First Reactions to the Eurovision 2015 Grand Final
Hello Dear Readers!
Wow! What a show! Twenty-seven fantastic performances, exhilarating mid-voting & interval acts, and voting that kept us on edge until nearly the end. Some initial reactions and notes from Saturday night:
-Congratulations to Sweden! It’s second win in four years, and sixth overall. Sweden now stands alone in second place in all-time victories. The UK, France, and Luxembourg are now in third place with five wins. Ireland is still in first with seven – Sweden is setting its sights on the coveted top spot. Rumor has it that it will be in Gothenburg next year, not Stockholm, but we’ll see.
-Overall, I am not too surprised by the Top Ten; I was only 60% accurate. I am very happy that both, Latvia and Belgium, were able to make it to the Top Ten, that they did not cancel each other out. I am disappointed that Azerbaijan did not make it, but I guess it’s nice to see that it is starting to normalize within the Contest as opposed to always being in the top – like what Armenia starting experiencing in 2011.
-Biggest Surprise: We have the first nul points in a Grand Final since the UK in 2003. Not just one, but two: Germany and Austria. It is the first time a host country has received the infamous score and only the second time a host has come last (the Netherlands came joint last in 1958). Regardless of your opinion of these two songs, neither deserved nul points. The performances were solid, the songs are catchy, and it’s inconceivable that, among forty countries, not a single one found a single point for either. It’s mind-boggling and I am sure will be a source of chatter within the fan community for years to come.
-Fans are desperately and deeply split on Russia. On one side, we have people who oppose Russia’s politics (on multiple fronts) and view their entries as an extension of Putin. On the other side, we have fans that argue that we must be neutral and that Russia’s song deserved its widespread support. I try to stay out of the arguments, but given it is becoming one of the biggest issues (and not just with Russia, but Azerbaijan as well), I feel like I must comment. Personally, I think that if we think Russia should not compete, then we must petition the EBU to punish Russia, which could include blocking them from participation in Eurovision programming (ESC, JESC, Young Musicians, etc.). Until the EBU decides to take action, we must treat every competitor with respect. We can also take action by not attending an event in a country we protest and pressuring our broadcasters to withdraw in a year that we think that a country has politics contrary to the ideals of the Contest.
-The Big Five (except Italy) all ended up at the bottom if the scoreboard. The UK missed an opportunity to capitalize on a truly unique and fun entry. France was screwed by its running order position (again! Just like 2013). Spain was a victim of its own over-production. Germany, inexplicably, earned zero points – why, I have no idea. It seemed like country really tried to do its best this year, so, as of right now, I have no suggestions for improvement other than to lick their wounds and move forward with renewed optimism.
-The production was lovely, even though I thought it was a bit too heavy on promoting Conchita; her agent must be amazing. I appreciated that there were nods to the gay male fans, but we were not lifted up as the “ideal fans” or the only fans out there (something that I fear Sweden will return to doing, especially if Petra Mede is invited back to host). The organization left much to be desired, which I will dive into in a future post about my experience in Vienna.
-Finally, something needs to be done about this flag situation that’s become much worse since the standing section was introduced in 2013. The easiest solution would be to build a stage that is higher up or at least raise the angle of the cameras. It will result in much different kids of shots, but would help alleviate the problem.
I spent a combined total of 34.5 hours standing in queues ahead of the show. Most of those hours were outside, many in the rain, some in crowded, tight spaces. At times, we asked ourselves “why we were doing this?” And had to constantly remind ourselves that, despite the rain, despite the disorganization of the security staff, despite the pushing, shoving, and disrespect from other fans – experiencing the show was going to be worth it.
And it was. It simply was.
Not just for the reasons I mentioned at the top of this post, but also for the community. The new people that I met, the people I saw again from last year, and the overall crowd. I love Eurovision, not just for the combination of geography, pop music, and competition, but for ideal of unifying a continent (and beyond!) for a week. ESC is at its best is when shared in community. I guess that’s why I started this blog, to expand my ESC community. So I want to thank you, my dear readers, for it is you that helps keep this passion, this Eurovision Obsession, going and growing.
Eurovision is about people – die-hard fans, noobs, casual viewers, Europeans (regardless of their national origin), and non-Europeans alike. While we can argue about who should participate and how, we must all agree that the shared experience of enjoying the Contest is open to everyone. Thank you for your readership and I look forward to seeing how this blog continues to grow and expand into the future!
Stay tuned for my wrap posts from this year’s event, including my annual awards and a post about my time in Vienna!