So, it’s been a week since Denmark’s third Eurovision victory – and what a week it has been!! But more on the accusations, concerns, and speculations a little later – first, let’s wrap up Eurovision 2013…and we all know what that means – my annual awards! I will give out awards for lyrics, outfits, American-ized sound, and general “ESC-ness.” Additionally, I am adding awards for staging. Please note, all photos are from the official ESC website: eurovision.tv.
Best Lyrics Award
“Og ég trúi því, já ég trúi því
Kannski opnast fagrar gáttir himins
Yfir flæðir fegursta ástin hún umvefur mig alein”
Full disclosure here: my primary reason for liking these lyrics so much are their Christian undertones. The whole song is sung vaguely to a “you” and how the love this person (or Deity) provides hope, light, and inspiration.
First Runner-Up: Croatia
“Zlata niman da te njime okitim
Samo ove ruke dvi da ti dušu zagrlim”
A simple love song – the singer has nothing more than love to offer his beloved. The “misery” they keep singing is a reflection of this lack of material goods.
Second Runner-Up: Estonia
“Veel sulab jää ja õide puhkeb raagus puu
Iga lõpp ei ole muud kui algus uus
On vaja ööd, et päev tooks valguse”
Some might consider this song a bit trite, but I like it! The hope it inspires, its optimistic attitude. All of which are made more significant by the fact that Birgit is pregnant with her first child.
The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.
“Solayoh, Solayoh, where the sun is always shining on ya
We play-oh, we play-oh to the rhythm of a cha-cha”
Yeah…if you’re going to make up words, go the whole way and sing the whole song in an imaginary language – none of this mix-and-match stuff.
First Runner-Up: Hungary
“Farkasok neveltek és
Táncolt egy délibábbal
Majd elillant csendesen”
Throughout the song, we learn that his love was raised by wolves, she embraces the seven continents, and dances with mirages. What? Who is this girl? Is she some kind of wild child? How does one dance with mirages?
Second Runner-Up: Montenegro
“Kik i bas zaraza razara, niko neće poć’ utvrđenog pazara
Opet sjutra utabanim stazama, s mojima visim ne mislim o parama”
A song about going to a never-ending party, with lots of ways to lose your money and with plenty of scantily clad women. It’s like a flashback to the 90s! Really, just a rather vapid song, lyrically.
Best Dressed Award
A big improvement from last year! Marco Mengoni was impeccably dressed in a sharp green suit, good stuff!
Her dress, which was only slightly altered from the one she wore at Norsk Melodi Grand Prix, fit the attitude of the song perfectly. Tight, alluring, but covers enough to leave a bit of mystery in the air. Perfect.
Their outfits perfectly fit the feeling of the song and the persona of the singers.
Honorable Mention: Moldova, Georgia, Ireland, The Netherlands
Most in Need of a Costume Change Award
Moje 3 won the Barbara Dex Award this year. Need I say more?
His outfit was not only awful, but he had the nerve to complain that people continually compared him to Dracula. Let’s see, you’re from Romania, you have a black cloak that has a collar as high as your head, and you rise up throughout your song while surrounded by people who look as if they’re covered in blood (and nothing else!) – yeah, those comparisons are going to be made.
Bright…shiny…death by sequins…
Honorable Mention: Israel, Bulgaria, Petra Mede (I know she wasn’t competing, but her dresses were awful)
Best Staging Award: a new award this year – I often talk about the performances and thought that I should formally recognize the best ones
The idea of using a dancer to shadow Fariid Mammadov was genius. Its execution was even more brilliant. They established the box man’s purpose, which allowed him to be a bit more freeform later in the performance. Smashing!
First Runner-Up: Denmark
Frankly. this staging was designed to make this entry look like a winner – and it worked. Well done!
Second Runner-Up: France
It was very simple, but Amandine Bourgeois excelled on stage and brought the passion and the fire!
I don’t want to add another negative award for worse staging, so I won’t. Though, I do want to say that Belarus was way over the top.
“This is DC Calling” Award: Given to the most American sounding entry
Not just because Hannah Mancini is American, but in a year with a lot of ethnopop, this one brought the least “European” feel to the Contest this year.
First Runner-Up: Switzerland
They reminded me a lot of generic Christian rock – which I guess makes sense given Takasa’s background.
Second Runner-Up: Moldova
Very much a 1990’s R&B sound to this song.
Honorable Mention: Greece, Russia, Finland
“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular
It’s Cascada. I wouldn’t be surprised to hear this song on the radio in a month of so.
First Runner-Up: Sweden
One of the more modern entries this year, I think You would fit perfectly with the current Top 40 in the American charts.
Second Runner-Up: Greece
While the metaphors and intricacies of the lyrics would be lost on most in the US, it’s a great party song and the masses would jump behind the “Alcohol is free” lyrics and ska sound.
Honorable Mention: Moldova, Hungary, Finland, Norway, United Kingdom
The “Spirit of ABBA” Award: Give to the most stereotypical ESC entry – especially apropos due to this year’s location in Sweden!
Campy – yes! Dodgy lyrics – yes! Over-the-top stage performance – yesyes!!
First Runner-Up: Georgia
I have said this and so have many commentators and commenters: “this song is Eurovision by numbers.” Just your standard, carbon cut ESC song.
Second Runner-Up: Denmark
Also considered tobe a bit generic, this year’s Danish entry was flashy and vaguely ethnic, two classic elements to many ESC entries.
Honorable Mention: Russia, Malta
The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar. Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry. For me, that was the biggest travesty in Eurovision history. Each year, I hand out this award to the biggest disappointment of the Contest.
This year, Israel had a very strong composition, with well written lyrics, and an amazing singer. Yes, her dress was ridiculous and distracting, but not so much so that it warranted Israel’s failing so greatly.
First Runner-Up: San Marino failing to qualify
This song was a huge fan favorite, and rightfully so. Granted, Valentina Monetta’s vocals were not as strong as they could have been, it was still a huge shock and disappointment that Crislide (Vola) failed to make it to the Final.
Second Runner-Up: France scoring only 23rd place.
Amandine Bourgeois was flawless on the night and deserved a Top 15 spot, if not Top Ten. She was sunk by her position in the running order.
Honorable Mention: Finland allowed to have its girl-girl kiss (Krista Siegfrids admitted that it was a political move, but was still allowed to do it anyway)
And finally, the biggest award of them all…My Top Ten! While I like all of the songs, these are my ten favorites taking into consideration the lyrics, music, live performance, and studio performance. Songs are ranked from 10 – 1, with one being my most favorite song.
|10. Azerbaijan||I was lukewarm on this song until I saw the performance – wow!|
|9. Israel||A captivating song from the first note|
|8. Hungary||Smooth, understated, quite nice|
|7. Denmark||A lovely song that is catchy and uncomplicated|
|6. San Marino||Unexpected and entertaining, well sung|
|5. Slovenia||This song is pure energy (it’s a shame about the live performance, though)|
|4. The Netherlands||Powerful, quiet, and contemplative that perfectly builds throughout|
|3. Switzerland||Fun and catchy, a love song that dares to pop|
|2. France||Dark, powerful, and devilishly addictive|
|1. Norway||Mysterious, very modern, and utterly captivating – live or in studio|
I don’t think I will comment on the voting controversies (essentially, various countries are concerned that several entries receiving a lot of support from the televote received little to no points in the final point awarding) other than to say that I agree with the general consensus of the ESC blog world: people were not prepared for just how much the new voting system was going to affect the final scores. I agree, the EBU should repeat what they did in 2009 and reveal the full split vote, showing the jury vote and televote for each country for each of the three shows. Their rationale of “protecting countries that did not reach the televoting threshold” is suspicious and disconcerting (especially since they have not released the guidelines for what this threshold would be for each country, either). Anyway, for more detailed look, you can go to one of my favorite ESC blogs and read his article on the voting.
I will also talk briefly about the Marcel Bezaçon Awards, the annual awards given to the Press’ favorite act, the best performance (as deemed by the commentators), and the best composition (as voted by the composers of the 39 competing songs). Georgia won the Press Award (probably because of how stereotypically ESC it sounded). Many complaining that Italy or The Netherlands should have won, but given that both of the performing artists canceled some press interactions and generally had an air of nonchalance, there was no way the Press would vote for them. Azerbaijan won the Commentator’s Artistry Award; while I do no think any one would objectively say that Farid Mammadov was the best performer this year, the entire staging of the Hold Me definitely warranted Azerbaijan winning this award. Finally, Sweden won the composition award. I’m not quite sure how or why, it’s not bad, but there were many more with better compositions (such as Norway, Germany, or Greece), but the composers thought it was best so it won. I imagine because it was one of the least divisive entries (the three I listed tend to have people who love or hate them, few that just like them).
Overall, I am satisfied with the results. I’m still shocked that Romania seems to have broken the curse of the counter-tenor and landed a 13th placing. I’m also pretty shocked that Belgium did so well with Love Kills as well. But, as I say every year, the final placings are the ones that were deserved based on the lyrics, music, and performances during the second dress rehearsals and live telecasts. I can’t wait until for my dvd to come in the mail!
I won’t put too much here, as I will save my hopes for next year for after we learn a bit more about ESC2014. But, I hope the DR makes some changes from this year’s Contest.
-I hope that we go back to a random draw. Honestly, I did not see a big difference in the mix of musical styles or overall flow of the night, but I know there are a lot of angry folks around the Continent and can put their blame towards the producer-derived running order.
-I hope that the Contest will be more accessible. I said it before, the sheer intensity and frequency that SVT pandered to gay male fans was annoying and unnecessary (which I am saying as a gay guy) and, more importantly, made this year’s Contest less accessible. Now, it requires a disclaimer before I show it to my friends who are not gay males (which is the grand majority of them).
-I hope that DR chooses to host the Contest in the soon to be built Hans Christian Anderson Arena in Copenhagen. CPH is by far the easiest and least expensive city to get to in Denmark (not to mention that I’ve already reserved my hotel room). Also, the planned arena would be smaller than Parken, which would give the arena a more cozy (or hygge) feel. And, since the arena is not yet built, they can optimize it for the Contest. If Azerbaijan can build an arena in one year, surely Denmark can.
Going forward, I plan on posting a last ESC2013 entry once the split votes are revealed. Throughout the summer, I will be posting articles about each of country’s entries since 2007 (my first year watching the Contest) highlighting my ones, key strengths and challenges moving forward, and one thing they can do to achieve a better result next year.
Thanks for reading my live-live notes! It was fun, but difficult, but overall, worth it! I hope to make this a tradition (at least for the Grand Final). If you did not come to this post until after the Contest, you’ll notice that it is in reverse chronological order, so scroll to the bottom and read your way back to the top of the page. I have hyperlinked each individual performance (click the country’s name). If you want to follow along in real time, here’s the link to the Grand Final on the official website. Good night!
Looks like I am still batting .800. Not too shabby! I had predicted that Germany (finished 21st) and Georgia (finished 15th) would be in the Top Ten and sorely missed the call there. I also predicted that the UK would finish in the Top 15, nope. I did call Sweden finishing 14th, though, so that’s pretty sweet! Overall, I’m quite happy with the results. While I do not think Denmark was the strongest in any one field (lyrics, composition, performance), I thought it had the best package. This is a situation similar to Norway’s win 2009. Now, all three Scandinavian countries have won since 2009 (that’s 3 out of 4 years!) – expand that to include all the Nordic countries (add in Finland and Iceland) and they have 4 victories since 2006 and a slew of Top Ten placings. I know people in the West like to whine about the East, but it’s the Nordic bloc that has taken control of the Contest. Not a bad thing, since all five of those countries take the Contest very seriously and tend to produce very strong entries. It will be interesting to see next year. DR is not as aggressive about change as SVT is (and, really, who is), so I am hoping that some things will revert – like, we’ll go back to random draw for the running order and we won’t have the host try to end the show early. Denmark won a long time before Petra announced it, so everything just seemed a bit awkward.
Anyway, I have complained a lot about SVT’s production, but I want to note some highlights: the opening and interval acts were all top notch. While I think they got a little too cheeky with the humor during tonight’s interval act, overall, it was funny and well done. Sarah Dawn Finer did an amazing job (though, I do wonder if anyone bothered calling the Herrey’s or Charlotte Perelli who also won for Sweden in 1984 and 1999, respectively) both as Lynda Woodruff and when she sung. I want to go find her now! I loved the postcards – they really helped endear you to each performing artist. And I thought the stage was really nifty (though, it was a little too easy to hide backing singers) – so well done there!
More to come in my usual “One Week Later” post. I will also go through and clean up this post for typos, correct factual mistakes, and add images and links to the performances.
Actual Top Ten
1. Denmark (1 for 1)
2. Azerbaijan (2 for 2)
3. Ukraine (3 for 3)
4. Norway (4 for 4)
5. Russia (4 for 5)
6. Greece (5 for 6)
7. Italy (6 for 7)
8. Malta (7 for 8)
9. The Netherlands (8 for 9)
10. Hungary (8 for 10)
I like that Denmark brought their own confetti to add to that which was already falling. Many said that the Danish staging was made to look like a winner – and it was! It looked good, it sounded good, it had strong lyrics, and a strong composition. It had huge support from fans, analysts, and bookies alike. It was song that was destined to win, albeit, I don’t think anyone (other than maybe the bookies who had this at much lower odds than everyone else) expected it to win by so much.
Boo SVT Boo!!!!!! You cut off the winner’s reprise – that is wholly unacceptable!
Yay – time for the Winner’s Reprise!! Not a close race like I was hoping for, but the outcome that I had wanted, most definitely! I promised myself that I would go to the Contest if Denmark were to win – looks like I’m heading back to Land of the Danes! As soon as the host city is officially announced – I will be booking plane tickets and hotel rooms (or couches of friends) and heading to the place where I first discovered the Contest back in 2007.
I love that she is walking through the flags of all the other countries – awesome!! Even better, I predicted this win way back when she took DMGP!
And Azerbaijan is officially second!
It’s a race for second! Azr is back in after Switzerland!
I think they just wanted to get Denmark moving. We’re already 25 minutes over the 3 hour allotment.
What’s the point of announcing a winner if we’ll keep going to the spokespersons? Is it simply because no Contest is complete without Cyprus officially giving 12 points to Greece?
We won’t get to the last few (Cyprus, Croatia, Switzerland, and Lithuania) — I like the light effect on her dress.
Macedonia – interesting, she forgot to say “Former Yugoslav Republic of ” before Macedonia, I think she’s getting tired. The FYR folks seem to be lining up behind Denmark. Fun!
Georgia – no surprises here
Slovenia – now the entire top 8 is over 100pts. 12pts to Denmark.
Montenegro – what’s up with that echo?
Denmark – No real surprises here.
Ireland – poor Ireland, they’re on track for their second last place finish.
Greece – Denmark breaks 200 and Azerbaijan regains second place.
France – And the Danes are just outside of 200 points. I don’t think she’ll crack 300, though.
Iceland – no surprises here. If I haven’t already, I am officially calling this for Denmark (I think I did earlier, but just in case I did not)
Germany – 12 to Hungary? Interesting, not too surprising. First slip up like that from a spokesperson in quite a few years.
Estonia – when will people learn, leading a vote announcement with “Our neighbors…” is not a good idea and will not buy you any love from the fans.
Malta – Oh – Azr! not expected! Looks like I’ll be eating crow for my words about the UK entry, it’s not doing too well.
Russia – no real shock except for 8pts to Belgium. But the sentiment seems rampant in Russian art that “love kills,” so I guess that’s why it got so many points.
Belgium – interesting to see where the points go without Turkey in the competition – The Netherlands, they’re fun neighbors to the north! Yay, at least Anouk got one 12 for the Netherlands. Good stuff.
Bulgaria – Armenia? how strange. Oh, Ukraine narrows the gap to a mere 14 points.
And Eric Saade knows a thing or two about leading at the halfway point, only to see that lead slip away. Though, Denmark’s lead is stronger than his was in 2011.
135 for Denmark, 113 for Ukraine, 100 for Azerbaijan
Latvia – It’s funny, you can hear the annoyance in Petra’s voice as she tries to get people to talk faster.
Belarus – first big points for Russia, who is also holding tight, like Norway. And Ukraine breaks 100.
Spain – Italy is back in the Top Ten.
Finland – Hungary is definitely doing better than expected. Denmark has a 36 point lead over second place Ukraine.
Italy – Still no points for poor Estonia 😦 And Denmark stretches it’s lead.
Armenia – Interesting, Norway, I think, has only gotten one big point, but it is racking up a lot of small ones and staying in the mix of the Top Ten. And the Ukraine is making a play for the top.
Norway – the party has been going for nearly 3 hours, Tooji. More big points for Malta! Do I see an underdog trying to make a run? No big points for Denmark? Interesting. Interesting that Sweden got their 12.
Azerbaijan – 8pts for Malta! The tiny nation climbs to 6th.
Moldova – only ten for Romania? 12 goes to? Ukraine – not surprising.
Romania – Azerbaijan is now only 7 points behind Denmark.
Hungary – Malta is holding tough! Azerbaijan is trying to keep things close, I wonder if it can close the gap (13 points).
Ukraine – the voting is going so fast! Thanks for slowing things down a bit. Belarus? Interesting.
Serbia – first FYR country gives their 12 to…Denmark. Okay – I think I need to start looking for flights to Copenhagen.
Israel – another unpredictable country. I feel like the same guy gives their points every year.
United Kingdom – only 1 point for Ireland? Interesting. Hmmm…Denmark has taken the lead. I wonder if they will relinquish it? Still too early to call it.
Austria – Azerbaijan is the only surprise, but it was a good performance. It really annoys me that Azerbaijan tends to hold a Turkish flag – boo! Support your own country!
The Netherlands – Way to screw things up producers! You revealed the 12 pointer way too early! and on the wrong country! yay neighbor voting in the West! And Roberto isn’t even Flemish!
Albania – Italy! Is this the beginning of a run to the top?
Sweden – way to go Petra, better she caught her issue now, as opposed to later. Finally, Sweden plays the part of a nice neighbor.
San Marino – only 4 points for Italy. and our first 12 goes to: Greece! Not expected, but who can guess the minds of the Sammarinese
Another awful outfit for our lovely host. Voting time!!
Oh, it’s Melodifestivalen regular and Lynda Woodruff player: Sarah Dawn Finer. What a beautiful voice!
I love The Winner Takes it All! And she’s doing an amazing job with it! Who is this?
Ooh! I wonder why this is like the second or third time that they’ve gone to Jon Ola without him being ready – but given there is a singer ready, I’m assuming that was planned. OOh! Judging by what he said, he makes it sound like it will be a tie – and they’re going through to see who the winner is after the countback — how awesome would that be!!
Aww…he’s reminding us why pop stars do not equal good host. I’m guessing he’s just nervous.
Everyone’s favorite dancing, overrated singing Swede – Eric Saade!
Love the sequence of over-the-top endings!
Poor Linda Martin, no need to attack her.
Yay, more history!!
Two and a half hours, Petra, two and a half hours.
What?! That’s all the Carola that we get? The woman that brought the wind machine to ESC gets only five seconds after all the promotion they did around her appearance, I thought she would at least get to do a medley of her three ESC songs, especially her winner (that we only got three seconds of).
In case you were wondering, Sweden has the highest rate of lactose intolerance in the world.
The video they have preceding the Interval Act is hilarious! (though, they started it a little early, but it was quickly corrected) How is it that Sweden seems to be allowed to cross all sorts of lines that the EBU typically shuts down (there was a guy with several penises drawn on his face and a bare bottom)? Azerbaijan would not have been allowed to get away with a lot of this. I was wondering why Petra was wearing yet another awful outfit – it’s to make fun of her country – yay! Interestingly enough, this outfit is her least awful. And she just said “titties” on pan-European television. An entry would not have been allowed to get away with this. What is going on? Why is SVT allowed to do whatever it pleases? Oh, more pandering to the gays. yay. I expect a lot of backlash in tomorrow’s papers across the Continent.
|My Top Ten on the Night||Who I think will be Top Ten|
|The Netherlands||The Netherlands|
What is Loreen wearing?! I like that she’s back, but I hate the idea of a song being performed during the voting sequence. It distracts from the competitors, especially when they are not running the voting numbers throughout the sequence – which is utterly silly for them to not do. Boo SVT. Oh! My Heart is Refusing Me the song she lost Melodifestivalen in 2011(?) with, but it went on to be a big hit. And, of course, Euphoria complete with stage lift!
After the recap, I think the entries that stand out the most to me are: Greece and France. That’s it for now. Top Ten for the night soon to follow.
Poor cameraman, he must have drawn the short straw.
Ireland Only Love Survives performed by Ryan Dolan — those drummers are just a bit much in my opinion. Why does the standard ESC answer to falling odds always seem to be throwing half-naked people at their problem? Ryan is a bit off tonight – too much pressure closing the show? I think with the strength of singers we have this year, the vocal performance is going to play a bigger part than ever – I don’t think he has the chops to compete. This is a nice diddy and he’s singing well enough but that won’t be enough, in my opinion. It’s a nice close to the show, but I don’t expect Ireland to finish higher than, maybe, 14th or so.
Georgia Waterfall performed by Nodi Tatishvili & Sopho Gelovani — the final ballad on the night, which will give it a big boost in the voting, both jury and televotes. The fact that this is also a standard ESC ballad (composed by ESC legend Thomas G:son) will also help it out a lot. What will not help – Sopho singing like she did on Thursday night. She was off-key for a large part of the second half of the song starting at the big note. Tonight – she’s doing better (Nodi is a little off) but will it be enough? Ex that, she’s flat for that last note. I don’t know – with Italy, Azerbaijan, Denmark, Italy, the Netherlands, and Ukraine all turning in flawless performances, I think Georgia just sung their way out of contention.
Norway Feed Your My Love performed by Margaret Berger — in case you didn’t know, she’s a DJ – that’s why she’s dj-ing in the postcard. She needs a stronger performance here than she gave in the semi-final if she hopes to stay in contention. And she gave it!! Listen to the audience – that could win! I just wonder if Europe will appreciate her sound.
Italy L’Essenziale performed by Marco Mengoni — Mengoni brings the song that he won Sanremo with – given how big and competitive that contest is, we know that this song is battletested and proven in competition. I think the press, who seem to be rating this song lower than the bookies, are down on this song because he was very nonchalant throughout his time in Malmo. I think he was flawless during that performance and thrown down the gauntlet. Italy has reached the Top Ten each of the last years since returning to the Contest, there’s no reason it won’t do the same now (especially with all the former Yugoslav nations out of the running and looking to someone to throw votes at).
Ukraine Gravity performed by Zlata Ognevich — still don’t quite get the giant (apparently it’s a reference to Easter European folklore). His footsteps still don’t align with the camera shakes. I think this year we are seeing some of the best vocalists we have seen at the Contest in a long time – that was vocally amazing. The song is going to be hit or miss for a lot of folks, so I don’t think it will win, but it will be Top Ten for sure.
Greece Alcohol is Free performed by Koza Nostra fest. Agathon Iakovidis — this song has actually sneaked its way into the oddsmakers’ top ten. It’s so different than everything else – not to mention that it’s staged and performed so well. And, the fact that it’s Greece doesn’t hurt either. This song will probably finish in the 5-10 range.
Azerbaijan Hold Me performed by Farid Mammadov — I think his nerves may be getting him, his voice is a little flat and his hand shaky, but he still sounds fairly good (or, at least as good as he can sound). Great performance! This will definitely be contending for a top spot.
Iceland Ég á Líf performed by Eythor Ingi — flawless performance – utterly flawless. I think this could also shock a lot of folks, too! What a strong year this is shaping up to be.
Denmark Only Teardrops performed by Emmelie de Forrest — Huge crowd reaction for Denmark! Amazing performance! Well done well done — Gå Danmark! This song has winner dripping all over it – I think we just saw a winning performance.
And now we begin our run of heavy hitters – songs 18 (Denmark), 20 (Azerbaijan), 22 (Ukraine), 23 (Norway), 24 (Italy), and 25 (Georgia) are all in the top ten of the oddsmakers.
Hungary Kedvesem performed by Bye.Alex — still a bit dull but he sounds just like he does every time he performs this song. Apparently, there’s enough hipsters and indie fans to get this song to the Final, but are there enough to get Bye.Alex and Kedvesem on the better side of the scoreboard – probably not.
Sweden You performed by Robin Stjernberg — not as big a crowd reaction as the home performance usually gets, interesting. Now it’s time for Stjernberg to prove that he actually can sing this song live. Those two dancers are rather distracting. That big note is a lot better than when we typically hear it. Still not great, but better. With the host country bump, this should finish around 12th or so.
United Kingdom Believe in Me performed by Bonnie Tyler — big crowd reaction for Ms. Tyler. She’s rather off-key 😦 But she just seems to be warming up – there she goes! Love the camera effect for this last run through of the chorus!! The stage lift is nice, unneccessary, but nice. Huge crowd reaction – though! Good stuff. I hope that she is able to prove her countrymen wrong, as Britons seem to be the only folks who don’t think this song can finish in the top half of the entries (it’s 11th or 12th in the odds right now).
Romania It’s My Life performed by Cezar — Not the first operatic act in the Final (not at all) as Cezar thinks he is, but he is the first countertenor who uses his supreme range throughout the entire song to qualify for the Final. Still not quite sure how he did, though. Still cannot find his backing singer, she’s hidden well! Yeah, still not convinced that this song can do much, Europe has never gone for countertenors before, I don’t think it will now. Past operatic acts never finished higher than mid-table and I do not expect this one to.
Brace yourselves everyone – here comes Romania!
The Netherlands Birds performed by Anouk — if you don’t understand the lyrics – want to understand why the album this comes from is called Sad Singalong Songs, or just want to feel blue, watch the official video (after the Final, of course). I wonder how big an impact following the advert break will be – I wonder if she was placed here to help bring people back faster. Oh my, the fans are really into this one! As I’ve said before, this song could shock a lot of folks and win (or at least finish Top Three).
I’m getting tired of all the pandering to the gays. Really? Really? Do we really need so much pandering? I think not.
The crowd preemptively cheered for Anouk, only to realize that Petra Mede was on stage. Then cheered again for Lynda Woodruff – who’s skits are awesome! Love the viking helmet! I love how she’s acting as if ABBA is the Swedish royal family – hilarious!!
Armenia Lonely Planet performed by The Dorians — Another song that leaves me curious on how it slipped through to the final. The timing sounds off, like the singer is slightly behind the music. He got pipes, though! The pyro is unnecessary. Still do not think it will make the Top Ten, but then again, I didn’t think it could qualify.
Germany Glorious performed by Cascada — I have yet to hear this song performed, in a big concert style like this, in which Natalie Horner (Cascada’s singer) was on key throughout the song. It’s such a foot stomper, and Cascada is so big, that it probably won’t effect the fan vote at all (I wholeheartedly expect Germany to be top five in the televote) but I wonder if the juries will bring down the score.
Something has just come to mind. The advert break is usually after song 12. I wonder if they will push it back for Anouk or if the are subjecting her to following it (a spot that is notorious for hurting the entry). Not only would following the advert break be a disadvantage, but coming before the craziness that is Romania would not help things.
Russia What If? performed by Dina Garipova — uh oh, first notes were a little off. Is someone nervous? She looks it. She’s recovered, but not as strong as on Tuesday, I think. Still, though, a solid performance. There’s every reason to believe that this will finish in the Top Ten.
Malta Tomorrow performed by Gianluca — this song is so adorable, and the lyric video in the background is great. It fits the song so well. As I said on Thursday, it definitely gives you that sing-a-long on the beach feel, which is what they are going for. Hey! That one random fan guy was singing along, but facing away from the stage. Hahaha!
Belarus Solayoh performed by Alyona Lanskaya — much better than on Tuesday. The staging is still much too busy, but Lanskaya sounded a thousands times better. Only a couple of times was she screaming, hmm…she may be moving back into my predicted Top Ten.
Estonia Et Uus Saaks Alguse performed by Birgit — Is it me, or does she look naked during this black and white portion? Still a very lovely ballad, still a bit forgettable, still beautifully sung. And still, all I can think about is France and Amandine’s awesome performance, sorry Estonia. Great song, though!
Belgium Love Kills performed by Roberto Bellarosa — he definitely seems to have a bit more stage presence this time around. I guess qualifying gave him the confidence he needed. His dancers are so creepy! And that look he just gave the camera (right after that big note) was a bit deranged! Overall, a much better performance than on Tuesday – well done young man!! Is he crying? No one expected Belgium to be here, not even him, I suppose.
Spain Contigo Hasta el Final performed by ESDM — another contender for last place. Not because it’s a bad song (actually, it’s an amazing song; it’s not too often you hear Spain embracing the Celtic roots of Galicia (they sent a major Galician artist in 2011, but gave her a thoroughly Spanish song) but because it’s kinda of just there for most ESC fans. Did she just change her dress? Let that be a warning – don’t ESC and type, my friends. Iteresting choice to go full throttle, then pull it back. Love the floating lamps! Is it just me, or was she flat throughout that whole song?
Finland Marry Me performed by Krista Siegfrids — a bit less energy at the beginning here. I hated this song, then liked it, then loved it, then hated it again. And the part at the end of the performance is silly and, in my opinion, demeaning – but that’s a post for another time. Ably performed once again, albeit with a little less enthusiasm and energy tonight. The question is, will she be able to garner enough points from the more conservative populaces (particularly those in the East) to land a decent placing? Not sure.
Moldova O Mie performed by Aliona Moon — her voice is not quite as strong as on Tuesday. And her hair does not seem as high, either. Though, I will say, the song is captivating enough that I forgot about her backing dancers for the entire first half of the song. Awesome! Maybe not Top Ten, though, since it is so early in the Running Order.
Lithuania Something performed by Andrius Pojavis — Still not quite sure how this got through to the Final. It’s pleasant I suppose. The lyrics still don’t make any sense to me. I predict a near bottom finish for this song.
France L’Enfer et Moi performed by Amandine Bourgeois — That was a heck of a performance – bravo!! Amandine is going to shock a lot of folks when she scores well, I think.
BTW, my pre-Contest prediction for Top Ten
5. The Netherlands
France is opening for us this year! An interesting choice, but I guess it can inject some energy into the fans – but what kind, I’m not sure. Like any French girl, Amandine loves trying on new clothes.
As I said before, Azerbaijan’s biggest fear is to have Italy too close, and they’re only four songs away, with Italy going after AZR, I predict that neither will win because of this, opening the door for a brawl between Denmark, Norway, and Georgia. Though, given the semi-final performances, Denmark is the strongest of the three.
Whoo!! I’m stoked – this promises to be a close a Contest with the five biggest favorites are stacked together at the end of the running order.
Clearly, Sweden does not seem to have any good fashion designers because this is Petra’s third straight ugly dress.
I find it interesting that only Gianluca of Malta got a huge fan reaction – perhaps he’ll bring Malta back to the Top Ten this year?
So, I really liked the opening clip of the caterpillar heading to Malmo. And I really like opening song. I know it’s supposed to feel like the opening of the Olympics, but it feels more like the Junior ESC when every country gets introduced. I do love it, though!
This year I am writing notes live and then immediately posting so remember to refresh your browser.
As you prepare for the Grand Final, I have prepped documents giving a brief overview of the Contest’s history, rules, the voting system, and each participating country. I have previously posted these, but thought it would be good idea to re-post them. I have also updated the country profiles to include the Grand Final running order. Keep them for yourself, share with friends, print them out and have them ready for the passing during your Eurovision Party — whatever works for you!
After a few days of thinking about it, I am still fairly satisfied with the results of the First Semi-Final – let’s hope that tonight will be equally as satisfying (if not more!). A lot of people seemed shocked that none of the former-Yugoslav countries made it through, despite the fact so many of them were in the First Semi-Final together. Now the big question is: “Who will they all vote for in the Grand Final (since Macedonia most likely will not be in the Final)?” I can tell you now, Serbia will vote for Russia, Croatia & Slovenia will vote for Italy, and Montenegro & Macedonia will vote for Albania.
Something interesting going on with the draws for the halves of the Grand Finals:
Estonia, the Netherlands, Russia, Lithuania, Belgium, Moldova, Belarus, Spain, Germany, and France have all been drawn into the first half of the Grand Final – that means only three songs qualifying tonight will join them; all the rest will be in the second half. What does that mean, the Netherlands, Russia, and Germany, who all had outside shots of winning, have much slimmer hopes now. Azerbaijan, Georgia, and Norway – the remaining favorites (who all will most likely qualify tonight) have had their chances increased! as they will probably land in the second half of the show. Italy also sees its slim hopes alive, as it is in the second half, and as I said previously, if it is close to Azerbaijan, it will surely still votes from last year’s host as it is the better male ballad between the two. San Marino, who is a dark horse this year, could also see itself land in higher than expected spot if it qualifies for the Final and gets drawn to the second half.
Onward to the Second Semi-Final!
I was 8 for 10 in my predictions from Tuesday night – not too shabby! Below are my initial thoughts on who will qualify for Grand Final from tonight’s show:
I think San Marino is poised with its best chance to qualify since joining the Contest. It has a good spot in the running order and is a big fan favorite (it got second place in the OGAE Fan Poll); but, we have seen fan favorites fall before. Same goes for Norway – it is the kind of thing that would succeed in the Grand Final, but may not do well in a semi-final. With a strong performance, Switzerland could join the Netherlands and Belgium in the Final – wouldn’t that be a sight! Anyway, I’m super excited for this – so let the show began!
I’m rather liking this Opening Act! I think it’s called dance symphony or something like that. That was pretty awesome!
OH MY GOODNESS – What is our host wearing?! And what’s up with her hair?! And why did she compare herself to Indira Gandhi and Mother Theresa?
On to the entries!
Latvia Here We Go performed by PeR
OH MY – this went from zero to sixty in a blink of an eye! There’s…so…much…sequins – does that jacket really need to be so bright and silver? Is that guy playing an iPad attached to a guitar? I get it, he represents today, the keytar represents the 80s and the those two guys represent the 90s, the era from which this song was taken. That was better than expected – but still rather silly.
San Marino Crisalide (Voda) performed by Valentina Monetta
Already some positive crowd reaction and it hasn’t started yet. Looking at this robe she’s wearing – will there be a costume change? Yes! the first since, what, 2009? Remember when costume changes used to be the staple of the Contest? Now the wind machine has taken over. Well done (except for that last note, which was rather botched), though not quite as strong as I was hoping it would be.
Macedonia Pred da se Razdeni performed by Lozano & Esma
I like how Esma’s portions of the postcard all show off how famous and decorated she is. Where’s Lozano’s glasses? What is Esma wearing? Is she sick? Why is her voice so hoarse? I wonder if Lozano came over to hug her to let her know it was time to start wrapping up the song. If they had any hope of moving through, they needed a flawless performance. This, unfortunately, was not it. It looks like there will not be any former Yugoslav nations in the Final this year (the first time since they started joining the Contest in 1993).
Azerbaijan Hold Me performed by Farid Mammadov
Is he singing in English? Oh, yeah, he is. He mumbles a lot. Oh cool! It’s like his shadow there in the box. WHOA! That guy is upside-down! Does that lady’s dress need to be so long? Oh – the box is actually a money machine full of little paper hearts! Whoops – Farid dropped that last note. His vocals were about as expected – okay, whiny and a bit nasally, but that’s his voice. That guy in the box is much like the sand artist for the Ukraine from 2010, makes the stage show so unique, it’s hard not to like it.
Finland Marry Me performed by Krista Siegfrids
She looks so much more mature with her hair down – I actually think that hinders the song a bit. Well, this most definitely gets the “Campiest Act of the Year Award.” Was that part supposed go like that – because on the studio version she says “Yeah” one more time and for a longer amount of time. And the timing seems rather off for launching back into the chorus. And I roll my eyes at the girl-girl kiss – really? That just cheapens everything. But it’s a cheap song, so perhaps it will work well for them.
Hahaha – yes Petra, folks just tuning in are probably freaking out if the first thing they saw was that Finnish act. I really like this Lynda Woodruff character – she’s funny! And I loved the reference to Bonnie Tyler.
Malta Tomorrow performed by Gianluca
I bet Malta is happy they got an advert break between themselves and Finland – gives us time to readjust ourselves. There was a lot of energy in those first few entries, and we have to recalibrate. I like the words on the screen, it gives the act a sing-along feel; like, we’re all on that beach with him and his friends in the postcard. That’s such a sweet song – the whole thing is rather adorable. Still don’t think it has a shot of moving through, though.
Bulgaria Samo Shampioni performed by Elista Todorova & Stoyan Yankulov
And Europe’s favorite Bulgarian percussion duo is back on the ESC stage. The only act to get Bulgaria to the Grand Final (back in 2007, they got 5th place), they’re hoping for a repeat after Bulgaria’s participating broadcaster polled people and found that folks wanted a ethno-club track in Bulgarian for ESC. That bagpiper is a bit creepy. Glad to hear that Elitsa’s voice is much stronger (and more frequently on key) than in 2007. The bagpiper seems to have evolved into some kind of creepy tribal man – how strange. This whole package – the song, the performance – just…kinda…strange.
Iceland Ég á Líf performed by Eythor Ingi
Not a strong start out of the gate. That big note was amazing!! It completely wipes out the fact that the rest of the song was performed marginally (as compared to the studio version). There’s his backing singers! All I can think about is that big note in the middle – and it was amazing! Well done!
Greece Alcohol is Free performed by Koza Nostra feat. Agathon Iakovidis
Oh cool – their instruments light up! The energy here is maybe not as high as Latvia or as manic as Finland, but it feels Oh! so much more genuine. While those other two acts may be a bit more dazzling, this one infects you and wants to get you up and moving and dancing and singing. I thoroughly enjoyed that!
Israel Rak Bishvilo performed by Moran Mazor
Wow, listen to that crowd reaction! What a shame, that would be such a nice dress if it didn’t go all the way down to her belly button (apparently, it originally went lower before they thought better of it). So, she’s only 21, but the combination of hair, glasses, and dress makes her look like she’s in her 40s. Which works for this song, since it has such a mature sound and would seem disingenuous if she appeared her age. Oh, she hit the high note, but was smart enough to not linger on it as it was getting away from her. AMAZING! Her voice is so powerful, it’s awe-inspiring.
Armenia Lonely Planet performed by The Dorians
His voice sounds like a gospel singer – it’s really soulful. Too bad this song is trite and dull. Oh, spoke a little too soon, he’s gone a bit screechy. If we’re trying to save the world – why so many pyros? All that smoke cannot be good for the ozone. Ouch – he botched that last note.
Hungary Kedvesem performed by Bye.Alex
Who knew Europe had hipsters? I like this song and I like reprising the cartoon from the music video in the background. That was rather pleasant. Unfortunately for Hungary, pleasant does not go far at the ESC.
Norway Feed You My Love performed by Margaret Berger
Is it me, or does the timing seem off? Like, Margaret Berger is just ahead of the beat and that the whole song is a few clicks faster than it should be. It kinda feels like she’s phoning in this performance. The one from Norsk Melodi Grand Prix was much more emphatic. I know she’s a favorite to win – but we’ve seen favorites fall in the semi-final and after with great performances. With a song that is this different and this out-of-the-ordinary, you cannot risk having a less than awesome performance. I think she left herself vulnerable here.
Lys Assia! Glad to see her out of the hospital and looking good (she was hospitalized last week for pneumonia – she said that she thought that she was dying). We weren’t expecting to see her this year – but here she is! Great to have you Ms. Assia! I wish every winner was as endeared to the Contest as she is.
Albania Identitet performed by Adrian Lulgjuraj & Bledar Sejko
Whoa! We don’t need to be that close to Bledar! The camera was, like, literally on his cheek! Everyone seems to like this song so much – I think it’s because it’s the only rock song this year…and it has that killer guitar solo, but still. It’s alright, but it could be better.
Georgia Waterfall performed by Nodi Tatishvili & Sophie Gelovani
People compare this song to In a Moment Like This (Denmark 2010) and Running Scared (Azerbaijan 2011). I don’t think it’s anything like 2011’s winning song; it’s much more powerful and emotive. It is a lot like the Danish 2010 entry, though, “Eurovision by numbers” they say. It worked then and I see no reason it won’t work now.
Ooh! Sopho missed both big notes in that key change – badly! Disappointing, but they’re going through. This type of song is too popular and both Armenia and Azerbaijan are voting tonight.
Switzerland You and Me performed by Takasa
Another change from the studio version – the girl lead singer gets the second verse. In case you were wondering, the bass player is 95 and is now the oldest person to ever compete in the Contest. I don’t know. I love this song, but it is definitely lacking energy – it just is not very dynamic tonight. Disappointing.
I find it interesting that calling themselves “Salvation Army” and wearing their uniforms was too political and religious, but Krista Siegfrids can kiss a girl in protest on the stage (something that Russia was forbidden from doing in 2003) and use her song for political activism….interesting…
Romania It’s My Life performed by Cezar
WHAT IS HE WEARING?!?! What is up with the awful outfits this year?! Are those dancers naked? Why are they red, like, they’re covered in blood or something? Oh, time for “Spot the Backing Singer!” Oh look, a lady covered in gold. Oh my gosh! He’s so tall! Wait, I think he’s on stilts.
Oh! Thanks Petra – I guess the backing singer was under Cezar’s vampire cloak.
And, there you have it! In an hour’s time, we will have the last ten songs to enter the Final.
Any else reminded of Jedward by the Latvian duo? They jump around, where a small country’s worth of sparkles, and sing off key.
Overall, I am somewhat disappointed. This was supposed to be the stronger of the two semi-finals, with three favorites (Norway, Azerbaijan, and Georgia), a major fan favorite (San Marino), and a bunch of my personal favorite entries (Macedonia, Switzerland, etc.) but everyone seemed to be under-performing except for Azerbaijan, Greece, and Israel – I hope all three move through!
|My Top Ten||Who I Think Will Qualify|
Excuse me, I stand corrected, Moran Mazor is actually 22.
I love the history bits!
Haha San Marino! I noticed that this time they used the faster part of the song as opposed to the slower half in the second recap (in the first recap, the slower half was used). I guess if people only remembered half of it, they wanted to make sure that they remembered to vote for them!
Darin! A major Swedish pop star and Melodifestivalen loser (he got 4th in 2010). He’s attractive but his voice is not that good. But he’s a pop start, so I guess that’s a winning combination.
And now we have Agnes. Who has not competed in Melodifestivalen (yet) but did win the second season of Swedish Idol (Darin was runner-up the preceding season). I liked her bit better than Darin’s songs, but I am not about to run out and buy either of their albums.
Why isn’t Amadine Bourgeious not in the arena for this semi-final?
The Actual Qualifiers Are:
-Hungary! Whoa!! That was not expected! (0 for 1)
-Azerbaijan – no surprise here (1 for 2)
-Georgia – they need to step up their game if they hope to contend for the victory (2 for 3)
-Romania – What…the…Heck! How did this happen? (2 for 4)
-Norway – I was getting scared after Romania got through…Oh, I hopw San Marino makes it!! (3 for 5)
-Iceland – yay! (4 for 6)
-Armenia – it’s a weak song, but well performed (5 for 7)
-Finland – big reaction! I wonder if it will be as popular on Saturday (6 for 8)
-Malta – nice, but now a more deserving entry (San Marino or Israel) will not make it (7 for 9)
-Greece – right, I forgot they hadn’t moved through yet (8 for 10)
What just happened? I like Kedvesem but it did not deserve to go through. Romania…what?!…how? I’m so confused!!! How on earth did he garner enough points to move through? How did Israel and San Marino fail to garner enough points to progress? What?! My head hurts. I can’t think about what just happened. San Marino had so much fan support. Israel was such a high quality entry – what? Romania? What? How? I give up. Let’s just look at the running order:
Break down of who landed where
The three unlucky entrants that will be in the first half on Saturday: Finland, Malta, and Armenia
All others are in the second half.
They just released the running order (remember, I’m watching the semi-final in the evening (American East Coast time) since I work during the day)
- The Netherlands
- United Kingdom
France gets to open the show – and interesting choice when Spain or Malta might have been provided an easier, smoother opening.
Lithuania gets the kiss of death with the second spot – not that it had much chance to win, anyway.
Finland is sandwiched between two ballads, which will either smother it or boost its ratings, I’m not sure.
The Netherlands once again finds itself at the end of the first half, sandwiched between two very different songs, Armenia (which will probably a slightly smoother transition than Ukraine) and before Romania (which will probably wipe out the Netherlands from people memories with its craziness).
The United Kingdom is much higher in the running order than expected, given the name recognition of Bonnie Tyler (compared to Anouk, who is always as late in the running order as possible, most likely due to her celebrity).
Interestingly enough, with the producer chosen running order, all the favorites are at the end of the show:
This has never happened before, where so many betting favorites are lumped together and with prime running order position. Russia is the only favorite not in that run because it was drawn in the top half of the show. I’m interested to see how this affects the show, I imagine that it will lead to a more even point spread. Since many favorites tend to be knocked out by running order position (think Russia last year or Azerbaijan in 2010) points were easily pooled into one or two acts. This year, the favorites are all together at the end of the show, they will all be vying for points against one another – I think my prediction of a tie just might come to fruition!
Finally, Ireland closes the show. In my opinion, this song should not even be in the Final, now it will most likely finish in the Top Ten. Oh well, at least it’s not a bad song.
I think I’ve recovered from Romania’s qualification, but, yikes! it was still so unexpected. I guess its 100% qualification record survives another year. Okay, so, we can all take Friday to recover, reflect on what has happened on Tuesday and Thursday, and prepare for the Grand Final – I’ll see y’all here Saturday! I’m posting my live notes live this year! So don’t miss out!