Posts tagged “belgium

Eurovision 2019….Several Months Later…

Hello Dear Readers!

Welcome to my wrap-up post, so happy you could join me. Today, we’ll be giving out some awards as well as taking a step back to look at this year’s Contest as a whole. As I’ve noted before, this is one of my favorite winners and am happy with many of the results from this year. Come join me as we honor some of the best and worst from Tel Aviv! Please note, I do not own any photos/videos used here – all rights reserved to the EBU unless otherwise noted.

Annual Eurovision Obsession Awards

Best Lyrics

EO logo with Russian flagWinner: Russia

Tears won’t fall
While pride stands tall
Maybe they can’t be heard or seen
But tears aren’t quiet things –

They scream

A powerful ballad of heartbreak working against the machismo. Just because you are a man does not mean you shouldn’t show emotion. I love how, even though this is a song about a relationship ending, it is really a deeper look at the power of feeling one’s feelings.

Runner-Up: Austria

‘Cause the face in the mirror
Just couldn’t look clearer right back through me
And how I’d like to say
It will be better tomorrow or any day

Yeah I’m talking ’bout you, you, you…
And the luck you try to find

A song about deep introspection and realizing that pushing beyond your limits for the sake of others leaves one empty and hurting. So powerful.

Honorable Mentions: Albania, Azerbaijan, Germany, Italy, The Netherlands, Portugal, Serbia

The “Huh?” Award for Worst Lyrics: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

EO logo with Slovenian flagWinner: Slovenia

The stars are not always visible
Stay true to yourself
Don’t tell me to forgive you

I realize that this song is predominantly meant to capture the feeling of unconditional love between a young couple; but the lyrics make little sense. Perhaps these are common Slovenian phrases and ideas that just don’t translate well into English.

Runner-Up: Croatia

I dream of love
You dream of love
Angels of God
We all dream of love

So, one element of songs that do well in this award is lazy or unimaginative song writing. This one takes the cake in that regard. It is a standard, trite song hoping for a better tomorrow. Not saying that the message is bad, the lyrics are just poor.

Honorable Mentions: Estonia, Finland, Norway, San Marino

Best Dressed Award

Nevena Božović at rehearsal. Photo copyright EBU/Thomas Hanses

EO logo with Serbian flag

 

Winner: Serbia

A beautiful black dress, stunning silver accessories including a dynamic necklace, flowing blonde hair, and make-up that turns up the contrast. Everything about Nevena Božović’s outfit is amazing and worn with elegance.

Jonida Maliqi at the second dress rehearsal on Weds. Photo copyright EBU/Thomas Hanses

Runner-Up: Albania

Another black dress. Jonida Maliqi outfit perfectly blends traditional elements with contemporary design, just like the song Ktheju Tokës. It even had the added bonus of making the staging reminiscent of the Albanian flag when the stage was lit in red.

Honorable Mentions: Australia, Israel, Montenegro

Most in Need of a Costume Change Award

Eliot during a rehearsal. Copyright EBU/Andres Putting

EO logo with Belgian flagWinner: Belgium

The outfit, in addition to looking awful, poorly fit Eliot; so, he looked even more mousy and small than he is. It was just a very poor outfit situation all-around. I’m not quite sure what happened here, but I hope Belgium gets their act together moving forward.

Mahmood at the Grand Final. Copyright Australian Broadcasting Corp.

Runner-Up: Italy

Look at that shirt! It’s red and gold and it’s shiny. It does not seem to fit the song at all. I do not understand this outfit choice at all.

Honorable Mentions: Croatia, Cyprus, Portugal, Romania

Best Staging Award

EO logo with Swiss flag

Winner: Switzerland

Luca Hanni during rehearsals. Copyright EBU/Thomas Hanses

Made to look like a hot music video, She Got Me had a stunning, contemporary, hot staging. From the narrow perspective to open, to the constant use of red throughout, to the dance routine, to even having Luca Hanni wear a mesh shirt. Switzerland went all out and it paid off with the country’s first Top Ten placing since 2005.

Runner-Up: Australia

Kate Miller-Heidke during a rehearsal. Copyright EBU/Andres PuttingThe winner for the Marcel Bezençon Award for Artistry, Australia’s staging was magically, whimsical, and impressive. The interplay of the backing screen, her outfit, and their motions created this awesome floating effect. I didn’t have this one win because, unlike Switzerland, which got even sharper from the semi-final to the grand final, the Australian performance took a (small) step backwards.

Honorable Mentions: Azerbaijan, Belarus, Czech Republic, Israel, Moldova, North Macedonia, San Marino

Worst Staging Award

EO logo with Croatian flagWinner: Croatia

Roko during rehearsal. Copyright EBU/Thomas HansesAngel wings equals an automatic zero in the staging department from me. Yes, even though angels are explicitly mentioned in the song. Not to mention there was just so much going on during Croatia’s three minutes. It was all just too much.

 

Runner-Up: France

Bilal Hassani and his dancers during a rehearsal. Copyright EBU/Thomas HansesWhen you have a song with the potential to inspire confidence in men, of all sexualities, who do not live up to masculinity ideals – you should capitalize on that and have a broad array of men on stage with you. France did not take this perspective. Aside from my general unease with the laying claim to the experiences of women to serve gay men’s purpose, when the song is literally called “King” shouldn’t that be the emphasis? Otherwise they should have titled the song “Moi” – no other lyric would have to change and the staging would have made more sense and felt more genuine.

Honorable Mentions: Germany, Norway, Portugal, United Kingdom

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Estonia

The twang in Victor Crone’s voice, the vaguely inspirational message of the lyrics, the basic composition – this all screams contemporary Christian music (which I’ve said before). This would be right at home on any generic Christian station in the US.

Runner-Up: Sweden

Just like Storm is a generic contemporary Christian song, Too Late for Love is a generic R&B song – though, not quite as contemporary. John Lundvik actually hit the American sound twice, both with his own song and the one he co-wrote and co-composed for the United Kingdom.

Honorable Mentions: Austria, Belgium, Cyprus, Lithuania, The Netherlands, Slovenia, Switzerland, United Kingdom

Pond Leaper Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular

EO logo with Cypriot flagWinner: Cyprus

Runner-Up: United Kingdom

Honorable Mentions: Greece, The Netherlands, North Macedonia, Serbia, Switzerland

The “Spirit of ABBA” Award: Given to the most stereotypical and/or traditional ESC entry

EO logo with Danish flagWinner: Denmark

So, an under-appreciated, yet very common ESC genre, is the children’s song. And what lyric can be more childish than “love is forever” when sung with such a saccharine smile. A cute song with a bubbly message and catchy hook. Love is Forever is clearly the most ESC entry this year at ESC.

Runner-Up: San Marino

Additionally, few things represent ESC as nonsense lyrics. Say Na Na Na fits this to a T. It’s so simple and fun, a perfect example of schlager.

Honorable Mentions: Croatia, Czech Republic, Estonia, Norway, Poland, Spain

The “Shiri Maimon Travesty of the Year” Award

Israeli Flag Country

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

USA flag in EO logoWinner: Madonna’s performance

There were simply too many interval acts this year. This was, by far, the weakest of them all. Madonna is a legend who revolutionized culture and deeply impacted pop music. It may be time for her to ride off into that beautiful sunset. I know the retirement age in the US is 65, but I think she’s earned the ability to head home five years early.

Runner-Up: EBU bungling the Belorussian automated jury vote

Human error is to be expected from a human-run event. But still, for all of eternity, when watching this Contest back, this error will need to be pointed out and corrected for folks watching. It also shines a light on the still mysterious and needlessly clandestine algorithm used to calculate votes for missing juries and televotes. Show your work, EBU, we’re curious!

Honorable Mentions: Too many interval acts. UK coming last, Germany’s poor showing, Ireland’s poor performance

Closing Thoughts

Again, one of my favorite years and favorite winners ever. I am so happy to have been able to bring the Eurovision Obsession Awards back after missing last year. What are your favorites and least favorites from this year. Be sure to check-out my Final Thoughts if you have not already; they’ve been updated with the correct scoreboard and with links to the various media outlets I appeared on following ESC in May. Stay tuned for further posts as we celebrate Ten Years of Eurovision Obsession! As always, you can find @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle.

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Eurovision 2019 – Live Notes: First Semi-Final

Hello Dear Readers!

Since I do not have the privilege of being in Tel Aviv this year, I will be my usual live notes. Join me as I reveal my reactions and thoughts as the semi-final unfolds.

As a reminder, here are the ten songs I am predicting for qualification tonight (in no particular order):

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

Of course, this will likely change after seeing the songs performed live tonight. I’m excited!

Opening Act:

Interesting fashion choice, but this rendition is no less epic than anticipated.

Can’t say I am a fan of that disco ball dress, but it’s okay I guess

Cyprus: Why does her hair look so wet? What are her dancers wearing?! I like the use of the screen, a lot! Oh golly, she should have kept the jacket on. But the choreography was good. I now understand why she’s dropped in the betting odds, that was not great. But good enough, I think.

Montenegro: Clearly, they’ve been working on sounding like more of a cohesive unit. This is still a very cutesy song. It still will not qualify. They look and sound good, though!

Finland: The vocals could definitely be stronger. I guess the dancing lady is alright.

Poland: WHAT ARE THEY WEARING?! I also do not get this backing projection of their faces. I will say, the camera work is well done. And getting the audience to clap with them is a great idea.

Slovenia: Looking awfully casual, aren’t we. I guess it adds to the intimate feel of the staging. Wow! You can really tell that they have a tight connection. Wow! The staging fits them and this song so well.

Czechia: Love this dance off in the postcard. OMG I love this Eighties camera effect with the rectangles. This was fantastic – definitely the strongest thus far.

Hungary: I love the lights and the use of the screens. As expected, his vocals are on point. His look is not, but as the song goes on, he sings with more and more emotion.

Belarus: Those boots! Best boots since Ukraine 2009! Cool flips from the dancers. Great choreography in general from the dancers. Smart to go with a 90s aesthetic, it makes the song feel more in context. Just not sure, overall, how much appeal it has beyond the teen girl demographic. But they are huge and they vote, so…

Serbia: I love her outfit. and the use of the floor screen! Not sure the 3D water effects were necessary. Her voice is just as powerful and on point as on the studio version. Her biggest issue is that this sounds like a typical Balkan heartbreak ballad, despite being a song of love.

Belgium: The backing screens are well utilized. That is about all the positive I have 😦 He looks and sounds very scared and uncomfortable. I’m glad the crowd is clapping and trying to keep him going, but this just missing the mark, by a lot. Not to mention the costumes are awful; his jacket is WAY too big.

Georgia: That was a great postcard and a smart idea to show him so smiley ahead of this dark and dour song. While the marching silhouettes were weird and creepy, I like the bridge effect on the floor. The fire just adds to how dark this song sounds. It’s like a villain song from a cartoon musical.

Australia: That opening silhouette was powerful and perfect. Love the visual effects to make it look like she’s floating. Way to hit that big note, Kate! WOW! Now I know why Australia shot up the betting odds as soon as the first rehearsals started. This was wonderful!

Iceland: I am happy that they toned the sex aspect of their staging. The singer was a bit off but the screamer was fine. Idk, I am just not convinced that this can connect with most audiences, particularly in the age of juries.

Estonia: I feel like they’ve wasted the potential this stage to create amazing storm effects. His vocals are way off, though. and not by a little bit. And he keeps missing notes on the refrain which is the most important part. These effects at the end are too little, too late.

Portugal: So much energy in such a somber song. The dancer is great. I think this translated very well. Not “too” artsy like one might think. I still think this one qualifies.

Greece: Huh. Her voice is interesting, for sure. For such a high energy, powerful song, this feels quite dull. Just like Belgium, it’s as if someone sucked the soul out them right before they took the stage.

San Marino: Well, the second verse sounded miles better than the first. They should have had a male backing singer that could double his weak vocals. It started off low energy, but it’s picking up throughout the song. Sigh, I do not think SM will get through with this, its tenth entry.

Okay, my favorite ten from tonight.

  1. Australia

  2. Czechia

  3. Slovenia

  4. Poland

  5. Georgia

  6. Montenegro

  7. Serbia

  8. Hungary

  9. Portugal

  10. Greeece

And, more importantly, who do I think will qualify (in order of confidence):

  • Australia

  • Cyprus

  • Iceland

  • Slovenia

  • Czech Republic

  • Portugal

  • Hungary

  • Greece

  • Belarus

  • Georgia

Voting sequence interval act: Dana International is rarely a bad idea. But kiss cams are literally the worst. I wish she would sing one of her songs and not just this Bruno Mars one.

Interval Act: Quite liked the dj mix of ESC songs through history.

Auto Qualifiers:

Spain needs to sound better for the jury and live show at the end of the week. He sounds so breathy.
France’s staging is so smarmy – the words on the screen are so unnecessary.
Israel’s staging is the best one can do with such a boring song. At least he sounds good.

Qualifiers!

  • Greece! As expected (1 correct out of 1 qualifiers)

  • Belarus – the power of a good staging (2 for 2)

  • Serbia! – unexpected but nice! (2 for 3)

  • Cyprus – again, no surprise (3 for 4)

  • Estonia – I guess he sounded better last night (3 for 5)

  • Czech Republic – Woohoo! (4 for 6)

  • Australia – again, perfect staging! (5 for 7)

  • Iceland – no surprise (6 for 8)

  • San Marino!! – the power of the running order, everyone! (6 for 9)

  • Slovenia – as expected, they’ve been a betting odds favorite for quite some time (7 out of 10)

Final Thoughts:

Cannot wait to see the final split scores. I am assuming Estonia and San Marino sounded better last night in the jury finals. Super stoked that San Marino finally qualified again! The song is fun and catchy, though, he needs to sound way better if he hopes to outdo Valentina’s 24th place. I am very pleasantly surprised by Serbia’s qualification. And saddened by Portugal’s lack of qualification. Cannot say that I am surprised by Hungary or Georgia, though I would have liked to see both move through. Georgia was just too dark, I think, and Hungary was a bit too low energy (listen to the studio version, there’s much more passion in it). Overall, I am satisfied. Australia, I think, was by far the strongest tonight. It will be interesting to see how these ten songs fare on Saturday.


ESC 2019 – Song Reviews: First Semi-Final

…and we’re back!

Hello Dear Readers!

Standard reasons for my disappearance apply…life…school…dissertation…mental health issues…and I founded a Pride Festival! With that all said, don’t think I’ve forgotten about you or Eurovision and am stoked for next week’s shows! Per usual, since I listen to the songs before the show, I don’t watch the stagings until the broadcasts.

We start with the First Semi-Final, the weaker of the two, by far. As such, after the handful of easy to guess songs, it was difficult to pick through all of these songs that are so evenly matched to determine who would qualify. Let me know your thoughts!

Running Order

County

Performing Artist

Song Title

Selection Method

1

Cyprus

Tamta

Replay

Internal

Like Greece a decade ago, Cyprus is repackaging basically the same song it found success with last year. There’s actually a nifty video that has a mash-up of Fuego and Replay that drives the point home. Redundancy notwithstanding, Replay took a successful formula and continues to extend it with a driving rhythm, easy lyrics, and an equally as beautiful singer. Let’s see if they can stage it as well as last year’s song.

2

Montenegro

D mol

Heaven

National Final

Supergroups are rarely a good idea at Eurovision. These six all seem sweet and nice enough, and their voices work well together, but the song is just boring and unforgettable. I do not expect this to qualify.

3

Finland

Darude &Sebastian Rejman

Look Away

Mixed

This song, unsurprisingly, has an incredibly dated sound. Why five to ten years ago, it would have fit in well with the popularity of 90s dance retro sound, today it just sounds…old. I’m also not a big fan of these kind of, “let’s make the world a better place,” generic songs that have more talk than actual action.

4

Poland

Tulia

Fire of Love (Pali się)

Internal

I’m not sure how I feel about this song. Tulia is more than a bit creepy with the way they stand so still and look so blank and sing in unison. This song, though, it’s hard to pull away from; it grabs you and it’s hard to shake off. What does that mean in terms of their qualification chances? Ehh, not sure, but I don’t think they’re going to make it.

5

Slovenia

Zara Kralj & Gašper Šantl

Sebi

National Final

This song is immensely popular, so I think it will have no trouble qualifying. In fact, I think this could theoretically land Slovenia back in the Top Ten for the first time since 2001. Though, I think a more realistic expectation would be mid-table, much like There for You in 2015, which was also quite popular but not a strong competition song.

6

Czech Republic

Lake Malawi

Friend of a Friend

National Final

I really like this song – it’s so fun. It also has the added benefit of being incredibly catchy and easy to sing along to. I think that it should qualify, but I don’t expect it to repeat last year’s success. I’m thinking mid-table finish in the teens.

7

Hungary

Joci Pápai

Az en Apám

National Final

Pápai returns with an emotional song about his father. Unfortunately, it is not quite as moving as Origo. I think it depends on the staging, as we know his vocals are quite strong, as to whether he will qualify or not. I see this finishing somewhere between 8-12.

8

Belarus

Zena

Like It

National Final

Blatantly going for the teen girl vote, Belarus hopes that Zena, this year’s youngest performer, can get them back to the Final for the second time in three years. Unfortunately, this song is rather generic and will seem even more so coming between two emotion-driven songs in Hungary and Serbia. Expect this song to languish behind in the semi-finals.

9

Serbia

Nevena Božovic

Kruna

National Final

I love the power of this song and Božovic sings this amazingly. Unfortunately, I don’t think this song has mass appeal. It is a standard Balkan ballad without any kind of notable composition or lyrics that set it apart. I do not have much hope for this one, but would be pleasantly surprised to see it succeed.

10

Belgium

Eliot

Wake Up

Internal

I like this song, but do not quite understand why it is so high on people’s lists and with the bookies. To me, this is a generic pixie-dream-boy song, but, we know that Belgium does well with these (see 2010, 2013, and 2015) though, this is nowhere near as strong as Rhythm Inside or Me and My Guitar.

11

Georgia

Oto Nemsadze

Keep on Going

Mixed

This is perhaps one of the most powerful songs, in terms of vocal delivery, in recent memory. Unfortunately, the song is so intense that I fear he comes off as angry. On top of that, the song is not very accessible – it lacks a catchy a melody or lyrics – so, expect this to fare quite poorly.

12

Australia

Kate Miller-Heidke

Zero Gravity

National Final

Interestingly, this is Australia’s fifth entry, but the first time that it is sending a white person. A testament to that country’s cultural shift of appreciating and promoting diversity. With that said, this song is quite pleasant to listen to and she’s such a fun performer. Australia has always been a jury favorite and I see no reason why this would change things this year. Expect Australia to qualify easily and challenge for the Top Ten.

13

Iceland

Hatari

Hatrið mun Sigra

National Final

Since the advent of the semi-final 16 years ago, Iceland has qualified eight times, every year from 2008-2014. But its recent string of failures will likely turn around this year. Hatrið Mun Sigra is a bookies darling and has a hoard of devoted fans. Will it actually finish in the Top Ten? Perhaps, it is the only rock song this year, but it will likely not get anywhere close to the top.

14

Estonia

Victor Crone

Storm

National Final

This is song has all the trappings of contemporary Christian music – easy to sing along to, super basic composition, and vaguely inspiring lyrics. Just like CCM, though, this song will have wide appeal because it is meant to burrow itself into your brain. In this semi-final, Estonia should easily qualify, but probably will fall flat in the Final.

15

Portugal

Conan Osíris

Telemóveis

National Final

Another head-scratcher, but, like Poland and Iceland, strangely captivating. Unlike Poland and Iceland, though, Telemóveis is more widely popular and appealing. It is a modern take on Portuguese fado music – as haunting as this traditional genre tends to be but with an updated sound that is both, intriguing and interesting. Definitely going to qualify and potential return Portugal to the Top Ten for only the third time.

16

Greece

Katerine Duska

Better Love

Internal

A song built to be an anthem (likely for the sizeable gay male fan base), Better Love is a traditional Eurovision song, like one would expect from the Swedish juggernaut. Why the song is a bit average in its construction, Duska is a great singer and this song is likely to trigger a sense of familiarity in listeners who associate this sound with Eurovision. This is likely to finally return Greece to the Top Ten for the first time since 2013.

17

San Marino

Serhat

Say Na Na Na

Internal

Serhat returns with a song actually designed to be uptempo. Like in 2016, it is hard to truly predict where this song will end up. It is fun and catchy, but not high quality. However, Serhat is popular among the fans and was able to achieve 12th in the semi-final with a weaker song three years ago. I think it has what it takes to qualify, but it will be close.

My favorite ten

  1. Czech Republic

  2. Greece

  3. Portugal

  4. Australia

  5. Poland

  6. Serbia

  7. Slovenia

  8. San Marino

  9. Hungary

  10. Cyprus

Who I think will qualify (in no particular order)

  • Greece

  • Portugal

  • Estonia

  • Iceland

  • Australia

  • Belgium

  • Czech Republic

  • Slovenia

  • San Marino

  • Cyprus

    Eurovision Obsession logo

But, more importantly, do I think any of these songs have a legitimate shot at winning?

 

Quite frankly, no. Don’t get me wrong, I think Cyprus, Greece, and Portugal can break into the Top Ten, but none of them are legitimate contenders (more in my upcoming Pretender or Contender series later this week).


ESC 2018: Song Reviews – Recap!

Hello Dear Readers!

Here we are, at the end of another initial reviews week. I’m sure many of you feel vindicated, many of you feel confused, and some of you may even be angry – no matter how you feel, thanks for reading 🙂

In case you missed it, here are my song reviews:
Semi-Final One
Semi-Final Two
Automatic Qualifiers

Preferences

First things first, which songs did I like the most? Check out this year’s ESC Obsession 2018 Preference Bracket to find out.

Looking for your own bracket? Here is this year’s blank bracket for you and your ESC friends to fill out! ESC Obsession 2018 Eurovision Tournament

But, which songs currently comprise my personal Top Ten heading into the Contest?

  • Armenia

  • Belarus

  • Belgium

  • Bulgaria

  • Czech Republic

  • Estonia

  • Israel

  • Greece

  • Latvia

  • Sweden

Predictions

As a quick refresher, I predicted that these songs would finish in the Top Ten: (in no particular order)

  • Israel

  • Estonia

  • Austria

  • Australia

  • Czech Republic

  • Italy

  • Germany

  • Montenegro

  • The Netherlands

  • Sweden

Of, these, I thought five had a legitimate chance at victory: (again, in no particular order)

  • Austria

  • The Netherlands

  • Czech Republic

  • Montenegro

  • Australia

Currently, Australia and Czech Republic are both in the top ten of the betting odds, meaning, that I will discuss them more in next week’s Contender or Pretender series. Let’s dive into the three other entries receiving little attention from the bookies.

Austria – From the very first time I heard this song, it sounded like a winner to me. From the composition and style to the lyrics to the how smooth César Sampson is. This song may not be on too many radars right now, but it will shoot towards the top of the scoreboard, I can feel it. Now, since I first heard this song in March, I have seen videos of him performing it live, and it does not quite translate, at least, not during the preview concerts. Ultimately, this impacts his betting odds, but it won’t affect his final position with the juries and televoters on the night. I’ve said it before and I’ll say it again, it’s truly difficult for a person of color, particularly a Black person, to be particularly successful at ESC. I honestly think this can be a counterexample to that opinion.

Montenegro – This song is on no one’s radar and actually falls towards the bottom of the betting odds currently. So, why on earth do I think it can win? Several reasons: 1) it’s one of only a few true and well ballads, 2) it’s a very classic Balkan sound, 3) the other four former Yugoslav nations will struggle to reach the Final, let alone seriously compete, leaving Montenegro there to soak up all their big points as well as from other Balkan allies not voting for Bulgaria, and 4) it’s a high quality song! The composition alone is worthy of victory. The singing is right on and the lyrics are captivating. This song should narrow those odds greatly once it qualifies and then we’ll see just how big it will go. Again, without any other former-Yugoslav country (and really, any Balkan country not named Greece or Bulgaria) having a legitimate shot at even qualifying, I think Montenegro will do quite well.

The Netherlands – A song that started on everyone’s radar as it is performed by a one-half of a runner-up duo, it’s country rock – a genre not often heard (if ever) on the ESC stage, and it was one the first to be selected. Don’t underestimate the power of a well done song that is unlike any other in the competition. The real question is whether enough country and rock fans will be voting to bring the Netherlands up the scoreboard, as I think it will only finish in the high single digits/low teens among the jury. It is most definitely not a traditional Eurovision entry like Austria and Montenegro, but that just may be its saving grace.

Who do I think will actually win? Well, you need to check out my prediction bracket! ESC Obsession 2018 Prediction Bracket

The bigger story here is that, for as long as I have been keeping this blog (December 2009), no victor has come from outside the top ten folks according to the betting odds. This is going to be an interesting year – a well-deserved anomaly for Portugal, hosting for the first time ever after so many failed attempts.

Come back next week for the annual Contender or Pretender series where I break down each of the top ten songs according to the betting odds and determine which ones have a legitimate shot at victory and which are merely distractions.

Until next time, find me on Twitter, Reddit, Pinterest, or YouTube, all @escobsession