Posts tagged “austria

Playlist of the Week: Eurovision for Americans

USA flag in EO logo

Hello Dear Readers!

Well, with Netflix releasing its…. Eurovision-inspired movie; I thought, “What better time to counterbalance the image of ESC being a trashy, campy, dumpster fire?” USA flag in EO logoEven more so now that the new executive supervisor, Martin Österdahl, has announced that he’s continuing the tradition of putting style-before-substance. But now is not the time for a rant (but there will be one – promise!).

Instead, since many Americans will be learning about Eurovision for the first time this week, I thought it would be a good idea to 1) remind folks of my Eurovision for Beginners, 2) remind folks of my Essential Eurovision playlist, and 3) create a Eurovision for Americans playlist highlighting the performing artists coming from the States, spent significant time in the US, or otherwise are American citizens regardless of where they spent their youth.

  1. EO logo with Union JackUnited Kingdom 1997 – Love Shine a Light performed by Katrina & the Waves

    The only winning song to be performed by an American! Katrina, who is from Kansas, and the Waves are also known for their hit Walking on Sunshine.

  2. Portugal 2017 – Amar Pelos Dois performed by Salvador Sobral

    Sobral (and his older sister who wrote the song) spent his middle and high school years in Florida

  3. Hungary 2014 – Running performed by András Kállay-Saunders

    Saunders was born and raised in New York City before moving to Hungary, where his grandmother was, and began his music career.

  4. Austria 2000 – All to You performed by The Rounder Girls

    Kim Cooper of the Rounder Girls is from Long Island, NY.

  5. Italy 1975 – Era performed by Wess & Dori Ghezzi

    Before pursuing his music career in Italy, Wess spent his life in Winston-Salem, NC. in 2009, he passed away in his hometown.

  6. EO logo with Albanian flagAlbania 2011 – Feel the Passion performed by Aurela Gaçe

    After building her career in Albania, Gaçe spent the majority of 21st Century in the US engaging with the Albanian immigrant community.

  7. Germany 2009 – Miss Kiss Kiss Bang performed by Alex Sings Oscar Swings!

    Oscar Loya is a singer and thespian from California. Bonus American! Dita Von Teese joined Alex and Oscar on the stage in Moscow.

  8. Yugoslavia 1990 – Hajde Da Ludujemo performed by Tajci

    Tajci retired from music soon after her appearance at Eurovision and moved to the US where she eventually settled in Cincinnati, Ohio.

  9. Greece 2008 – Secret Combination performed by Kalomira

    Former prom queen Kalomira is from Long Island, NY.

  10. Israel 2006 – Ze Hazman performed by Eddie Butler

    Butler and his brother also were a part of the group representing Israel on home soil in 1999. Butler is from Detroit.

  11. Cyprus 2020 – Running performed Sandro

    Born in Germany, Sandro’s American citizenship comes from his father. Sandro represented the USA at the prestigious New Wave Festival in 2009.

  12. EO logo with Austrian flagAustria 2013 – Shine performed by Natália Kelly

    While Kelly spent the majority of her life in Austria, she was born in Connecticut.

  13. Poland 2008 – For Life performed by Isis Gee

    Originally from Seattle, but now based equally in California and Italy, Gee represented the land of her ancestors.

  14. Bulgaria 2018 – Bones performed by EQUINOX

    LA-based producer and singer Trey Campbell and Flint, Michigan native & America’s Got Talent alum Johnny Manuel comprised two-fifths of the group EQUINOX.

  15. United Kingdom 2009 – It’s My Time performed by Jade Ewen

    The UK’s most recent foray into the Top Ten was, in part, provided by American lyricist Diane Warren.

  16. EO logo with Luxembourgish flagLuxembourg 1979 – J’ai Déjà Vu ça Dans Tes Yeux performed by Jeane Manson

    Manson, from Cleveland, OH, built a career as a model before entering music.

  17. San Marino 2017 – Spirit of the Night performed by Jimmie Wilson & Valentina Monetta

    Primarily an actor in musicals, Wilson is a Detroit native.

  18. Slovenia 2013 – Straight into Love performed by Hannah

    Hannah is from Fresno, CA, love took her to Slovenia, where her music career took hold.

  19. Cyprus 2006 – Why Angels Cry performed by Annet Artani

    Artani comes from America’s biggest city: New York, NY.

  20. Sweden 2020 – Move performed by The Mamas

    Member Ashley Haynes is from the US capital: Washington, DC.

  21. Albania 2017 – World performed by Lindita

    Lindita is from Kosovo, but moved to the US in 2013 and even took part in American Idol in 2016.

  22. Serbia 2020 – Hasta la Vista performed by Hurricane

    While none of the three singers in Hurricane are American, the group was formed in LA and remains based there.

  23. EO logo with Danish flagDenmark 1981 – Krøller Eller Ej performed by Tommy Seebach & Debbie Cameron

    Cameron comes from Miami, FL where she grew up and attended university before moving to Copenhagen.

  24. Germany 2010 – Satellite performed by Lena

    Another songwriter, this time Chicago-based Julie Frost, co-wrote and co-composed the only winning song – thus far – from the Big Five since the rule was instituted (she also wrote the 2012 DMGP entry Best Thing that I Got).

 

Additionally, I will be starting a series focused on American Eurovision media outlets and organizations, both those based in the US and those started by Americans in Europe. You can read the first entry which focuses on Eurovision Obsession, which you can consider an extended “About EO” page.

Many thanks goes to the WiwiBloggs article that served as the jumping off point for my research for this playlist.


Eurovision Song… Celebration – Part Two

Hello Dear Readers!

Here we are! Eurovision Song Celebration Part Two! Celebrating the remaining the twenty-one songs of the 2020 Contest. Once again, I’ll be providing live commentary since I’ve not had occasion to release my thoughts on the songs previously. Like on Tuesday, my comments are below the video.

Greek flag mapGreece I think this is a serviceable pop song, definitely hearkens back Greece’s heyday in the 2000s. It definitely would have qualified but I’m not sure it would have been enough to restore Greece to the Top Ten.

Estonia I think this song is critically underrated. It is a powerful love song that I would happily have a first dance to. I am not quite sure why the fandom does not like this song, but I think it would definitely outperform expectations, though, likely would not have qualified.

Austria One of my favorites this year! I love the 90s R&B sound of this song and I think Vincent Bueno would have been a fantastic performer on the ESC stage. I look forward to seeing what he brings in 2021. I think this had a strong chance of qualifying, particularly with the large diasporas from Southeast Asian countries that would get behind him.

Moldova Another criminally underrated entry from this year. I think the overwhelming consensus is that this song is fine, but desperately average (think Cyprus from Tuesday night). I think this song is fantastic – engaging, interesting, and powerful. Unfortunately, I know I’m in the minority holding that opinion, so I do not think it would qualify.

Sammarinese flag mapSan Marino This is an interesting choice for the running order. But given how unique this song is (disco! likely a stage show with lots of glitter), it was probably difficult to find a place in the running order for it. For what it’s worth, this song really grew on me. Longtime readers will know that, in addition to Denmark, San Marino is my country of choice at Eurovision. Initially, I hated Freaky! but over the course of the past six weeks or so, I have just been utterly taken over by its infectious melody and refrain. Could have been a borderline qualifier for SM, which would be its first back-to-back qualification.

Interval — Ukraine was only 50% not English. Portugal 2017 was one of only three 100% non-English songs to win in the televoting era (Israel 1998 and Serbia 2007). With that said, generally speaking, the non-English to English ratio of songs in the Top Ten and qualifications tend to be representative. I really do love hearing these native language versions of songs and wish broadcasters made it a habit of recording and releasing the native language version when the song is in English/some other language.

Czech Republic I believe I am one of the three people in the fandom who think the song was improved by its “Africa” revamp that added more guitar and adjusted the instrumentation overall. I think it gives the song a bit more of an authentic feel and I hope he further embraces his Angolan roots in his song next year. The African diaspora is quite large. Not sure if this would qualify, especially coming after the glitter bomb that is San Marino and before the ball of female fury that is Serbia, but I think it would sneak through.

Serbia On the opposite side of the revamp spectrum, the revamp of Hasta la Vista is not as strong as the original. Not that it matters as I think would be a shoo-in qualifier. It’s memorable, it’s fierce, and all the girls (and gay bois) would send this through.

Poland One of my favorites this year. It is such a powerful song with a powerful message. It reminds me of the Shelley poem “Ozymandias” – basically, no matter how strong, how invincible, how beloved, we all fade away. This song goes the extra mile to highlight that we fall because of our hubris – we think we’re unstoppable, but we’re merely mortal. Do hate the revamped ending, it’s lame and takes away from the song, especially since she’s not the strongest live performer. I’m not sure what to make of Poland’s chances of qualification.

Iceland You don’t need me to tell you how popular Iceland is – y’all voted it the champion of EO’s inaugural Eurovision Tournament! I love this song, one of my absolute favorites this year and I think it had a very legitimate chance at victory. I wonder if RÚV is paying attention to all the love Think About Things is getting; the band has already said that they would take a direct ticket to Eurovision next year, but would not go through thr national selection process again, so, we’ll see.

Switzerland WHOA! This was one of the big favorites and it is the first song of the back half. Interesting choice, producers. This is my favorite song this year. By a lot. It’s so vulnerable, so honest, so different than anything else this year. With that said, I do not think it would win, but it would have secured Switzerland its first back-to-back Top Ten finishes since the early 1980s.

Interval If you haven’t watched the Eurovision Home Concerts, I would STRONGLY recommend it. They’re fantastic. Also, I love that they used Stand By, my favorite Sammarinese song, for Senhit’s background music.

Denmark The only folksy/country song this year. That automatically helps it stand out, even though it sounds like something from the early 2010s. I like this song quite a bit; it’s just so adorable and earnest. And Ben + Tan have great chemistry together. It breaks my heart that they won’t be able to return next year (DR very strictly uses Dansk Melodi Grand Prix to choose entries and winners of DMGP have to wait like three years or so before they’re allowed back in). I think this would have been another sure qualifier.

Albanian flag mapAlbania RTVSh – don’t think we didn’t notice that you released this music video, like, yesterday in order to have this out for the Celebration. I like this song for a lot of the same reasons I like Poland – it is a powerful song with a powerful message – this time about self-empowerment in the face of someone who is emotionally abusive. While I think this should be an easy qualifier, I’m not sure it would stand out without a stage show that matched its intensity.

Finland Another criminally underrated song. It’s the perfect anthem for the age of nostalgia that we find ourselves in – even more so as this pandemic has forced us to start thinking about our own mortality and futures. I cannot help but wonder how people would feel if he was a conventionally-attractive guy as opposed to bigger guy with a bad mustache. He sings with such power, emotion, and authenticity. I think it could have been a shock qualifier, but not sure it would have the juice to do so, particularly in this running order – with Albania hitting a lot of the same (figurative) notes and Armenia coming behind with what was sure to be a stunning stage show.

Armenia The more I hear this song, the more I think it would finish Top Ten. It is criminally infectious, they would surely have an insane dance routine that likely would have included Athena walking several boys on chains made from diamonds, and it’s one of the few true club tracks songs we have this year. And, again, who doesn’t like a song about a girl threatening a boy with marriage?

Portugal Oh, poor Portugal. This national final performance is both, flat in pitch and flat in emotionality. Which is a shame, I think the studio version of this entry is absolutely stunning. I just think Elisa has the stage presence to compete on the ESC stage, which makes it difficult to succeed – even more so when you have a ballad that requires a lot of power behind it.

Georgia I try my best to avoid speaking when I have nothing nice to say…but…I am not a fan of this song. I understand that it’s a big “F* YOU!” to Western Europe, which I understand and can see why that is message that needs sending. But I just don’t this song at all. The most positive thing I think to say is that the harmonies on the chorus are really stirring and powerful. When it appears on my playlist, I just skip to the last sixty seconds and enjoy it from there. This would likely qualify given that this is a sentiment felt across most of Eastern Europe and Georgia has Armenia, Bulgaria, Serbia, Poland, Albania, Latvia, Estonia, and the Czech Republic to support it in its message – not to mention the diasporas of those countries in the West.

Bulgaria The big favorite of the bookies. It was the selection of this song that knocked Iceland off the top of the betting odds. VICTORIA definitely captures that Billie Eilish bedroom-dream-pop sound that’s quite popular right now, but is somehow more genuine than her more famous counterpart. Now, do I like this as much as I do its nearest competitor (Romania)? No. But it’s a good song and I see why it was atop the betting odds. I think it’s an easy qualifier, not sure it could win.

Latvian flag mapLatvia Our final competitive song for Semi2, an anthem about throwing off the shackles of expectations of womanhood overtop a sick beat. Yeah, I cannot imagine a world where this does not qualify.

France Ugh. I want to like song but dear God does it drone on. I like it better in the original, where it’s a love song to France and not to a specific lady. While likely not a last place entry, France would have dropped to the bottom of the Big Five.

United Kingdom An average song. It’s in offensive and would likely secure a decent amount of 1-4 points splattered from across Europe (mostly from Ireland, Malta, Cyprus, and Australia – but, you know). Here’s the thing, James Newman has written several hits and has two Grammy nominations. That’s the kind of stuff he needs to bring, not this neutered stuff. In all likelihood, the BBC will bring him back next year. They need to set him loose to write a song that could actually do something.

Spain This is another wasted opportunity, I think. He’s one of Spain’s biggest stars and they send him with a (good but) dated tune. It’s okay to give him something dated, but you got to make sure it slaps, and this does not. I know this is already somewhat club-track-esque, next year send him something that we could hear playing in the clubs tonight! They can keep this style while still kicking the composition up a notch….or three.

Another great show! Again, LOVE the fan recap. Is there a way to find the full version of those three girls doing the Latvian song?

Looking back, if this were a competitive show, who do I think would qualify?

Easily:

  • Greece

  • Iceland

  • Switzerland

  • Denmark

  • Armenia

  • Latvia

  • Bulgaria

More difficult: I honestly think just about every remaining entry has a legitimate shot at qualifying, but, if push came to shove:

  • Serbia

  • Poland

  • Georgia

I would prefer to see some other songs in there instead, but I think this is the most likely set of qualifiers. But what are my top ten from tonight? I’m glad you asked.

  1. Switzerland

  2. Poland

  3. Latvia

  4. Austria

  5. Iceland

  6. Denmark

  7. Albania

  8. Moldova

  9. San Marino

  10. Armenia

Now that we have heard all 41 songs in context, what is my final Top Ten of the Eurovision 2020 Season. Good question! I’ll figure this out while I’m calculating a winner from among the some of the major fan media polls.

OH! I’m going to be compiling seven of the biggest fan media polls that offered alternatives to the ESC this year, including Eurostream, Eurovision Online, WiwiBloggs, and OGAE. Check back next week (assuming everyone gets their results in by Sunday) to find out who I would crown the unofficial ESC 2020 winner.

In the meantime, what are my predictions? I think the Top Ten, remembering that this is a compilation of fan polls not the actual Contest with full professional juries and casual folks, will be:

  • Armenia

  • Australia

  • Germany

  • Iceland

  • Italy

  • Lithuania

  • Malta

  • Russia

  • Sweden

  • Switzerland

Who do I think has an actual chance at victory? I do not think it will be any surprise: Iceland, Lithuania, and Bulgaria are the three songs I think have the best chance at victory. A real hot take, I know. So, I won’t waste your time going through each song’s merits at this point other than – these seem to be the three most beloved songs of 2020.

See you next week!

EO logo with the Bulgarian flag

EO logo with Icelandic flag

EO logo with Lithuanian flag


Eurovision 2019….Several Months Later…

Hello Dear Readers!

Welcome to my wrap-up post, so happy you could join me. Today, we’ll be giving out some awards as well as taking a step back to look at this year’s Contest as a whole. As I’ve noted before, this is one of my favorite winners and am happy with many of the results from this year. Come join me as we honor some of the best and worst from Tel Aviv! Please note, I do not own any photos/videos used here – all rights reserved to the EBU unless otherwise noted.

Annual Eurovision Obsession Awards

Best Lyrics

EO logo with Russian flagWinner: Russia

Tears won’t fall
While pride stands tall
Maybe they can’t be heard or seen
But tears aren’t quiet things –

They scream

A powerful ballad of heartbreak working against the machismo. Just because you are a man does not mean you shouldn’t show emotion. I love how, even though this is a song about a relationship ending, it is really a deeper look at the power of feeling one’s feelings.

Runner-Up: Austria

‘Cause the face in the mirror
Just couldn’t look clearer right back through me
And how I’d like to say
It will be better tomorrow or any day

Yeah I’m talking ’bout you, you, you…
And the luck you try to find

A song about deep introspection and realizing that pushing beyond your limits for the sake of others leaves one empty and hurting. So powerful.

Honorable Mentions: Albania, Azerbaijan, Germany, Italy, The Netherlands, Portugal, Serbia

The “Huh?” Award for Worst Lyrics: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.

EO logo with Slovenian flagWinner: Slovenia

The stars are not always visible
Stay true to yourself
Don’t tell me to forgive you

I realize that this song is predominantly meant to capture the feeling of unconditional love between a young couple; but the lyrics make little sense. Perhaps these are common Slovenian phrases and ideas that just don’t translate well into English.

Runner-Up: Croatia

I dream of love
You dream of love
Angels of God
We all dream of love

So, one element of songs that do well in this award is lazy or unimaginative song writing. This one takes the cake in that regard. It is a standard, trite song hoping for a better tomorrow. Not saying that the message is bad, the lyrics are just poor.

Honorable Mentions: Estonia, Finland, Norway, San Marino

Best Dressed Award

Nevena Božović at rehearsal. Photo copyright EBU/Thomas Hanses

EO logo with Serbian flag

 

Winner: Serbia

A beautiful black dress, stunning silver accessories including a dynamic necklace, flowing blonde hair, and make-up that turns up the contrast. Everything about Nevena Božović’s outfit is amazing and worn with elegance.

Jonida Maliqi at the second dress rehearsal on Weds. Photo copyright EBU/Thomas Hanses

Runner-Up: Albania

Another black dress. Jonida Maliqi outfit perfectly blends traditional elements with contemporary design, just like the song Ktheju Tokës. It even had the added bonus of making the staging reminiscent of the Albanian flag when the stage was lit in red.

Honorable Mentions: Australia, Israel, Montenegro

Most in Need of a Costume Change Award

Eliot during a rehearsal. Copyright EBU/Andres Putting

EO logo with Belgian flagWinner: Belgium

The outfit, in addition to looking awful, poorly fit Eliot; so, he looked even more mousy and small than he is. It was just a very poor outfit situation all-around. I’m not quite sure what happened here, but I hope Belgium gets their act together moving forward.

Mahmood at the Grand Final. Copyright Australian Broadcasting Corp.

Runner-Up: Italy

Look at that shirt! It’s red and gold and it’s shiny. It does not seem to fit the song at all. I do not understand this outfit choice at all.

Honorable Mentions: Croatia, Cyprus, Portugal, Romania

Best Staging Award

EO logo with Swiss flag

Winner: Switzerland

Luca Hanni during rehearsals. Copyright EBU/Thomas Hanses

Made to look like a hot music video, She Got Me had a stunning, contemporary, hot staging. From the narrow perspective to open, to the constant use of red throughout, to the dance routine, to even having Luca Hanni wear a mesh shirt. Switzerland went all out and it paid off with the country’s first Top Ten placing since 2005.

Runner-Up: Australia

Kate Miller-Heidke during a rehearsal. Copyright EBU/Andres PuttingThe winner for the Marcel Bezençon Award for Artistry, Australia’s staging was magically, whimsical, and impressive. The interplay of the backing screen, her outfit, and their motions created this awesome floating effect. I didn’t have this one win because, unlike Switzerland, which got even sharper from the semi-final to the grand final, the Australian performance took a (small) step backwards.

Honorable Mentions: Azerbaijan, Belarus, Czech Republic, Israel, Moldova, North Macedonia, San Marino

Worst Staging Award

EO logo with Croatian flagWinner: Croatia

Roko during rehearsal. Copyright EBU/Thomas HansesAngel wings equals an automatic zero in the staging department from me. Yes, even though angels are explicitly mentioned in the song. Not to mention there was just so much going on during Croatia’s three minutes. It was all just too much.

 

Runner-Up: France

Bilal Hassani and his dancers during a rehearsal. Copyright EBU/Thomas HansesWhen you have a song with the potential to inspire confidence in men, of all sexualities, who do not live up to masculinity ideals – you should capitalize on that and have a broad array of men on stage with you. France did not take this perspective. Aside from my general unease with the laying claim to the experiences of women to serve gay men’s purpose, when the song is literally called “King” shouldn’t that be the emphasis? Otherwise they should have titled the song “Moi” – no other lyric would have to change and the staging would have made more sense and felt more genuine.

Honorable Mentions: Germany, Norway, Portugal, United Kingdom

“This is DC Calling” Award: Given to the most American sounding entry. This in NO way counts as an endorsement for the US entering the Contest, an idea which I staunchly oppose.

Winner: Estonia

The twang in Victor Crone’s voice, the vaguely inspirational message of the lyrics, the basic composition – this all screams contemporary Christian music (which I’ve said before). This would be right at home on any generic Christian station in the US.

Runner-Up: Sweden

Just like Storm is a generic contemporary Christian song, Too Late for Love is a generic R&B song – though, not quite as contemporary. John Lundvik actually hit the American sound twice, both with his own song and the one he co-wrote and co-composed for the United Kingdom.

Honorable Mentions: Austria, Belgium, Cyprus, Lithuania, The Netherlands, Slovenia, Switzerland, United Kingdom

Pond Leaper Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular

EO logo with Cypriot flagWinner: Cyprus

Runner-Up: United Kingdom

Honorable Mentions: Greece, The Netherlands, North Macedonia, Serbia, Switzerland

The “Spirit of ABBA” Award: Given to the most stereotypical and/or traditional ESC entry

EO logo with Danish flagWinner: Denmark

So, an under-appreciated, yet very common ESC genre, is the children’s song. And what lyric can be more childish than “love is forever” when sung with such a saccharine smile. A cute song with a bubbly message and catchy hook. Love is Forever is clearly the most ESC entry this year at ESC.

Runner-Up: San Marino

Additionally, few things represent ESC as nonsense lyrics. Say Na Na Na fits this to a T. It’s so simple and fun, a perfect example of schlager.

Honorable Mentions: Croatia, Czech Republic, Estonia, Norway, Poland, Spain

The “Shiri Maimon Travesty of the Year” Award

Israeli Flag Country

In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar.  Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry.  For me, that was the biggest travesty in Eurovision history.  Each year, I hand out this award to the biggest disappointment of the Contest.

USA flag in EO logoWinner: Madonna’s performance

There were simply too many interval acts this year. This was, by far, the weakest of them all. Madonna is a legend who revolutionized culture and deeply impacted pop music. It may be time for her to ride off into that beautiful sunset. I know the retirement age in the US is 65, but I think she’s earned the ability to head home five years early.

Runner-Up: EBU bungling the Belorussian automated jury vote

Human error is to be expected from a human-run event. But still, for all of eternity, when watching this Contest back, this error will need to be pointed out and corrected for folks watching. It also shines a light on the still mysterious and needlessly clandestine algorithm used to calculate votes for missing juries and televotes. Show your work, EBU, we’re curious!

Honorable Mentions: Too many interval acts. UK coming last, Germany’s poor showing, Ireland’s poor performance

Closing Thoughts

Again, one of my favorite years and favorite winners ever. I am so happy to have been able to bring the Eurovision Obsession Awards back after missing last year. What are your favorites and least favorites from this year. Be sure to check-out my Final Thoughts if you have not already; they’ve been updated with the correct scoreboard and with links to the various media outlets I appeared on following ESC in May. Stay tuned for further posts as we celebrate Ten Years of Eurovision Obsession! As always, you can find @escobsession on Twitter, Pinterest, Instagram, YouTube, and Sporcle.


Eurovision 2019 – Live Notes: Second Semi-Final

Hello Dear Readers!

Times for the Second Semi-Final and to select the final ten qualifiers for the Grand Final! Eighteen countries compete, these plus Germany, Italy, and UK vote, and we get ten more songs for Saturday.

As a reminder, here is my pre-show prediction of qualifiers:

  • The Netherlands

  • North Macedonia

  • Azerbaijan

  • Russia

  • Sweden

  • Malta

  • Albania

  • Denmark

  • Armenia

  • Switzerland

These will likely change after hearing and seeing the songs live tonight. So, let’s go!

No interval tonight. Just too many hosts, none of whom are all that interesting unfortunately.

Armenia: I like her look and I think she sounds great! While the overall staging and camera work are good, I think she looks and sounds small, like the space is owning her and not the other way around. Nice pyro effect. OH! She botched that big note. Let’s hope it’s not in the recap. Though, I do not think it is enough to stop her from qualifying.

Ireland: I love her outfit! She sounds super mousy. Is that purposeful? Love the retro look and feel of this staging. She has zero energy, though. I think she’s perhaps too focused on hitting all of her cues and not just singing the song. Some nice shots of Irish fans going wild. Aside from her lack of energy, I think this is as good as it could have been.

Moldova: Oh!! Sand art, we haven’t seen that since Ukraine 2011. As much as I enjoy this song, I don’t know if that gimmick is enough to move this song through. I am LOVING this sand artist and her effects, especially those footsteps. And I love their outfits; they look beautiful. Is it enough? Not sure, we’ll see.

Switzerland: WHOA! Absolutely love this camera work. This staging is perfect. The singing is amazing – both Luca and his backing singer should be very proud of themselves. This is the first song thus far (including Tuesday) that I can feasibly see winning. Let’s just say, I am happy to already have my hotel in Zurich booked for next year (along with a few other places).

Latvia: One of my favorites this year. I love this faux black & white look of the staging. This is a perfect example of a ballad with a lot of energy in it. It’s slow, but she and her backers are still singing fully and you can feel their investment in this. I don’t think it would have taken anything away to have the extra two ladies on stage with her.

Romania: They’re going with the same horror movie aesthetic from the music video. I like that choice – bold but a calculated risk. Hate her outfit, though. She could stand to articulate more, but even without clear words, the madness she’s singing about comes through. Great voice!

Oh, golly, Conchita Wurst is back! And with a brand new look. Actually, my understanding is that Tom Neuwirth actually moved away from Conchita as his primary act and is trying to draw more attention to the more masculine persona “WURST.”

Denmark: I see they are duplicating the DMGP staging. Glad to see the hear the audience get so into it. Love how diverse her collection of performers are. That was nice and pleasant. Not sure if it is enough, though.

Sweden: I am not the biggest fan of this song, but even I can’t help but sing along and be caught up in it. What the heck are his backing singers wearing?! Well done, another easy qualifier.

Austria: I totally appreciate her vulnerability. She is conveying that brokenness of the lyrics very well. I still don’t think it is engaging enough to qualify, but I think this is the best possible performance that this song could have.

Croatia: So, why I like this song well enough, but don’t see a path forward for it. It is impressive that he can sounds so good laying on his back. So, I do not quite get the staging, did he die in the lava and is now among those “angels of God?” Also, I think having literal angel dancers is a bit much. It didn’t work for Bulgaria in 2010, cannot see it helping now. Oh no! He missed that big note towards the end – otherwise, a flawless vocal performance.

Malta: Definitely playing up to her youth, here. The staging is SO MUCH FUN! You can tell they’re having a good time up there. This is also the way how one effectively makes a huge stage small. Another Top Ten performance tonight.

Lithuania: He sounds good and his hair looks nice. This song is just mediocre and overall less impressive than Croatia, which is the other mediocre song tonight.

Russia: Let’s see if this lives up to 2016’s staging. I do think it may have been a mistake to try to rely on his voice so much. Oh! his reflections is sentient. He’s certainly a pop singer. Not gonna lie, I was hoping for a more dynamic staging.

Albania: One of my absolute favorites this year. Let’s see how it goes. I think the backing singers are a bit too loud. It creates this cacophony instead of textured harmonies. I do love her outfit, though, very tradition yet contemporary. Just as I was about to say how her vocals were great, she botched many of those final notes.

Norway: Schlager at its best, everyone. It’s a lot of fun. And I enjoy how the graphics capture the idea of calling out to Sami spirits (which is what the song is about). Just everything about this feels dated, though. The smart money would be on this qualifying, but I am not sure.

The Netherlands: The big favorite and my favorite. Let’s see. Oh! The use of the backing vocals for the refrain is perfect! I don’t quite understand the piano, especially one that is so small. But I think he doesn’t have much stage presence, so the piano is there to give him something to distract himself with so he doesn’t let his nerves take over. The use of lighting is on point!

North Macedonia: Oh, the fleet of reflections is cool. Don’t like her dress, but it’s not heinous. If you’re going to do such a basic, stripped down staging, your vocals must be dazzling. So far, so good. Oh! Love the images being projected on the back. They should have kept it going when she started singing again. Oh! Keeping the backing vocals quiet until the climax was a good decision. Again, a great vocal performance without much energy behind it.

Azerbaijan: Glad to see Azerbaijan back to its over-the-top stagings. The robotic arms are a perfect touch to emphasize the futuristic tone of the composition. Hmm, not sure those high notes are translating as well as they could. Fun.

And there we have it! The eighteen songs from tonight. Time for the recap.

My Top Ten from tonight:

  1. Switzerland

  2. Latvia

  3. Malta

  4. The Netherlands

  5. Romania

  6. Moldova

  7. Armenia

  8. Azerbaijan

  9. North Macedonia

  10. Sweden

Who I think will qualify (in no particular order):

  • The Netherlands

  • North Macedonia

  • Azerbaijan

  • Russia

  • Sweden

  • Malta

  • Austria

  • Lithuania

  • Armenia

  • Switzerland

I think Austria and Lithuania did enough tonight (and, more likely, last night) to push ahead of Albania and Denmark in my predictions. Again, I know the smart money is on Norway to qualify, but, I don’t know, I just don’t think it will.

Interval Act – Shalva Band: So, apparently, this group was supposed to represent Israel this year, but didn’t want to perform on Saturday (which is necessary for Grand Final competition) for religious reasons. So, they gave them this spot instead. Wow, these girls’ voices are amazing! Yeah, this song would do way better than Home in the Grand Final. Oh, well.

Let’s look at our auto-qualifiers!

Germany: My biggest guilty pleasure this year. Meh., they really should have kept the turning table. But they do sound great. Don’t like their outfits, though.

Italy: His outfit is awful. And I hope he has a bit more energy for the real thing. This was one of the big favorites until rehearsals began, I guess now I know why.

United Kingdom: The staging for this is confusing. The BBC has enough money to afford more than some generic space effects. The thing this song has going for it is Michael Rice’s voice, so he better step it up tomorrow night and Saturday.

FINALLY – Our Qualifiers

  • North Macedonia – Woohoo! Well deserved! (1 correct out of 1 countries)

  • The Netherlands – Yay! High quality song right here! (2 for 2)

  • Albania – pleasant surprise! Her jury performance must have been great (2 for 3)

  • Sweden – as expected (3 for 4)

  • Russia – no surprises here (4 for 5)

  • Azerbaijan – woohoo! shaking off last year’s fluke (5 for 6)

  • Denmark – whoa, guess I should have stuck with my gut on this one. Hopefully this means Lithuania won’t make it? (5 for 7)

  • Norway – No surprise, I guess, but I still didn’t anticipate it (5 for 8)

  • Switzerland – Probably the strongest performance tonight, so, makes sense (6 for 9)

  • Malta! No surprise, well deserved, as well! Happy for Malta to break its non-qualification streak (7 for 10)

Well, another semi-final in the books. Only Friday’s jury show and Saturday’s Final are left. We await the drawing of halves and the final running order. In the meantime, who do I think from among these ten has a legitimate shot at victory? Well, the Netherlands, still, and Switzerland. My goodness, Switzerland looked like a winner right away. The Dutch song is still the highest quality one this year, I think, and who I think should win. It may all come down to the running order.

Thanks for joining me on this ride. See y’all Saturday!