Hello Dear Readers!
Well, with Netflix releasing its…. Eurovision-inspired movie; I thought, “What better time to counterbalance the image of ESC being a trashy, campy, dumpster fire?” Even more so now that the new executive supervisor, Martin Österdahl, has announced that he’s continuing the tradition of putting style-before-substance. But now is not the time for a rant (but there will be one – promise!).
Instead, since many Americans will be learning about Eurovision for the first time this week, I thought it would be a good idea to 1) remind folks of my Eurovision for Beginners, 2) remind folks of my Essential Eurovision playlist, and 3) create a Eurovision for Americans playlist highlighting the performing artists coming from the States, spent significant time in the US, or otherwise are American citizens regardless of where they spent their youth.
United Kingdom 1997 – Love Shine a Light performed by Katrina & the Waves
The only winning song to be performed by an American! Katrina, who is from Kansas, and the Waves are also known for their hit Walking on Sunshine.
Portugal 2017 – Amar Pelos Dois performed by Salvador Sobral
Sobral (and his older sister who wrote the song) spent his middle and high school years in Florida
Hungary 2014 – Running performed by András Kállay-Saunders
Saunders was born and raised in New York City before moving to Hungary, where his grandmother was, and began his music career.
Austria 2000 – All to You performed by The Rounder Girls
Kim Cooper of the Rounder Girls is from Long Island, NY.
Italy 1975 – Era performed by Wess & Dori Ghezzi
Before pursuing his music career in Italy, Wess spent his life in Winston-Salem, NC. in 2009, he passed away in his hometown.
Albania 2011 – Feel the Passion performed by Aurela Gaçe
After building her career in Albania, Gaçe spent the majority of 21st Century in the US engaging with the Albanian immigrant community.
Germany 2009 – Miss Kiss Kiss Bang performed by Alex Sings Oscar Swings!
Oscar Loya is a singer and thespian from California. Bonus American! Dita Von Teese joined Alex and Oscar on the stage in Moscow.
Yugoslavia 1990 – Hajde Da Ludujemo performed by Tajci
Tajci retired from music soon after her appearance at Eurovision and moved to the US where she eventually settled in Cincinnati, Ohio.
Greece 2008 – Secret Combination performed by Kalomira
Former prom queen Kalomira is from Long Island, NY.
Israel 2006 – Ze Hazman performed by Eddie Butler
Butler and his brother also were a part of the group representing Israel on home soil in 1999. Butler is from Detroit.
Cyprus 2020 – Running performed Sandro
Born in Germany, Sandro’s American citizenship comes from his father. Sandro represented the USA at the prestigious New Wave Festival in 2009.
Austria 2013 – Shine performed by Natália Kelly
While Kelly spent the majority of her life in Austria, she was born in Connecticut.
Poland 2008 – For Life performed by Isis Gee
Originally from Seattle, but now based equally in California and Italy, Gee represented the land of her ancestors.
Bulgaria 2018 – Bones performed by EQUINOX
LA-based producer and singer Trey Campbell and Flint, Michigan native & America’s Got Talent alum Johnny Manuel comprised two-fifths of the group EQUINOX.
United Kingdom 2009 – It’s My Time performed by Jade Ewen
The UK’s most recent foray into the Top Ten was, in part, provided by American lyricist Diane Warren.
Luxembourg 1979 – J’ai Déjà Vu ça Dans Tes Yeux performed by Jeane Manson
Manson, from Cleveland, OH, built a career as a model before entering music.
San Marino 2017 – Spirit of the Night performed by Jimmie Wilson & Valentina Monetta
Primarily an actor in musicals, Wilson is a Detroit native.
Slovenia 2013 – Straight into Love performed by Hannah
Hannah is from Fresno, CA, love took her to Slovenia, where her music career took hold.
Cyprus 2006 – Why Angels Cry performed by Annet Artani
Artani comes from America’s biggest city: New York, NY.
Sweden 2020 – Move performed by The Mamas
Member Ashley Haynes is from the US capital: Washington, DC.
Albania 2017 – World performed by Lindita
Lindita is from Kosovo, but moved to the US in 2013 and even took part in American Idol in 2016.
Serbia 2020 – Hasta la Vista performed by Hurricane
While none of the three singers in Hurricane are American, the group was formed in LA and remains based there.
Denmark 1981 – Krøller Eller Ej performed by Tommy Seebach & Debbie Cameron
Cameron comes from Miami, FL where she grew up and attended university before moving to Copenhagen.
Germany 2010 – Satellite performed by Lena
Another songwriter, this time Chicago-based Julie Frost, co-wrote and co-composed the only winning song – thus far – from the Big Five since the rule was instituted (she also wrote the 2012 DMGP entry Best Thing that I Got).
Additionally, I will be starting a series focused on American Eurovision media outlets and organizations, both those based in the US and those started by Americans in Europe. You can read the first entry which focuses on Eurovision Obsession, which you can consider an extended “About EO” page.
Many thanks goes to the WiwiBloggs article that served as the jumping off point for my research for this playlist.
Hello Dear Readers!
In addition to Saturday’s Europe Shine a Light that will be celebrating the Contest, the EBU has put together Eurovision Song Celebration to specifically celebrate the 41 entries from this year. Tonight (Tuesday, 12 May – the date the first semi-final was supposed to happen) were the 17 songs of the first semi-final and the three automatic qualifiers who were going to vote (Germany, Italy, The Netherlands). The video is below. Beneath of that, I have crafted live notes for y’all! Enjoy and see you Thursday!
Eurovision Song Celebration 2020 – Part One (instead of Semi-Final One)
I guess I never did get the chance to review each song. So, I’ll do that here.
Sweden This sounds like it was written by somebody who learned about American soul music and gospel through reading books. It hits all the right beats, and they’re voices and choreography are on point, but this song just feels kinda empty, yet still has that smugness we all associate with Swedish entries. Clearly, this would have qualified easily.
Belarus A deeply underrated song dragged down because the performers are clearly having a very good time but not in “a cool way” so folks overlook it. Personally, I think this could have shocked us all by qualifying (much like Belarus did last year).
Australia SBS is one of the two broadcasters (NDR – Germany – being the other) that promised to reveal what the ESC staging would have looked like. I look forward to that as the national final staging was good for Australia, but would need to be stronger and clown-free for the ESC stage. Love this song otherwise; I’m a big fan of indie music and this perfectly captures where that genre is in contemporary times. I think Oz would have continued its 100% qualification streak.
North Macedonia The fandom is comparing this song to Dance Alone (N Mak 2017), a song with a lot of love and hype but fell flat in Kyiv. Do I think North Macedonia learned its lesson that an average dance song requires a staging that matches its energy? Yes. Do I think it would be enough to qualify? Naw.
Slovenia While this song has grown on me over the course of the Eurovision season, it is still overwhelmingly dull. By far, the weakest entry this year. Which is a shame because her voice is stunning. Hopefully, things will be better next year.
LOVE genre changing. Is it me or are the Russian, Belarussian, and Croatian remixes bops? It’s probably just my Americanism showing, but bluegrass is nice.
Lithuania Perhaps this year’s most overrated entry. Don’t get me wrong, I think it’s an inventive, intriguing song. And I like the message that being in one’s 30s doesn’t make one over the hill. I just do not quite understand the craze around this entry – is it just because of the dance?
Ireland Since this song was meant to be a Pride anthem, I’m going to use this opportunity to be catty. OMG a song about being *unique* and *individualized* done in the most cookie-cutter of approaches. Instead of singing about so-called authenticity, just be authentic! This would have finished 11th or 12th in the semi-final.
Russia The first time I saw this, I was already angry that it took so long for Channel One to release the song. And then I watched the music video. My jaw dropped – what is this madness?! Now, okay, I do love this song. So infectious; a gimmicky entry that doesn’t take itself seriously. Definitely would have qualified.
Belgium That gave me a bit of whiplash, are there two entries more different this year than Russia and Belgium? I also grew into loving this entry. It’s so mournful and passionate and slowly builds over time. It would have qualified on the backs of the juries.
Malta This gets right everything Sweden gets wrong. It’s contemporary soul-pop. Destiny has one of the most soulful voices I’ve ever heard this side of the Atlantic. Not to mention maintains the inspirational message that is generalizable for everyone, not just those in relationships. I think this song is clearly about finding one’s faith, but it is vague enough to get past the EBU censors. Can’t wait to see Destiny become the first JESC champion to win the adult version. It may not have been with this song, but she will be! All of My Love would also be a shoo-in for the Grand Final.
Croatia Hmm, this song is quite pleasant but not very remarkable. The club mix from earlier would have given this a much better chance at making an impact. Again, I don’t dislike the song, it’s just kinda – meh. Would not have qualified.
Azerbaijan For all the attention and love this song has been getting, I’m not sure it is as strong as it seems. It wouldn’t be the first Azerbaijani entry to have the love of the fandom and failed to qualify. Not saying it would, I think this would make the Final, but I don’t think it is as strong as people think it is. Still waiting for the Senhit demo to appear online.
Cyprus Our second American! With that said, this is a bit of a tedious track. I think it was aiming for that 90s trance-pop sound, but did not go far enough. So, it just has a dated sound that makes it melt into the background. Would have been left behind in the semis.
Norway A strong contender for the winner of the juries. It is a deeply impactful song that is well-sung with a memorable staging effect. I think it is a standard ballad, but is elevated by Ulrikke’s performance.
Israel Love that we get a new language added to the Eurovision family – Amharic. This song is so much fun and can put a smile on anyone’s face. Alene is also a captivating performer. I think it would have qualified.
Romania Not quite sure why Bulgaria is getting all the love while Romania is being mostly ignored. I like this because I like the contemporary sound and it is fun to sing along to. Though, I do hate the term “fake news” – that is likely due to my country’s current political situation. Likely would have qualified.
Ukraine Love folk infused contemporary entries. You can dance to this. You can sing along to it. You can just listen in awe. I wonder, though, if it has enough wide appeal to get it through. Poland tried an entry like this last year and landed just shy of qualifying, I feel like this could have done the same – breaking Ukraine’s 100% qualification streak.
Italy Another quintessentially Italian song from Italy. Is this song captivating? Yes. Are the lyrics describing the fact that one’s hometown will always be in your heart regardless of where you go relatable and painfully relevant? Yes. Is the composition radio-ready and stirring? Yes. Will this have been yet another Top Ten finish for Italy? Yes. Does this song excite or interest me? Not really.
Germany Germany really swung for the fences with this c. 2010s club thumper. It is so much fun to sing and dance too, but a bit too dated to achieve the results that NDR was hoping for. I think it would have finished mid-table in the Grand Final.
The Netherlands Another strong ballad that would have challenged the likes of Italy and Norway for the top spot of the juries. I hate the way how this song abruptly ends. I do think, though, that the televote would have dragged it down to around 11~13th place.
I love the fan recap! Probably for the best that we don’t have to hear them sing, though that would be fun.
What a fun show!
Looking back, if this were a competitive event, I would predict the following qualifiers:
My instincts are telling me that Azerbaijan and Ukraine would both progress at the expense of Belarus and Belgium. HOWEVER, every year there are always a few shock qualifiers for each semi-final, why would 2020 have been any different.
Of these 20 songs, what are my personal top ten?
Hello Dear Readers!
Welcome to my wrap-up post, so happy you could join me. Today, we’ll be giving out some awards as well as taking a step back to look at this year’s Contest as a whole. As I’ve noted before, this is one of my favorite winners and am happy with many of the results from this year. Come join me as we honor some of the best and worst from Tel Aviv! Please note, I do not own any photos/videos used here – all rights reserved to the EBU unless otherwise noted.
Annual Eurovision Obsession Awards
Tears won’t fall
While pride stands tall
Maybe they can’t be heard or seen
But tears aren’t quiet things –
A powerful ballad of heartbreak working against the machismo. Just because you are a man does not mean you shouldn’t show emotion. I love how, even though this is a song about a relationship ending, it is really a deeper look at the power of feeling one’s feelings.
‘Cause the face in the mirror
Just couldn’t look clearer right back through me
And how I’d like to say
It will be better tomorrow or any day
Yeah I’m talking ’bout you, you, you…
And the luck you try to find
A song about deep introspection and realizing that pushing beyond your limits for the sake of others leaves one empty and hurting. So powerful.
Honorable Mentions: Albania, Azerbaijan, Germany, Italy, The Netherlands, Portugal, Serbia
The “Huh?” Award for Worst Lyrics: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.
The stars are not always visible
Stay true to yourself
Don’t tell me to forgive you
I realize that this song is predominantly meant to capture the feeling of unconditional love between a young couple; but the lyrics make little sense. Perhaps these are common Slovenian phrases and ideas that just don’t translate well into English.
I dream of love
You dream of love
Angels of God
We all dream of love
So, one element of songs that do well in this award is lazy or unimaginative song writing. This one takes the cake in that regard. It is a standard, trite song hoping for a better tomorrow. Not saying that the message is bad, the lyrics are just poor.
Honorable Mentions: Estonia, Finland, Norway, San Marino
Best Dressed Award
A beautiful black dress, stunning silver accessories including a dynamic necklace, flowing blonde hair, and make-up that turns up the contrast. Everything about Nevena Božović’s outfit is amazing and worn with elegance.
Another black dress. Jonida Maliqi outfit perfectly blends traditional elements with contemporary design, just like the song Ktheju Tokës. It even had the added bonus of making the staging reminiscent of the Albanian flag when the stage was lit in red.
Honorable Mentions: Australia, Israel, Montenegro
Most in Need of a Costume Change Award
The outfit, in addition to looking awful, poorly fit Eliot; so, he looked even more mousy and small than he is. It was just a very poor outfit situation all-around. I’m not quite sure what happened here, but I hope Belgium gets their act together moving forward.
Look at that shirt! It’s red and gold and it’s shiny. It does not seem to fit the song at all. I do not understand this outfit choice at all.
Honorable Mentions: Croatia, Cyprus, Portugal, Romania
Best Staging Award
Made to look like a hot music video, She Got Me had a stunning, contemporary, hot staging. From the narrow perspective to open, to the constant use of red throughout, to the dance routine, to even having Luca Hanni wear a mesh shirt. Switzerland went all out and it paid off with the country’s first Top Ten placing since 2005.
The winner for the Marcel Bezençon Award for Artistry, Australia’s staging was magically, whimsical, and impressive. The interplay of the backing screen, her outfit, and their motions created this awesome floating effect. I didn’t have this one win because, unlike Switzerland, which got even sharper from the semi-final to the grand final, the Australian performance took a (small) step backwards.
Honorable Mentions: Azerbaijan, Belarus, Czech Republic, Israel, Moldova, North Macedonia, San Marino
Worst Staging Award
Angel wings equals an automatic zero in the staging department from me. Yes, even though angels are explicitly mentioned in the song. Not to mention there was just so much going on during Croatia’s three minutes. It was all just too much.
When you have a song with the potential to inspire confidence in men, of all sexualities, who do not live up to masculinity ideals – you should capitalize on that and have a broad array of men on stage with you. France did not take this perspective. Aside from my general unease with the laying claim to the experiences of women to serve gay men’s purpose, when the song is literally called “King” shouldn’t that be the emphasis? Otherwise they should have titled the song “Moi” – no other lyric would have to change and the staging would have made more sense and felt more genuine.
Honorable Mentions: Germany, Norway, Portugal, United Kingdom
“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.
The twang in Victor Crone’s voice, the vaguely inspirational message of the lyrics, the basic composition – this all screams contemporary Christian music (which I’ve said before). This would be right at home on any generic Christian station in the US.
Just like Storm is a generic contemporary Christian song, Too Late for Love is a generic R&B song – though, not quite as contemporary. John Lundvik actually hit the American sound twice, both with his own song and the one he co-wrote and co-composed for the United Kingdom.
Honorable Mentions: Austria, Belgium, Cyprus, Lithuania, The Netherlands, Slovenia, Switzerland, United Kingdom
Pond Leaper Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular
Runner-Up: United Kingdom
Honorable Mentions: Greece, The Netherlands, North Macedonia, Serbia, Switzerland
The “Spirit of ABBA” Award: Given to the most stereotypical and/or traditional ESC entry
So, an under-appreciated, yet very common ESC genre, is the children’s song. And what lyric can be more childish than “love is forever” when sung with such a saccharine smile. A cute song with a bubbly message and catchy hook. Love is Forever is clearly the most ESC entry this year at ESC.
Runner-Up: San Marino
Additionally, few things represent ESC as nonsense lyrics. Say Na Na Na fits this to a T. It’s so simple and fun, a perfect example of schlager.
Honorable Mentions: Croatia, Czech Republic, Estonia, Norway, Poland, Spain
The “Shiri Maimon Travesty of the Year” Award
In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar. Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry. For me, that was the biggest travesty in Eurovision history. Each year, I hand out this award to the biggest disappointment of the Contest.
Winner: Madonna’s performance
There were simply too many interval acts this year. This was, by far, the weakest of them all. Madonna is a legend who revolutionized culture and deeply impacted pop music. It may be time for her to ride off into that beautiful sunset. I know the retirement age in the US is 65, but I think she’s earned the ability to head home five years early.
Runner-Up: EBU bungling the Belorussian automated jury vote
Human error is to be expected from a human-run event. But still, for all of eternity, when watching this Contest back, this error will need to be pointed out and corrected for folks watching. It also shines a light on the still mysterious and needlessly clandestine algorithm used to calculate votes for missing juries and televotes. Show your work, EBU, we’re curious!
Honorable Mentions: Too many interval acts. UK coming last, Germany’s poor showing, Ireland’s poor performance
Again, one of my favorite years and favorite winners ever. I am so happy to have been able to bring the Eurovision Obsession Awards back after missing last year. What are your favorites and least favorites from this year. Be sure to check-out my Final Thoughts if you have not already; they’ve been updated with the correct scoreboard and with links to the various media outlets I appeared on following ESC in May. Stay tuned for further posts as we celebrate Ten Years of Eurovision Obsession! As always, you can find @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle.
Hello Dear Readers!
The time is finally here – the Grand Final of the Eurovision Song Contest 2019!!! I cannot believe it and I am beyond excited – as I am sure all of you are. Thank you for joining me for these live notes, it is always nice knowing that there are others watching with me (or, at least, reading them afterwards).
As I mentioned earlier today, my prediction for tonight’s winner is The Netherlands. And my prediction for the full Top Ten is:
And my prediction for last place is: Germany. As with the semi-finals, this may change after seeing all twenty six songs tonight. And, before the show kicks off, I want to let everyone know that I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!
And, with that, we now have the beginning of the Grand Final. Let’s watch, shall we – here we go!
Oh, wow, I enjoy this little opening video with Jon Ola Sand and Netta. The parade of nations is a lot of fun. Diva!!!! Woohoo! Winner twenty years ago and the first to win with the televote. For those who do not know, this is Ilanit singing Ey Sham – the first ever Eurovision entry from Israel back in 1973. And now Golden Boy from 2015. Anyone who remembers this song had to expect it to be here tonight. I do enjoy how KAN (the brand name of the host broadcast IPBC) is interweaving history and old clips throughout the shows.
HERE WE GO!
Malta: Not as strong vocally as Thursday, but much better energy. I think enough to land it in the Top Ten.
Albania: Again, I love her dress. And WOW – her vocals are so much stronger than on Monday. Not sure if this is enough to get Top Ten, but she will probably do better than expected.
Czech Republic: So much fun! You can tell they are having a great time up there. Still going to finish mid-table, I think, but they’re going to be remembered for a while as one of the most fun entries to the Contest.
Germany: I missed most of it due to technical difficulties. But what I heard was great! I still don’t know if this song is all that popular, but they should be proud of what they accomplished.
Russia: He sounds miles better than he did on Thursday…for the most part. But this is song and staging are both much weaker than his previous entry and this year presents many more challenges.
Denmark: So much fun. And we know children’s songs do well. And she sounds better than Thursday; less lost on the big stage. Is it enough to finish higher than 14th? Probably not.
San Marino: We know that I am a shill for all things San Marino. Serhat sounds miles better than on Tuesday. Several friends are pointing out to me that they may be going for the “so bad it’s good” vote. You cannot deny that this song is pure energy
North Macedonia: She’s going for tears, but it just makes her voice sound wonky. But, the power of her voice is still unquestioned. This song, it’s so deep and she is conveying the passion she’s feeling behind it so thoroughly. Oh my goodness, I don’t think this could be any better.
Sweden: Another performance, another easy Top Ten for the Swedes. I still do not think this will win, but it’s going to do very well.
Slovenia: Sounding a bit off tonight. I originally had this finishing around eleventh. But I’m thinking it’s going to be lower than that with this performance.
Cyprus: Unpopular opinion: This song will not finish on left-hand side of the scoreboard. It is and average song, but there are much stronger faster entries this year that will knock this down.
The Netherlands: My pick to win. And my favorite entry this year. His passion and performace are about 1000x better than Thursday. Is it enough, though? This early in the running order….not sure. But I hope so! We’ll see how some of the other favorites do later tonight.
Greece: Much better than on Tuesday, by miles. Greece might just go and fill the hole left by Slovenia. It can finish around 11th, I think.
Israel: Meh. He sings this song just fine, but that doesn’t change the fact that this is a smug, self-important song with a smug, self-important presentation. And we’re getting a better version of that later with France.
Norway: A fun song; though, I still do not quite understand this song’s popularity. I still think this a very underwhelming staging for such a dynamic song. Clearly the crowd is very much into this! Though, that is rarely an indicator of success.
United Kingdom: This song has one chance, Michael Rice gives a flawless, powerful vocal performance. …And we did not get that. Don’t get me wrong, it’s serviceable, but he’s performed better at the preview events. It had some bright moments, but overall, I do not think it will be enough. It benefits from being before a commercial break, but still.
Iceland: Well, they sound and look better than on Tuesday. Definitely going to do well with the televote but the juries will kill this.
Estonia: Well, he sounds a lot better than Tuesday, but still not very good. It does get better as it goes along. But this just is not good. And will be forgotten coming between Iceland and Belarus.
Belarus: That was good. Not great, but definitely not bad. On par with her performance on Tuesday. Maybe Belarus will finish mid-table, but I cannot see any higher than that.
Azerbaijan: I love that wail at the start. I think this will do so much better than I thought, perhaps even finish Top Ten. Chigiz’ vocal performance was beyond perfect.
France: See, Israel, this is how you do a smug and self-important song. It’s fun, powerful, and completely lacks self-awareness. France will not finish Top Ten, but it might get another 11th under its belt.
Italy: WHAT IS HE WEARING?! That shirt is awful. The song is a powerful one and his performance of it conveyed a lot of that energy. I’m just not sure if it has the mass appeal or connection required to succeed.
Serbia: Another powerful, passionate performance. I truly think she can reach the Top Ten. It’s going to be hard with the Swiss entry coming right behind, but still, this is a Balkan ballad at its best.
Switzerland: By far, the best staging at the Contest this year. We may have just witnessed a winning performance, everyone. That was fun, well-delivered, and very contemporary. I think it will easily take the televote; but not sure how the juries will rate it.
Australia: If Switzerland has the best staging, this is right behind it. But with a higher quality song and a stronger singer. This may have been a winning performance and may have knocked the Netherlands out of the top of the juries list; but not sure how the televote (which traditionally does not like Australia) will rate it.
Spain: He sounds a bit out of breath. But this song is still super fun. I don’t understand the use of the light up puppet man. Not sure if this is enough to get into the Top Ten, but should give Spain a more than respectable finish.
Phew! This may not be one of the top Contests ever, but it surely is one of the hardest to predict. After hearing all the songs and hearing the recap, how I would rate my personal top ten from tonight:
Now, who do I think will finish in the Top Ten? Not sure…
1. The Netherlands
I’m sticking to my guns!! I think The Netherlands will win but, more like how Ukraine did in 2017, by placing second/third on both, the televote and the juries. I think Switzerland will win the televote and Australia will win the juries. Let’s see what happens.
Interval Act One (during the voting – past winners and runner-ups): I LOVE THIS INTERVAL ACT. I want the recordings of these folks doing these covers. EBU – I will give you money for this. Please make it available. One of the best interval acts to date.
Interval Act Two (also during the voting – The Idan Raichel Project): I really like this! Very traditional music and sound and look; also showing off the diversity of Israel. This should have opened the second semi-final so that we could speed things up tonight.
Interval Act Three (also during the voting – The Mentalist): Yeah, yeah, it’s entertaining. The fun part was seeing Tamta from Cyprus freak out. Hahaha
Interval Act Four (also during the voting – Netta): This is a silly song. It’s fine, but not necessary. It should have been a part of her performance on Tuesday (that’s why the winner reprise should be at the Final so the artist can premier another song).
Interval Act Five (also during the voting – Madonna): Madonna turns 61 this year. I think we are at about three too many interval acts at this point. And this is, by far, the weakest. And we just get to the voting sequences please!
In other news, a friendly reminder, I will be featured on KUSH 1600AM at 8am US Central Time on Monday (20 May) (of Cushing, Oklahoma, USA) and joining the EuroWhat? Podcast this upcoming week to talk with Ben and Mike about this year’s results!
Interval Act Six (post voting – Gal Godot): This was nice but could have been earlier, like, during an advert break or something.
FINALLY we get to the votes!
In case you’ve forgotten, because I nearly have, I predicted the Netherlands to win, but not come in first in either — Australia to win the juries and Switzerland to win the televote.
Portugal: Whoa! no points for Spain? And YAY! points for the Netherlands
Azerbaijan: 12 to Russia, no shock there
Malta: 12 to Italy. Not too surprising
North Macedonia: 12 to Italy! Oh, that is unexpected
San Marino: 12 to Italy. NO surprise there
The Netherlands: love the shade thrown at Madonna. 12 for Sweden
Montenegro: 12 to (let me guess, Serbia?) yup
Estonia: 12 points to Sweden
Don’t forget, the jury votes are ordered to be the most entertaining, so right now does not bare too much on the later votes.
Poland: 12 points to Australia – interesting
Norway: 12 to Czech Republic! Interesting.
Spain: 12 points to Sweden! Interesting.
Austria: 12 to North Macedonia! Well deserved, but unexpected
United Kingdom: 12 to North Macedonia! OH! Yay!
Italy: Some technical issues: 12 to Denmark. Man, the juries are all over the place tonight!
Albania: 12 points to North Macedonia. This is not surprising, the two countries swap lots of points
Hungary: 12 points to Czechia, to too surprising
Moldova: 12 points to North Macedonia! Fun
Belarus: 12 points to (N Mak?) Israel! and finally the last country with zero points gets some
Armenia: 12 points to Sweden. Interesting, only 5 points to Russia
Romania: 12 points to Australia
Cyprus: 12 points to Greece, of course
Whoa!! Halfway, North Macedonia has a commanding lead. Let’s see if it can hold on to it.
Australia: 12 points to Sweden
Russia: 12 points to Azerbaijan! Not too surprising
Germany: 12 points to Italy! Fun
Belgium: 12 points to Italy – back up to third place
Sweden: It’s about time the Netherlands gets another 12.
Croatia: 12 to Italy — interesting point distribution for their points
Lithuania: 12 points to the Netherlands! And the charge begins in earnest
Serbia: 12 points to (N Mak, for sure) yes, of course
Iceland: 12 points going to (Sweden?) Yup. None to Denmark or Norway, though, haha
Georgia: 12 points to the Czechs. I am pleasantly surprised by how well they are doing.
Greece: 12 to Cyprus, of course
Latvia: 12 to (the Netherlands?) Yup!
Czech Republic: 12 points to (Sweden?) Yup
Denmark: 12 points to (Sweden, of course) – Yep
France: 12 points to (the Dutch, I hope!) – Woohoo
Finland: 12 points to big brother Sweden
Switzerland: 12 points to North Macedonia – quite unexpected
Slovenia: 12 points to Czech Republic! Fun times
Israel: 12 points to The Netherlands!
And Sweden wins the jury!
Now the Televote! Remember, this year, the points will be revealed in ascending order of the juries’ ranking
(50 points) Aww, poor Spain. They deserved so much more than what they got.
(30) That’s about as expected
(3) Awwww poor UK it deserved way more
(65) to San Marino – I think the most ever for SM
(13) to Belarus
(0) OH NO! That’s just uncalled for!
(48) for Estonia
(54) for Serbia
(??) for Albania enough to get to 90
(59) for Slovenia not as much as expected
(24) for Greece, not too surprising
(291) for very popular song from Norway
(186) for the punk rockers from Iceland – enough to finish in the Top Ten? maybe
(38) WHOA! Not too surprising
(32) Told you it would not perform as well as expected
(51) for Denmark, not too bad
(20) for Malta, awwwww it deserved more
(244) as expected, a big haul for Russia, but not going to be close to victory
(212) Wow, not as much as expected for Switzerland, but definitely going to be its best finish in quite some time
(7) Only seven for the Czech Republic! Wow.
(131) for Australia, not too shabby, definintely better than the Aussies have been getting lately
(100) for Azerbaijan – not bad, they’ll be happy to finish in the Top Ten for the first time in years (since 2013)
(253) for Italy, good to get it back to the lead!
So, winners usually get about 500, so between one of the final three, the winner is remaining still
(261) That is a hefty haul and enough for first place!
(58) Very little for N Mak but not too surprising – Its first ever Top Ten finish!
Sweden needs 253 televote points to win.
And the winner is: The Netherlands!!!!!!!!!!!!! (Sweden only got 93)