify and has a chance to sneak up the scoreboard.
Greece – Great song! It will definitely qualify, but how will it do? I think it depends on the running order – if it’s surrounded by two ballads (like it is in the semi-final) I think it has a real shot of being Top Ten, otherwise, it will finish mid-table.
Israel – The question is, will the amazingness of this song be outweighed by the horrendous fashion and hairstyle? Probably.
Hungary – I really, really like this. But it’s so soft I think that it will be loss among the shuffle.
Norway – This song is very different from the grand majority of ESC entries, which means that it will either be wildly successful or fail greatly. It has a lot of fan support and haunts you long after listening – it’s bound to do well.
Albania – This song seems to be fairly popular, but I do not know why. It will benefit from being the only rock song in the Contest this year.
Georgia – “Eurovision by Numbers” is the phrase that everyone seems to be throwing around for this entry. I agree, but I don’t mind – it’s a fantastic entry in my opinion and can challenge for the win.
Switzerland – I love this song but it seems to be getting mixed reviews. I think it’s just good enough to qualify (when was the last time the Dutch and the Swiss were in a Final together? 2003 I think).
Romania – Romania will be the next country with a 100% Final qualification rate to fall (as Turkey did in 2011 and Georgia did in 2012).
The Bottom Line: Who do I think will qualify?
I think Georgia and Azerbaijan are the most serious contenders.
Whew! Blink a few times – maybe take a sip of water – onward to the Final!!
France – I love! this song. It’s great! For some unknown reason, no one else seems to. I think with a really good presentation (Amandine Bourgeois alone on stage (the backing singers can be off-camera on the catwalk – like Sweden last year) with flames that grow higher throughout and begin to dance by the end), this song could be a dark horse.
Germany – I like this a lot, I wonder if Europe will get up and dance or be tired of all the club tracks between last year and this year. I think Cascada, on name alone, will be able to break the Top Ten.
Italy – In my opinion, this is the most overrated song this year. Everyone is talking about how much they love it and how great it is, but I do not see what separates this entry from Iceland or Israel (or even Cyprus and Estonia for that matter) – they’re all well sung ballads in my opinion. Expect it to fight with Georgia for jury points.
Spain – I really like this entry, it’s really sweet and I love the Celtic sound (the band is from northern Spain, where Celtic Galician region is). However, it will merely be a palate cleanser between whatever two song its performed between. I don’t think it will be last.
Sweden – I think this song has great potential, but I have yet to see Robin Stjernberg perform this song live well. While the viewing public may not care as much, the juries will (remember Russia 2011?).
United Kingdom – I like it; it’s grown on me. Most of the comments I see and the betting odds all seem to have this song doing well (except for Britons, but after following the Contest since 2007, I do not think there is a single thing the BBC can do that won’t make British fans whine).
Bottom Line: Which of these six do I think can finish in the Top Ten?
So, who’s going to win?
I think there are only four legitimate contenders: Denmark, Italy, Georgia, and Azerbaijan.
Denmark – the big favorite among the fans and the bookies – by a country mile! This song’s biggest challenge is whether it can withstand being in a field of 26 others. If this song is stuck in the first half of the Grand Final, then it can sink. It’s a great song, but it doesn’t leave a lasting impression; if it’s mixed with other pleasant entries (like Switzerland, the UK, Spain) or more memorable entries (like Ukraine or Norway) then it will be forgotten by the average viewer.
Italy – perceived, by just about everyone, as the strongest ballad in the field this year. If Marco Mengoni has to worry about Eythor Ingi (Iceland) being within close range, then I he’ll also have to worry about losing votes to him. The two songs are similar in appearance, tone, and mood and can split votes, resulting in lower placings for both of them.
Georgia – a powerful, stirring ballad that represents one of the best efforts of ESC legend Thomas G:son. Conversely, the drawback from of having a renowned ESC composer writing for you – all his songs have a similar sound and put this song at risk of sounding generic.
Azerbaijan – Turkey is not competing, leaving Europe’s biggest diaspora up for grabs and ripe for the picking for mini-Turkey: Azerbaijan. Everything about this entry is average – thehttps://eurovisionobsession.wordpress.com/wp-admin/post.php?post=608&action=edit singing, the lyrics, the music; I also doubt Azerbaijan wants to host again so quickly after last year’s Contest.
I stick by my prediction from a few weeks ago, Denmark and Georgia will be battling it out for victory.
Be sure to check back on Wednesday, Friday, and Saturday when I will be posting my annual live notes! Every year, I take notes as I am watching the Semi-Finals and Grand Final and post them here for your reading pleasure! The shows occur at 3PM here, so I have to watch the semi-finals later in the day (hence why the notes are posted the following day). I will try to keep my Grand Final notes on here live this year after Twitter failed me last year – so be sure to check back in on Saturday!
As we head into the last few days ahead of the Eurovision Song Contest 2013 – Malmö, I thought it would be good idea to provide some resources to help your ESC preparations. I have been hosting Eurovision Parties for the last two years with the small group of friends that I have converted to ESC fandom. I have always written up brief profiles of the competing countries as well as several briefs detailing the ESC history, rules, and procedures – as well as notes about the current year’s edition. I have decided to make these available for you to use at your own Eurovision parties (and/or personal edification). I’ll update with the running order numbers after they’re released next Friday morning. On Sunday, I’ll have my final predictions for this year’s Contest!
Hello dear readers!
We are two weeks away from the First Semi-Final! We over the past couple of months, we have seen quite a bit by way of news, remixes, styling announcements, movements in the betting odds, and much more!
This year has seen a rise in native language entries. However, with the hopes of attracting fans ahead of the Contest, many of those countries have released English versions of their songs that are used for radio airplay and performances in other countries. Most of the time, these English versions are only loosely translated from the original – occasionally, they come with a remix, sometimes, they can even come out better than the original. Here is a brief review of this year’s English translations. This post is riddled with YouTube links – you’ve been warned!!
Cyprus – If You think of Me (original: An Me Thimase) – there’s also a Spanish version! — the best thing about this song is her voice, the language doesn’t really matter. I guess the original Greek is the best, but the three versions are all about the same in my book.
Estonia – New Way to Go (original: Et Uus Saaks Alguse) – there’s also Spanish and Swedish versions! — like Cyprus, all of these versions sound essentially the same; it’s hard to even tell what language she’s singing in. Interestingly enough, I think the Swedish version fits the melody the best, but again, these are so close, it’s not a big difference.
Hungary – One for Me (original: Kedvedsem) — Okay, so the English version loses a bit of its zip, as it’s a translated version of the original, not the remix that Bye.Alex is taking to the Contest. Regardless, it definitely loses a lot of its charm and coziness – fully legitimizes his decision to stick to Hungarian at the Contest.
Italy – Necessary (original: L’Essenziale) — Yesh! English is not his specialty. Definitely keep it in Italian! The language change brings out a lot of his weaknesses and the song loses a lot of its charm.
Macedonia – If I Could Change the World (original: Pred da se Razdeni) – and a nifty remix of it! — I like the English version, I think, equal to my affection for the original in Macedonian. I think the remix they brought to the entry enhanced it. While I think the remix enhances the entry, it’s due to the improved composition, not the language.
San Marino – Chrysalis (Fly) (original: Crisalide (Vola)) — Definitely a step down from the original Italian. With the language change, Valentina Moletta’s thick accent comes out and drags the song down a bit. I think the fact that this is in Italian is one of the major reasons it is receiving much better traction around Europe than her entry last year (aside from the fact that it has a thousand times more quality).
Serbia – Love is All Around Us (originally: Ljubav je Svuda) — The remix is unwarranted and unnecessary and makes the English version completely fizzle because of it. So, clearly, I think the original was better.
Moldova already had an English version of O Mie, which I think is the only one that sounds better in English than the native tongue. It’s called A Million and was the original version of the song before the broadcaster decided to submit the Romanian version of the song. I think the Romanian version makes the song a bit too clustered; too many syllables per beat.
Apparently, France’s song L’Enfer et Moi was originally written in English. There has to be an English demo version out there somewhere!! Though, France usually sits on its English versions until after the Contest, so I guess we just have to be patient. I can’t wait to hear it!!
Oh – I love languages!!!! And I love the CONTEST!!
Hello! Welcome to the final installment of my “Contender or Pretender” series, where I am looking at the ten entries with best betting odds (according to oddschecker.com) and determining whether they are legitimate contenders for victory or overrated pretenders that won’t live up to the hype. I’m looking at the ten songs in random order, and have previously examined:
Today, we conclude the series with Germany and Georgia.
Song: Glorious Performing Artist: Cascada
Why it is a contender: We’ve had some big names at the Contest before, but most of those names tend not to have graced Top Forty charts for at least ten years prior to the artist’s participation. Cascada, however, is a huge name – with worldwide acclaim (in fact, my co-worker was blasting Evacuate the Dance Floor just the other day – that is still very relevant in the pop music world. Not to mention, the fact that it’s a club anthem that is bound to get fans dancing throughout Europe.
Why it is a pretender: Even though Cascada is a really recognizable name, the song itself is somewhat plain. It may be a club anthem, but it’s not special; why it has a similar sound to Euphoria, it lacks the mystique last year’s winner had. Additionally, I’m not sure if Natalie Horler, the lead singer, has the vocal chops to really compete with some of the other talent that they will surely be facing in the Final.
Final Verdict: Contender. Russia has sent superstars at the top of their game, both finished Top Three (T.a.T.u finished third (but in one of the closest Contests to date) and Dima Bilan won (not to mention his 2nd place in 2006). Only two other artists rival the name recognition of Cascada, Anouk (who has had success in a few countries outside of the Netherlands) and Bonnie Tyler (who has not really been all that relevant since the 80s). The song is also a well-done, albeit plain, dance tune that will simply benefit from getting people up and moving in front of their televisions.
Performing Artists: Nodi Tatishvili & Sophie Gelovani
Why it is a contender: If 2010 has taught us anything, it’s that Georgia knows how to craft a song that is jury gold, and they’ve done it again! This ballad will, for sure, win the votes from the juries. It’s well performed by Tatishvili and Gelovani, the composition steady builds throughout; Waterfall is powerful and dramatic without being too much so.
Why it is a pretender: If there is an area in which this entry crosses the line from balanced to overdone, it’s in the lyrics. “There’s no me without you…I’m breathing because of you…There’s no world without us” it’s all a bit much. If viewers pick up on this, then it can turn off many viewers, particularly the ones who are one the fence about the entry. Additionally, the song does not seem to be getting a lot of attention from fans around the web, it’s just floating beneath the radar.
Final Verdict: Contender. I don’t think the lack of fan support now will hurt Georgia too much. There does not seem to be any negative attention around it and it’s captivating enough to hold the attention of first time listeners, whether it’s in the Second Semi-Final or the Grand Final. The song is dramatic and builds throughout to captivate the audience and pull you in. In addition, as I said before, the juries will heap points upon Georgia like they did in 2010. This song will definitely be Top Ten, if not Top Five.
And there you have it; “Contender or Pretender 2013” is now complete. Not by design, but by fortune, we have, in my opinion, five contenders and five pretenders. I think all seven of the non-automatic qualifiers will make it to the Grand Final. I think the five contenders have a legitimate shot of winning this year. The other five entries, while I do not think any of them will fail, I don’t think any of them will actually challenge for the win.
Ultimately, I think Denmark and Georgia will be battling it out for victory. I think Denmark will have the slight edge over Georgia because it will have larger support from the fans as the faster, younger song between the two. I predict that Denmark will ultimately prevail and bring the Contest over the Øresund. Whether DR decides to have it in Copenhagen, again, or hold it in Århus, Ålborg, Horsens, or Herning, is a matter to be decided later.
Special thanks to espn.com ACC Blog for providing the inspiration for this series!