Posts tagged “Czech Republic

Eurovision 2017 Song Reviews (Finally!) – First Semi-Final, Second Half

Hello Dear Readers!

Ready for part two of semi-final one? Below the table are my predictions for qualifiers out of this semi-final! Be sure to leave your thoughts in the comments.

Armenia

Artsvik

Fly with Me

Internal

Thoughts:

Armenia was the final one to reveal its song – and it was worth the wait! Dark, complex, and takes us on an auditory journey. Heavily influenced by Armenian folk tunes and style, the song ultimately ends on a hopeful note. Love it!

Cyprus

Hovig

Gravity

Internal

Thoughts:

In recent years past, I would have thought this was a sure candidate for victory. However, in a year that is full of this style of music, it gets lost in the shuffle. I like it a lot and think it has a great beat; not much faith it will do much, still on the fence about its chances to make the Final.

Czechia

Martina Bárta

My Turn

Internal

Thoughts:

Another example of a great song that just doesn’t stand out from the crowd of entries this year. I think Czechia’s (note, the legislature voted last year to make the official English name “Czechia”) best hope is to dominate the jury show with a large enough lead to make the Final.

Greece

Demy

This is Love

Mixed

Thoughts:

This song, to me, is quite generic! It’s fun and uplifting, however, so there’s that. Aside from the positivity, there’s not much to this song, unfortunately. Will it reverse Greece’s fortune and return it to the Final? Yes! Will it do much once it gets there? Nope.

Iceland

Svala

Paper

Televised

Thoughts:

I’m not sure what to make of this song. I like it, but it’s a bit odd. I’m not sure if it has mass appeal, especially since it’s in the same vein as Norway from last year. A song that seemed popular but fell flat. I think it depends on whether the staging is engaging without being overwhelming.

Latvia

Triana Park

Line

Televised

Thoughts:

I really like this song, but am not sure why. It’s not too different from Iceland, but there’s a bit more of an edge here that Paper lacks. Like Iceland, however, I worry that Line doesn’t have the mass appeal to attract enough votes from either the juries or the televote to progress to the Final.

Moldova

SunStroke Project

Hey, Mamma!

Televised

Thoughts:

SunStroke Project returns (this time without Olia Tira) to produce another viral Saxophone-Guy meme with this catchy, but trashy, song. Actually, the song isn’t so much trashy as the video is. Other than that, this song is so danceable!!

Poland

Kasia Moś

Flashlight

Televised

Thoughts:

This song is unassuming, mysterious, and intriguing. I think it could be a true dark horse this year; given that the vocal performance is strong, of course. I think this might be one of my favorite compositions from this year.

Slovenia

Omar Naber

On My Way

Televised

Thoughts:

I loved Naber’s 2005 song, Stop. This year’s song…not so much. I don’t dislike it as much as I think it’s a bit boring. As much as I want Slovenia to do well, it won’t be with this song. In fact, I’m afraid it might finish last in the semi-final.

*There are three basic ways for a song to be chosen. Internal Selection which is when the broadcaster within a country chooses both the performing artist and the song completely on their own without help from a professional jury or the public. Televised Selection which is the exact opposite, both the performing artist and the song are selected through a competition (or set of competitions) in which some combination of professional jurists and the public vote on the winners. There are also Mixed Selections, in which either the performing artist or the song is selected internally and the other is selected through a televised process. The examples of that this year are Armenia, Greece and Israel. Greece internally selected Demy and had a televised final to select the song. Israel and Armenia had televised shows to select a singer and then internally selected the song.

 

So, who do I think will qualify from this semi-final? What are my favorite songs?

Predicted Qualifiers
(In alphabetical order)

My Top 10
(Starting with my most favorite)

Armenia

Armenia

Australia

Albania

Azerbaijan

Latvia

Belgium

Portugal

Cyprus

Finland

Finland

Poland

Greece

Azerbaijan

Moldova

Iceland

Poland

Moldova

Sweden

Czechia

More importantly, who do I think, from the First Semi-Final, will be competing for the crown?

Well, overall, I think that this is the weaker of the two semi-finals. With that said, I think that two songs have the ability to seriously contend for the victors’ trophy.

Belgium – Probably the most popular song on Youtube rankings; it will be interesting to see how this song fares in the OGAE fan poll. This song is super-contemporary and stands out from the crowd. It has a very captivating melody and Blanche has a mesmerizing voice.

Poland – This has real potential to be a dark horse in this year’s Contest. It’s dark, mysterious, and will get a fantastic boost if staged properly. As long as the performance is competent, it will have a legitimate chance to contend for the win.

In addition to these three songs, I think that Sweden and Armenia will find themselves back in the Top Ten come Saturday night.

Check back tomorrow for Semi-Final Two
Find the other reviews from this year here!

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Eurovision 2016 – Wrap Up!

Hello Dear Readers!

It has been about a month and a half since the Grand Final in Stockholm, yet, I have still been Eurovisioning every day since as best I can – I’ve become quite active on Twitter and Instagram (both @escobsession). Typically, I like to watch the full Contest a time or two more before making this wrap up. I particularly like to rewatch the Final. Unfortunately, both the official Eurovision website and the official YouTube still have this year’s Contest blocked in the US (and, as I am told, Canada). Eventually, I was able to find a decent, fan uploaded version of the Contest on YouTube, but I shouldn’t have to go through these lengths. The beauty of the Contest in the modern era is that it stretches globally. Yes, the US had its first ever live broadcast of ESC this year (on the cable network Logo, which is dedicated to broadcasting LGBTQ+ themed content, my thoughts on this in a later post this summer), why would the EBU not want to build upon this by continuing to allow access to the Contest to fans in North America beyond May? Logo does not have the Contest streaming online. This needs to be rectified. With all the fuss being made over Russia losing, people have all but ignored this issue — and the EBU is shooting itself in the foot in the very markets that into which it is trying to expand.

Both the official website and YouTube block the Contest in the US and Canada

No ESC for those in the US or Canada 😦

With that said, let’s recap some of my thoughts from this year’s Contest!

General Reactions

I already hit the historical markers in my initial post after the Final. So these are just some of my thoughts and opinions.

  • I was incredibly skeptical about the new voting system. However, I actually really like it (for the most part)! Yes, Ukraine won neither the juries nor the televote, but it did come second with both a feat that neither Australia nor Russia matched (Australia was fourth in the televote, Russia was sixth with the juries). Furthermore, it made the voting sequence that much more exciting. It went from a clear Australian victory to a nailbiter of a finish! Particularly in the arena where we could barely see the screens and the scores. We had no idea who won until Ukraine was announced as the winner. And, the most exciting move of the night, Poland’s jump from last to eighth!

    We could barely see the screens inside Globen.

    We could barely see the screens inside Globen.

  • Truly, the best song won. Russia had an amazing stage show and Australia had a powerful performance, but neither You Are the Only One nor Sound of Silence matched 1944 in originality of composition nor in lyrical strength. As such, Ukraine emerged victorious.

  • Also, it’s nice that the winning song was not entirely in English. While it mostly was, it’s still nice to know that non-English can still do well. This was further reinforced by the success of France and Austria.

  • The show’s production was great, but, once again, the Swede’s gave us an overly crowded show. Love Love Peace Peace, the highlight of the infinite interval acts for many, would have been great as during the vote entertainment. The mockmentary Nerd Nation should have been a two-parter just for the semi-finals; if you didn’t watch the first two parts, you would have been lost for the conclusion. I also would have brought the Eurovision by Numbers to the Final, since so many people were watching the Contest for the first time across the world. Lastly, I would have moved Måns to the opening act (scrap the parade of nations, or, at least, the fashion show element that made it drag out forever) and let Justin Timberlake stand alone as the Interval Act as the votes were being verified.

  • Lastly, while I agree with the winner, I am overall surprised and disappointed in most of the results otherwise. The Czech Republic, the United Kingdom, Spain, and Germany all deserved much better placings than they got. Likewise, Lithuania, Sweden, and Malta all overperformed and finished higher than they should have.

So, now that you know my general reactions, let’s move on to the Annual Eurovision Obsession Awards!

For new readers, I hand out awards every year to noteworthy entries and their performers. A few things to keep in mind 1) this is my personal opinion, 2) I look at all the entries, not just the finalists, 3) this is all in good fun and sparks from my love of the Contest. One more note — all photos that appear are mine – I took those!

Best Lyrics Award

Serbia

Winner: Serbia

“I thought that it was supposed to hurt me
I thought that it was love,
I put my hands up but I won’t surrender
Don’t need what doesn’t serve me anymore

I lick my wounds
So that I can keep on fighting”

Throughout Goodbye (Shelter) we see a singer transform from abused partner to strong woman as she realizes that she deserves more than what she is getting from her relationship. This transition is beautifully mirrored in the composition as well as the performance.

UkraineRunner-Up: Ukraine

“When strangers are coming
They come to your house
They kill you all and say
We’re not guilty, not guilty

Where is your mind? Humanity cries
You think you are gods but everyone dies
Don’t swallow my soul
Our souls”

I have talked about this song many times on this blog, so I will keep it brief: powerful song with lyrics that highlight the parallels between the past and the present.

Honorable Mention: Croatia, Bosnia & Herzegovina, Germany

The “Huh?” Award

Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

IrelandWinner: Ireland

“Just touch who you wanna, kiss who you gotta
Fight like we’re winners, love like beginners
Dance like you mean it, sing like you feel it
Everything’s better standing out in the sun”

Aside from advocating sexual assault (you should NEVER touch or kiss whoever you want without consent), the lyrics are otherwise a trite mess of cliché optimism and hollow saying.

MoldovaRunner-Up: Moldova

“The sky is tumbling
It’s coming down, coming down
The wildest fire
Is burning out, out

And when our fall torn us to pieces
All of our love turned into dust
We’re the brightest falling stars”

Essentially, the main argument of the song is that the relationship is ending – so why not go out in a blaze of glory? This is not a healthy relationship goal. If things are over, just let them end. That is that.

Honorable Mention: Sweden, The Netherlands, Montenegro

Best Dressed Award

Albania

Winner: Albania

Albania dress

She almost looks like an award statue, doesn’t she? Just an utterly gorgeous dress that fits her well. Too bad the majority of the act was against a gold background so you barely saw it (I took this photo during some of the brief blue moments).

 

AustraliaRunner-Up: Australia

Australia outfit

At first, I wasn’t sure what to make of Dami Im’s dress. But it’s elegant and distinctive, much like Dami Im herself.

Honorable Mention: Estonia, The Netherlands, Slovenia, Israel

Most in Need of a Costume Change Award

So many awful outfits this year, sadly. This was probably the hardest category to choose a winner for.

Italy

Winner: Italy

Italy outfit

Sparkly, brown overalls. Need I say more? Italy got my vote for the Barbara Dex Award this year.

AzerbaijanRunner-Up: Azerbaijan

Azr outfits

So…much…gold… Honestly, what the heck are they wearing? In the music video, Samra has on this really nice black gown. This glittery, gold catsuit is just…awful. And, to make matters worse, it doesn’t even fit the tone or message of the song.

Honorable Mention: Croatia (Barbara Dex Award winner), Spain, Bosnia & Herzegovina, Hungary, Belarus, Lithuania

Best Staging Award

Russia

Winner: Russia

Russia performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Come on, was there ever any doubt? This staging was incredible! The first time we saw him walk on the screen during the First Semi-Final dress rehearsal, we all gasped. And each time, it was equally as amazing. The staging was just stunning; so much so, it inspired hoards of angry fans to complain when Russia lost.

ArmeniaRunner-Up: Armenia

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Talk about doing a lot with a little! Armenia had a solo performer by herself on stage and created a dazzling show that seamlessly incorporated pyrotechnics, slick camera angles, quick-cutting shots, and nifty image overlaying. Who needs an LED screen when you can work magic with cameras?

Honorable Mention: Belarus, Georgia, Belgium, Spain, The Netherlands, Iceland, Ukraine

Worst Staging Award

Estonia

Winner: Estonia

Estonian perfomance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

Yeah, you have a sexy, Bond-esque song with a very attractive, young singer. This should have been a great stage show. Instead, we are left with this, seemingly casino-inspired act that makes Juri seem more creepy than alluring. Also, he was lost in the staging; he was this little man on this giant red stage.

MoldovaRunner-Up: Moldova

Moldova performance

Normally, I would have the video of the performance. But thanks to the EBU, that is not possible.

I am starting to feel bad with just how critical I am being with Moldova’s entry this year. Unfortunately, they took a poor song with a poor message, gave it to a singer who was a poor fit for the composition, and staged it with few visuals and a random astronaut. This is a dance number – why were there no dancers? This is a song literally called “Falling Stars” why were there no spark curtains or other pyrotechnics? Just…so many things done wrong this year, Moldova.

Honorable Mention: Slovenia, San Marino, France, Croatia

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Sweden

Sweden was deemed "a contender" in last year's series.

It feels like a hipster anthem, doesn’t it? From Frans’ look to his sarcastic tone – the song is just one big “screw you” to whoever he’s singing to. This wins the DC Calling Award because so many young people today have this kind of attitude and I could totally imagine a random American high school student saying these words.

Runner-Up: Czech Republic

It is my understanding that, to most Europeans, Americans are a religious bunch who often work their faith into everything, including our pop music. I Stand is vague in who the target of the song is, but, at least to me, it is a song about the power of faith – ironic, since the Czech Republic has the highest percentage of atheists of any nation.

Honorable Mention: Azerbaijan, Denmark, Slovenia, Israel

Pond Leaper Award

While I think each song would find a niche here in the USA, I think this song would be the most popular

ItalyWinner: Italy

This is a passionate, yet innocent, love song that is just the perfect tempo for a first dance. If No Degree of Separation made its way across the Atlantic, it would quickly ascend the list of most popular wedding songs, without a doubt.

NetherlandsRunner-Up: The Netherlands

Douwe Bob has perfectly captured the contemporary, country sound that is ever-so-popular in the US. I think that Slow Down would be considered a welcome change to the “stadium country” that has swept the genre over the past decade. This would quickly climb the country, and pop, charts.

Honorable Mention: Australia, Finland, United Kingdom, Bulgaria

The “Spirit of ABBA” Award

Given to the most stereotypical and/or traditional ESC entry

BelgiumWinner: Belgium

A happy dance tune? Check! Lyrics that make you feel good about yourself and the world? Check! Some cool choreography that you can try to mimic in your living room? Check!  Belgium checked all the right boxes to carry the spirit of schlager that typifies the Eurovision genre.

United KingdomRunner-Up: United Kingdom

A fun song about the uplifting power of friendship performed by a duo that looks like they are genuinely friends off-stage. A fun song that got the audience, both at home and in the arena, involved. That’s definitely bringing the continent, and world, together!

Honorable Mention: Finland, Spain, Croatia

Israeli Flag CountryThe “Shiri Maimon Travesty of the Year” Award

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

Winner: United Kingdom getting 24th place

United KingdomAfter years of dubious entries, songs that I liked, but left most of Europe cold, the BBC finally put real effort in finding the British entry. They used a public vote, got artists and songwriters that captured modern British pop music, and selected a song that was catchy, fun, contemporary, and even had two attractive boys – just for good measure. Joe & Jake (and their backing singers) gave outstanding performances for both the juries (Grand Final dress rehearsal) and the televoting public, yet still somehow finished third last. I am still miffed as to how this happened. I know Electro Velvet was devastated by their finish last year, I can only hope that Joe & Jake continue to perform together and eventually return and finish higher up the scoreboard.

RomaniaRunner-Up: Romania’s Disqualification

This is less about Romania not being able to participate (TVR should have to pay their debts, they have owned up to this fact), but the fashion in which it was done. These debts are years old. The EBU could have penalized them in December (when they paid their entry fee and the list of participants was finalized), in March (when the heads of delegations met and entries had to be formally submitted), or in May (after the Contest). But no, the EBU instead opted to discipline Romania in the most humiliating way possible. Waiting for the deadzone that is April to ensure maximum exposure of the event so that it could publicly shame Romania and TVR.

Honorable Mention: Iceland failing to qualify, Czech Republic getting 25th, Lithuania getting 9th

Final Thoughts

Eurovision_2016_Official_LogoWell, another Contest is in the books. It was utterly amazing to be there in person, though, Standing Right sucked. And I am still bitter about how much I had to pay and how long I queued to have such a subpar – particularly since it was a great financial burden. Speaking of which, going to Eurovision this year contributed to what has been my worst time financially – though, it brought something to light for me.

By my age (28), my parents were married with two kids, my eldest sibling had been married for several years, my next oldest sibling had just gotten married, and my last sibling (also older) had just gotten engaged. And then there’s me. Single. No kids. Just my education and Eurovision. Being there in Sweden, seeing the “Eurovision by Numbers” video, the “What’s Eurovision?” opening act from the second semi-final, the “Peace Peace Love Love” interval act, and having Ukraine win – a song which I loved from the start and truly thought was the best entry – it all reminded me just how much I love Eurovision and the role it plays in uniting all kinds of people.

I always say that the combination pop music, geography, and competition is what drew me to Eurovision – and that’s true – but what keeps me there is the genuine community that the Contest breeds. When else can one be connected to over 200 million other people worldwide? When else can one lose themselves in music that transcends boundaries, that is as much visual as it is auditory, and allows you to participate in the realized dreams of 42+ performing artists?

Is Eurovision perfect? No! Of course not (and I’ll be going into its various shortcomings throughout the summer in a series of blog posts), but it is awesome. Eurovision is so much more than a song contest, it’s a community – it’s the people, the culture, the forums, the traditions, the opportunities, the dreams — the connections that it makes possible between all of these things and more. Eurovision connects countries, people groups, generations, allies & enemies, strangers & friends. Attending ESC, watching it, engaging with it – it allows me to be a part of that intricate web human connection.

I don’t currently have a family of my own, but I hope to some day. And when I do, I know that Eurovision will be there – allowing me to share an integral part of myself with those I love and for them to join in my passion. Indeed, it will help us all “come together.”

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Reaction to Dress Rehearsal (Jury Show) of First Semi-Final

Hello Dear Readers!

The Jury Show for the First Semi-Final was last night. What a show! There were definitely some questionable choices when it came to staging; however, each entry was performed at top level. My general reactions to specific acts will come tomorrow as I don’t want to give anything away. I will say, though, that the influence from last year’s winner can definitely be seen. There’s an array of stunning visuals on display. Also, the interval act is amazing! And powerful!

After last night, a few songs still have work to do:
CzechFlagMapCzech Republic – she started off a bit shaky and the whole first verse was off key. She righted the ship by the refrain, but there is damage done.

Moldovan Flag MapMoldova – the staging choice was… interesting, but her vocals were strong. She’ll need another strong performance to have any hope tonight.

Estonia – this is one of my favorite songs this year, but the performance was weak. Estonian Flag MapThe staging comes off a but lazy, and his overall demeanor was a bit tired; he lacked energy from start to finish. He’ll need to turn things around tonight and really come alive.

My predictions will stay the same from Sunday with one exception. GreeceI’m switching out Moldova for Greece. Utopian Land went big in the hall and the performance was spot on.

So, that means, I think our finalists will be: Armenia, Azerbaijan, Croatia, Greece, Hungary, Iceland, Malta, the Netherlands, Russia. I think either Russia or the Netherlands will be the top winner tonight.

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ESC2016 – Final Pre-Contest Thoughts and Predictions

Hello Dear Readers!

And just like that, another Eurovision week is upon us! I write this from the plane on my way to Stockholm and I can barely contain my excitement. This year, we see an increase in uptempo songs, a decrease in national languages, and ample amounts of awesome. Let’s take a dive into some of our final thoughts, opinions, and predictions heading into Contest.

New Hope for Poor Performers

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For the first time since 2011 (and I would argue since 2003), France has a legitimate shot at winning the Contest. Even you remember, I’ve previously picked France as the winner of this year’s Contest. It has been steadily rising in the betting odds since March and has been topping fan polls across the Internet, including the famed OGAE fan club poll which has historically picked the winner more often then not (though, everything after the first position tends to range wildly). France brings a song with an enthusiastic performer who respects and enjoys the Contest, lyrics that are fun and catchy, and a composition that’s highly contagious. Even if France doesn’t win, it’s bound to get its best placing since 2009 (its last time in the Top Ten) and possibly even since 1991 (its last time in the top three).

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Other countries with poor track records are also poised to achieve new heights. The Czech Republic looks like it will easily qualify for the Final, which, if achieved, would be a first for the country. The Czech Republic is the only competing nation this year to never reach the Final.  My love for the song has been quite evident on this blog, and I still contend that it is a real dark horse this year that, cannot only give the CR its best finish to date, but truly challenge for the victory.

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Bulgaria also is poised for new heights. Bulgaria has reached the Final only once before, 2007, but when it did, it finished in the Top Ten. This looks like it will be the case once more. If Love was a Crime is immensely popular, as is its performer Poli Genova (who’s fresh off hosting duties for JESC), and is the first instance of Bulgaria being in the betting odds’ top ten heading into the Contest. Expect another Bulgarian success story.

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Finally, Croatia has been steadily collecting fans and support over the past few months. While it has not received the same attention it once did, Lighthouse is poised to bring Croatia back to the Final for the first time since 2009.

Missing Expectations

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I don’t want to spend too much time here, as I don’t wish poor on anyone. However, we’d be remiss if we didn’t at least think about some songs currently slated to do well that will fall flat. First, Italy has been a hot topic ever since the selection was announced. Even though Italy has not been a heavy favorite to win, it has been hovering between 8th and 12th in the bookies’ odds and featured heavily in fan discussions across the web. However, I just don’t think that the song has the immediacy needed to succeed in a Contest mostly determined by folks seeing the song for the first time. One needs to listen and relisten to No Degree of Separation to truly appreciate it, a requirement that most of the viewing audience will not have fulfilled. CyprusCyprus has become a popular pick for those looking outside the heavy favorites for a candidate. It is considered the strongest rock entry this year and features a lead singer who has recently started making a name for himself in Western Europe via France’s version of The Voice. However, the song is still poppy enough to not truly distinguish itself from the competition. It will need a strong, memorable performance in order to qualify and I am currently not confident in predicting this.

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Malta seems to be losing favor rapidly. When Walk on Water was initially announced, it was immediately considered a serious contender to win. There was serious conversation back in March about the Contest being in Malta so soon after the country hosted the JESC (which it will do again this fall). However, since then, it has steadily fell in the bookies’ odds and now, not only sits outside the top ten but is predicted to struggle to qualify, a stark contrast to conversations just weeks ago.

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Finally, Sweden has been on the exact opposite ride as France. When If I were Sorry won Melodifesrevalen, it was immediately a serious contender to win. This was the conversations held around the fan community, the news media, and the bookies injected Sweden right behind heavy favorite Russia. However, since then, Sweden has consistently been falling in the odds and losing steam among the fan community. What looked to be an easy Top Ten placing just a few weeks ago now looks like it will be a struggle to receive a respectable placing.

Unpopular Opinion

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So, let’s face it. Moldova has one of the weakest entries this year. The song is trite and predictable. Lidia Isac, while she is beautiful and appears to be super sweet, is not the right singer for this tune. With that said, Moldova is best poised to capitalize on Romania’s unexpected absence. Since Moldovans and Romanians have a shared cultural history, it is fair to think that Moldova would do better than expected on this alone. Now, with Romania being removed at the last second, it stands to gain the near entirety of support from a diaspora that has made Romania one of the few countries to never miss the Final. So, do not be surprised when you see Falling Stars on Saturday night – though, expect it to fall flat in the Final.

So, finally, who do I predict to qualify from each semi-final?

First Semi-Final
(In alphabetical order)

Second Semi-Final
(Also in alphabetical order)

Armenia

Australia

Azerbaijan

Belgium

Croatia

Bulgaria

Czech Republic

Latvia

Iceland

Lithuania

Hungary

Macedonia

Malta

Norway

Moldova

Poland

The Netherlands

Serbia

Russia

Ukraine

And more importanlty, who do I think will finish in the Top Ten? (Also alphabetical)
Armenia, Australia, Bulgaria, Croatia, Czech Republic, France, Spain, Serbia, Russia, Ukraine

Most importantly, who’s going to win?!
Well, my heart says Czech Republic, as it is the best full package we are being presented with this year. However, if I were to place a bet, my money would be on France for all the reasons mentioned above. Moreover, it is one of the most memorable songs this year,which is quite a feat. All it needs is a decent place in the running order (which isn’t a guarantee with SVT) to all but seal its victory. Next year in Paris?

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Stay tuned. I’ll be posting my annual ESC notes tomorrow (with a return of the country profiles!) As well as updated predictions after each dress rehearsal and a reaction after each show. It’s bound to be an another great year for the Eurovision Song Contest!

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