Eurovision 2013 – One Week Later
So, it’s been a week since Denmark’s third Eurovision victory – and what a week it has been!! But more on the accusations, concerns, and speculations a little later – first, let’s wrap up Eurovision 2013…and we all know what that means – my annual awards! I will give out awards for lyrics, outfits, American-ized sound, and general “ESC-ness.” Additionally, I am adding awards for staging. Please note, all photos are from the official ESC website: eurovision.tv.
Best Lyrics Award
“Og ég trúi því, já ég trúi því
Kannski opnast fagrar gáttir himins
Yfir flæðir fegursta ástin hún umvefur mig alein”
Full disclosure here: my primary reason for liking these lyrics so much are their Christian undertones. The whole song is sung vaguely to a “you” and how the love this person (or Deity) provides hope, light, and inspiration.
First Runner-Up: Croatia
“Zlata niman da te njime okitim
Samo ove ruke dvi da ti dušu zagrlim”
A simple love song – the singer has nothing more than love to offer his beloved. The “misery” they keep singing is a reflection of this lack of material goods.
Second Runner-Up: Estonia
“Veel sulab jää ja õide puhkeb raagus puu
Iga lõpp ei ole muud kui algus uus
On vaja ööd, et päev tooks valguse”
Some might consider this song a bit trite, but I like it! The hope it inspires, its optimistic attitude. All of which are made more significant by the fact that Birgit is pregnant with her first child.
The “Huh?” Award: Given to the country the most questionable, lazy, or just plain nonsensical lyrics.
“Solayoh, Solayoh, where the sun is always shining on ya
We play-oh, we play-oh to the rhythm of a cha-cha”
Yeah…if you’re going to make up words, go the whole way and sing the whole song in an imaginary language – none of this mix-and-match stuff.
First Runner-Up: Hungary
“Farkasok neveltek és
Táncolt egy délibábbal
Majd elillant csendesen”
Throughout the song, we learn that his love was raised by wolves, she embraces the seven continents, and dances with mirages. What? Who is this girl? Is she some kind of wild child? How does one dance with mirages?
Second Runner-Up: Montenegro
“Kik i bas zaraza razara, niko neće poć’ utvrđenog pazara
Opet sjutra utabanim stazama, s mojima visim ne mislim o parama”
A song about going to a never-ending party, with lots of ways to lose your money and with plenty of scantily clad women. It’s like a flashback to the 90s! Really, just a rather vapid song, lyrically.
Best Dressed Award
A big improvement from last year! Marco Mengoni was impeccably dressed in a sharp green suit, good stuff!
Her dress, which was only slightly altered from the one she wore at Norsk Melodi Grand Prix, fit the attitude of the song perfectly. Tight, alluring, but covers enough to leave a bit of mystery in the air. Perfect.
Their outfits perfectly fit the feeling of the song and the persona of the singers.
Honorable Mention: Moldova, Georgia, Ireland, The Netherlands
Most in Need of a Costume Change Award
Moje 3 won the Barbara Dex Award this year. Need I say more?
His outfit was not only awful, but he had the nerve to complain that people continually compared him to Dracula. Let’s see, you’re from Romania, you have a black cloak that has a collar as high as your head, and you rise up throughout your song while surrounded by people who look as if they’re covered in blood (and nothing else!) – yeah, those comparisons are going to be made.
Bright…shiny…death by sequins…
Honorable Mention: Israel, Bulgaria, Petra Mede (I know she wasn’t competing, but her dresses were awful)
Best Staging Award: a new award this year – I often talk about the performances and thought that I should formally recognize the best ones
The idea of using a dancer to shadow Fariid Mammadov was genius. Its execution was even more brilliant. They established the box man’s purpose, which allowed him to be a bit more freeform later in the performance. Smashing!
First Runner-Up: Denmark
Frankly. this staging was designed to make this entry look like a winner – and it worked. Well done!
Second Runner-Up: France
It was very simple, but Amandine Bourgeois excelled on stage and brought the passion and the fire!
I don’t want to add another negative award for worse staging, so I won’t. Though, I do want to say that Belarus was way over the top.
“This is DC Calling” Award: Given to the most American sounding entry
Not just because Hannah Mancini is American, but in a year with a lot of ethnopop, this one brought the least “European” feel to the Contest this year.
First Runner-Up: Switzerland
They reminded me a lot of generic Christian rock – which I guess makes sense given Takasa’s background.
Second Runner-Up: Moldova
Very much a 1990’s R&B sound to this song.
Honorable Mention: Greece, Russia, Finland
“The Pond Leaper” Award: While I think each song would find a niche here in the USA, I think these songs would be the most popular
It’s Cascada. I wouldn’t be surprised to hear this song on the radio in a month of so.
First Runner-Up: Sweden
One of the more modern entries this year, I think You would fit perfectly with the current Top 40 in the American charts.
Second Runner-Up: Greece
While the metaphors and intricacies of the lyrics would be lost on most in the US, it’s a great party song and the masses would jump behind the “Alcohol is free” lyrics and ska sound.
Honorable Mention: Moldova, Hungary, Finland, Norway, United Kingdom
The “Spirit of ABBA” Award: Give to the most stereotypical ESC entry – especially apropos due to this year’s location in Sweden!
Campy – yes! Dodgy lyrics – yes! Over-the-top stage performance – yesyes!!
First Runner-Up: Georgia
I have said this and so have many commentators and commenters: “this song is Eurovision by numbers.” Just your standard, carbon cut ESC song.
Second Runner-Up: Denmark
Also considered tobe a bit generic, this year’s Danish entry was flashy and vaguely ethnic, two classic elements to many ESC entries.
Honorable Mention: Russia, Malta
The “Shiri Maimon Travesty of the Year” Award: In 2005, a true work of art was entered into the ESC; Israel was represented by Shiri Maimon with the song Hasheket Shinish’Ar. Not only did this song not win, but the winning song that year was not even worthy to be performed on the same stage as the Israeli entry. For me, that was the biggest travesty in Eurovision history. Each year, I hand out this award to the biggest disappointment of the Contest.
This year, Israel had a very strong composition, with well written lyrics, and an amazing singer. Yes, her dress was ridiculous and distracting, but not so much so that it warranted Israel’s failing so greatly.
First Runner-Up: San Marino failing to qualify
This song was a huge fan favorite, and rightfully so. Granted, Valentina Monetta’s vocals were not as strong as they could have been, it was still a huge shock and disappointment that Crislide (Vola) failed to make it to the Final.
Second Runner-Up: France scoring only 23rd place.
Amandine Bourgeois was flawless on the night and deserved a Top 15 spot, if not Top Ten. She was sunk by her position in the running order.
Honorable Mention: Finland allowed to have its girl-girl kiss (Krista Siegfrids admitted that it was a political move, but was still allowed to do it anyway)
And finally, the biggest award of them all…My Top Ten! While I like all of the songs, these are my ten favorites taking into consideration the lyrics, music, live performance, and studio performance. Songs are ranked from 10 – 1, with one being my most favorite song.
|10. Azerbaijan||I was lukewarm on this song until I saw the performance – wow!|
|9. Israel||A captivating song from the first note|
|8. Hungary||Smooth, understated, quite nice|
|7. Denmark||A lovely song that is catchy and uncomplicated|
|6. San Marino||Unexpected and entertaining, well sung|
|5. Slovenia||This song is pure energy (it’s a shame about the live performance, though)|
|4. The Netherlands||Powerful, quiet, and contemplative that perfectly builds throughout|
|3. Switzerland||Fun and catchy, a love song that dares to pop|
|2. France||Dark, powerful, and devilishly addictive|
|1. Norway||Mysterious, very modern, and utterly captivating – live or in studio|
I don’t think I will comment on the voting controversies (essentially, various countries are concerned that several entries receiving a lot of support from the televote received little to no points in the final point awarding) other than to say that I agree with the general consensus of the ESC blog world: people were not prepared for just how much the new voting system was going to affect the final scores. I agree, the EBU should repeat what they did in 2009 and reveal the full split vote, showing the jury vote and televote for each country for each of the three shows. Their rationale of “protecting countries that did not reach the televoting threshold” is suspicious and disconcerting (especially since they have not released the guidelines for what this threshold would be for each country, either). Anyway, for more detailed look, you can go to one of my favorite ESC blogs and read his article on the voting.
I will also talk briefly about the Marcel Bezaçon Awards, the annual awards given to the Press’ favorite act, the best performance (as deemed by the commentators), and the best composition (as voted by the composers of the 39 competing songs). Georgia won the Press Award (probably because of how stereotypically ESC it sounded). Many complaining that Italy or The Netherlands should have won, but given that both of the performing artists canceled some press interactions and generally had an air of nonchalance, there was no way the Press would vote for them. Azerbaijan won the Commentator’s Artistry Award; while I do no think any one would objectively say that Farid Mammadov was the best performer this year, the entire staging of the Hold Me definitely warranted Azerbaijan winning this award. Finally, Sweden won the composition award. I’m not quite sure how or why, it’s not bad, but there were many more with better compositions (such as Norway, Germany, or Greece), but the composers thought it was best so it won. I imagine because it was one of the least divisive entries (the three I listed tend to have people who love or hate them, few that just like them).
Overall, I am satisfied with the results. I’m still shocked that Romania seems to have broken the curse of the counter-tenor and landed a 13th placing. I’m also pretty shocked that Belgium did so well with Love Kills as well. But, as I say every year, the final placings are the ones that were deserved based on the lyrics, music, and performances during the second dress rehearsals and live telecasts. I can’t wait until for my dvd to come in the mail!
I won’t put too much here, as I will save my hopes for next year for after we learn a bit more about ESC2014. But, I hope the DR makes some changes from this year’s Contest.
-I hope that we go back to a random draw. Honestly, I did not see a big difference in the mix of musical styles or overall flow of the night, but I know there are a lot of angry folks around the Continent and can put their blame towards the producer-derived running order.
-I hope that the Contest will be more accessible. I said it before, the sheer intensity and frequency that SVT pandered to gay male fans was annoying and unnecessary (which I am saying as a gay guy) and, more importantly, made this year’s Contest less accessible. Now, it requires a disclaimer before I show it to my friends who are not gay males (which is the grand majority of them).
-I hope that DR chooses to host the Contest in the soon to be built Hans Christian Anderson Arena in Copenhagen. CPH is by far the easiest and least expensive city to get to in Denmark (not to mention that I’ve already reserved my hotel room). Also, the planned arena would be smaller than Parken, which would give the arena a more cozy (or hygge) feel. And, since the arena is not yet built, they can optimize it for the Contest. If Azerbaijan can build an arena in one year, surely Denmark can.
Going forward, I plan on posting a last ESC2013 entry once the split votes are revealed. Throughout the summer, I will be posting articles about each of country’s entries since 2007 (my first year watching the Contest) highlighting my ones, key strengths and challenges moving forward, and one thing they can do to achieve a better result next year.