RtD14: Looking Back at Bulgaria
Hey! Welcome back to the blog! I’m doing alright. Hopefully, there will be no more pauses. We continue on our journey along the Road to Denmark 2014 with a stop in Bulgaria!
Much like the efforts of Bulgaria, my preferences for their entries are all over the place. Oftentimes, it takes me a few months before I come around to liking them. But, I like Bulgaria; it’s got spunk! They keep trying and trying; hopefully it’ll find its swing in Denmark.
2007 – Voda (Water) – This was the very first song I ever heard at the Eurovision Song Contest; it opened up the semi-final in 2007 (the last year of a single semi-final). I remember thinking, “What is this strange European thing?” Little did I know it was the first of 26 musical strings that would tug on my heart with immense gravity. I thought that this song was a train wreck the first time I heard it. It has since grown on me immensely.
2008 – DJ, Take Me Away – Perhaps the best Bulgarian entry in recent memory. It’s distinct, memorable, and unlike anything else that year. It’s a great song! I think that it is a perfect balance between uptempo dance and pop.
2009 – Illusion – I am assuming that Krassimir was sick because the performance of this song was awful. The staging was way over the top. The singing was way off. The lady screeching was unwanted. Awful. Which is a shame because it’s a great song!
2010 – Angel Si Ti – I loved this song from the first listen. Unfortunately, Europe did not. Again, another over the top performance; the half-naked, glittery angels were way too much. The song is fun, the music is upbeat, and the lyrics are quite positive. It’s a fantastic entry – a bass singing an uptempo disco number, what’s not to like?
2011 – Na Inat – Bulgaria took a rare break from the dance floor to try a pop-rock number. Poli Genova gave it everything she had, but was lost in a night full of strong entries and performances. An average song performed admirably.
2012 – Love Unlimited – Probably the most beloved Bulgarian entry among the fans. It broke the record for number of languages within a single song to be performed on the ESC stage (11); it was disco at full power! However, the one time that an over-the-top staging was called for, Bulgaria gave one lonely woman on a colorful stage. It just doesn’t make sense.
2013 – Samo Shampioni (Only Champions) – Hoping to repeat the past, Bulgaria sent the country’s top percussion duo in Editsa and Stoyan. Unfortunately, this was the case. Once again, the performance was over the top and scared off the voters. Why, on earth, would we need to see a random guy jumping around in a giant tribal mask?
Let’s Take a Closer Look At: Bulgaria 2009
So, this actually is what caused my delay. I spent so much time agonizing which one of these songs to focus on. I finally decided upon 2009 due to the rabid success of this year’s Romanian entry. In 2009, a countertenor making his first foray into pop music won the Bulgarian national selection with an uptempo, slightly bizarre song. This entry was maligned as another piece of rubbish from Bulgaria. It was unpopular and looked over; deemed too weird to be successful. The negative thoughts combined with a poor performance made that prophesy come true. However, in 2013, Romania sent a countertenor making his first foray into pop music won the Romanian national selection with an uptempo, slightly bizarre song. But this time, things were different. People heralded the song as revolutionary and amazing. While a lot of the ESC press thought the song to be too out there, the populace jumped on board. When the song failed to reach the top ten of the final – the press and public yelled, “Foul!!” What I don’t understand is, what made this song so much better than the Bulgarian entry from 2009? They’re essentially the same song – and as bad as Krassimir’s performance was, it doesn’t warrant the wide disparity between the two receptions. Perhaps you fair readers can shine some light on this.