Posts tagged “Denmark

Eurovision 2017 Song Reviews (Finally!) — Recap!

Hello Dear Readers!

So, there you have it, my initial thoughts on the 2017 Eurovision field of entries. It was hard this year to choose top contenders, so many songs sound similar and parceling out those that were stronger from the weak wasn’t easy. Amongst those that sound different, I’ve tried to identify which ones were memorable for the right reasons. Below is my first prediction for 2017’s Top Ten and winner!

As of right now, I predict that the following songs will be in the Top Ten (in alphabetical order):

  • Armenia – it’s dazzling and intriguing; captivating and unique.

  • Azerbaijan – a return to form and powerful pop song

  • Belgium – unique, current, and incredibly popular

  • Bulgaria – the strongest ballad this year

  • Denmark – stands out with its R&B sound

  • France –  even better than last year, very French, yet still accessible

  • Italy – certainly one of the smarter entries in ESC history, very entertaining, too

  • Macedonia – this year’s strongest entry from the former Yugoslav

  • Poland – dark and stirring, will outperform expectations for sure

  • Sweden – well-done schlager with a flashy stage routine

With that said, who do I think will contend for the title of ESC victor? Well, so far, my thoughts have not yet changed.

Denmark, Bulgaria, France

Denmark
Anja has an amazing voice and the song is well composed. However, R&B does have a dicey history at the Contest. Will the audience be able to get behind this song, even though it strays from the traditional pop style?

Bulgaria
Perfectly capturing the styling of the modern ballad, Bulgaria brings its most competitive entry to date. However, Kristian Kostov, while supremely vocally-talented, is one of the youngest performers this year, I wonder if he has the stage presence to convey this kind of song. Will Bulgaria be able to build on its success from last year by putting together a useful staging and promotional work?

France
An intriguing entry that does a strong job of displaying the French aesthetic without scaring those who are non-French. However, this song requires a well done staging, and we all know that is most definitely NOT France’s department. Can Alma guide the production process enough to ensure that the song presentation is both meaningful and enjoyable without it becoming a distraction?

Ultimately, if I had to choose one song right now as the winner. I would choose…

Bulgaria! Ultimately, I think Kostov has the look, sound, and stage presence to aptly perform this haunting – yet relatable – ballad. The music is stirring, yet not overly complex and the lyrics are captivating without being inaccessible. And, without Russia around, there will be more points up for grabs, particularly for those from Slavic backgrounds. Though, this song will definitely appeal to Westerners as well.

I definitely look forward to diving deeper into these entries, commentary, and internet buzz. Even more than that, I’d love to hear your thoughts! Comment below or catch up with me on Twitter!

 

Once again, ESC Obsession has created a Eurovision Tournament Bracket for you! Forty-two songs enter, only one can survive. Seeded by their current betting odds, this bracket sets up a series of duels until one song comes out on top. Whether you want to think about the competition in a new way, compare your picks with friends, or simply are having trouble determining your favorite entry this year – the bracket is for you! Feel free to download it, feel it out, share it around. Post about it here and/or Reddit! I’ll post mine next week.

ESC 2017 Tournament

Support Eurovision Obsession on Patreon.
Follow @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle


Eurovision 2017 Song Reviews (Finally!) – Second Semi-Final, First Half

Hello Dear Readers!

Our second semi-final. Sadly, Russia has decided to not participate this year due to…all the political things. This is sad because 1) I always hate to see a country withdraw and 2) I loved Flame is Burning. Oh well, such is life. It does open up one more qualifier spot in this competitive semi-final (as Russia always qualifies). Again, song reviews are in alphabetical order because…I’m lazy.

Second Semi-Final

Country

Performing Artist

Song

Selection*

 

Austria

Nathan Trent

Running on Air

Internal

Thoughts:

A lovely, upbeat song that can’t help make one feel happy when listening to it. Honestly, it’s such a simple song. It’s only shot at making the final, though, is probably on the back of Trent’s charisma — cute boys tend to do well.

 

Denmark

Anja

Where I Am

Televised

Thoughts:

See my Live Notes on DMGP 2017 for my full thoughts on this entry. It’s a strong entry that will not only make it to the Final, but will most likely end in the Top Ten.

 

Hungary

Joci Pápai

Origo [Origin]

Televised

Thoughts:

This song is one of the most unique, not just this year, but this decade. It’s dark one of the few that follows in the footsteps of 1944, mysterious and about a serious issue (this focuses on the prevailing racism, particularly against the Romani peoples), but this has a message of hope (and faith!).

 

Ireland

Brendan Murray

Dying to Try

Internal

Thoughts:

Such an intriguing voice and such a sweet song. The sentiment of the lyrics is definitely one with which I can relate. While it seems like a love song, it’s truly more of a song of loneliness and longing. I want nothing more than for this song to win; unfortunately, this semi-final is too strong and this song just is not captivating enough, especially being in the first half of the show. It could very well be the beneficiary of Russia’s withdrawal.

 

Macedonia

Jana Burčeska

Dance Alone

Internal

Thoughts:

A catchy song about being happy on one’s own. While I have preferred most of Macedonia’s other entries, this one isn’t bad. To me, it’s a bit generic, but fun. Macedonian fans will be happy to be back in the Grand Final and, possibly, in the Top Ten for the first time.

 

Malta

Claudia Faniello

Breathlessly

Televised

Thoughts:

A powerfully sung ballad. However, unlike in previous years where this kind of entry would make a significant impact, this year, it comes off as a bit boring and dated. I’m sure Faniello will give a stunning performance; I just don’t think this song is captivating enough to get it to the Final.

 

The Netherlands

O’G3NE

Lights and Shadows

Internal

Thoughts:

Alternatively, whereas Malta sounds a bit dated (old-fashioned in a bad way), the Dutch entry sounds “vitange” – that is, old-fashioned in a good way. Their harmonies are tight, the lyrics are inspirational, and the composition is catchy.

 

Romania

Ilinca feat. Alex Florea

Yodel It!

Televised

Thoughts:

Ugh. Probably my least favorite song this year. Let’s see, yodeling doesn’t do well at Eurovision (just ask Austria 2005). Nor does rap (just ask UK 2006 or Finland 2009). I presume that, since we’re talking about Romania, two wrongs will indeed make a right; unless Romania becomes the next country to have its 100% qualification streak snapped.

Serbia

Tijana Bogićević

In Too Deep

Internal

Thoughts:

A powerful song that is unique and intriguing! I imagine there will be silk dancers to further the aesthetic from the music video. I think, though, as I have listened through the songs over and over, this is one that I continually forget – despite its power. It will make the Final, but I think it will do surprisingly little.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

Find the other reviews from this year here!

Support Eurovision Obsession on Patreon.
Follow @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle


Dansk Melodi Grand Prix 2017 – Live Notes

Image result for dansk melodi grand prix 2017

So, had to wait about two weeks after the event, but never fear – I did not watch it nor did I know who won. Luckily, DR broke tradition and made DMGP amazingly easy to find and watch. For those who are new, DMGP works quite simply. DR (Danmarks Radio, the Danish broadcaster that competes in Eurovision) selects ten songs after an open cattle-call for entries; typically, the ten chosen entries tend to be from professional producers and singers (though, every so often, an independent artist or producer makes it onto the show). All ten songs compete in a televised Final; the three songs with the highest combined score between the jury and televotes move on to a super-final. The winner is the song with the highest percentage of the combined televote and jury score. Typically, the jury is comprised of previous performers and producers. This year, they decided to use five super-fans of DMGP/ESC to create the jury.

These are my notes from watching DMGP 2017 for the first time (having not heard the songs ahead of time). I’m trying something new this year, instead of just using generic comments to sum up my thoughts, I’m scoring each song according to the four aspects that make for a strong ESC entry: composition (the music), lyrics (the words), staging (how the song is presented), and performance (how well the singers and dancers do). I will rate songs on a scale from 1 to 5 within each dimension.

Okay, I think that’s everything – on to the show!

 

Dansk Melodi Grand Prix 2017

We are back in Herning for DMGP – the first thing that strikes me is how much the production has been scaled down this year. Is that screen even LED? A few years ago, Herning hosted an amazing event; this year looks more like the DMGPs of old, back when they were forgettable. So, Dansevise is one of my all-time favorite entries and I love that they have the competing artists perform it together. Great message of unity and a strong callback to Denmark’s storied history. Actually, the hosts make it quite clear that DMGP this year is entirely focused on returning Denmark to its former glory. DK, with three victories (1963, 2000, 2013) and Grand Final qualifications from 2008 through 2014 (including four Top Ten finishes), has been one of the most successful countries in recent years. However, Denmark has failed to reach the Grand Final of ESC each of the last two Contests, and has finished towards the bottom of its semi-final both times. DR is being explicitly clear: they want Denmark to be successful again at all costs (I guess, the reduced DMGP budget is to save up for a bigger production in Kyiv).

They’re interviewing the jury now; they’ve been sequestered in their own room (as opposed to sitting by the stage). I like the notion of using fans instead of professionals; though, I wish they had a more diverse (in terms of age and gender) panel. Eurovision fans come from a wide variety of backgrounds, if the goal is to find a song that appeals to everyone and will do well, then DR needs a more representative panel of persons.

Anyway, on to the songs!

Song #1. One performed by Ida Una

Ugh – a peace song – and a trite one at that. It’s simple, but not catchy, It’s trying to be modern, but comes off a but immature in its overall sound. The staging is decent, at least. Though, her singing is not the best.

Composition: 4           Lyrics: 2          Staging: 4            Performance: 2

Average: 3 (out of 5) Squarely average – sounds about right. I would think this song has an uphill climb to get to the superfinal.

Song #2. Vesterbro performed by Thomas Ring

Whoo! A Danish-language song (there always tends to be one), probably won’t win because of it (the Danes have not selected a Danish-language song since 2005). I think it’s a great song; actually, I’ve encountered this before on YouTube without realizing it was a part of DMGP. Unlike the preceding entry, this song successfully achieves a mature, modern sound.

Composition: 4           Lyrics: 3          Staging: 3            Performance: 4

Average: 3.5 I don’t think the staging was enough to get it through, but I wouldn’t be surprised if it gets to the superfinal.

Song #3. Color My World performed by Rikke Skytte

Definitely a lot of thought went into the staging for this one. It makes a simplistic song seem more artistic than it probably is. By “simple song,” I mean that the composition doesn’t really do much and that the lyrics are fairly weak.

Composition: 3           Lyrics: 2          Staging: 5            Performance: 4

Average: 3.5 Definitely the strongest entry thus far, but the night is still early.

Song #4. Where I Am performed by Anja

Another heavily produced composition. But, unlike the others, this song gas more emotion and sounds more human. This is an example of “less is more” staging; she doesn’t seem to be at a disadvantage with the cheaper staging. It allows more focus on her and her powerful voice.

Composition: 3           Lyrics: 4          Staging: 5            Performance: 5

Average: 4.25 Super strong! It has a 90s sound without sounding dated.

Song #5. Big Little Lies performed by Calling Mercury

In a complete reversal from the previous entry, this has a dated, 2000s sound. The composition doesn’t build or go anywhere, it just kinda…sits there, which is great for a doctor’s office or an elevator, but terrible for a pop song contest. The silhouettes in the staging are a nice touch, though.

Composition: 2           Lyrics: 3          Staging: 3            Performance: 3

Average: 2.75 Forgettable song coming to your local shopping mall soon.

Song #6. Smoke in My Eyes performed by Anthony

Whoa! Completely different song here! I think that the lyrics are sad – but the composition is so much fun! Yeah, maybe not as catchy as it needs to be, but definitely a strong contender. He and the backing singers have great chemistry. This is definitely a strong choice for victory in my book (at least, thus far!)

Composition: 4           Lyrics: 5          Staging: 5            Performance: 4

Average: 4.5 Lots of fun, eye-catching, definitely a memorable entry and a favorite to win. It should sweep into the superfinal.

Song #7. Warriors performed by Rene Mackon

Don’t know if he just started off wonky or what, but his voice is off. The song sounds modern (like, a discount OneRepublic) but the staging is so 80s (in a bad way); it’s distracting. Probably the weakest entry thus far.

Composition: 3           Lyrics: 3          Staging: 1            Performance: 2

Average: 2.25 Nope! Even the climax of this song felt flat.

Song #8. Northern Lights performed by Sala Vidoo

If you ever think wearing a disco ball is a good idea – you’re wrong. It’s NEVER a good idea. The lyrics of this song don’t really make sense. Also, the composition and the dance/movements seem very-Japanese: that’s cultural appropriation (i.e., using someone else’s culture without properly giving it context; it perpetuates the idea that other cultures are merely there to be used like items in a store). Despite this, I would say that the composition is fairly decent.

Composition: 4           Lyrics: 1          Staging: 1            Performance: 3

Average: 2.75 This is the kind of song that will grow on your; however, it has one chance to make an impression. Plus, the cultural appropriation rubs me the wrong way.

Song #9. Hurricane performed by Jeanette Bonde

The mirror effect only works if the two sides look the same. I honestly thought that this was two different people until the camera switched to normal. Also, the outfit is not good. Both the staging and the composition get better as the song continues. Sadly, her singing does not. The lyrics are also quite repetitive.

Composition: 3           Lyrics: 2          Staging: 3            Performance: 2

Average: 2.5 Not really all that great. It’s not terrible, just not good. I bet the studio version is better, though.

Song #10. A.S.A.P. performed by Johanna Beijbon

Her pants make me sad. Okay, so, this is merely a vapid pop tune (she called it “party pop disco”). Fun to dance to, not much for a competition- And that’s a missed big note…

Composition: 4           Lyrics: 1          Staging: 1            Performance: 2

Average: 2 No! This is schlager at its worst.

 

Scores of all Ten Performances
Smoke in My Eyes (Song #6) 4.5
Where I Am (Song #4) 4.25
Vesterbro (Song #2) 3.5
Color My World (Song #3) 3.5
One (Song #1) 3
Big Little Lies (Song #5) 2.75
Northern Lights (Song #8) 2.75
Hurricane (Song #9) 2.5
Warriors (Song #7) 2.25
A.S.A.P. (Song #10) 2

This is a rare instance of my predictions aligning with how I would personally rate the songs. With that said, the three songs I think will move forward to the superfinal are:

Smoke in My Eyes (Song #6)

Where I Am (Song #4)

Vesterbro (Song #2) — I am selecting this over Color My World because 1) I like it better, 2) I hope that the only Danish-language entry can be successful, 3) there’s more potential for where this song can go

So, who actually qualified?

One (Song #1) – I guess a boring song about peace can still do well at these kind of competitions.

A.S.A.P. (Song #10) – The weakest song; it merely combines all the worst traits of a “stereotypical” ESC song.

Where I Am (Song #4) – well, at least I got one right. This song should easily win; it’s miles ahead of the other two.

Time for the songs to be presented once more. This time, for all the marbles!!

Song #1. One performed by Ida Una

Still sounds fairly generic and uninspiring. Her singing is not as strong as it was before. I think that this song will finish third.

Song #4. Where I Am performed by Anja

I can’t help but think about Tell Me Who You Are, Denmark’s 2002 entry that came in last (though, I love that song). I don’t like this song as much as that one; however, I think ESC is at a place where a song like it won’t fail so badly again.

Song #10. A.S.A.P. performed by Johanna Beijbon

I understand this song’s appeal, but it’s weak. If it wins, it’ll be another year stuck in the semi-finals for Denmark. This kind of music is not Eurovision anymore. Schlager has been doing less and less well, and this is a poor example of that genre. C’mon Denmark, let’s live in the present, not the past.

Prediction

  1. Where I Am
  2. A.S.A.P.
  3. One

Rather enjoyed the interval act! I love the idea of a medley of some of the most successful and popular Dansk Melodi Grand Prix entries. I think that this does a good job of driving home the point that DR is actively trying to do well at ESC again, a complaint that they’ve doubtlessly received each of the past two years.

Ouch! A.S.A.P. only got 10% of the vote.

And the winner is…

Where I Am (song #4) performed by Anja

Predictions for Kyiv

Song #4 wins in a landslide, garnering 64% of the vote. While not the strongest song (then again, probably none of the entries tonight would have a strong chance to win in Kyiv), it is the most deserving champion among the three superfinalists and will most likely get Denmark back to the Grand Final in May. The bigger question is, what will it once it gets to Saturday night?

That depends on several factors: its competition and its position, neither of which can I determine at the moment. Building a prediction based upon the song in and of itself, I think that it will finish mid-table, so, 12-18th on the night. I think that it will score highly with the jury, but only moderately so with the voting public. I think people will recognize it to be a good song, but not groundbreaking. I hope that Denmark takes whatever its final position is as inclination that refocusing on victory is a step in the right direction.


ESC 2016 Reviews: Second Semi-Final, Part Two

Hello Dear Readers!

Nine more semi-finalists to review! Once again, not as strong as the First Semi-Final, but definitely a lot of good songs. And definitely some interesting ones.

Second Semi-Final, Second Half

 

Country

Performing Artist

Song

Selection*

Albanian flag country

 Albania

Eneda Tarifa

Fairytale

Televised

Thoughts:

I don’t understand why they decided to translate this song into English. The original Albanian was just fine – sure, the song’s composition needed a bit of retooling, but there was no need to change languages – especially since language does not seem to have much bearing on Albania’s final placing. I, personally, find this to be one of the more compelling, midtempo power ballads thus far, but I’m not sure how the song will translate to the ESC stage.
Belgian Flag Country

 Belgium

Laura Tesoro

What’s the Pressure

Televised

Thoughts:

So, apparently Tesoro is 19, even though she looks like she’s 12 and this sounds like something from JESC. Don’t get me wrong, I really dig the dynamite disco beat to this track. However, I’m not sure if the song has a mature enough sound to it; the lyrics are rather mundane. Nevertheless, the song is funky and fun and uplifting without being trite. It will be interesting to see Belgium send another dance heavy performance to ESC.
Bulgarian Flag Country

 Bulgaria

Poli Genova

If Love Was a Crime

Internal

Thoughts:

An interesting song. definitely better than Na Inat. Bulgaira, and Genova herself, are fresh off hosting the JESC and decided to take some of that production value and apply it here. This is the most mainstream song that I have ever heard Bulgaria present. In this weakened semi-final, I definitely think it will move through to the Grand Final – for only the second time in Bulgaria’s history!
Danish Flag Map

 Denmark

Lighthouse X

Soldiers of Love

Televised

Thoughts:

My initial thoughts on this song can be found in the DMGP 2016. Essentially, I like it a lot but thought that the Danes had stronger options available to them. This opinion remains unchanged after hearing it within the context of the Second Semi-Final. While each of the last two times the Contest was in Sweden, Denmark finished victorious, that streak will end this year. I am just hoping that this song qualifies for the Final.
Georgian Flag Map

 Georgia

Nika Kocharov & Young Georgian Lolitaz

Midnight Gold

Televised

Thoughts:

Definitely a song that stands out! I’m shocked that this could win a national selection show; though, Georgia has shown that it is most definitely a land of experimental and eccentric artists, young and old. However, this might be too out there for the mainstream audience of the adult ESC. I am predicting this to languish behind in the semi-finals.
Norwegian Flag Map

 Norway

Agnete

Icebreaker

Televised

Thoughts:

“I’ll be your icebreaker/When you’re stuck in frozen water.” Really? Is this best that could be done? Also, anyone else think that the transition into the chorus is kind of awkward, like, the song stops and skips a bit, the first time, I thought something was wrong with my video feed. With that said, like Serbia, this song has that “sound” of a winner. And, we know that Norway’s first victory came on Swedish soil — in fact, Norway tends to do well in Sweden.
Romanian Flag Map

 Romania

Ovidiu Anton

Moment of Silence

Televised

Thoughts:

Definitely an 80s rock opera inspired song; Queen immediately came to mind while listening to this song. I enjoyed it, but overall find it so-so. However, we know that Romania tends to do well as does 80s rock (generally), so I would bet for this song to move through to the Final.
Slovene Flag Map

 Slovenia

ManuElla

Blue and Red

Televised

Thoughts:

Another country song, a little poppier than the Netherlands, but definitely Nashville-inspired. I’m not quite sure what this song is about, though. Is she saying that she’s moved on and is happy that her ex is now blue (meaning sad)? Or is she saying that they’ve gone through ups and downs and now colors no longer matter because they have love and each other? The song is happy, but it could really go either way. Much like this entry’s odds at qualifying for the Final.
Ukrainian Flag Map

 Ukraine

Jamala

1944

Televised

Thoughts:

Hmmm…I’m surprised that they allowed this song to compete without a lyrics change. Officially, the song is about the forced migration of Crimeans to Central Asia by the USSR; the Crimean Tatar language portions are direct quotations from Jamala’s grandmother who lived through this event. However, it would be naïve to think that this song lacks a sharp, current context. It ends with her saying “Because you took away my peace/I couldn’t spend my youth there/I couldn’t enjoy my motherland.” This is clearly referencing Russia in Crimea, past and present. The fact that the EBU allowed it to stand as is shows Western Europe’s sympathy for the situation in Ukraine. This is my favorite song thus far between both semi-finals. I also think it well deserves a place in the Top Ten and that it will earn its spot there, as well.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The only example of that this year is Malta, which had a televised selection, but opted to change the song through an internal selection process after Ira Losco won.

So, who do I think will qualify from this semi-final? What are my favorite songs?

Predicted Qualifiers
(In alphabetical order)

My Top 10
(Starting with my most favorite)

Australia Ukraine
Belgium
Serbia
Bulgaria
Macedonia
Denmark Australia
Norway Belgium
Poland Denmark
Romania Norway
Serbia
Israel
Switzerland
Bulgaria
Ukraine Latvia

More importantly, who do I think, from the First Semi-Final, will be competing for the crown?

Serbia – A diva-driven song about getting over a relationship.Serbia Well performed, well written, and well composed. While I think this song will be limited depending on where it falls within the running order, it should most definitely be considered a stronger contender to win ESC and return the Contest to heart of the Balkan peninsula, probably either back to Belgrade or to Novi Sad.

NorwaySerbiaUkraine is the only song from the Second Semi-Final that I think has the ability to win (as I said, this is the weaker of the two). However, both Norway and Ukraine have really strong songs that I think will finish in the Top Ten.

**Of course, these are my initial predictions without doing any research into fan sites, internet comments, or betting odds. Stay tuned for future posts (including Saturday’s) with more nuanced predictions and, of course, the 2016 edition of Contender or Pretender.

Like Eurovision Obsession? Help me go to Eurovision 2016! https://www.gofundme.com/andretoeurovision